July 31, 2017
Jodie Whittaker is the Thirteenth Doctor.
Take a moment, consider it, and scream as you see fit. I know I did.
It should be no surprise that I support this move. If it is, then you really haven’t been reading the Timestamps Project. All throughout my journey with Doctor Who, from every new series episode to the (approximately) 150 distinct reviews and analyses of the classic serials, I have wholeheartedly embraced the morals, messages, and meanings in each, and critiqued how their impact relates to my values and expectations. Because of that journey, encompassing the canon of regeneration, representation in fandom, and the reputation of the character and franchise itself, Jodie Whittaker’s casting is music to my ears, heart, and soul.
At a later stage, Doctor Who would be metamorphosed into a woman. Don’t you agree that this is considerably more worthy of the BBC than Doctor Who’s presently largely socially valueless, escapist schlock? This requires some considerable thought – mainly because I want to avoid a flashy Hollywood ‘Wonder Woman’ because this kind of hero(ine) has no flaws – and a character with no flaws is a bore.
–Sydney Newman, creator of Doctor Who
As the concept of regeneration has evolved throughout Doctor Who‘s history, it has been discussed more and more as a lottery. The Fifth Doctor remarked that the trouble with regeneration was “not knowing what you are going to get.” The Ninth Doctor seemed surprised by his appearance in Rose, and each incarnation since has enthusiastically explored their new teeth, hair, and legs (as did the semi-Time Lord River Song, who apparently needs more jumpers). Even the War Doctor, a critical touchstone between the classic and new eras, lamented the shape of his ears as he moved on.
Throughout the 53-year history of the franchise, we have plenty of evidence that regeneration means more than simply shifting around inside a similar matrix. Most recently, longtime nemesis The Master changed genders into Missy (Series Eight, Series Ten), and in the middle, we had the Gallifreyan General’s regeneration from an old white male to a younger black female (Hell Bent).
Similarly, we had River Song, who regenerated from a white girl in New York City to Mels, then to River Song (Day of the Moon, Let’s Kill Hitler). Both Maya Glace-Green and Nina Toussaint-White are women of color, which means that Melody Pond/River Song shifted skin colors during regeneration. As far as we know, both of her parents come from white families, so it seems that DNA input has no bearing on a Time Lord’s appearance.
Upon his regeneration from the Tenth Doctor, the Eleventh Doctor was momentarily concerned that he had become a woman, which indicates that gender shifts are possible (The End of Time). But the largest piece of evidence that we have is the Corsair, a Time Lord friend of the Doctor’s whom he had known across several lifetimes, two of which were female (The Doctor’s Wife).
But these are all “nu-Who” examples, so they’re tainted with some kind of twenty-first century social justice warrior progressivism, right?
Romana’s regeneration from Mary Tamm to Lalla Ward in Destiny of the Daleks took viewers on a regeneration merry-go-round, including at least one complete “species” shift. She was still a Time Lord underneath, but her blue-silver Fifth Element skin was definitely not human-based. Ergo, Time Lords aren’t limited to human forms. Also, behind the scenes, the concept of a male-to-female regeneration has been discussed since the 1980s by Tom Baker (the Fourth Doctor) and Sydney Newman (the creator of the show).
Based on the canon evidence, it’s apparent that a gender-change during regeneration is no big deal.
Because it’s got that cross-generational appeal, which few other things have. It’s not a working-class thing, it’s not a middle-class thing. The competition winner from Doctor Who Magazine was on set today, a 15-year-old girl. When I was a kid, 15-year-old girls didn’t watch Doctor Who.
–David Tennant, the Tenth Doctor
Sure, the Doctor has been a hero to viewers – and, by extension, readers and listeners – of all types for over a half-century. But that doesn’t compare to having a hero who more closely represents you in the spotlight.
Luke and Anakin Skywalker wielded lightsabers for a collective 40 years, but Star Wars: The Force Awakens unconditionally showed girls that they could too with the new hero Rey. In Rogue One: A Star Wars Story, Jyn Erso showed girls that they could save the day without being Jedi. Star Wars: The Clone Wars brought us Ahsoka Tano, a massive fan favorite, and voice actress Ashley Eckstein developed an entire business around the underserved female fan base.
