Culture on My Mind – Gingertail’s Mandalorian

Culture on My Mind

Culture on My Mind
Gingertail’s Mandalorian

May 28, 2021

This week, I have music from The Mandalorian on my mind.

Specifically, this cover by YouTuber Alina Gingertail.

These musical versions of Culture on My Mind are short and sweet. Have a good weekend, and I’ll see you again very soon.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #224: The Rebel Flesh and The Almost People

Doctor Who: The Rebel Flesh
Doctor Who: The Almost People
(2 episodes, s06e05-06, 2011)

Timestamp 224 The Rebel Flesh The Almost People

Send in the clones.

The Rebel Flesh

In a dark and creepy island fortress, workers Jennifer, Buzzer, and Jimmy enter a room with a large vat. While wearing protective suits, they analyze the acid within. Buzzer teases Jennifer who knocks him into the vat. They seem nonplussed as Buzzer melts away, but moments later they encounter him in the corridor.

Buzzer claims that he could file for worker’s compensation for the accident. After all, these bodies cost money.

On the TARDIS, Amy and Rory play darts while the Doctor obsesses over Amy’s ambiguous scan. The Doctor offers to drop the duo for fish and chips, but they refuse to go without him. The TARDIS takes a hit from a solar tsunami, and while they think they’re about to crash, the time capsule lands with a soft thud. They’ve arrived at the mysterious island, which turns out to be a 13th-century monastery. However, it’s in a more modern era since the tones of Dusty Springfield are echoing through the complex.

They spot some mysterious piping and some old acid on the handrails. The Doctor sets off an intruder alarm and the trio runs into a chamber where they meet the security team. Duplicates of the same team are resting in harnesses on the wall. The Doctor convinces the foreman, Miranda Cleaves, that he’s a meteorological supervisor and requests to see their most critical system.

Enter the Flesh. It’s a fully programmable matter that can replicate any living organism. The workers’ duplicates are called Gangers, and they are controlled by the minds in the harnesses. The Doctor analyzes the vat of Flesh, noting that it’s scanning him. Meanwhile, Miranda orders Jennifer into the empty harness as a new Ganger is to be made of her. Within moments, a fully functioning clone is made. All the while, another powerful solar storm is bearing down on the island.

Since the facility runs on solar power, the storm will potentially overload and destroy the island. The Doctor attempts to protect everyone but is knocked unconscious along with everyone on the island. The TARDIS is trapped in the wash from a broken acid pipe and sinks into the ground.

As everyone recovers, Rory finds Jennifer in a state of shock and comforts her. Miranda claims that the Gangers should have disincorporated when the power went out, but the group soon discovers that the storm has given them independence and self-sustaining power. The team is shocked, but the Doctor suggests that they’ve given birth to a new form of life.

During the discussion, Jennifer falls ill and rushes to the restroom. Rory joins her, but they both soon discover that Jennifer is a Ganger. The Doctor also discovers that Miranda is a Ganger when she handles a hot bowl but isn’t burned. These Gangers are in flux, not quite Flesh and not quite formed.

As Miranda runs from the room, the Doctor, Amy, and Dicken run out to find Rory. The Doctor looks at Amy before insisting that the Gangers aren’t violent, but rather scared and angry, and he needs to talk to them. Many of the paths through the monastery are blocked by leaking acid puddles. The Doctor goes to retrieve the TARDIS, Amy goes off alone to find Rory, and Jimmy returns to the dining hall before sending Buzzer and Dicken off to retrieve the acid suits. Unfortunately, the Gangers have gotten to them first.

Rory and Jennifer share a moment as she claims to be just as real as the human who created her, phasing into human form as she emphatically states it. Rory comforts her and gains her trust.

The Doctor finds the TARDIS mostly submerged in the acid-soaked ground, losing his boots in the process. He also scans the vat of Flesh, and when he leaves a mouth forms that says, “Trust me…”

Amy finds herself in a dead-end corridor filled with gas. She sees the Eye-Patch Lady again, then runs into Rory and Jennifer. Rory declares that no one will touch Jennifer. Elsewhere, the Doctor finds the Gangers and the acid suits, and he tries to convince them that they should work with the humans. The discussion is watched from afar by the real Miranda.

Everyone comes together in an attempt to heal the rift, but Miranda has other plans. She crashes the discussion and the Buzzer Ganger ends up dead. The Gangers return to the acid room and both sides declare war. The Doctor suggests that the humans take refuge in the chapel with the Flesh vat since it is highly defensible. Meanwhile, the real Jennifer is trying to find everyone but is attacked. Rory follows her screams as the chapel is sealed.

As the Gangers advance on the chapel, Amy and the Doctor meets someone they did not expect: The Doctor’s Ganger.

The Almost People

The Doctor’s Ganger starts trying to adapt to the Time Lord’s previous regenerations. It shifts through various voices of previous incarnations before settling down as the humans try to barricade the door against the Gangers. The twin Doctors spring into action as Amy notes that the real Doctor has replacement boots from the human workers. The Doctors remind Amy (once again) to breathe before finding an escape route just as the Gangers melt the door.

The Doctors’ team moves through the tunnels but are soon assaulted by a “chokey gas” produced by the interaction of the acid and the monastery’s stone construction. Miranda leads everyone to an evacuation tunnel to escape the gas, eventually reaching the top of the evac tower.

The Gangers muse about their existence and revolution while the Ganger Miranda nurses a growing headache. Reluctantly, Ganger Miranda signs on to Ganger Jennifer’s idea that will finish off the humans.

In the evac tower, Amy questions which Doctor is real, but they both claim to be. Amy definitely sides with the non-Ganger Doctor and the Ganger Doctor wonders if he should be called “John Smith” instead. The Doctors restore power to the evac transmitter and Miranda tries to make contact with the mainland. The Gangers overhear the message, including the request that the Gangers are destroyed when the rescue craft arrive. The Doctors are not pleased by this request.

The Doctor books a phone call for the morning but doesn’t explain why. Meanwhile, Amy spots the Eyepatch Lady again but doesn’t understand why. She finally tells the Doctor about her visions, but the Doctor dismisses it. The Ganger Doctor leaves the room and Amy follows with an apology for questioning his existence. She admits to seeing the Doctor’s death, and the Ganger Doctor snaps, assaulting Amy in the process, because he can hear the single question that Gangers ask when they die: “Why?”

