Timestamp #250: The Day of the Doctor

Doctor Who: The Day of the Doctor
(1 episode, 50th Anniversary Special, 2013)

Timestamp 250 Day of the Doctor

The big event in a cup-a-soup.

The Last Day

A soldier opens his eyes to find someone standing over him. The soldier is part of the army on Gallifrey and has been fitted with a headcam. The man explains the headcam’s use and function, including how the frightening images that keep popping up are hallucinations, not premonitions. The headcams are installed into the brain and record everything for the official record. The recording is censored, with violence and language deemed unsuitable for the soldiers’ families cut out, and anything particularly graphic gets tinted red.

These soldiers proceed to Arcadia, the safest place on Gallifrey due to the impenetrable sky trenches. If even one Dalek did get through, the city could be destroyed, so the soldier has to remain vigilant in his scans. As he is trained on the scanner’s use, he detects a Dalek.

That Dalek leads to many more. As the Daleks open fire, the soldier’s headcam goes blank. The last sound heard in the background is a chilling death cry of anguish.

Thus begins the Fall of Arcadia.

The Day of the Doctor

After opening on a familiar theme, we see a police constable patrolling near I. M. Foreman’s scrap yard and Coal Hill School. Inside the school, Clara finishes a lesson for her class as the bell rings. She gets a note to meet “her doctor” at an address on an open patch of road. There she spots the TARDIS and races toward it on her motorcycle.

The TARDIS lets her in without complaint and she snaps her fingers to close the doors. After a cheerful reunion with the Doctor, she jumps as the TARDIS shudders. A helicopter hauls the box away. The Doctor calls Kate Stewart at UNIT headquarters only to find out that she’s bringing the TARDIS. She had no idea that he was still inside.

She has the TARDIS taken directly to the National Gallery where she presents instructions directly from Queen Elizabeth I. The Doctor and Clara meet UNIT scientist Petronella Osgood – she has a nice scarf – and proceed into the gallery. There they find a Time Lord painting known as both No More and Gallifrey Falls. It depicts the Fall of Arcadia and appears in three dimensions. The Doctor is shaken by what he remembers upon seeing the painting, recounting the day that the previously unknown Doctor ended the Time War.

Inside the image, we find the last day of the Last Great Time War. As the Daleks rage and innocents die, the War Doctor takes a gun from a lone soldier. With that weapon, he carves a message into a wall near the TARDIS.

It reads “NO MORE”.

The Doctor escapes by plowing the TARDIS through a wall and a gathering of Daleks. As he flees, the High Commanders gather in the War Room to plan their next move. The Eleventh General dismisses the High Council’s plans since “they have already failed” and ponders the Doctor’s message. He also learns that there has been a breach in the Omega Arsenal of the Time Vaults. Among all of the forbidden weapons – many of which have already been used in vain against the Daleks – the Moment has been taken.

The Moment was the final work of the ancients of Gallifrey. It is a weapon so advanced that it developed a conscience to stand in judgment of the user. The General muses that only the Doctor would be mad enough to use such a weapon.

Sure enough, the Doctor issues a final warning as he walks the empty desert toward an abandoned farmhouse: “Time Lords of Gallifrey, Daleks of Skaro, I serve notice on you all. Too long I have stayed my hand. No more. Today you leave me no choice. Today, this war will end. No more. No more…” He uncovers a complex box that ticks and whirs, lamenting the lack of a big red button to activate it. He hears a rustling sound and investigates, returning to find a woman sitting on the box.

This woman appears to be Rose Tyler, a face that this incarnation does not recognize, but she eventually identifies as Bad Wolf, an avatar of the Moment. She mocks the Doctor in her judgment, wondering why he left the TARDIS so far away. Perhaps so the TARDIS couldn’t witness what he’s about to do. Meanwhile, the Time Lord refuses the right to be called Doctor. Even though the name resides in his head, he no longer feels worthy of it. The suffering of the universe is too great, and he must end it even though it means his death. The Moment decides that his fate and punishment will be to survive the holocaust and live with the consequences, counting the dead for the rest of his lives.

They are interrupted by a fissure that opens overhead. A fez falls out.

In the 21st century, the Eleventh Doctor opens the queen’s letter.

“My dearest love: I hope the painting known as Gallifrey Falls will serve as proof that it is your Elizabeth that writes to you now. You will recall that you pledged yourself to the safety of my kingdom. In that capacity, I have appointed you Curator of the Under Gallery, where deadly danger to England is locked away. Should any disturbance occur within its walls, it is my wish that you should be summoned. Godspeed, gentle husband.”

Kate leads the Doctor and Clara away to show them the next piece of the puzzle. As they leave, UNIT scientist McGillop takes a mysterious phone call and questions why he should move the painting.

The Doctor, Clara, and Kate arrive at a painting of Queen Elizabeth I and the Tenth Doctor, leading the scene to England, 1562. There, the Tenth Doctor and Queen Elizabeth I ride a horse out of the TARDIS where he presumably just gave her a tour of the time capsule. They later share a picnic, and after she remarks on the face that has seen war, he proposes marriage.

It’s a ruse to uncover a Zygon invasion of Earth. Unfortunately, even with his tracking device that goes ding, he misidentifies the queen as a Zygon. When the horse changes shape, the duo runs from the threat. They end up separated, and while the queen gets attacked, the Doctor threatens a rabbit before realizing that it is truly just a rabbit.

The Doctor finds the queen once again, as well as a doppelgänger. While he tries to figure out which queen is the real one, a time fissure opens and a fez falls out.

In the 21t century, Kate leads her group into the Under Gallery where the Eleventh Doctor is fascinated by stone dust. Kate orders Osgood to analyze it while they proceed deeper. The Doctor pulls a fez from a display case before coming to the reason why Kate called him here. Several 3-D paintings that used to show figures have had their glass broken out from the inside. The figures are missing.

The time fissure opens and the Eleventh Doctor faintly recalls seeing it before. He tosses the fez through before jumping across, landing at the Tenth Doctor’s feet. The two Time Lords realize who each other are, compare sonic screwdrivers, and bicker a bit before the time fissure crackles.

The Tenth Doctor sends the queens away with a pair of kisses as Clara communicates with the Doctors through the fissure. The Eleventh Doctor tries to send the fez back, but it never arrives in the Under Gallery. Instead, it lands at the War Doctor’s feet.

Kate leaves Clara in the Under Gallery as she calls her office to request the Cromier file – invoking a nod toward the “UNIT dating controversy” – unaware of the Zygon lurking behind her.

The Tenth and Eleventh Doctors attempt to analyze the fissure, canceling each other’s reversal of the polarity with their sonics. After a moment, the War Doctor jumps through and meets his successors, mistaking them at first for companions instead of Time Lords.

He also chastises them for pointing their sonic screwdrivers like water pistols.

The meeting is interrupted by the queen’s royal guard. The Eleventh Doctor tries to get Clara to pose as a witch through the fissure, but the guards and the War Doctor are not impressed. The Queen arrives and threatens to toss the Doctors in the Tower of London, which serves as Kate’s office in the future.

Once there, the Eleventh Doctor sets to work scratching at a pillar while the Tenth Doctor questions the War Doctor. Meanwhile, in the future, Osgood puts the pieces together and realizes that the statues are Zygons. She’s too late, however, and both she and McGillop are copied. Osgood is able to escape in short order.

Kate leads Clara to the Black Archive, a space where the deepest secrets are kept and everyone’s memories of visiting it are wiped. The archive is TARDIS-proofed to keep the Doctor out since he wouldn’t approve of the collection within. Kate shows Clara a vortex manipulator gifted to the archive by Captain Jack Harkness. The access code has been carved into a pillar.

Clara also finds out that Kate, Osgood, and McGillop are Zygons. In that confusion, Clara steals Kate’s phone and uses the access code to teleport away with the vortex manipulator.

In 1562, the War Doctor muses that he could program his sonic screwdriver to disintegrate the door, but the calculations would take centuries. He suggests starting on them while questioning the dread on the faces of his future selves. They discuss the Last Day of the Great Time War, and the Moment – only visible to the War Doctor – prompts him to ask about the children.

The Eleventh Doctor can’t remember the number of children on Gallifrey, but the Tenth Doctor can. There were 2.47 billion children, and the fact that the Eleventh Doctor doesn’t want to remember angers – no, infuriates – the Tenth Doctor.

The Moment fills in the blanks for the War Doctor: The Tenth Doctor is the man who regrets and the Eleventh Doctor is the man who forgets. She also points out that they all have the same sonic screwdriver at heart with different cases.

If the War Doctor can scan the door, then the Eleventh Doctor’s screwdriver could calculate the method of breaking the door. They confirm it but are amazed when Clara bursts through the door and claims that it wasn’t locked. The queen is right behind her, confirming that she was curious about what they would do.

In the modern day, the real Osgood skulks about the Under Gallery and finds Kate in Zygon stasis. In 1562, the queen shows her visitors what is going on, including how she implanted the Zygons in the Gallifreyan paintings using stasis cubes. They also learn that the woman is the real Queen Elizabeth I and that she killed her impostor in the forest.

After the Tenth Doctor and Queen Elizabeth I are married, the three Time Lords and Clara board the Tenth Doctor’s TARDIS. Detecting a potential paradox, the TARDIS compensates by shifting the desktops around a bit before Clara notifies the trio that they should head for the Black Archive.