The Star Wars franchise showed minorities that they had a place in the galaxy – with Lando Calrissian, Mace Windu, Finn, Poe Dameron, Cassian Andor, Baze Malbus, Chirrut Îmwe, and Bodhi Rook. The galaxy far far away is still heavy with men, but at least it’s diverse.
Supergirl and Wonder Woman put feminine heroes front and center in a golden age of comic book properties that focused mostly on men. The silver screen’s history with female-led comic book movies in the last thirty years was sparse and disappointing (Supergirl, Elektra, and Catwoman, just to quote the big ones). Marvel also helped with Black Widow’s increased screen presence, but their first movie with a strictly female lead (Captain Marvel) is still years away.
Star Trek put young women in the captain’s chair with Kathryn Janeway, just as it inspired young black men with Benjamin Sisko. Before them was Uhura, who inspired astronaut Mae Jemison and actor Whoopi Goldberg, both of whom are also Star Trek alums.
Just like their male counterparts, women deserve to have role models that they can admire and emulate. At its core, science fiction is all about telling stories about the human condition, through metaphors. It’s about exploring ideas and possibilities, often times from a new point of view. Doctor Who is science fiction, and it adheres to the same Asimov maxim as any other successful sci-fi property: “Individual science fiction stories may seem as trivial as ever to the blinded critics and philosophers of today, but the core of science fiction, its essence, has become crucial to our salvation, if we are to be saved at all.”
Until Jodie Whittaker, the only major female heroes we had seen in Doctor Who were companions. As much as I love seeing them take charge of a situation, they still operate under the protection and guidance of the Doctor, who has been a male character despite the ability to not be. The Doctor leads the charge against evil, goes toe-to-toe against the bad guys, and outwits and outsmarts even the most brilliant traps and plans. Nothing in that description requires the character to be a man. It only needs to speak to us.
As genre fans, we seek stories about the human condition that touch us and inspire us. We seek the messages – the salvation – that they offer. In the case of the Doctor, to paraphrase Steven Moffat, we ask for it through a call box and get it through two hearts.
Both men and women talk about it. Both men and women run fan tracks and conventions about it. Both men and women embrace it.
Salvation isn’t exclusive, just as the Doctor’s love is not exclusive. It must represent us all or we all lose.
Tonight’s show is a little different.
Tonight’s show is about a man who’s not really a man.
He’s a doctor, but he’s not really a doctor.
Like Doctor Phil, but awesome.
Most people in the United States of America have not heard of him.
He’s just like me in that regard.
Who is he? He’s The Doctor!
In 1963 the BBC premiered a show about an alien who traveled through space and time to combat the powers of evil.
Sid the Rabbit: He’s a force for good in an otherwise uncertain universe.
You are correct in your summation of his character my profane rabbit friend.
Geoff the Robot Skeleton: Ooh, tell me more!
The show has been running in Britain almost fifty years,
with many different actors in the role of The Doctor.
Wavy Rancheros the Alligator/Crocodile: The Doctor doesn’t die he just regenerates.
The crocodile alligator speaks the truth.
One thing is consistent though and this is why the show is so beloved by geeks and nerds.
It’s all about the triumph of intellect and romance
over brute force and cynicism.
Intellect and romance over brute force and cynicism!
And if there’s any hope for us in this giant explosion in which we inhabit then surely that’s it.
Intellect and romance triumph over brute force and cynicism!
–Craig Ferguson, November 2010
Confidence. Bravery. Compassion. Cunning. Curiosity. Intellect.
Those traits have been attributed to the Doctor over the years, from many sources. As Jennifer Hartshorn put it, none of them are gender-specific. But in some corners of Doctor Who fandom, they have become so through tradition. The problem with tradition, however, is that it leads to the argument that the status quo cannot change because it’s the way things have always been.