The now-calmed Ganger tries to apologize to Amy but she wants no part of it. The Ganger Doctor explains that the Flesh is growing and wants revenge for all the Gangers that have been decommissioned. The Doctor also heard this, but less faintly than his doppelgänger. Miranda asks the Ganger Doctor to sit down away from Amy.

Rory encounters two Jennifers and tries to distinguish between them. The two women fight and one falls into acid, melting away. Rory presumes that the human Jennifer won the battle because she’s limping and has an acid burn. The pair are spotted on the security cameras and the Doctor sends the Ganger Doctor (with Buzzer) to retrieve them, asking Amy to trust them. Meanwhile, Jennifer uses Rory to turn off the acid cooling systems – something she couldn’t do because it wouldn’t recognize her as human – which will destroy the tower when the acid erupts.

As Jennifer shows Rory a pile of discarded, melted, but still living Gangers, the Ganger Doctor is ambushed by his escort when they find Jennifer’s corpse. Buzzer then finds the Jennifer who was accompanying Rory, herself a Ganger who kills Buzzer.

The human Miranda suffers the same headache as her Ganger, which is likely a blood clot that will slowly kill her. As the humans try to find a way out, the Gangers intercept a message from the rescue team and redirect them, correctly guessing the code word. The humans find Rory and follow him to what he believes is an evacuation route. When Jennifer traps the humans in the acid vat room, the Gangers (including the Ganger Doctor) take a furious Rory away with them.

And then the phone rings.

The Doctor has booked a holo-call with Jimmy’s son. It’s the boy’s birthday, and the Doctor wants Jimmy to experience humanity. When Jimmy runs from the room, overwhelmed by emotion, the other Gangers begin to have a change of heart as well. Jimmy races to save the humans, but he’s too late to save the real Jimmy from being killed by the acid. As Jimmy dies, he asks his Ganger to become him and go home.

Everyone returns to the dining hall where Ganger Jimmy talks to his new son. The Doctor promises that Jimmy is coming home today, then puts a plan in motion to get everyone out. They are pursued by the Ganger Jennifer as she takes a monstrous form, and Dicken sacrifices himself to lock the Ganger out.

The Doctor accurately guessed where the TARDIS will fall through the soil. The survivors pile into the ship, and the Doctor reveals that he and his Ganger swapped shoes to prove that the two were not so different. Amy is shocked and ashamed, and she tells the Doctor that she didn’t think he could be twice the man she thought he was. He replies with a whispered message to Amy, telling her to push, but “only when she tells you to”.

The Doctor gives his Ganger the sonic screwdriver, a device that will destabilize the Flesh. The Gangers Miranda and Doctor open the door and defeat Jennifer at the cost of their own lives.

The survivors board the TARDIS. Exposure to the engines stabilizes the remaining Gangers so they’ll remain true human beings. The Doctor also gives Miranda a cure for her blood clot. Jimmy returns home to his son, and the other survivors are taken to the company’s headquarters to lobby for rights for the Flesh.

The Doctor tells Amy to breathe.

Amy goes into labor. Rory is obviously confused since Amy’s not pregnant.

Back inside the TARDIS, the Doctor orders Rory to stand away from Amy. He does so, and the Doctor explains that the trip to the monastery was not unintentional. He needed to see how the Flesh worked so he could stop the signal…

…to Amy.

He promises her that they will find her. Then he uses the sonic screwdriver to disincorporate her. Amy was Flesh all along.

The real Amy wakes up in a medical capsule, obviously pregnant and dressed in a white hospital gown. A panel slides away above her to reveal the Eyepatch Lady, who tells her to push. Amy screams as her contractions begin.


The return to the creature feature style of Doctor Who is welcome, particularly when it takes on elements of The Thing. I mean, how do you fight a bad guy when the bad guy can look like any of the good guys? More importantly, what distinguishes the bad guys from the good guys when they’re fighting what is essentially a war over race? I absolutely love the allegories, some of which are painfully relevant today, especially when Amy is set back on her heels for problematic viewpoints by the Doctor’s trickery. It’s also important to note the details: Someone you care about can have problematic views, and it is a conscious decision to help them overcome them and forgive them for not seeing the bigger picture beyond their privileges.

The key here is that they have to want to change. The humans wanted to grow and evolve when confronted with their wrongheadedness.

The whole thing is both subtle and beautiful.

The other beautifully played element here is how the Doctor orchestrated the entire trip. He offers to leave the companions behind, gently lands the TARDIS during a brutal storm, analyzes the Flesh as the Gangers are conceived, and repeatedly tells Amy to breathe. Amy’s status as a Ganger was a surprise, but everything leading up to that revelation was telegraphed in minute details. In contrast to other stories where the Doctor has the solution but the story has offered none of it to the viewer, this is a well-crafted tale that provides threads and weaves them along the way without pointing at them with a giant neon sign.

The Doctor has displayed an uncanny knowledge of when his companions aren’t quite right in the past, particularly Rose in New Earth and Martha in The Poison Sky.

The callbacks to franchise mythology were nice touches, from the use of John Smith and a discussion on Cybermats to the Ganger Doctor channeling previous regenerations to stabilize himself. We got bits from An Unearthly ChildThe Sea DevilsThe Robots of Death, and The Girl in the Fireplace before the Ganger short-circuited a bit and spat out “Reverse the jelly baby of the neutron flow” and “Would you like a Doctor?”.

All told, this was a wonderful monster/base defense story with some notable twists. It was also a lot of fun.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: A Good Man Goes to War

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Spooky Golden Radical Marvels

Culture on My Mind

Culture on My Mind
Spooky Golden Radical Marvels
May 21, 2021

Over the last three weeks, the fine folks at the Dragon Con American Sci-Fi Classics Track have been playing with the late ’80s and early ’90s.