The Zygons in the Black Archive are joined by their human counterparts, and Kate informs them that the Archive’s self-destruct mechanism has been activated. In five minutes, the nuclear warhead beneath them will detonate. The Doctors try to land the TARDIS in the Archive and fail, so the War Doctor suggests using the stasis cube instead.

When McGillop takes his call near the first painting, he gets an order to take the painting to the Black Archive. Once there, the Doctors emerge from the Fall of Arcadia and enter the Black Archive. They then use the memory modifiers to confuse everybody as to whether they are human or Zygon. If the participants stop the detonation and create a peace treaty – which is sure to be incredibly fair since the negotiators can’t remember which side they’re on – they will have their memories restored.

The countdown is stopped and the negotiations begin. The Osgoods figure each other out only by the nature of asthma. Meanwhile, Clara talks to the War Doctor about the Last Day, discovering that he hasn’t used the Moment. She expresses the Doctor’s regret about what he did that day, and the War Doctor makes his decision.

The Moment takes him back to the barn in the desert and presents him with a big red button.

He knows now that his successors are extraordinary men, but that they will only become so if he follows through. The Moment talks to him about the wheezing and groaning of the TARDIS, a sound that brings hope wherever it goes. At the same time, two TARDISes materialize behind him and his successors arrive.

They were able to arrive in this time-locked space because the Moment allowed it.

The two Time Lords talk about how they’ve treated their memory of the War Doctor. They explain that he was the Doctor on the day that it was impossible to get things right, and they offer to help him push the button today. Not out of fear or hatred, but because there is no other way. In the name of the lives that they cannot save.

The Eleventh Doctor stays his hand at Clara’s face. She could never imagine him destroying his own people. The Moment shows them the Fall of Arcadia, adding a moment of conscience to the act. Clara judges them: The Warrior, the Hero, and… what is the Eleventh?

She reminds him of the promise of the Doctor – “Never cowardly or cruel. Never give up; never give in.” – and tells her Doctor what to do. They have enough warriors, and any old idiot can be a hero. He should be a Doctor.

The Eleventh Doctor disarms the Moment and explains. He’s had lifetimes to think about this, and these three have a stasis cube. While the War Doctor thanks the “Bad Wolf girl” – the Tenth Doctor is taken aback – the Time Lords put their plan into action.

On the Last Day of the Great Time War, the Doctors send a message to Gallifrey High Command: GALLIFREY STANDS. They explain their plan to the Eleventh General, and even though the general finds the idea absurd, the Doctors explain that they’ve been working on it all their lives.

In an extraordinary moment, the three Doctors are joined by their other ten incarnations, including the one they will eventually become. The thirteen TARDISes take position as the Daleks intensify their firepower. The general tells the Doctor to go ahead. The planet Gallifrey disappears into a pocket dimension and the Daleks destroy each other in the crossfire. A single Dalek pod spins off into the void, foreshadowing their eventual return as the Cult of Skaro.

Gallifrey stands.

Back in the National Gallery, the Doctors muse on whether or not they succeeded. The mysterious painting remains an enigma, but they agree that it was better to have failed having done the right thing than succeeding in doing the wrong. The War Doctor bids farewell to his successors with a special nod to Clara, and they address him as Doctor, fully worthy of the title. He won’t remember this adventure, however, because the timestreams are a mess, but the Eleventh Doctor and Clara will. His legacy is safe with them.

As the War Doctor departs, he begins to regenerate after surviving the Time War. He hopes that the ears will be less conspicuous before transforming into the Ninth Doctor.

The Tenth Doctor takes his leave, asking the Eleventh Doctor where he’s going next. The Eleventh Doctor relents and reveals that they are destined to die in battle on Trenzalore. The Tenth Doctor is glad that his future is in safe hands, but expresses a desire to change their final destination. After all, he doesn’t want to go.

Clara leaves the Eleventh Doctor to sit and look at the painting for a little while. As she steps into the TARDIS, she mentions that the gallery’s curator was looking for him. He muses that he would be a great curator, and a deep voice agrees with him. The Doctor is astonished to see a very familiar face as the Curator arrives, looking very much like the Fourth Doctor.

The Curator suggests that the Doctor may revisit a few of his old faces before turning to the painting. He points out that everyone screws up the title of the painting: It is neither Gallifrey Falls nor No More, but rather Gallifrey Falls No More.

Gallifrey survived, and now the Doctor is tasked with finding it. The mission is now returning it and all its people to the universe.

Later on, the Doctor speaks of his dreams. In a vision, he walks through the TARDIS doors to join his previous incarnations as they stare at the planet Gallifrey above. He is destined to go home, even if it takes him the long way around.


First and foremost, I adore this episode. It is littered with nods to the franchise’s mythology, but more salient, it tackles some important concepts with the Doctor’s character.

During the revival era, the Last Great Time War has hung over the Doctor’s head. The Ninth Doctor was fresh from that conflict and obviously suffered from post-traumatic stress disorder from the magnitude of his choices. The Tenth Doctor and the Eleventh Doctor carried this weight as shown in this story.

The beauty of this story is that it retains the show’s history – the Doctor’s incarnations before now do not remember saving Gallifrey, so none of the motivations or choices made have changed – but absolution and redemption are offered for everyone involved, especially the Eleventh Doctor. Even though it is temporary, the senses of forgiveness and relief are important for the War Doctor and the Tenth Doctor and definitely shed a different light on the episodes we’ve seen to this point.

I love how the destruction of Gallifrey was driven by Clara, thus allowing a sense of humanity to temper the decisions of the Time Lord. This has been a constant over Doctor Who‘s history and was used to great effect here.

I do question how every incarnation of the Doctor knew to calculate the salvation of Gallifrey. Earlier, the sonic screwdrivers drove the point that the shell may change but the software remains the same, but those calculations were started by the War Doctor and matured with the Eleventh Doctor. In reverse, the idea to save Gallifrey seems to propagate from Eleven to War to Ten, a path that is far from linear. In fact, it’s wibbly-wobbly, which describes the Doctor to a tee.

Speaking of, I am so glad that the writers were able to give the War Doctor such brilliant insights into the revival era’s use of sonic screwdrivers. They’re not magic wands or water pistols, and the Doctor’s not going to assemble a cabinet at an enemy. I love his view on these scientific instruments.


Shifting gears, as much as I love the War Doctor and John Hurt, I really wish that Steven Moffat hadn’t needed to introduce him.

I get the reasons why: Christopher Eccleston did not want to return after how he was treated in the role, and he was less than impressed with the script when it was sent to him. What I don’t understand is why Paul McGann couldn’t have filled the same role.

Yes, I also love The Night of the Doctor, but it was developed as part of this whole story arc. Realistically, the Eighth Doctor could have been the incarnation that engaged in the Time War after seeing how Cass Fermazzi was willing to sacrifice her own life to avoid traveling with a Time Lord. This would effectively avoid the Stuffed into the Fridge trope (since Cass isn’t a loved one being used to motivate the hero) and could give us far more screen time for Paul McGann than just a TV movie and a webcast short.

It would have avoided the thirteen lives complications that developed from introducing another Doctor (which we’ll obviously cover during The Time of the Doctor) and would have still avoided the need for Christopher Eccelston’s involvement.

Everything else in The Day of the Doctor could have remained the same.

As much as I adore John Hurt and his performance here, the War Doctor needlessly complicated things, which apparently stemmed from Steven Moffat’s desire to have a “complete set” of regenerations before his departure. From what I can tell, that’s a rumor, but… yeah.


No look at the fiftieth anniversary special would be complete without a look at the mythology.

I have linked a good number of the mythological callbacks, but there are still quite a few favorites that jumped out in the course of this celebration. One of them is the set design, particularly the roundels (“the round things”) in the War Doctor’s TARDIS and in the Curator’s gallery. The War Doctor’s TARDIS design is a fun mix between the classic era (not counting the TV movie) and the coral motif that kicked off the revival era. The Curator’s gallery adds the hexagons to the roundels, tying the classic and revival eras together.

The Brigadier’s space-time telegraph made a notable appearance in the Black Archive. It was prominently featured in Revenge of the Cybermen and Terror of the Zygons, the latter of which was our last meeting with the Zygons. That portion of the story also showcased one of my favorite Osgood moments as she and her doppelgänger share their identities over her asthma inhaler.

The Day of the Doctor marks the last salvo fired in the Last Great Time War, a confrontation that began in Genesis of the Daleks. Russell T Davies stated in an episode of Doctor Who Confidential that the origins of the war that he envisioned began when the Time Lords struck first – the attempted genocide of the Daleks – in the Fourth Doctor’s era. This idea was repeated by RTD in Doctor Who Annual 2006, and was adapted in Hunters of the Burning Stone, a 2013 comic story published in Doctor Who Magazine as part of the 50th-anniversary celebration. The comic was written by Scott Gray and served as a sequel to An Unearthly Child, though it was the Eleventh Doctor in the lead with Ian and Barbara.