Speaking from an American point of view, I know how dangerous “it’s the way things have always been” can be. Take a look at any minority and notice how their rights suffer until the outcry drowns out the privilege of clinging to tradition. Pure and simple, saying that the Doctor doesn’t need to be a woman is only a simpler way to state that the Doctor needs to be a man. Based on everything else we’ve discussed here, we know that the Doctor doesn’t need to be a man to showcase the traits and attributes of the character.
I know that change is difficult, but Doctor Who has shown us at least twelve times that change is inevitable. That number is even higher if we count every companion that has come, gone, and even died on the Doctor’s watch. Even the upcoming Christmas Special appears to be dedicated to reminding the Doctor (in two incarnations) that change cannot be stopped.
And it’s not just changing for sake of change. It’s change we’ve seen coming for years. Every time the sci-fi side of this deus ex machinia fairy tale pops up and asks “what if,” it signals that science fiction is fulfilling its mission. The writers correctly asked “what if” years ago, and next year we get the answer.
The biggest problem I see with a female lead on Doctor Who is how writers and producers treat female characters in television. If Chris Chibnall’s team can make it work, Jodie Whittaker’s acting will shine.
Doctor Who will return. The fight against brute force and cynicism will continue. If you choose not to continue the journey, that’s up to you. Fans, like companions, have come and gone, and it’s not the first time that fans have left because the show was “ruined” by a studio decision. If you choose to leave, I will miss you, and I will even forgive you. But I will continue on with the journey and hope that one day you will be back.
But I will carry on with the message in hand. Because it’s what the Doctor would do.
It’s like when you’re a kid. The first time they tell you that the world’s turning and you just can’t quite believe it ’cause everything looks like it’s standin’ still. I can feel it; the turn of the Earth. The ground beneath our feet is spinnin’ at 1,000 miles an hour and the entire planet is hurtling around the sun at 67,000 miles an hour, and I can feel it. We’re fallin’ through space, you and me, clinging to the skin of this tiny little world, and if we let go…
That’s who I am.
–The Ninth Doctor, Rose (2005)
The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.
Doctor Who: Black Orchid
(2 episodes, s19e17-e18, 1982)
It’s more like Doctor Who and the Case of the Missing Drama.
The TARDIS materializes in 1925 at the Cranleigh Halt rail station through a really well-done effects sequence. Tegan is finally onboard with traveling with the Doctor, and the two non-Terran companions learn what a rail station is. A chauffeur gathers the travelers, claiming that the Doctor was expected, and drives them to a cricket match.
Our heroes meet Lord Charles Cranleigh, who joins the chauffeur in staring mouth agape at Nyssa, and the Doctor justifies his wardrobe by winning a cricket match. Tegan is really into it, but Nyssa and Adric (along with this humble watcher) have no idea what’s going on. Regardless, the Doctor’s stellar performance earns them a trip to the house to meet the rest of the family (“Doctor who?“). They also meet Lord Cranleigh’s fiancée, Ann Talbot, who is the spitting image of Nyssa.
Spoiler: It’s a convenient plot point that never warrants an explanation.
Tegan takes notice of a black orchid in a display case, which stands as a memorial to the Lady Cranleigh’s missing son George, an explorer and botanist. Ann was to marry George, but after his disappearance, she was engaged to Charles. The group finish their cocktails (or lack thereof for Nyssa and Adric) and retire to their rooms to prepare for the night’s costume ball. During all of this, a mysterious figure in gentleman’s attire unties himself and skulks about, eventually stealing the Doctor’s party costume and trapping the Time Lord in the house’s secret passageways.
We also learn at pointed (and pretty much useless) bit of information about the Nyssa-Ann pair: One of them has a mole on their shoulder. They use the circumstances to dress in identical costumes as a joke.
Adric, on the other hand, wears his badge for mathematical excellence on his costume. Because of course, he does.