On April 29th, the track celebrated the 30th anniversary of The Addams Family. Stormy O’Dell, Toni-Ann Marini, Keith DeCandido, and Shaun Rosado stopped by to talk about this 1991 adaptation of the classic 1964 television series. Created in 1938 by cartoonist Charles Addams, the property acts as a satirical interpretation of the stereotypical 20th-century nuclear family. To that end, it’s pretty much an evergreen story.

On May 6th, Stormy O’Dell and I joined the track to discuss the 35th anniversary of The Legend of Zelda. I talked about some of my history with this medieval and mythologically-inspired adventure series a couple of weeks ago, and we barely scratched the surface of this cornerstone Nintendo series. 

Finally, Michael Bailey and Keith DeCandido sat down with Gary and Joe to answer a question: What if the Marvel Cinematic Universe happened starting in 1988 instead of in 2008?

Radical.

 


We’re all caught up for now. Fun times lay ahead, and if you want to play along at home, get thee hence to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp – A Roddenberry Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #223: The Doctor’s Wife

Doctor Who: The Doctor’s Wife
(1 episode, s06e04, 2011)

Timestamp 223 The Doctors Wife

“Where’s my thief!?”

A woman named Idris is led to a platform by “Auntie”, “Uncle”, and “Nephew”, the last of which is an Ood who drains her mind in preparation for a Time Lord’s arrival.

On the TARDIS, the Doctor, Amy, and Rory are surprised by a knock on the door. Even though they are in deep space, the shave-and-a-haircut routine reveals an emergency hypercube message for the Doctor, presumably sent by another Time Lord named the Corsair. They follow the signal contained within, dumping excess TARDIS rooms for fuel, and break through to another universe.

Almost immediately, the TARDIS goes dark. The matrix – the heart and soul of the TARDIS – has vanished. While the Doctor puzzles over where it would go, Idris awakens with an exhale of golden regeneration energy.

The travelers exit the TARDIS into a junkyard. Luckily, there’s plenty of rift energy so refueling should be easy. On the other hand, the Doctor is accosted by Idris, who presents as an insane woman calling the Time Lord her “thief”. After taking care of Idris, the Doctor turns his attention to the green-eyed Ood. After fixing the Ood’s sphere, it broadcasts a series of interwoven distress messages from various Time Lords. As Auntie and Uncle take Idris back to the House, the Doctor expresses his intrigue at the possible presence of his own people.

In the House, the asteroid is revealed to be sentient. The asteroid tells the Doctor that many TARDISes and Time Lords have come and gone, but there are no others now. The travelers explore a bit. Amy points out that the Doctor is seeking forgiveness from his people. The Doctor sends the companions back to the TARDIS in search of his sonic screwdriver. Once they arrive, the doors lock as a green mist swirls about the phone box. Meanwhile, the Doctor had his sonic the entire time. Cheeky devil.

The Doctor discovers a collection of Time Lord distress signal cubes. He realizes that Auntie and Uncle have been mended over time by the asteroid with parts of the various Time Lords, including the ouroboros-tattooed arm of the Corsair.

Knowing that Idris foretold the Doctor’s discovery, he confronts her. There he finds out that she holds the matrix. She is the personification of the TARDIS. The Doctor releases her and together they determine that House feeds on TARDISes, which it can only do if it removes the matrices first. The Doctor tries to retrieve Amy and Rory from the TARDIS, but the phone box dematerializes with the chiming of the Cloister Bell and heads back to N-Space. Unfortunately for the companions, the House has hijacked the TARDIS.

In the junkyard, Uncle and Auntie collapse as they lose their source of life. Idris herself only has a short time to live but encourages the Doctor to explore the TARDIS junkyard for a way home. When the Doctor asks what he should call her, Idris tells him (much to his chagrin) that he named her “Sexy”.

House asks why he shouldn’t just kill the humans. Rory stalls for time by suggesting that they could provide entertainment. House agrees, prompting them to run for their lives through the corridors in a series of nightmare scenarios.

As the Doctor assembles a TARDIS from spare parts, he and Idris argue. The discussion ranges from how police box doors open outward (“Pull to Open”, which actually refers to the phone compartment), how the TARDIS always takes the Doctor where he needs to go, the Time Lord’s fascination with “strays”, and how the TARDIS wanted to travel so she stole the Doctor to take her on an adventure.

With a kiss to the time rotor, the patchwork TARDIS console room dematerializes and gives chase. Idris sends “the pretty one” a set of telepathic directions to one of her old console rooms. Rory leads Amy to the archived desktop of the Ninth and Tenth Doctor’s console room. There they lower the TARDIS’s shields but are pursued by Nephew. Just in time, the patchwork console materializes in the archived console room and vaporizes the Ood, marking another one that the Doctor failed to save.

After introductions are made, Idris collapses and House muses about ways to kill the Doctor and his companions. The Doctor gives House instructions on how to get the TARDIS back to N-Space, but when House starts deleting rooms for the journey, it inadvertently invokes a failsafe that protects living things from being deleted with the rooms. As the travelers materialize in the real console room, House suggests that they should fear him since he’s killed Time Lords before and won’t hesitate to do it again.

The Doctor replies that House should fear him. He’s killed all of them.

The Doctor stalls for time as he points out the concept of trapping the matrix in a human body. The goal was to get the matrix as far as possible from the console room, but House has brought the matrix home. With her last breath, Idris releases the matrix. It swirls about and reintegrates with the TARDIS, overriding and consuming House.

As a last gift, the TARDIS speaks through Idris. She remembers the word that she’s been searching for – “alive” – and tells him the one thing she’s never been able to say: “Hello, Doctor. It’s so very very nice to meet you.” In a bright flash of light, Idris disappears, offering her final words of “I love you” to her companion.

Some time later, the Doctor installs a firewall around the matrix. Rory tells him that Idris’s final words to him were, “The only water in the forest is the river,” which she believed that they needed to know for the future. Amy and Rory ask for a new bedroom – preferably one with a double bed instead of bunk beds – since theirs was deleted. He tells them how to get there, then spends some time with the TARDIS console. He asks the ship where she wants to go, even if it’s the Eye of Orion for a little rest and relaxation.

The levers flip on their own accord. The TARDIS sets a course. Adventure awaits.


What a beautiful ride.