The Black Archive pinboards hold tons of photo references to the franchise’s history, including: Susan Foreman; Barbara Wright & Ian Chesterton; Vicki Pallister; Katarina & Sara Kingdom; Steven Taylor; Dodo Chaplet; Ben Jackson & Polly Wright; Victoria Waterfield; Zoe Heriot; Liz Shaw; Captain Mike Yates; Harry Sullivan & Warrant Officer John Benton; Leela; Romana I; Romana II; Adric; Nyssa; Tegan Jovanka; Kamelion & Vislor Turlough; Jamie McCrimmon; Peri Brown; Melanie Bush; Brigadier Winifred Bambera; Ace McShane; Grace Holloway; Adam Mitchell (why?); K-9 Mark III; Lieutenant General Sanchez; Brigadier Alistair Gordon Lethbridge-Stewart; UNIT Captain Erisa Magambo; Donna Noble, Martha Jones, Mickey Smith, Rose Tyler, & Wilfred Mott; Jo Grant; Jack Harkness; Craig Owens (again, why?); Sarah Jane Smith;
Amy Pond & Rory Williams; River Song; Kate Stewart; and Clara Oswald.

Finally, that moment. The all thirteen moment. The moment that made me jump out of my seat and cheer. The moment that makes me grin from ear to ear every time I see it.

It was amazing to see all of the Doctors on screen, interacting with each other to save their home. Since many of them are no longer with us, it was also fun to see exactly where the producers sourced the footage to bring this moment together.

  • The First Doctor’s footage came from The Daleks (specifically “The Dead Planet”), and his voice was newly recorded audio by John Guilor (who also voiced the First Doctor in the reconstruction of Planet of Giants).
  • The Second Doctor’s footage came from The Tomb of the Cybermen and The Mind Robber, and his audio came from The Seeds of Death.
  • The Third Doctor’s footage came from Colony in Space – the re-used footage was flipped from the original – and the audio came from The Green Death.
  • The Fourth Doctor’s footage came from Planet of Evil – again, the re-used footage was flipped – but the audio (“Ready.”) has yet to be identified.
  • The Fifth Doctor’s footage was sourced from Frontios and the audio came from The Five Doctors.
  • The Sixth Doctor’s footage and audio were sourced from the same story: Attack of the Cybermen.
  • The Seventh Doctor’s (flipped) footage and audio came from Battlefield, but the producers also used some footage from the TV movie.
  • The Eighth Doctor’s footage came from the TV movie. The audio (“Commencing calculations.”) hasn’t been identified.
  • Finally, the Ninth Doctor’s footage came from Rose and The Parting of the Ways (“And for my next trick…”), along with some footage from Aliens of London.

The sheer amount of work and research required to make this climactic scene come to life amazes me.


Finally, I want to take a look at three smaller items before closing this out.

First, The Last Day: It was a quick and easy prequel story. The biggest thing that came from it was a desire to know more about the soldiers and the headcams.

Second, the visual salute to Christopher Eccleston’s legacy in the regeneration. Steven Moffat didn’t want to include an image of Eccleston in the regeneration sequence because it would have been “crossing the line” by implying that he had been on set. So, there are hints as John Hurt morphs into Christopher Eccleston, but the camera cuts away just in time to give us the impression of what comes next. Of course, as implied by the novelization of this story, the Ninth Doctor broke every mirror in the TARDIS just after regeneration because he couldn’t face himself. That adds a new dimension to his first glance in the mirror in Rose.

The last is the novelization of The Day of the Doctor. If you haven’t had a chance to read it, pick it up. It tells the story of the TV episode but breaks the chapters into narratives by the War Doctor, the Tenth Doctor, the Eleventh Doctor, Petronella Osgood and the Zygons, the Twelfth Doctor, and even the Thirteenth Doctor. It expands a lot of the characters and scenes, and it also adds a few additional insights and inside gags, including some time with Peter Cushing’s Dr. Who. While I don’t generally lean on the expanded media for information, this is written by Steven Moffat so I consider it a bit more authoritative. Chapter 9 (“The Truth of the Doctor”) is a hoot.

It’s a quick read and well worth the time.

Rating: 5/5 – “Fantastic!”


UP NEXT – The Five(ish) Doctors Reboot

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #248: The Name of the Doctor

Doctor Who: The Name of the Doctor
(1 episode, s07e13, 2013)

Timestamp 248 The Name of the Doctor

The prophecy of Trenzalore comes to call.

Clarence and the Whispermen

Locked away in a jail, serial killer Clarence DeMarco shouts at whispering inhuman creatures. He insists that they are nothing more than voices in his head and asks them to stop. The Whisper Men vanish, then reappear inside the cell, demanding to find the Doctor.

The Whisper Men project Gallifreyan symbols in the air, forcibly impressing them into his mind with an instruction to bring the message to the reptile detective. They are part of the Intelligence and promise that if Clarence cooperates, he will be pardoned and will live a good long life only troubled by dreams.

He cries to be left alone. The creatures pass by him.

She Said, He Said

The story is divided into two parts: “Clara” and “The Doctor”.

Clara’s monologue walks down memory lane about her adventures with the Doctor and what it has done to her. She’s forgotten to ask who he is and why he runs. Then she found out at Trenzalore.

The Doctor’s monologue focuses on Clara’s impossibility and his meetings with her, from the Dalek Asylum and Victorian London to his current run with her.

Each part acts as a tribute to the other… as well as a warning about the darkness in the relationship and its secrets.

The Name of the Doctor

In a workshop, two engineers respond to an alarm. A supposed idiot, the First Doctor, is trying to steal a faulty TARDIS from the capital city of Gallifrey, and Clara Oswald tells him that he is making a big mistake.

Clara falls through a golden vortex. She does not know where she is but remembers one thing: The Doctor. She has appeared at various points in his life but few of those incarnations ever notice her. The Eleventh Doctor is an exception when she calls to him in Victorian London.

She blew into this world on a leaf and doesn’t believe she’ll ever land. She’s the Impossible Girl and she was born to save the Doctor.

In Victorian London, Madame Vastra visits Clarence DeMarco at his jail cell. He murdered fourteen women and is sentenced to death, but he bargains for his life with information about the Doctor. The Doctor has a secret that he will take to the grave, and it is discovered.

Later on, Vastra consults with Jenny, explaining that Clarence will live until she understands what he told her. They make preparations for a conference call to investigate further. Jenny hears a strange whisper from outside as Vastra wonders where Strax has gone. The Sontaran has the weekend off, much to Vastra’s displeasure at his chosen locale.

In Glasgow, a familiar Sontar-Ha is heard as Strax fights a large Scottish man. They are interrupted by a boy carrying a telegram, summoning Strax to the conference call. Strax apologizes to Archie, his opponent, for not being able to finish the match, then asks to be rendered unconscious. He drops into the trance-like conference call, an astral projection of sorts, of which Jenny complements the new desktop.

While working on a soufflé on April 10, 2013, Clara gets an invitation to the conference call. The letter has come from Vastra and drugs her so she enters the dream state. The final participant, River Song, pops in soon afterward, and the meeting commences with introductions of the Doctor’s wife to his current companion.

Vastra presents Clarence’s message, a grouping of Gallifreyan symbols, which River identifies as space-time coordinates. They are the location of the Doctor’s greatest secret, his name, which River knows. Vastra shares the single word from Clarence: Trenzalore.

Outside of the conference call, someone skulks around Jenny. Unfortunately, her form fades away as she is murdered by the Whisper Men. River forces everyone to wake up as the face of Dr. Simeon appears, stating that the Doctor’s friends are lost forever more unless he goes to Trenzalore.

When Clara awakens, she finds the Doctor blindfolded, playing Blind Man’s Bluff so they could sneak away to the cinema. The Doctor is annoyed but then realizes that Clara is troubled. They discuss the call over tea and the Doctor is brought to tears over Trenzalore. He runs to the TARDIS where Clara finds him under the console. The Doctor connects Clara to the TARDIS so she can telepathically transmit the coordinates she saw to the time capsule.

“When you are a time traveler, there is one place you must never go. One place in all of space and time you must never — ever — find yourself.” Trenzalore is the Doctor’s grave, and it is the one place he must never go, however, he owes his friends and they must be saved.

The Doctor sets the course but the TARDIS rebels, fighting the transit while he forces her onward. The TARDIS refuses to land on the actual site, so it parks in orbit and the travelers take a look upon the torn and battered planet. The Doctor shuts everything else down and forces the TARDIS to plummet to the surface, cracking the exterior glass in the process.

They find a battlefield graveyard. Some headstones are larger than others, based on the importance of the warrior. On the summit ahead rests the TARDIS, abnormally outsized as the “bigger on the inside” qualities start to break down and leak beyond the shell.

The TARDIS is the Doctor’s tomb.

River contacts Clara as the Doctor climbs on, an echo of the conference call which River left open. The Doctor cannot see her but spots her gravestone among the others. As he ponders how it can possibly be here, they are approached by the Whisper Men as River and Clara work out that the gravestone is the entrance to the tomb.

Inside the TARDIS monument, the Paternosters awaken and Strax revives Jenny from death. They are approached by the Great Intelligence and the Whisper Men, who welcome them to the final resting place of the great tyrant known as the Doctor.

Clara and the Doctor navigate the catacombs as River explains her death to Clara. The duo is pursued by Whisper Men. They are driven to the Paternoster Gang where the Intelligence proclaims that the Doctor’s final battle was not as large as the Time War but he has blood on his hands. He also remarks that the Doctor will be known by names such as the Beast and the Valeyard.