The festivities proceed as the Doctor explores the house and its secrets, but the mysterious figure arrives at the party and invites Ann to dance. They end up back inside the house, and the stranger attacks Ann and kills a servant. After Ann faints, the stranger puts her in a bed and returns the costume to the Doctor’s room. At this point, we finally see his disfigured face.
The Doctor discovers a body in a cupboard, then encounters Lady Cranleigh and her servant Latoni, an Amazonian with a stretched lip. After seeing the dead body, everyone agrees to keep the whole affair silent. The lady and Latoni then go to the room containing Ann; the young woman races to Lady Cranleigh (believing it all to be a dream) while Latoni gathers a length of rope to detain the stranger.
Lady Cranleigh and Ann converge at the site of the murdered servant at the same time as the Doctor, and the Time Lord is framed for the murder and assault. The Doctor attempts to prove his innocence with the hidden body, but the cupboard is now empty. The Doctor’s inadvertent cover story is blown as the (medical) doctor the family was expecting calls with his regrets, and the Time Lord is taken into custody. He asks the police sergeant to stop at the rail station to show everyone a vital piece of evidence, but the TARDIS is missing. Once the group arrives at the police station, they discover the TARDIS (a police box that no key will open), and everyone piles in, casting light on the Doctor’s story.
At the house, the mysterious stranger breaks free of his bonds, strangles Latoni, and sets fire to the room’s door. The Doctor pilots the TARDIS to the manor as Ann learns a disturbing truth. We have it confirmed minutes later as Lady Cranleigh admits that the stranger is really George. He was caught in the Amazon and cut apart by a tribe for disrupting their sacred black orchids, but was rescued by Latoni’s tribe and returned home. Unfortunately, George bursts into the parlor and kidnaps Nyssa, set on being with his former fiancée. The Doctor and Charles rush to the rescue, and when all is said and done, Nyssa is saved and George is killed by accident.
After the funeral, in gratitude for everything the travelers have done, the Cranleigh family give the companions their fancy dresses from the party. They also give the Doctor a gift in George Cranleigh’s book, Black Orchid.
On the upside, the plot moved quickly with little filler. On the downside, it was utterly predictable once the orchid and George’s disappearance were laid out. After that, it became a somewhat painful short story that played on a train car full of Doctor Who tropes. It had no drama and no tension. It was just there.
What saves this serial is the acting and characters. While the Doctor was pretty much relegated to the background, the companions stole the show: Adric’s typical annoyance was nowhere to be found; Tegan was enjoying herself; and Sarah Sutton got a chance to really shine in a dual role, which she played as two individual characters with distinct styles. I’m seriously in awe of her range and skills after this story.
On a sad note, this is the last of the historical (non-science fiction/fantasy) serials in classic Who.
All told, Black Orchid really benefits from rounding up.
Rating: 2/5 – “Mm? What’s that, my boy?”
The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.
Doctor Who: The Visitation
(4 episodes, s19e13-e16, 1982)
The franchise takes a step up with a couple of reset buttons.
Some 300 years before Tegan’s final destination, the adventure opens on a scene dressed straight out of The Three Musketeers. A light show like a hundred shooting stars decorates the sky, but the single witness is dismissed by her father. And then the murders begin.
Approaching at the scene at the speed of time, the Doctor (thankfully) chastises Adric over his actions on Deva Loka and Nyssa helps Tegan prepare to leave as they will surely reach Heathrow this time. Unfortunately, they don’t, and this revelation prompts Tegan to furiously storm out of the TARDIS.
The team finds a group of people burning sulfur and are attacked. During the altercation, Adric drops his homing device before twisting his ankle, and as they run they find a highwayman named Mace who takes them to sanctuary. He tells the tale of the previous night’s comet, and the Doctor puts the clues together: A prisoner control bracelet and a handful of power packs point to alien survivors. The Doctor leads a search of the nearby manor, which was the setting of the opening scene. During the search, the Doctor is separated from Mace and the companions, and when he disappears behind a wall, they are trapped behind a door locked from the other side by one of the aliens. The Doctor rescues them by revealing the trick: The wall is a holographic energy barrier. The travelers explore the cellar, which contains caged rats, soliton gas, and the visitor. Tegan and Adric are stunned by its beam, but Nyssa, Mace, and the Doctor escape.