When I first saw this episode back in 2011, I was confused by it. The fast pace coupled with rapid-fire references lost me. This time around, however, I relished the experience. The story is well-written and plays off of each of the main characters so nicely, from the Doctor’s desire to be forgiven for his actions in the Last Great Time War to Amy and Rory’s love. The latter of which was actually sold quite well here despite my skepticism of it last season.

The core of this story is the Doctor’s relationship to the TARDIS, which is played beautifully by giving a voice to a consciousness that exists simultaneously across all time and space. The relationship is pretty much that of a married couple, and the TARDIS’s finally expressed love for her companion is one born of their mutual adventures. I love that the TARDIS has archived past console rooms – which presumably means that a blank room is simply formatted with the “desktop” file from previous iterations – and that the TARDIS already knows what rooms are coming up next.

Amusingly, Neil Gaiman has requested that the archive scene feature a classic-era console room, but the budget wasn’t available for that. So, the production team left the coral console room standing for this story. This episode was supposed to air during Series Five but was pushed to this point in time so there was quite a long production lead for it.

The Doctor’s TARDIS also is pretty explicit about the nature of other time capsules. The Time Lords have previously treated them as nothing more than machines or vehicles, but Idris refers to her dead siblings as sisters. That matches well with nautical traditions of referring to all ships as female, but also gives us insight into the culture of the TARDISes overall.

This story featured the Doctor piloting a TARDIS other than his own for the first time on screen – at this point in time, Shada had not yet been completed – and that patchwork ship was the creation of 12-year-old Susannah Leah for a Blue Peter contest, complete with safety straps on the console (hello, Timelash!). The Doctor previously traveled with only the TARDIS console in Inferno. This story was also the first one since Horror of Fang Rock to kill every character except the Doctor and the companions.

Neil Gaiman reached way back for some of the elements here. We first (and last) saw the hypercube in The War Games, last saw the TARDIS’s telepathic circuits used to mess with the companions in The Edge of Destruction, and found the Doctor rebuilding the TARDIS in both The Claws of Axos and The Horns of Nimon. Lest we forget the concept of jettisoning rooms on the TARDIS, which we’ve seen on at least three occasions (Logopolis, Castrovalva, and Paradise Towers), or the idea of tricking the villain into fixing the TARDIS (ala Frontios).

It’s obvious that he’s a fan of the show and has done his homework.

He also deliberately provided the first confirmation in the franchise mythology that Time Lords can change gender during regeneration. I covered many of the reasons why this was a brilliant and easily defensible concept when Jodie Whittaker was announced as the Thirteenth Doctor, and I still stand by it. Gaiman’s choice of the ouroboros – the snake eating its own tail, a symbol for eternity – for the Corsair’s personal emblem was a great representation of both Time Lord culture and the nature of Doctor Who.

This story is just amazing as a franchise game-changer and ode to the show’s history. To call it fantastic is an understatement, but it’s the highest choice I have.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: The Rebel Flesh and Doctor Who: The Almost People

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – The IDIC Podcast Festival

Culture on My Mind

Culture on My Mind
The IDIC Podcast Festival

May 14, 2021

This week, I’m promoting a Star Trek-themed podcasting festival helmed by Women at Warp: A Roddenberry Star Trek Podcast.

IDIC Podcast Festival - 1920x1080

The Women at Warp crew will be hosting a virtual podcast festival on July 17-18, 2021. The weekend event will honor the Star Trek principle of Infinite Diversity in Infinite Combinations (IDIC) by celebrating and amplifying the diverse voices in Trek fandom through a series of live podcasts.

The general announcement, call for programming and contributors, and important dates leading up to the event can be found on the event page at the Women at Warp website.

The IDIC principle is something that I believe in and the Women at Warp team is a champion of the cause. I’m more than happy to spread the word.

Today’s press release follows.


Women at Warp Launches the IDIC Podcast Festival

Women at Warp: A Roddenberry Star Trek Podcast is pleased to launch our call for applications for the first IDIC Podcast Festival, set to run July 17-18, 2021. This weekend-long virtual event honors the Star Trek principle of Infinite Diversity in Infinite Combinations (IDIC) by celebrating and amplifying the diverse voices of our fandom through a series of live podcasts.

Over the past year, COVID-19 has taken away so many opportunities to connect with diverse creators and audiences in person. At the same time, we’ve seen fans taking to social media to seek out and share podcasts that approach Trek from diverse perspectives. As an intersectional podcast we know that women’s issues are inextricably connected to issues of race and class, LGBTQIAP2S+ issues, disability issues, and more. The transformative period that we are in gives us an opportunity to truly center voices from all these diverse communities in our fandom.

Any podcast that showcases diversity in its hosting lineup is welcome to apply for the IDIC Podcast Festival, whether newly-launched or well-established. We welcome shows that do not exclusively cover Star Trek in their regular episode lineup, but ask that panel submissions for this event be Trek-related.

Admission to this virtual event is free. Podcasts will be streamed live on Women at Warp’s Facebook and YouTube pages and podcasts will be welcome to share recordings in their own feeds after the event.

The deadline for podcasters to submit applications is Friday, June 18. Click here to apply.

For more information, visit out event page at womenatwarp.com/IDIC-fest or contact us at crew@womenatwarp.com.

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About Women at Warp

Women at Warp is a groundbreaking bi-weekly podcast committed to examining Star Trek from a feminist perspective, exploring Intersectional Diversity in Infinite Combinations with a rotating crew of seven hosts. Tune in for everything from episode and character analysis to history of women behind the scenes and in fan culture to discussion of larger themes and messages throughout the franchise. Women at Warp is part of Roddenberry Podcasts. For more information, please visit womenatwarp.com.

About Roddenberry Podcasts

Roddenberry Podcasts is a network of audio shows that deliver thought-provoking, insightful entertainment wherever you are. Podcasts that dig deep into Star Trek, social commentary, science and critical thinking – all ready to download in one place for you to enjoy on your commute or whenever you need a little lively discussion. For more information, please visit podcasts.roddenberry.com.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #222: The Curse of the Black Spot

Doctor Who: The Curse of the Black Spot
(1 episode, s06e03, 2011)

Timestamp 222 The Curse of the Black Spot

Yo ho ho… or does nobody actually say that?