Clara has flashbacks to climbing through a wrecked TARDIS, an adventure that she shouldn’t remember. The Great Intelligence demands the key that will open the Doctor’s tomb, hissing that it is the Doctor’s real name. He threatens the Doctor’s friends with death if the Time Lord does not comply. The Great Intelligence keeps asking The First Question until the tomb opens.

The TARDIS can still hear River’s projection, so she supplied his name to keep the secret safe.

Inside the doors lies an overgrown control room. Where the time rotor would normally rest is a flowing beam of blue-white light. That is the Doctor’s mark on the universe. Rather than his body, his travels in time have left a scar representing his personal timeline, past and future, and everything that resulted from it.

The Doctor collapses from his proximity to it. When he points his sonic screwdriver at it, the voices of his previous incarnations flow from it. The Great Intelligence approaches the light, intent on rewriting the Doctor’s history and turning all of his victories into failures. The act will scatter him across the Doctor’s timeline.

As the Intelligence steps into the light, the Doctor writhes in pain as his very existence is rewritten. Vastra declares that a universe without the Doctor will have consequences. She flees outside in terror and sees the stars go dark as entire star systems are erased from history. Jenny, once saved by the Doctor, is erased as Strax turns hostile and must be vaporized.

Despite protests from River and the Doctor, Clara decides to act. With the phrase that has pursued her since the Doctor met her – “Run, you clever boy, and remember me.” – she jumps into the light and is split into millions of copies throughout history, each one setting right what the Great Intelligence has put wrong.

She even tells the First Doctor which TARDIS to steal. After all, a broken navigation system will be much more fun.

With Clara’s influence fixing the timeline, the Doctor decides to rescue her, using himself as Clara’s advantage. River protests, but the Doctor tells her that he can always see her even when no one else can. There is a time to live and a time to sleep, and while he has a hard time saying goodbye, it’s only because he doesn’t know how.

With her help, he tells her goodbye with the promise that they’ll see each other again. She also reminds him that, since she was telepathically linked to Clara, then she cannot truly be dead. To tell him the details, however, would be a spoiler.

As River dissipates, the Doctor enters his own timestream.

Clara falls to the ground inside the timestream and she wonders what’s left for her to accomplish in the Doctor’s timeline. The Eleventh Doctor’s voice guides her through the figures of his previous incarnations, telling her to focus on the sight of a leaf as her guide. Using it, she is reunited with the Doctor.

Beyond their embrace, Clara sees a shadowy figure. The Doctor shows intense fear at the sight, explaining that the figure is him, but Clara doesn’t understand.

The name Doctor is a promise, but this figure broke the promise. He is the Doctor’s secret. The figure defends his actions as Clara collapses, but the Eleventh Doctor turns away.

This new man is the Doctor… but not one we were expecting.


Clara’s mystery finally comes to a head here as her various incarnations are explained. All three of them were her, just in different splintered ways. This is the big part of Clara’s run that I really enjoy. The other is her initiative, which has been highlighted over her run.

This relationship proves to be an ontological paradox – a causal loop – since the Doctor might not have invited the modern-day Clara Oswald to travel as his companion had he not encountered Oswin and Victorian Clara, however, if she had not traveled with him, those echoes would have never existed.

She’s been with the Doctor since the beginning of his travels – key dialogue here was taken from The Web Planet providing some degree of influence at key moments. Of those moments, we get callbacks to The Five Doctors (Second and Third Doctors), The Invasion of Time (Fourth Doctor), The Arc of Infinity (Fifth Doctor), and Dragonfire (Seventh Doctor). Clara also seems to have influenced The Aztecs and The Web of Fear in her removal of the Great Intelligence’s interference.

This also marks the end of the Great Intelligence from the perspective of the show itself. The entity was splintered into infinite pieces across the Doctor’s timeline but then was systematically eradicated by Clara. The difference is that no one came to guide the Great Intelligence out of the Doctor’s timestream, so we have no reason to believe that it survived.

Clara’s adventure reveals the continuation of events from The Night of the Doctor, establishing a previously unknown incarnation between the Eighth and Ninth Doctors. It perpetuates a continuity re-write – far from the first in the franchise – based around the unfortunate behind-the-scenes drama of the Christopher Eccleston era. This change in continuity will come to a head in Day of the Doctor.

There’s certainly a lot of world-building in this single story, both in terms of resolutions and groundwork for the future. I found it all quite enjoyable, and remember it to be quite shocking when I first saw it.

With the rest of the Timestamps Project for context, I certainly appreciate the attention to detail in portraying the Doctors. Not only do we have twelve incarnations sharing the same airtime (a record number to this point), but we also got to see both versions (to this point) of the First Doctor in William Hartnell and Richard Hurndall.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: Clara and the TARDIS & Doctor Who: Rain Gods & Doctor Who: The Inforarium

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp Supplemental #7: Warriors’ Gate (E-Space Trilogy, Part 3)

Doctor Who: State of Decay (E-Space Trilogy, Part 3)
Earth Station Who: Episode 210

 

Taking one more trip to E-Space, I traveled to Earth Station Who to joined Mike Faber, Mike Gordon, and Mary Ogle for a discussion of Warriors’ Gate, the third part of the E-Space trilogy and a story that I previously covered in Timestamp #114.

This is an interesting discussion for me. When I first saw the serial in May of 2017, I focused a lot more on what the writers and showrunners attempted to tackle with limited resources. As such, the story got a rather high rating from me. For the ESW discussion, I was able to take a second look and the ratings show it.

Spoiler: I nearly fell asleep while watching it for this recording.

My voice is also a little ragged in this episode of ESW due to seasonal allergies. My apologies, and thank you for your patience.

As always, I recommend visiting their site and listening to their podcast. They cover everything from the Doctor Who franchise, from the classic and new televised episodes to the Big Finish audio and everything in the middle. During the regular seasons, they review the new episodes on a weekly basis, and during the off-season, they take a look back at some of their favorite (and not so favorite) adventures in time and space.

If you enjoy what you hear, leave a review in all the regular places, and also consider joining their fan community on Facebook. The ESW crew has built a fantastic community of fans, and it’s far more respectful than a lot of places on the internet. They are fans who love the series and want to share that love with fellow fans worldwide.

Earth Station Who is a podcast in the ESO Network, which includes the flagship show Earth Station One.

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

 

 

Timestamp Supplemental #6: State of Decay (E-Space Trilogy, Part 2)

Doctor Who: State of Decay (E-Space Trilogy, Part 2)
Earth Station Who: Episode 209

 

Remaining in E-Space for another episode, I traveled to Earth Station Who to joined Mike Faber, Mike Gordon, and Mary Ogle for a discussion of State of Decay, the second part of the E-Space trilogy and a story that I previously covered in Timestamp #113.

As always, I recommend visiting their site and listening to their podcast. They cover everything from the Doctor Who franchise, from the classic and new televised episodes to the Big Finish audio and everything in the middle. During the regular seasons, they review the new episodes on a weekly basis, and during the off-season, they take a look back at some of their favorite (and not so favorite) adventures in time and space.

If you enjoy what you hear, leave a review in all the regular places, and also consider joining their fan community on Facebook. The ESW crew has built a fantastic community of fans, and it’s far more respectful than a lot of places on the internet. They are fans who love the series and want to share that love with fellow fans worldwide.

Earth Station Who is a podcast in the ESO Network, which includes the flagship show Earth Station One.

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

 

 

Timestamp Supplemental #5: Full Circle (E-Space Trilogy, Part 1)

Doctor Who: Full Circle (E-Space Trilogy, Part 1)
Earth Station Who: Episode 208

 

I traveled to Earth Station Who one more time. This time, I joined Mike Faber and Mary Ogle for a discussion of Full Circle, the first part of the E-Space trilogy and a story that I previously covered in Timestamp #112.

As always, I recommend visiting their site and listening to their podcast. They cover everything from the Doctor Who franchise, from the classic and new televised episodes to the Big Finish audio and everything in the middle. During the regular seasons, they review the new episodes on a weekly basis, and during the off-season, they take a look back at some of their favorite (and not so favorite) adventures in time and space.

If you enjoy what you hear, leave a review in all the regular places, and also consider joining their fan community on Facebook. The ESW crew has built a fantastic community of fans, and it’s far more respectful than a lot of places on the internet. They are fans who love the series and want to share that love with fellow fans worldwide.

Earth Station Who is a podcast in the ESO Network, which includes the flagship show Earth Station One.

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

 

 

Timestamp Special #7: Dimensions in Time

Doctor Who: Dimensions in Time
(2 episodes, 1993)

 

Celebrating thirty years.

Starting off with a little backstory, this was shown as part of the 1993 Children in Need telethon over two nights. Both parts were bracketed by host Noel Edmonds, and the first part involved a short intro sketch with Jon Pertwee in character as the Doctor. Sadly, this was his last on-screen performance before his death.

On to the story…

The Rani is traveling with her companion, previously having captured (busts of) the First and Second Doctors in an attempt to assemble a menagerie of sentient life-forms to control the universe. That’s kind of her thing, really. Her companion checks off a Cyberman and a Time Lord from Gallifrey, noting that they need a human from Earth to complete the collection.