The Doctor recognizes the visitor as an android, as the trio plans a rescue, another being interrogates the captives. This lizard-like creature with an obvious rubber mask interrogates the companions about the Doctor, a man he recognizes as being not from this time and place. It uses the local villagers, whom it has fitted with the control bracelets, to apprehend the trio as our heroes explore the crashed spacecraft. Based on the machine, the Doctor recognizes the survivor as a Terileptil, and the trio escapes the craft through a back door. The Doctor sends Nyssa ahead while he and Mace search the nearby mill.
Tegan engineers an escape for her and Adric, but sacrifices her liberty so the boy can flee the manor. Meanwhile, the Doctor and Mace find a group of free villagers, but they mistake Mace’s crystal for the “plague” that has affected their neighbors and order the odd couple’s execution. The execution is stayed by the village leader, who is also under the Terileptil’s control. Coincidentally, so is Tegan with the application of a control bracelet.
Adric arrives at the TARDIS and reluctantly (and petulantly) helps Nyssa set up the sonic device. Adric later leaves the TARDIS to search for the Doctor, but is captured by the Terileptil’s gang. In the mill, the Doctor and Mace free the village leader and a villager from their bracelets, but the villagers collapse. Luckily, it sends a signal to the Terileptil, and the lizard orders the android to fetch them. When the villagers awaken, their control is mistaken for witchcraft. As the villagers build a fire to burn their demons, the android arrives as the Grim Reaper and frightens them all away.
The Doctor and Mace are escorted to the cellar, where Tegan is laboring away on vials of chemicals and they are introduced to the Terileptil. The lizard reveals that he plans to commit genocide and take over the planet. Mace is fitted with a bracelet, the Doctor is placed in isolation, and the sonic screwdriver is destroyed. The Doctor’s “old friend” has been killed.
The Terileptil plans to use a genetically engineered plague to destroy humanity with rats. It leaves the Doctor in the cell with the controlled Mace and Tegan to loose infected rats on him, heading for London where he plans to begin the massacre. The Doctor disables both bracelets and frees the humans, and Mace tries to pick the lock before the Doctor shoots (!) the lock with Mace’s firearm. They search the lab but come up empty.
The android finds Adric and the gang, scaring the bandits away before following Adric to the TARDIS. The android enters TARDIS but is destroyed thanks to Nyssa’s sonic device. Nyssa and Adric move the TARDIS to the house, and the Doctor uses the scanner (after a jab at Adric’s dense questions and a bit of “Dad” reasoning for Tegan) to locate the Terileptil. They arrive at a London bakery and encounter all three Terileptils. A fight and a fire break out, and the heat causes the Terileptil weapon to overload. The resulting explosion destroys the bakery in a blazing inferno, which proves the perfect crucible for the plague serum. The travelers depart, leaving Mace to fight the fire, and the Doctor muses about the historical implications of this adventure: He just started the Great Fire of London, even though he previously denied any involvement.
So, it’s also a (partially) historical serial, which we haven’t seen for 15 years. That’s minor reset #1.
Minor reset #2 is the destruction of the sonic screwdriver. It’s been 14 years since it was introduced by the Second Doctor, and even though future Doctors seem to simply regenerate the device when they lose one, this loss is more semi-permanent. It will be interesting to see the Doctor working without it just like the First (and partially Second) incarnation.
Character-wise, this is a major step up from the last few adventures. I am happy to see the Doctor and Nyssa working well together, and equally happy to see Tegan and Nyssa both prove their worth against Adric’s continued disparagement. Tegan is still upset about not getting home, which is understandable, but she’s not being crippled by this. Instead of being a detracting characteristic, it’s a defining one. The Doctor himself continues to be a patient fatherly character, both in disciplining and guiding his companions.
Finally, Mace was a fun secondary character who left no scenery unchewed.