Prequel

Captain Henry Avery writes in his journal onboard the seagoing vessel Fancy. The ship has been stranded for eight days due to a lack of wind, so all they can do is wait for the wind to return. Unfortunately, they are tasked by an enemy who comes from the still ocean and takes members of the fearful crew. Captain Avery feels an evil presence watching him and longs for the wind to return, but he fears that they are all doomed to die.

The Curse of the Black Spot

On a bleak ocean, sailors quietly return to their ship. A man with a minor cut is taken to Captain Henry Avery, who declares that the man is doomed based on the black spot on his palm. As a song rises outside the captain’s cabin, the doomed man is sent out. He screams and vanishes.

When the crew investigate, noting that the disappearance is the same as all the others, they discover some stowaways: The Doctor, Amy, and Rory. They picked up a distress call from the Fancy, but decide to dispose of the new arrivals. After all, this ship has been stranded in the doldrums for eight days.

Amy is sent below while Rory and the Doctor are prepared to walk the plank. Amy finds a sword and basic pirate garb which she uses to come to the rescue. A battle ensues and Amy nicks one of the crewmen. The captain explains that one drop of blood marks a man for death as Rory tries to catch a wayward sword and gets injured.

The song rises again and Rory begins to act strangely. The ocean glows as a spectral woman rises from the water and glides across the deck. He song beckons the wounded crewman, but when he touches the woman he disintegrates. Amy tries to stop her from taking Rory and is blasted across the deck, and everyone takes refuge below decks.

The captain calls the being a siren, declaring the Fancy to be cursed. Another crewman is injured, this time by a leech, and the siren manifests and takes the crewman. The Doctor analyzes the remains with his sonic screwdriver and concludes that the siren travels by using water as a portal.

The survivors takes refuge in the gunroom, away from the water, where they discover another stowaway. This one is the captain’s son, who wanted to join the crew and be a sailor like his father. Toby also has the black spot despite not being injured, but he is ill. The captain drapes his protective medallion around Toby’s neck and sets off with the Doctor to visit the TARDIS.

The remaining crewman decide to mutiny. In the process, they reveal their true nature as pirates to Toby. Toby demands that they stay loyal to Captain Avery, wounding the boatswain in the process. Mulligan, the other rebellious sailor, takes off on his own.

In the TARDIS, things go awry and the time capsule ends up taking off on its own, shrouded in a similar light as the siren’s portals. The Doctor and the captain encounter Mulligan during their escape. Mulligan burns his hand and is taken by the siren, but there is no water in the room. The Doctor determines that water is not the key, but treasure is. Specifically, the reflection on polished metal.

The Doctor and the captain rush back to the gunroom to retrieve the medallion. The Doctor then sets to breaking every reflective surface on the ship, including throwing the treasure overboard. Everyone hides out in the gunroom to wait out the doldrums.

Captain Avery and Toby have a heart to heart discussion while Amy has another vision of the mysterious woman with the eyepatch. The captain joins the Doctor on deck for a muse. The Doctor then returns to the cabin where Amy almost breaks the news of her visions but is interrupted by a sudden storm.

While the group prepares to get underway, Toby inadvertently sends the remaining treasure to the deck. The reflection summons the siren which then takes Toby. In the confusion, Rory falls overboard and the Doctor deliberately releases the siren to take him. The Doctor then persuades the captain, Amy, and Rory to prick their fingers and summon the siren. In short order, they all vanish.

They awaken on the deck of an alien spacecraft. It is trapped in a temporal rift intersecting with the Fancy. The reflections are the portals bridging the two vessels, and the alien spacecraft was the source of the distress call. The trio explores the ship and determine that the crew was killed by human bacteria. They discover the taken crewmen, Rory, and the TARDIS in the sickbay. The humans are all attached to life support systems and are being monitored by the siren. The Doctor figures out that the siren is a virtual doctor that has been looking after the injured.

Amy pleads with the program to release Rory and the intelligence signs him over to her care. Unfortunately, this leaves Rory in a precarious position. If he doesn’t leave, he will spend eternity on the ship, but if he goes with Amy he will die from drowning. The Doctor tells Avery that the same holds true for Toby. The boy has typhoid fever and will die within months of leaving the ship.

Rory tells Amy how to perform CPR, which she uses to resuscitate him after disconnecting him from the machines. Meanwhile, Captain Avery decides to take command of the spacecraft and look after his son and crew among the stars.

The TARDIS flies through the vortex. Amy and Rory go to bed after their harrowing adventure. The Doctor still puzzles over Amy’s medical scan.

Is she pregnant or is she not?


On the one hand, this story reaches back to the origins of the franchise. Back in The Smugglers, Captain Samuel Pike and a band of former Fancy crewmen were searching for Captain Avery’s treasure when they encountered the First Doctor. The humorous part is the coincidence of it all. Episode writer Steve Thompson had no idea of the character’s history. He merely looked through his son’s book about pirates, found the story of the real-world Henry Avery, and went to work.

The episode is also notable for its low body count. In fact, none of the guest roles were killed off and there was no real villain of the story. I also enjoyed the War of the Worlds twist with the ship being stranded because the crew was killed by exposure to human microbes. Science fiction doesn’t use that plot device very often even though it should be a real concern between alien biomes.

There’s another nod to the classic era in this story, specifically Inferno and the green mark that preceded mutation.

It was quite fun to see Hugh Bonneville in a different role than what I’m used to from him (Downton Abbey, Paddington, and Tomorrow Never Dies, specifically) and while I thought that I recognized Lily Cole, the only thing on her IMDb profile that I’ve seen is Star Wars: The Last Jedi.

On the other hand, the story itself was not particularly engaging. While the frantic storytelling nature worked well in the previous story, it felt like it was merely connecting the dots because the pacing just wasn’t right for a monster thriller. Worse, the ending in the TARDIS felt tacked on, giving the story the impression of a filler episode. A good part of that may be due to moving this episode and The Doctor’s Wife (next up) from the season’s back half, a decision that was made before this episode’s production was completed in order to serve the mid-season finale.