Elsewhere, the Fourth Doctor (in his Eighteenth Season garb) issues a warning to all of his other incarnations. It appears that he’s too late as the Rani takes aim on the TARDIS and knocks the capsule off course. Instead of landing in China, the Seventh Doctor and Ace materialize on the docks at the Cutty Sark Gardens, circa 1973. As Ace calls for help, the Seventh Doctor transforms into the Sixth Doctor, and both of them are instantly transported to (the fictional) Albert Square. The Sixth Doctor remarks that they have “slipped a groove” in time, and somehow he knows who Ace is.

This timey-wimey-wibbly-wobbliness will drive the rest of the adventure.

As Ace spots a clothing stand and a discount on a jacket from Sanjay and Gita (of The EastEnders), the Sixth Doctor discovers that they are now in 1993. The slipped groove has also slipped them two decades into the future. Just as he begins to question things, the slip happens again, leaving behind the Third Doctor and Mel. The Third Doctor believes that someone is rooting through his timeline and extracting previous incarnations and companions. The pair stop and ask two shop owners (Pauline Fowler and Kathy Beale from The EastEnders) what year they are in, and they are shocked to discover that they are in 2013.

The slips come fast and furious now, bouncing between 1973, 1993, and 2013, all in an attempt to separate the Doctor from the TARDIS and seal all of the Doctors together. One slip occurs, revealing the Sixth Doctor and Susan Foreman, the latter of whom is eager to find her grandfather, Ian, and Barbara. Another slip brings Sarah Jane and the Third Doctor back together. The next reunites the Fifth Doctor, Nyssa, and Peri, and this time they’re under attack from the Rani’s menagerie because our heroes (in all their guises) are too close to the truth.

They face off against a host of villains from the last thirty years (including an Argolin, a biomechanoid, a Cyberman, a Mentor, an Ogron, a Sandminer robot, a Sea Devil, a Tetrap, a Time Lord, a Tractator, a Vanir and a Vervoid, and even Fifi), and after they attempt to warn Pat Butcher (The EastEnders) of the danger – a futile effort, it seems – they are trapped by the Rani outside the Queen Victoria (once more, The EastEnders).

The Fifth Doctor psychically summons the Third Doctor in his place, an act that replaces Nyssa and Peri with Liz Shaw. Liz attempts to disarm the Rani, but then flees after Mandy (The EastEnders) distracts the villain. Mike Yates arrives in Bessie and shoots the gun out of the Rani’s hands, offering the Doctor a way out. Together they flee to a helicopter and the Brigadier.

Another slip occurs, exchanging the Third Doctor for the Sixth as they reach safety. As another slip occurs, the Rani and her companion set course for the Greenwich Meridian to find their missing human specimen. In a garage, the second Romana is flushed out of her hiding spot by Phil and Grant Mitchell (you guessed it, The EastEnders), who point her to their doctor, Harold Legg. As she passes the Queen Victoria, the Rani captures her.

In 1973, the Third Doctor and Victoria Waterfield discuss the nature of the Rani as they return to the TARDIS. Time slips once again, and the Seventh Doctor lands in 1993 and encounters Leela, who has escaped the Rani after being cloned in the form of the second Romana. This is the key that the Doctor needs, since the Rani now has an extra Time Lord brain imprint instead of the human one she needed. The Seventh Doctor, Ace, and K9 rig up a device to overload the time tunnel, capturing the Rani inside while breaking the other Doctors free.

Triumphant, the Seventh Doctor and Ace board the TARDIS for their next adventure, confident in the fact that the Doctor(s) are difficult to get rid of.

 

This was fun but chaotic, and a decent nod to the franchise on its thirtieth anniversary.

 

Rating: 3/5 – “Reverse the polarity of the neutron flow.”

 

UP NEXT – Doctor Who: Death Comes to Time

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

Timestamp #130: The Five Doctors

Doctor Who: The Five Doctors
(Twentieth Anniversary Special, 1983)

 

“I am being diminished, whittled away piece by piece. A man is the sum of his memories you know, a Time Lord even more so…”

After a heart-touching introduction by the First Doctor, we find the Fifth Doctor – To save on confusion, I’m going to call them by number right out of the gate – putting the finishing touches on a brand new control console, and I actually kind of like it. The team is relaxing at the Eye of Orion, taking some time away from the rush of their recent adventures. The tranquil atmosphere has something to do with a bombardment of positive ions, and the Doctor agrees with Tegan that they can vacation for a little while.

Elsewhere, a black-gloved hand fiddles with controls and activates a scanner. On the screen is none other than the First Doctor (though not quite the genuine article due to an obvious need for recasting). A black Phantom Zone-like two-dimensional triangle swoops down and scoops up the Time Lord, an act that causes the Fifth Doctor considerable pain. The First Doctor is reduced to an Eaglemoss figurine and placed on a crystalline display.

Next up, we’re taken to UNIT HQ where Brigadier Lethbridge-Stewart is talking to his replacement, Colonel Crighton, when the Second Doctor arrives. The Time Lord has arrived to attend the Brig’s farewell speech and is unhappy with the renovations at UNIT HQ. He and the Brigadier take a walk, reminiscing over the Yeti, the Cybermen, Omega, and the Terrible Zodin (okay, not so much that one) before they too are swept into the Phantom Zone and turned into toys.

On to the Third Doctor, who is trying to outrace the spinning triangle in Bessie. He fails.

Tegan and Turlough escort the Fifth Doctor to the TARDIS, where he tells them that he must find his older selves to stop whatever is chewing at his soul. Meanwhile, back on Earth, Sarah Jane and K9 puzzle over the danger that the robotic dog detects. Sarah Jane ignores his concerns and heads to the bus for her daily schedule. She’s later consumed by the mysterious triangle.

The Fourth Doctor and Romana are punting down the river at Cambridge, just like they did in Shada. It’s a clever re-use of footage, really. Anyway, they are also taken, which causes the Fifth Doctor to collapse, but not before he sets the coordinates. The Fifth Doctor fades in and out before the TARDIS lands, and the mysterious figure adds models of Tegan, Turlough, and the Fifth Doctor to the display.

On Gallifrey, the Inner Council has convened, comprised of a newly-regenerated President Borusa, High Chancellor Flavia, and the Castellan. Shockingly, they admit the Master for a conference. The Inner Council offer a pardon for his long list of crimes and a whole new regeneration cycle in exchange for one act: He is to rescue the Doctor.

Surprise!

The First Doctor wanders an angular cave of mirrors, joined in a surprise appearance by Susan. (There were cheers from this Whovian. I’ve missed her.) The pair run as a Dalek (we haven’t seen them in a while!) rounds a corner and opens fire. The place is known as the Death Zone, an arena-like place on Gallifrey where beings from across the universe were sent to battle for amusement before the time of Rassilon. The Council sent two representatives who did not return. They attempted to send the Doctor, but all of his incarnations have vanished from the timeline. All of them (except the Fourth because Tom Baker had reasons) have been deposited in the Death Zone. Inside the Zone, the First Doctor and Susan trick the Dalek into a mirrored dead end. It fires and the reflected beam destroys the creature, revealing the mutant within the armored casing. Through a hole in the wall, they see the tower of the Death Zone and decide to investigate.

Elsewhere, the Second Doctor and the Brigadier tangle with Cybermen and the Third Doctor reunites with Sarah Jane as he rescues her from a terrible fall. As the First Doctor and Susan wander, they find the Fifth Doctor’s TARDIS and meet Tegan, Turlough, and the Fifth Doctor. The First Doctor spearheads introductions all around and then tasks Tegan with fetching refreshments. She objects, but the Fifth Doctor asks her to humor the oldest of the Doctors. After all, he used to get a bit tetchy. Meanwhile, the Master is sent into the Zone with the Seal of the High Council (to prove his credentials) and a transmat recall device. He is soon found by the Third Doctor and Sarah Jane, but the reunion is broken up by laser fire. The Master runs one direction while the Third Doctor and Sarah Jane go another, but without the aid of Bessie who took a direct hit to the engine.

The Fifth Doctor sets the TARDIS coordinates for the Dark Tower, a place that supposedly holds the tomb of Rassilon and is the current destination for all of the Doctors and companions. The Fifth Doctor, Susan, and Tegan set out on foot to disable the force field around it so the First Doctor and Turlough can move the TARDIS to its doorstep. Meanwhile, the Second Doctor and the Brigadier go in through the cave system beneath the tower, the Third Doctor and Sarah Jane encounter Cybermen, and the Fifth Doctor’s team encounters the Master. The last event is watched by a squad of Cybermen, who rush the Time Lords and stun the Master. The Fifth Doctor sends Susan (who twists her ankle) and Tegan back to the TARDIS before using the transmat recall to return to the capitol. The First Doctor decides to take up the Fifth Doctor’s task, and Tegan joins him. Amusingly, the First Doctor still has a great deal of resentment at being addressed as “Doc.”

The Fifth Doctor confers with the Inner Council about who has control of the time scoop and the Cybermen. He uncovers a homing beacon inside the recall device, surmising that someone led the Cybermen to the Master to attack the Doctors. Borusa has the Castellan, who originally gave the device to the Master, arrested and his office and quarters searched. Meanwhile, the Master makes an arrangement with the Cybermen, who then converge on the TARDIS.

The Third Doctor and Sarah Jane encounter a Raston Warrior Robot, a perfect killing machine, halting their progress until it passes. Luckily, the Cybermen approach and engage the Raston, providing a diversion for our heroes to escape (with the Raston’s supplies). In the caves, the Second Doctor and the Brig find a Yeti, which they evade before finding a door to the Dark Tower. It is unlocked, so a trap must lie beyond.