Overall, it was a fun adventure that, despite minor quibbles with the creature practicals, kept me engaged for the duration.
Rating: 4/5 – “Would you care for a jelly baby?”
UP NEXT – Doctor Who: Black Orchid
Doctor Who: Kinda
(4 episodes, s19e09-e12, 1982)
After the last story, this was probably not the best time to shelve my favorite companion of these three.
At the outset, Nyssa’s not feeling well, so the TARDIS has settled on a jungle planet to evaluate her. Based on the results, the Doctor puts her into a coma to recover from not being included in the script. The planet is currently home to a team of explorers. They’ve taken captives and several of their own are missing. They are the perfect model of military tropes in fiction.
The Doctor, Tegan, and Adric explore the planet and come across a set of well-designed wind chimes, prompting the Doctor to consider intelligent life and civilization in the area. The chimes place Tegan into a hypnotic trance, and the Doctor is pulled away by Adric who stumbles into an armored suit. After Adric fiddles with device – and, thankfully, the Doctor chastises the impulsive boy – it takes them hostage and leads them to the explorer camp.
The Kinda – pronounced like the German for child, not the slang short-form for kind of – decorate Tegan with flowers while she sleeps, and her trance leads her to two figures playing chess. She fearfully explores the black void, noting that all of the inhabitants have the same snake tattoo on their arms. Meanwhile, the Doctor gets the backstory from the explorers and examines the hostages. The expedition scientist, Todd, believes them to be primitive but telepathic, and she explains their plans for the paradise world. They are interrupted by Hindle, current second in command, who tears apart the lab in a temper tantrum before playing Narcissus in the mirror.
The expedition commander, Sanders, makes plans to look for the missing team members. In the lab, Hindle has somehow taken leadership over the two Kinda, and as Sanders departs, Hindle and his new friends take over the outpost by force. Sanders takes the powered armor to the Kinda village, where a blind shaman named Panna and her acolyte Karuna plan to give a box to the approaching colonial soldier. They are visited by a Kinda male named Aris, the brother of one of the captives, and we learn that the males are mute and the women are not. The Kinda male leaves as Sanders approaches, and the gift of the box overcomes the commander with psychic force.
In the outpost control room, Hindle has dressed the Kinda captives in colonial uniforms. The captives release the Doctor, Adric, and Todd, who then have a ridiculous discussion with an unhinged Hindle. Hindle wants to sterilize a fifty-mile radius around their camp, using acid and fire to protect themselves from hostile plants. Adric has some sort of epiphany and volunteers to help Hindle, but since the Doctor and Todd won’t join him, they are sent back to their cell. To his benefit, Adric begins a plan to double-cross Hindle, but he is caught.
Are we in the throes of another story about the evils of colonialism? Looks like. I’m also picking up shades of Apocalypse Now.
On the other side of the looking glass, Tegan continues her mental breakdown in the void. She argues with duplicates of herself, then with the mysterious taunting figure, before agreeing to give the figure material form to be released from captivity. She awakens in the real world with the snake tattoo on her arm, a mischievous grin on her face, and about 10,000 more skill points in Charisma.
Hindle deliberates how to punish Adric for the boy’s treachery, but is interrupted by Sanders, who has returned with a completely different, almost childlike character. Sanders offers the box to Hindle, but Hindle refuses to open it. Out in the forest, Aris encounters Tegan. Tegan introduces herself as Mara, and in a moment of Star Trek V Sybok psychology, she transfers the snake and consciousness to Aris.
Hindle puts the Doctor and Todd back in the cell, this time with Sanders and the box. Hindle orders the Doctor to open the box, and when he does, Todd screams. It’s an overly-dramatic gesture as the box only contains a spring loaded puppet. Well, that and a psychic encounter for the captive group, in which the Doctor and Todd commune with the Kinda. The Doctor and Todd leave the compound and head for the source of the summons. They are met by the Kinda and develop a rapport with the easy-going people, but are soon interrupted by Mara-Aris who proclaims that the “Not-We” must be taken captive. Karuna attempts to read his mind and is convinced by an ancient prophecy that Mara-Aris is their new leader. Karuna defies the prophecy and takes the Doctor and Todd to Panna.