Which is really a shame because the atmosphere was otherwise perfect for a monster thriller with the claustrophobic nature of being trapped in a sailing ship’s tight quarters and on dead calm waters in the dead of night. Add that to the true magic of the narrative, which evolved from suspense to wonder upon the revelation of the alien ship.

I just wish that the pacing hadn’t killed it.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Doctor Who: The Doctor’s Wife

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Death Mountain

Culture on My Mind

Culture on My Mind
Death Mountain

May 7, 2021

This week, I have The Legend of Zelda on my mind.

We joined the Nintendo Switch crowd last Christmas and I finally got the chance to dive into the experience of The Legend of Zelda: Breath of the Wild. That game has simply blown me away. Embracing an open-world approach to gameplay, Breath of the Wild tells a grand story that is completely up to the player to structure as they see fit.

After the tutorial phase is completed, the player could easily take Link into the heart of evil and confront Ganon. Such an approach would be foolhardy of course, but the point is that conquering the dungeons is not a requirement this time around. On the other hand, the depth of the story, from the main quests to the various side quests and treasure hunts, is spectacular. There are a ton of stories across the Kingdom of Hyrule, and that’s what has kept me from finishing the game after nearly half a year of playing it.

I mean, yes, I feel bad leaving Princess Zelda in the lurch against the awesome power of Ganon while I gather crickets, buy a house, and broaden my wardrobe of armors, but the rich tableau is just that addictive.

One of the aspects I love is the music. Manaka Kataoka, Yasuaki Iwata, and Hajime Wakai have composed a beautiful score that couples new themes with re-orchestrated tributes to the now 35-year-old history of the franchise. If you’re familiar with Zelda‘s musical history, there’s no finer example than the two Hyrule Castle themes in Breath of the Wild.

Among those tributes, however, was a theme that took me back to my childhood with a just a tiny bit of the nerves.

Welcome back to Death Mountain, it said.

The original Legend of Zelda was a (pun intended) game-changer in 1986 because it offered the possibility of preserving your progress with dedicated save files. Being able to pick up an adventure right where you left off is a standard now, but it was quite the novelty then. Over quite a long period, I fought my way across Hyrule and gathered the eight pieces of the Triforce of Wisdom, but then sat the game down for a while.

During that time, my brother Nick was living in Washington and we wrote each other on a semi-regular basis. I sent him a letter that talked about school and life and my plans to storm Death Mountain. He had told me before about how difficult the dungeon was, but when he wrote back, he included a hand-drawn map of the level.

The map is lost to time now, but it still remains one of my treasured memories. It was photocopied from the original with custom artwork in the corner of Link rushing to the rescue. The maze of rooms and passages was coded by number and provided an easy to follow guide to the endgame. He even provided a suggested path that included the big treasures and simplest road to victory.

The battle itself, of course, was completely up to me.

I remember that it was a Sunday morning when I decided to tackle the level. All through the game, the music had been the same mix of the Overworld and the Dungeon themes, so I really had no idea what to expect in the final dungeon. The first step into the labyrinth brought the dark beats of the Death Mountain theme and I had to take a few minutes before leaving the opening room just to let it sink in.

The theme faded into the atmosphere as I ground my way through the level. I picked up the Red Ring to boost my defenses. I found the Silver Arrow, which is the only weapon that can kill Ganon. I meticulously tracked my progress and ended up at the room before the big battle.

This is where I lost it.

The Legend of Zelda was the first Nintendo game I had ever finished. When I reached that penultimate room, I knew that I was close to that milestone and my nerves hit me hard. Without even pausing the game, I sat the controller down and closed my eyes. While I centered myself, the music kept playing. After a few minutes, I picked up the controller again and walked into Ganon’s chamber.

The room was pitch black. Link held up the Triforce. Ganon snarled in the light. The fight was a blur but I distinctly remember firing the Silver Arrow and turning Ganon into dust, revealing the Triforce of Power.

I knew I had done it. I had beat the game. I entered the last chamber, met Princess Zelda, and watched the credits roll in a state of euphoria. It was amazing.

Looping back to Breath of the Wild, part of the story takes Link to Death Mountain. The game’s tribute to that theme caught me off guard. As I was climbing around the rocks those familiar notes took me right back to that feeling of nervous euphoria. I stopped for a moment and listened, remembering the story I recounted today, before smiling and climbing onward.

The Legend of Zelda: Breath of the Wild could rest as a wonderful capstone to the franchise but we already know that it’s not the end of the line. It could easily be the basis for the oft-requested Zelda live-action or animated adaptation. So much of that is the story and the setting and the music and the artistry, but a big slice of it is personal. It’s my adoration of the mythology and the adventure.

It is the memories of working hard on something and reaching the payoff. It is the connection I share with my brother in a simple map to help me along the way.

It’s probably why The Legend of Zelda is my favorite video game franchise of all time.

I guess, in a way, I owe it to Death Mountain.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #221: The Impossible Astronaut & Day of the Moon

Doctor Who: The Impossible Astronaut
Doctor Who: Day of the Moon
(2 episodes, s06e01-02, 2011)

Timestamp 221 The Impossible Astronaut

Welcome to the Silence.

Prequel

In the White House, President Nixon answers the telephone in the Oval Office. The line only clicks until he asks, “Is it you again?” A child’s voice tells him to look behind him for a threat that is everywhere but no one can see. When asked, the child says that the spaceman told her about them. President Nixon refuses to believe them.

He hangs up the phone and leans back. A mysterious alien stares at him, but neither the President nor his aide seem to notice.

The Impossible Astronaut

In the 17th century, Charles II storms into the painter Matilda’s room and demands to see the Doctor. Standing before a painting of the Time Lord, who is depicted wearing nothing but a strategically placed red cloth, Matilda replies, “Doctor who?”

She nearly gets away with it except for a sneeze from her skirts. The Doctor is naked, hiding under Matilda, with the explanation that the situation is really not as bad as it looks.

In 2011, Amy tells Rory about the incident as detailed in a history book. It, along with other incidents such as a World War II POW camp and a Laurel and Hardy film, seem to be signals to the Ponds. A TARDIS-blue envelope containing unsigned invitation arrives in the mail and they follow it to Utah.