In the Citadel, a chest containing Black Scrolls of Rassilon, forbidden knowledge from the Dark Times, is found in the Castellan’s quarters. The Castellan is taken away for interrogation but is shot dead (without regeneration) en route. The Fifth Doctor is forbidden by Borusa from returning to the Death Zone. Flavia is tasked with taking care of the Fifth Doctor, and they discuss the possibility that the Castellan was not the traitor.

At this point, all three entrances to the Dark Tower are in use. The Third Doctor and Sarah Jane zipline across to the upper entrance, the Second Doctor and the Brigadier are in the basement, and the First Doctor and Tegan use a biometric entry coder to open the front door. The Master follows through the main entrance with the Cybermen. Interestingly, the First Doctor does not recognize his former classmate. The Master tricks the Cybermen into a death trap, but the CyberLeader survives until the Master tricks and kills him with a Cyberman blaster. The Master passes the trap, followed by the First Doctor and Tegan who survive by using π. Stay in school, kids… math can save your life.

The Third Doctor and Sarah Jane descend toward the Tomb of Rassilon, but the closer they get, the more psychic energy pushes back on Sarah Jane. The Third Doctor scouts ahead and finds former companions Mike Yates and Liz Shaw. Similarly, the Second Doctor encounters Zoe Heriot and Jaimie McCrimmon, but in both cases, the former companions are only specters designed to impede progress toward the heart of the tower. Once the Doctors understand that the companions are mere illusions, they disappear with chilling screams. The First Doctor is unaffected since, at his age, he has nothing left to fear.

The First, Second, and Third Doctors, along with their current traveling companions, finally arrive at the tomb. After a series of reunions, the Doctors decipher the Old High Gallifreyan language of mathematical symbols to discover that whoever wears Rassilon’s ring shall achieve immortality. The First Doctor is troubled by the last line in the text: “To lose is to win and he who wins shall lose.” The Master arrives shortly afterward and threatens the Doctors, but he is sucker-punched by the Brigadier and tied up by Tegan and Sarah Jane.

The Fifth Doctor goes to confer with Borusa, but the president is nowhere to be found. The Doctor discovers that the Harp of Rassilon is a musical key. The key unlocks a chamber where the figurines (including one of the Master) are being overseen by Borusa, the true mastermind of this scheme. The president is not satisfied with leading Gallifrey for all of his lifetimes, but instead want to be immortal and President Eternal. He plans to use the Doctors to clear the path and traps, leaving the way open for him to claim the prize. When the Fifth Doctor refuses to help, Borusa uses the power of the Coronet of Rassilon to compel his cooperation.

Politicians, right?

The Third Doctor reverses the polarity of the neutron flow on the control console, and with the forcefields down around the Tomb of Rassilon, the TARDIS engages autopilot and moves to the tomb with Susan and Turlough. The movement is just in time as the Cybermen detonate a bomb to destroy the TARDIS, but they miss. Soon, the Fifth Doctor and Borusa arrive via transmat to claim the prize. The first three Doctors combine their psionic powers to break the telepathic hold, and as the Fifth Doctor is freed, the voice of Rassilon issues a challenge to Borusa. The First Doctor convinces Rassilon to surrender the ring to Borusa, and the president’s desire is granted: The faces that line the plinth come to life, for they are those who have previously sought immortality, and Borusa becomes one of them.

Rassilon offers immortality to the Doctors, but they decline in exchange for the chance to go back to their respective timestreams. The Fourth Doctor is restored to Shada, and the Master is restored with the promise that his sins will find their punishment in due time. As the Doctors says their farewells, the First Doctor (smugly) explains that he convinced Rassilon to give Borusa the ring because he finally understood the riddle: It was a trap set by Rassilon to weed out the more selfish of their people because they were a danger to civilization. Each set of Doctors and companions boards the TARDIS in order and the TARDIS splits through a form of temporal fission to return them their proper homes.

Chancellor Flavia arrives and tells the Doctor that he is due back to the Citadel. Since Borusa has been disqualified, the High Council has decided that the Doctor shall resume his duties as Lord President. He orders Flavia back to the Citadel, telling her that she has full authority until he arrives in his TARDIS. After ushering Tegan and Turlough aboard, he sets a course and dematerializes, stunning his companions by announcing his intention to not take office.

“You mean you’re deliberately choosing to go on the run from your own people, in a rackety old TARDIS?”

“Why not? After all, that’s how it all started.”

 

All in all, this was a wonderful story to celebrate a significant milestone. I was curious, so I looked at scripted entertainment television across the United States and United Kingdom and came up with a short list of shows to reach twenty years by 1983: Coronation Street, Guiding Light, As the World Turns, General Hospital, The Wonderful World of Disney, Romper Room, Search for Tomorrow, Captain Kangaroo, and The Edge of Night. There were also a couple of semi-scripted children’s shows like Blue Peter and The Sooty Show, but the fact remains that, in a world dominated by soap opera longevity, Doctor Who was the only science-fiction drama reach that mark.

Yeah, they deserved this party.

I was very pleased to see so many of the companions back in action, even if their cameos were short. While I would have loved to see Liz, Zoe, and Jamie get into the mix, the saying holds true that too many cooks spoil the broth. It was clever, however, to subvert nostalgia with the canonical circumstances of The War Games. I appreciate that level of attention to detail.

I did miss having Tom Baker in the mix, which would have drawn The Five Doctors down to four if it hadn’t been for Richard Hurndall. From what I gather in fan circles, his involvement as the First Doctor is sometimes disparaged, but I thought he did a fantastic job. Mixing his performance with the archival footage at the beginning (effectively bringing us two First Doctors) was a nice touch and a beautiful tribute to the beginnings of this franchise.

Finally, that wonderful musical mix over the end credits to tie the eras together: C’est fantastique.

 

Rating: 5/5 – “Fantastic!”

 

 

UP NEXT – Twentieth Series Summary

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp: Eighteenth Series and Fourth Doctor Summary

Doctor Who: Eighteenth Series and Fourth Doctor Summary

timestamp-logo-fourth-fifth

Doctor Who pulled out all the stops to say goodbye to a legendary lead.

The Eighteenth Series bounced back from the doldrums of the Fourth Doctor’s last three years, and it bounced high. It started well with The Leisure Hive, carried well through the E-Space Trilogy (Full Circle, State of Decay, and Warriors’ Gate), and then hit the gas with The Keeper of Traken and Logopolis.

In fact, the only low point was Meglos, and that was still an average performance.

This series was a combination of tying off threads while setting up the weavers of the future with Adric, Nyssa, and Tegan. I already discussed my feelings on Romana in the Timestamp for Warriors’ Gate, and I’m okay with the three new companions. I love Tegan’s brashness so far, but I’m apprehensive about Adric and Nyssa. My biggest fear is that they are included on a “children’s show” in order to engage children, and while that’s not necessarily a bad thing, Adric seems to be out Wesley Crushering Wesley Crusher. In the first and second seasons of Star Trek: The Next Generation, child prodigy Wesley Crusher often saved the day by figuring out a problem that a ship full of trained professionals couldn’t reason out, many times by subverting the command structure in a blantant statement that adults are too locked in their ways.

It certainly wasn’t the first time Gene Roddenberry played with that trope, but I digress.

Adric is being painted as an incredibly lucky or intuitive boy. He has come to the right answers before the Doctor (and Romana) multiple times, and often because of taking a random action instead of reasoning out the solution. He pilots the TARDIS (a baffling act to begin with) by the flip of a coin.

I hope that aspect of his character mellows in the Fifth Doctor’s run, or is at least mitigated by Nyssa and Tegan.

Out of the Fourth Doctor’s legendary run, this series was the highest rated, barely beating out the first of his seven-year set. In terms of the franchise so far, this one ties the Fifth Series at third, coming in behind the Eleventh and Ninth Series.

The Leisure Hive – 4
Meglos – 3
Full Circle – 4
State of Decay –  4
Warriors’ Gate – 4
The Keeper of Traken – 5
Logopolis – 5

Series Eighteen Average Rating: 4.2/5

timestamp-fourth-doctor

We have had the Wise Grandfather, the Sly Jester, the Secret Agent Scientist, and now we have the Whimsical Warrior. In fact, the Fourth Doctor is summarized in something he told Sarah Jane in his first adventure:

There’s no point being grown-up if you can’t be childish sometimes.

The Fourth Doctor was, in part, an evolution of the Second and Third Doctors. He was playful and capricious, but also fueled by righteous anger at injustice in the universe. The last seven years (mostly) ditched the James Bond tropes and focused on making each story an adventure, adding fun back into the mix by dialing back the Jon Pertwee seriousness. The character kept the arrogance (and some of the rudeness) from the past two incarnations, which brought us closer to the trope of the Doctor being the smartest man in the room.

For better or for worse, of course. It gets annoying when each story is solved by the Doctor pulling out a fact that only he knew – preventing the audience from being able to solve the mystery on their own – but it makes the stories like Logopolis where the companions actively drive the adventure so much more sweet.

But there are caveats in my joy with this incarnation. Frankly, I think he overstayed his welcome.