In the compound, Hindle plots to destroy the dome and surrounding jungle to protect themselves through death. Adric bides his time by playing along, but finds it difficult due to Hindle’s increasing instability. He eventually defies Hindle and takes the armor for a walk. At her cave, Panna examines Todd, but is surprised by the Doctor’s presence. Apparently, a male cannot open the box without being driven insane unless he is an idiot. Thus, the Doctor is an idiot (with a box, and a screwdriver).
Mara-Aris arrives with his enthralled gaggle of Kinda, and after taking control of Karuna, he takes the group to destroy the dome and the Not-We. Panna and the Doctor discuss the snake tattoo and the Mara, and they join with Todd in a psychic link. After their vision of the destruction of the Kinda and everything, they awaken to find Panna dead. Karuna senses this and breaks from the rushing Kinda to return to the cave. Once there, she reveals that Panna’s spirit has been transferred to Karuna. Together, the trio sets out to stop Mara-Aris. En route, they find Tegan and discover what she did to free the Mara.
Everyone converges at the entrance to the dome. The Kinda gaggle attack Adric in the armor, but Adric inadvertently drives them away with a panicked operation of the machine. The Doctor frees Adric from the machine, and Mara-Aris takes the opportunity to run away. The protagonists enter the dome and confront Hindle, who has constructed a city out of cardboard boxes. The madman reveals that he controls the Kinda with mirrors, which they believe steal their souls. The Doctor takes a wrong step and Hindle snaps, nearly destroying the dome, but in the fracas, the mirror is broken, Todd gains control of the explosive trigger, and Hindle gets the box and an awakening.
Of course, Adric takes the opportunity to blame Tegan for all of this. One step forward with his attempt to stop Hindle, and now one step back again. I mean, this was a “Shut up, Wesley” moment, and I actually liked Wesley Crusher.
With Hindle’s threat disarmed, the Doctor sets a trap for Mara-Aris using large mirrors, forcing the Mara free the Kinda. The snake grows in size and nearly takes control of Tegan before finally dissipates, dispelled back to its prison. Hindle and Sanders are returned to their former states, and Todd submits a recommendation that the planet is unsuitable for colonization. The travelers (including Nyssa, who has recovered from her bout of being forgotten in the script) bid farewell to a too-green paradise.
On its face, this was a story of the evils of imperial colonization mixed with a strong pinch of the supernatural, which would have been just about average given how often Doctor Who dips into that particular well. The dragging anchor on this boat is the character issues. Adric got somewhat better, save for his need to touch everything and chastise Tegan. Tegan spent the majority of the story spinning her wheels in character impotence. And Nyssa? Poor Nyssa got caught between a poorly timed script and the character problems of the Nineteenth Series so far.
This story even has a large dose of mythology, ranging from Buddhist and Old Testament Biblical to superstitions shared by tribal cultures around the world, and science fiction that opens audiences to the myths that shaped humanity usually wins me over. I’m just so irritated with how the writer’s room is wronging the companions in these opening salvos of the Fifth Doctor’s run.
The thing that helps buoy it back up is the Doctor. He’s selflessly compassionate and innocent like a couple of incarnations before him, but he’s not as duplicitous as past lives. Instead of trying to pass off the failed sleight-of-hand with Adric and the computer card, which the Third and Fourth Doctors would have used to lure Hindle into a trap, the Fifth Doctor realizes that he cannot win and abandons the effort, saving himself for a better chance.
The Fifth is also far more patient and fatherly. It’s taken a few serials to see that, but now that he’s mostly baked, it’s easy to see a paternal hand guiding Tegan’s temper and Adric’s impulsiveness.
The Doctor himself may be what saves his fifth incarnation’s run for me.
Rating: 3/5 – “Reverse the polarity of the neutron flow.”
UP NEXT – Doctor Who: The Visitation