They are greeted by the Doctor, wearing a Stetson that is soon shot off by River Song (who also got an invitation). They convene in a roadside diner and catch up. The Doctor tells them that he’s been running faster than ever before, but that it’s time to stop. They’re going to have a picnic and then he’s headed to space in 1969.

On the shores of Lake Silencio, the team shares wine, cheese, and fruit. Rory spots one of the creatures from the White House but after she looks away, she forgets about it. The discussion is interrupted by an old man arriving in a truck and waving to the Doctor. The Doctor looks to the lake and spots an astronaut in a full Apollo spacesuit. He tells his companions that, whatever happens, they are not to interfere, then walks to meet the astronaut.

He seems to know what is coming, but his companions are shocked when the astronaut shoots him with an energy weapon. The Doctor begins to regenerate, but the astronaut takes aim and fires again. The mysterious visitor retreats into the lake as the companions mourn the Doctor’s death. The old man brings a gas can, confirming the Time Lord’s identity and death, and River knows that they have to cremate the body.

After the service, the man introduces himself as Canton Everett Delaware III. He received an envelope as well, and he tells the assembled that he won’t see them again but that they will see him. Delaware leaves and the companions return to the diner. River notes that the envelopes are numbered so this was all planned in advance. The Doctor arrives shortly afterward, having held the first envelope, and it is determined that he is an earlier version of himself. He was invited the same as the others.

They all take a trip in the TARDIS to 1969. The team is upset with the Doctor and the companions try to reason through the puzzle, but they have no idea why the future Doctor recruited them all. They also cannot ask the Doctor himself, who nearly turns the TARDIS around when they won’t tell him the truth. After all, River is a convicted murderer and the Doctor does not trust mysterious summonses. Amy asks him to trust the team, swearing that she’s not lying about being under duress. The Doctor places his life in her hands.

Delaware is a former FBI agent who is summoned to the White House by President Nixon. The two men are in a meeting about the mysterious phone calls when the TARDIS materializes in stealth mode. The Doctor pops out of the phone box just in time to hear the recording and is spotted by the men. The President calls the Secret Service as the Doctor demands that River make the TARDIS visible.

In short order, the travelers are held at gunpoint but the Doctor persuades Delaware and Nixon to give him five minutes. As the Doctor helps the Americans to track the call to Florida – home of NASA and the spacemen – Amy spots the alien again. When she looks away, she forgets. She visits the restroom and spots the alien again. While she keeps an eye on it, another woman emerges from a toilet cubicle and is eventually killed after spotting it. Amy snaps a picture of the alien and rushes out to her Secret Service companion, promptly forgetting the encounter.

The phone rings again. On the other end, the child says that the spaceman is there and that she needs help. The travelers jet off in the TARDIS – Delaware tags along by accident – and find the call’s origin at the intersections of Jefferson, Adams, and Hamilton Streets, clues provided by the child.

The travelers find stolen NASA technology and alien residue leading into a tunnel network. River investigates and finds a group of the aliens. She rushes out, forgets the encounter, and decides to take another look. The Doctor asks Rory to follow her. As they investigate, they find a maintenance hatch that River picks open while they discuss her relationship with the Doctor. The two are a traveling different directions in time: Her past is his future.

They open the hatch and find a control room similar to the one hidden away in the house with Craig Owens. It sounds an alarm and Rory spots the creatures but forgets them. River learns that there are tunnels like the one they’re in all over Earth and that they’ve been here for thousands of years. Behind Rory, electricity crackles and something approaches.

Amy, Delaware, and Amy hear the child cry for help and they pursue. Amy reveals that she’s pregnant, Delaware is knocked unconscious, and the astronaut approaches them. Amy draws Delaware’s gun and shoots the astronaut, intent on saving the Doctor’s life, only realizing too late that the suit contains the young girl from the telephone.

Day of the Moon

Three months later, Amy is being chased through the Utah desert. Her pursuers, including Delaware, corner her on a cliff. Amy tries to help him remember their escape from the aliens in the warehouse, but he shoots her. She has a series of hashmarks on her arms.

Delaware travels to Area 51 to ask the Doctor, now his prisoner, about the marks. Meanwhile, River is in New York City with a similar set marks. When she spots one of the aliens, she adds a mark to her arm. Delaware arrives shortly thereafter and corners her, but she dives off the building.

Rory is also cornered and shot at the Glen Canyon Dam, and he and Amy are taken to Area 51 in body bags and placed with the Doctor in a cell constructed of dwarf star alloy. The room is impervious to signals and, once sealed, provides the perfect opportunity for Amy, Rory, and the Doctor to stage their escape. To seal the deal, the TARDIS is parked directly behind the Doctor in stealth mode. The travelers and Delaware board the TARDIS, catch River in mid-air, and materialize at Cape Kennedy and the site of Apollo 11’s historic launch.

The Doctor injects everyone with nano-recorders while they discuss the last three months. The marks were from each time one of the creatures were spotted, and it should be easier to find them with the recording devices. They test it with a holographic image extrapolated from Amy’s photograph, and also discover that even the image of the creatures induces the memory loss.

Later, Delaware and Amy arrive at Graystark Hall. They meet Dr. Renfrew and learn that the facility will close in 1967. Oddly, it is now 1969. The walls are also covered in messages to get out, but Renfrew has no idea how they keep appearing. Amy investigates the facility while Delaware meets with Renfrew. She discovers a message she left on her nano-recorder demanding that she get out. She sees her reflection, noting that her arms and face are covered in hashmarks. She looks up to see a bunch of the creatures hanging like bats, but moments later she’s leaving the room without any recollection.

The Doctor installs some type of transmitter in the Apollo spacecraft. He’s taken into custody but soon released under orders from Nixon in a rather humorous exchange. The Doctor asks Nixon to record everything that happens in the Oval Office.

Amy continues on, soon spotting a door with a sliding observation port. A woman with an eyepatch spots her through the slot, but the room beyond is a child’s bedroom. The woman is nowhere to be found. Amy finds photos of herself holding a newborn, then is met by the child in the spacesuit and two of the creatures.

Delaware and Renfrew are interrupted by one of the creatures. Delaware records a brief exchange with it then shoots the creature before running toward the sound of Amy’s screams. Rory, River, and the Doctor join him to find an empty spacesuit and Amy’s recorder. It’s a live transmission from wherever Amy is being held.