Back in the Third Doctor’s Summary, I discussed the balance between longevity and consistency in television series. Doctor Who has obviously been evolving in its eighteen years to this point, often at the sake of consistency with canon and tone. What’s interesting with that in mind is taking the Fourth Doctor’s run as a subset and watching how it mirrors long-running television series. It started strong in the first three years, changed things up, languished as it struggled to get back to the golden days, hit refresh, and then ended on a strong note.

Just like how Doctor Who had to evolve (regenerate) leading into the Third Doctor’s run in order to survive as audiences grew, it had to do so again. The results weren’t so good as the years went on. From some of the classic Whovians I’ve spoken too, the road to recovery from here was long and arduous.

Some even claim that the show never really recovered before classic Who ended.

In terms of pop culture, Tom Baker’s run left a significant mark. These seven years were a starting point for many people, and the combination of the TARDIS, jelly babies, companions, and that iconic scarf are touchstones that link with the barest thought of Doctor Who to this day.

I even have a handmade scarf in the process of being knitted for Dragon Con.

Even despite the drop in quality over the years, the Tom Baker era of Doctor Who was fun and exciting. I see a lot of myself in the Fourth Doctor, and even though he’s not my favorite, he made a distinct impression on me. It’s easy to see why he has a spot in so many hearts within fandom.

That said, I’m ready for a change of pace.

By the numbers, the Fourth Doctor ties with the Second Doctor in second place. By overall gut feeling, he’s at third. Patrick Troughton is just that hard to beat in my heart.

Series 12 – 4.0
Series 13 – 3.8
Series 14 – 3.8
Series 15 – 3.3
Series 16 – 3.2
Series 17 – 3.3
Series 18 – 4.1

Fourth Doctor’s Weighted Average Rating: 3.67

Ranking (by score)
1 – Third (4.00)
2 – Second (3.67)
2 – Fourth (3.67)
4 – First (3.41)

Ranking (by character)
1 – Second Doctor
2 – Third Doctor
3 – Fourth Doctor
4 – First Doctor

Okay, I know, I know, we’re in the middle of a loose trilogy. I’m interrupting the flow by doing this, but now is a great time to close off this era of Doctor Who by visiting Fourth Doctor companions Sarah Jane Smith and K9 one more time.

After that, it’s back to the mission to defeat the Master with a new Doctor.

UP NEXT – Special #3: A Girl’s Best Friend

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #116: Logopolis

Doctor Who: Logopolis
(4 episodes, s18e25-e28, 1981)

timestamp-116-logopolis

 

It is the end of the Fourth Doctor, but the moment has been prepared for.

A restless Doctor paces in thought inside the Cloister Room, a new and expansive set, pondering decay and entropy. He decides that instead of returning to Gallifrey and facing inquiries on why Romana decided to break Time Lord law and get involved in affairs of the universe, he should let “a few oceans pass under a few bridges” and head to Earth. He also plans to repair the chameleon circuit by materializing around a police box and measuring it in thirty-seven dimensions. His musings on the procedure are interrupted by the Cloister Bell, a signal of impending universal catastrophe.

On Earth, that real police box that the Doctor wants to use is replaced with a TARDIS. The police officer who was actually using it is killed. Nearby, we meet Tegan, a forgetful flight attendant. She is being driven to the airport by her Aunt Vanessa when her car gets a flat right next to the killer police box. She decides to fix it herself and avoid asking for help, and the women don’t notice when the Doctor’s TARDIS arrives, barely missing the target. The Doctor adjusts and the bad box appears in the console room. Meanwhile, Tegan notes that the spare tire is also flat, but does not notice the pure white figure studying them from across the road.

The TARDIS’s instrumentation fails due to a gravity bubble, forcing the Doctor to leave and investigate. He sees the ladies fixing the car and the white figure before returning to his console room. Once inside, he enters the police box and discovers that it is another TARDIS with a dark console room and the original police box inside. So we have a TARDIS within a TARDIS once again.

As Tegan decides to call for help, she enters the Doctor’s TARDIS just as the dark TARDIS dematerializes. As a result, she is trapped alone inside the Doctor’s TARDIS. The Cloister Bell sounds once again and Tegan investigates. Meanwhile, Vanessa follows her into the police box and finds the Master.

The Doctor and Adric investigate the police boxes, finding themselves in a near-infinite loop. The Doctor breaks out to find the police investigating Vanessa’s car, and inside it they find miniaturized versions of the original police officer and Vanessa herself.

The officers believe that the Doctor is responsible for the strange situation, and the Time Lord offers to accompany them to the station until Adric stages a diversion and they both run for the TARDIS. Upon hearing the Cloister Bell, they attempt to dematerialize but cannot leave Earth. The Doctor reconfigures the TARDIS interior by jettisoning Romana’s old room, and he sends Adric to answer the Cloister Bell while pilots the ship.

Where does Romana’s room go? Into the vortex of time and space? Recycled into the multi-spatial geometry of the TARDIS?

The bell stops as Tegan enters the Cloister Room, so Adric turns back, but Tegan encounters the other TARDIS. The Cloister Room becomes downright creepy as the Master laughs maniacally. She attempts to find her way out as the Master’s TARDIS dematerializes and rematerializes as a tree.

The Doctor reveals that he has a message from Traken, through which he deduces that the Master has killed Tremas. He knows that they cannot continue to Logopolis if the Master’s TARDIS is still within his own, so he decides to materialize under the Thames River and flush the TARDIS out. Unfortunately, he misses and lands on a nearby jetty instead. The white figure appears and beckons, telling the Time Lord that he must continue on to Logopolis. When they arrive, Tegan bursts into the console room and the Doctor declares that, based on what he has learned from the mysterious figure, he and his companions must part company. Meanwhile, the Master’s TARDIS vanishes from the Cloister Room and reappears outside, taking the form of a column.

The Doctor and his companions meet with the lead Logopolitan, the Monitor, and ask for his help with the chameleon circuit. As the Monitor works and passes the calculation on to the rest of the Logopolitans, the Master begins to kill them one by one. The Doctor recognizes the Central Register (the hub of Logopolis) as a replica of the Pharos Project from Earth, an attempt to contact alien life, before taking the calculation to the TARDIS. He locks Tegan and Adric out, then inputs the figures, but since they were disrupted by the murders, the TARDIS shrinks by half. While the assembled crowd (and the mysterious white figure) watches, Nyssa arrives thanks to “a friend of the Doctor’s.”

I kind of want the half-scale model of the TARDIS.

The Logopolitans take the TARDIS to be analyzed as the Master jeers from a secluded location. They use sonic projectors to stabilize the TARDIS as the Monitor tracks down the errors in the calculation, which they isolate to the murdered analysts. Tegan shows the corrected calculation to the Doctor through the scanner while Adric and Nyssa track down the Master; Adric believes that the white figure is the Master, while Nyssa wants to find her father. The Master uses the latter to his advantage by attracting the young woman and using a bracelet to control her.

The TARDIS is restored through the revised calculations, and the Doctor emerges shaken but unharmed. He reveals Vanessa’s death to Tegan and vows to stop the Master no matter what it takes. The Doctor retrieves his companions and encounters the mysterious white figure, whom Nyssa reveals is the “friend of the Doctor’s” who brought her to Logopolis.

The writing worked for me here. I honestly thought that the Master was the “friend” who brought Nyssa as a distraction. This twist was intriguing.

The Master wheels the sonic projectors into the calculation centers and activates them, silencing all of the calculating Logopolitans. The Master holds them for ransom until the Monitor explains why they replicated the Pharos Project on the planet. The Doctor arrives, revealing that the Master is not Nyssa’s father, and revealing that Logopolis is the cornerstone over the causal nexus. As Adric tries to reposition the projectors, the Master forces Nyssa to choke Adric until Tegan restores the devices. The Master attempts to demonstrate that his control is temporary, but the damage is done: Logopolis is dead.

Wow. I’m actually impressed with the evil here. It wasn’t direct action that destroyed a planet, but it’s still evil nonetheless.

The Master tries to use Nyssa to kill the Monitor, but the entropy has spread to his controls. Nyssa is freed from her bracelet, and the Monitor explains that since the universe has long since passed the point of heat death and is on its way to collapse, the Logopolitans have been opening temporary voids to channel the entropy into other universes. One such void is like the one that sent the TARDIS to E-Space. The Master’s interference has collapsed the voids and put the universe back on course to death. To save it, the Doctor allies with the Master – much to his companions’ chagrin – and sends his companions into the TARDIS. Tegan, however, disobeys and leaves as the TARDIS dematerializes, piloted by the mysterious white figure outside of all spacetime.

The Doctor and the Master seek out the Monitor, who reveals a plan to make the voids permanent. Before he can transmit the information to another universe through a void, he is consumed by the entropy. The Master attempts to run, but is covered in collapsing rubble. The Doctor and Tegan take the research and escape using the Master’s TARDIS, rescuing the cad along the way. They arrive at the real Pharos Project on Earth to send the information through one remaining void.

On the Doctor’s TARDIS, the mysterious white figure tasks Adric to pilot the TARDIS to the Pharos Project. As he works, Nyssa watches the entropy wave destroy part of the universe, including her home of Traken. The TARDIS arrives on Earth moments later.

Poor Nyssa.

The Doctor and the Master feed the program into the computers, but the transmission antenna needs to be properly aligned. The companions distract the guards as the two Time Lords make their way to the antenna, but the Master double-crosses the Doctor and uses the antenna to transmit a message of domination instead of one of salvation. If they do not acknowledge his rule over the universe, he will send the signal to close the void and destroy everything. The Doctor runs to disconnect the cable that could transmit the signal to close the void, and as he hangs on for dear life, he sees visions of his enemies: The decaying Master, a Dalek, the Captain, the Cyber-Leader, Davros, a Sontaran, a Zygon, and the Black Guardian.

The Master escapes, and the Doctor falls.

It is the end for him, and he is accompanied to his death by visions of Sarah Jane, Harry Sullivan, the Brigadier, Leela, K9, and Romana. The Doctor is not troubled by this however, and he smiles, for the moment has been prepared for as the mysterious white figure arrives. He is the Watcher, and has been some form of the Doctor all along. The Watcher melds with the Doctor, and the Time Lord regenerates.

The ending was a bit rushed. I would have liked more explanation about the Watcher and his meaning. As it stands now, it’s a plot convenience on the order of the Third Doctor.

But, those complaints are small potatoes in comparison to the positives. I loved how the companions truly carried this story. I also loved how the Doctor gave his life to save the universe. It can’t happen with every story, but they are much more powerful when he is willing to make that sacrifice.

So, yeah, this is a top story even without the handicap I give to regeneration stories.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Eighteenth Series and Fourth Doctor Summary

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #115: The Keeper of Traken

Doctor Who: The Keeper of Traken
(4 episodes, s18e21-e24, 1981)

timestamp-115-the-keeper-of-traken

 

An old face gets a new face.

Finally back in N-Space, the Doctor and Adric travel near the Mettula Orionsis system, a place known for its universal harmony. In a move that surprises the Doctor, the TARDIS falls into orbit around Traken and an old man appears in the console room. He is the Keeper of Traken, he has taken control of the TARDIS, and he is dying soon and will need to pass his powers to a successor. He asks the Doctor to come, but warns him of danger in the form of a Melkur, a supremely evil creature that was trapped in a garden and turned into a calcified statue. The creature has a fan: A woman named Kassia seems smitten by it.

You know, Adric has an uncanny knack for the TARDIS controls. Is he supremely intelligent and learning how to pilot the blue box, or is he just getting lucky like he did in Nowhere?

Flash forward to present day where Kassia is marrying Consul Tremas, a man who has been blessed as the next Keeper. Kassia is relieved of her self-imposed burden of tending to the Melkur, and Tremas’s daughter Nyssa is prophesied to take up the task. After the ceremony, Kassia returns to the garden to bid farewell to the Melkur, and it speaks to her in a single ominous word: “Soon.”

In the morning, the Doctor and Adric review the Time Lord’s logs (the latter being far more confused about them than the former) to see if he has ever visited Traken. On the planet below a dead body is found under mysterious circumstances. Kassia organizes a meeting of the planet’s consuls and, believing that the event was a murdered, declares that the Fosters (the local guards) be armed. The consuls are unsure.

The Doctor and Adric arrive on the surface and investigate the Melkur. After some wandering about, they are surrounded by armed Fosters. They are taken before the consuls, who have just voted to summon the Keeper and are surprised to discover that their leader has summoned the Doctor to appear before them. The consuls send Proctor Neman and his Fosters to verify the Doctor’s story by visually sighting the TARDIS, but the Melkur shoots red light from its eyes and the craft vanishes before the Fosters arrive.

Wait… what?

The consuls summon the Keeper for his advice. As the Doctor asks him to verify the story, the Melkur arrives. The Keeper declares that infinite evil has invaded the sanctum and disappears, and the assembly draws the conclusion that the evil is the Doctor.

To quote another famous doctor, oh boy.

Kassia declares that the travelers are agents of the Melkur before dramatically fainting. The Doctor, believing in more a scientific reasoning for the events, offers to help Tremas scan the area. Consul Tremas offers them asylum under his privilege, which means if the travelers are at fault, Tremas will share their fate. As they investigate the strange energy fields, the Melkur continues to rampage through the courtyard, and Kassia discovers the corpses in its wake. She hides the bodies before the consuls find them, but the Doctor finds evidence anyway before asking for breakfast. As they eat, Kassia consults with the Melkur, and after the meal, the Doctor and Tremas search for the TARDIS while Adric and Nyssa analyze the data.

The consuls gather in secret to discuss Tremas’s actions and analyses. When it is revealed that Consul Seron also knew of the studies, the assembled consuls suggest that Seron should enter rapport with the Keeper instead of Tremas. Kassia reveals this to the Melkur, receives a special band as a token of its allegiance, and is commanded to be its eyes and ears in the court. Unbeknownst to her, the Melkur is being controlled from a remote location. She leaves the grove through a secret passage, unknowingly witnessed by the Doctor and Tremas.

The Doctor detects a time cone around the TARDIS which has displaced it in time. As he moves off with Tremas to investigate it, Nyssa and Adric attempt to enter the grove, but Nyssa is pulled aside by the consuls. Adric finds the Doctor and Tremas, and they move to a secluded location to discuss the young man’s findings. Adric has found readings consistent with a TARDIS, but not with a Type 40. They are interrupted by Seron’s attempt at rapport, which is successful but disrupted by Kassia as she kills the consul with her new laser vision. She declares the travelers and Tremas as agents of the Melkur, and they are forced to flee into the grove. The Doctor reveals the TARDIS against the protests of the Melkur, but before they can get inside Kassia stuns Tremas and the travelers are captured by the Fosters.

The trio are taken to a cell and the consuls are clamoring to resolve who will be the next Keeper since both candidates are now ineligible. Kassia consults with the Melkur who states that Tremas will only continue to live if she continues to serve, and that she must be the new Keeper. On a similar line of thought, the captives discuss the situation and come to a similar conclusion. Since a non-Trakenite cannot touch the Source, one would have to do so through a Traken native. As such, Kassia sways the remaining consuls to her cause.

Nyssa forces her way into the cell block by stunning Proctor Neman and the guards, then frees the captives. Nyssa leads them through the Sanctum as Kassia and the consuls find a recovering Proctor. As the Fosters close in, Tremas leads them all to his quarters, which is the last place that the guards would presumably look. There, the Doctor asks for the master plans for the Source Manipulator, the device that harnesses the Source for the Keeper. After some soul searching, Tremas provides them.

Meanwhile, Kassia reports her failure to the Melkur and is forcefully reminded of her task. Because the universe has a quirky sense of timing, the Keeper enters the last phase of his life, and the transfer of power must occur at the Keeper’s last breath. The consuls summon Kassia for the ceremony.

The Doctor, Adric, Tremas, and Nyssa converge on the TARDIS but are ambushed by the Fosters. At that moment, the Keeper enters his death throes and a storm rages across the planet. Kassia arrives and takes the title of Keeper, allowing the Melkur to touch the Source through Kassia. Inside the Melkur, a hideously scarred form taunts the Doctor, and as the Time Lord’s group leaves the grove, the statue disappears with the sound of a TARDIS.

Ah, yes. We know who this great evil is, don’t we?

The Doctor rushes to the Sanctum to prevent the final transfer of power, but it is too late. The Doctor sends Adric and Nyssa to the TARDIS as a screaming Kassia is enveloped in an energy field and the Melkur materializes on the throne. The Melkur summons Proctor Neman and orders the two remaining consuls, Tremas, and the Doctor confined to quarters. Meanwhile, Adric and Nyssa try to prepare the TARDIS for departure, but the engines are blocked. Adric explains a plan of last resort: Melkur can be defeated by destroying the Source.

Tremas and the Doctor discuss their options. They don’t have the five Consular control rings, but they do have the Source Manipulator plans so there is a chance. Unfortunately, the Melkur knows of the plans and sends Neman and his fancy new control band to retrieve them. When Tremas refuses, the Melkur materializes and forces them to relinquish it. Before fading away in weakness, Melkur destroys the scroll. Afterward, the Doctor ambushes the Proctor and the guards and steals the rings they hold. The Doctor and Tremas head to the Sanctum and attempt to break the Source Manipulator’s source code.

While they work, Adric and Nyssa construct their last resort device and install it at the Source. Melkur also arrives and stops the Doctor three digits shy of success. Tremas attempts to key in the remaining code, but Melkur stops him and forces the former consul to kill Proctor Neman with his own weapon. The Melkur outlines its plans for domination and reveals its true identity after taking the Doctor to its deepest sanctum.

The Melkur is the Master. The statue is his TARDIS.

The Doctor kindly offers to put him down like an rabid dog, but the Master restrains him. The Master reveals that he is on his last regeneration and near death after their battle on Gallifrey, and he plans to steal the Doctor’s mind and use the Source to extend his life beyond the regeneration limit. At the right moment, the Source is disrupted and the Doctor is able to escape the Master’s TARDIS and disconnect him from the Source. Consul Luvic leaps onto the throne to continue the line of Keepers, and the Doctor and Adric take their leave.

All seems well as harmony returns to Traken, but Tremas feels compelled to investigate a newly arrived clock. The consul touches it and it opens to reveal the Master. The evil takes over Tremas’s body and steps back inside the clock, a TARDIS he had hidden inside his old one, before dematerializing.

Nyssa returns to the Sanctum, but her father is nowhere to be seen.

The stage is set with this wonderful story. Next week, the Doctor falls.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Doctor Who: Logopolis

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.