Renfrew summons the group to his office to tend to the wounded creature. It identifies itself as the Silence, which the Doctor recalls from the events of last year. They have been on the planet since the Stone Age. The travelers return to the warehouse while Delaware emerges from the dwarf star box after several days with President Nixon. The spacesuit is a perfect life support capsule, which explains how the child survived a gunshot. The Doctor also speculates that Apollo 11 traveled to the Moon because the Silence needed a spacesuit. After all, they don’t make their own technology.

Delaware tends to the wounded Silence in the dwarf star box and uses Amy’s phone to record a threatening message from the being. He transmits it to the Doctor. Meanwhile, the Doctor traces the nano-recorder signal to the console room in the tunnel system. Inside that room, Amy awakens to a room full of Silence, and the TARDIS arrives soon after. The Doctor recognizes the room as he brings a television in and orders River to keep the Silence covered while Rory frees Amy.

Here’s the twist: The Doctor has rigged Neil Armstrong’s spacesuit to transmit a message as soon as he touches the lunar surface. It is the threat from the wounded Silence, telling everyone in the sound of its voice to kill the Silence on site.

The whole planet is watching. The whole planet responds. Today is the day that the human race throws the Silence off the planet.

The Silence respond by attacking the travelers. Everyone runs for the TARDIS as River covers their escape, successfully killing every one of the creatures. The TARDIS takes off as Amy and Rory share an intimate moment, landing in the Oval Office so the Doctor can say farewell to Nixon and Delaware.

The Doctor evades Nixon’s queries about his future with the promise that the president will never be forgotten. After the Doctor leaves, Nixon almost grants Delaware’s request to be married… until he figures out that Delaware is homosexual.

The Doctor leaves River at Stormcage. He offers to take her along, but she declines. They share a passionate kiss, which ends up being the first for the Doctor… which makes it the last for her. As the TARDIS takes flight again, the Doctor asks about Amy’s pregnancy, which is news to Rory.

Amy assures her husband that she’s not pregnant. The Doctor runs a scan on Amy without her knowledge, but is concerned since the Amy is simultaneously pregnant and not pregnant.

Six months later, a homeless man on the streets of New York City finds the child from the spacesuit. The child coughs repeatedly, claiming that she’s dying. She soon solves that problem, however, as she begins to regenerate.


This story’s power comes from its frantic and almost disordered plot. It has the potential to confuse the viewer because it requires nearly complete concentration to keep track of the various narrative threads. That frenetic pace ties in beautifully with the nature of the Silence, from missing large pieces of the plot to having them filled in only when it was necessary.

Another potential pitfall is the Steven Moffat habit of being super clever for the sake of being so. This story could have easily done that, but the rewards were substantial enough to make it feel like a significant return on investment. We have a few threads laid down for the season, including eyepatch lady, the yes/no pregnancy, and the regenerating child.

(Of course, having seen all of this before, I know what’s coming. I’ll take a River Song approach and avoid spoilers for anyone reading this who hasn’t seen it.)

And, you know, the parallels with 1988’s They Live just make me smile. I do love that film.

I still have reservations about Amy and her treatment of Rory. She’s open with the Doctor about her pregnancy, but she’s willing to hide it from Rory while still claiming to love him. Her actions speak more of abuse than love. On the other hand, we see the tragedy of the Doctor/River relationship. They work so well together, but the crossing paths nature is heartbreaking at times.

The stories take time out to pay tribute to Elisabeth Sladen. She died four days before the initial broadcast of the first part of this story, and I’d expect nothing less from Doctor Who for one the most popular companions ever.

I loved the symmetry in casting the Delawares. William Morgan Sheppard, the older Delaware, is the real-life father of Mark Sheppard, the younger Delaware. This isn’t the first time that they’ve played older and younger versions of a character, and they have also portrayed father and son pairs. I love seeing both of them on screen from their copious amount of work in film and television.

I also loved seeing the Valley of the Gods and Lake Powell (“Lake Silencio”) on screen again. I grew up in Utah, so the landscape is easily recognizable. The Southern Utah deserts have been popular filming locations for decades. In terms of internal mythology, we last visited Utah in Dalek, though we didn’t see anything of the world outside at that point.

One thing that really intrigues me is the idea that multiple Doctors are in the same location at the same time. The Eleventh Doctor’s three-month-long incarceration at Area 51 coincides with the Tenth Doctor being stranded in Blink and the Second and Third Doctor’s adventures with UNIT (for reference, The Invasion, Spearhead from Space, Doctor Who and the Silurians, and The Ambassadors of Death). Neil Armstrong’s historic moonwalk also coincides with Blink and The Ambassadors of Death. It adds credence to the idea that we saw in Rose that the Doctor can be in so many places and times at once.

Last but not least, I laughed about River chastising the Doctor about using his sonic screwdriver in battle. The callback to The Doctor Dances was great, as was hanging a lampshade on the tendency to use the sonic as a magic wand instead of a scientific instrument.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Curse of the Black Spot

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Rabbit Rabbit – May 2021

Rabbit Rabbit
May 2021

Rabbit, rabbit!

Since at least 1909, a superstition has lived in North American and the United Kingdom that if a person says or repeats the word “rabbit” upon waking up on the first day of the month, good luck will follow for the remainder of that month.

Elements of the tradition exist in the United Kingdom, New England, and even in various First Nation cultures.

While I’m not necessarily endorsing the superstition, it provides a way to look in depth at each month of the year, from history and observances to miscellaneous trivia. The topic this month is May.

History

May was named for the Greek goddess Maia, identified with the Roman goddess of fertility Bona Dea. The festival celebrating the Roman goddess was held in the same month. The late Russian Empire also used the term for a picnic held early in the month. This picnic, mayovka, evolved into an illegal celebration of May 1st (a day of worker revolution).

In the ancient Roman calendar, the month is a big one for festivals. Bona Dea fell on May 1, Argei fell on May 14 or May 15, Agonalia fell on May 21, and Ambarvalia on May 29. Floralia, which began on April 27, carried on until May 3. Lemuria (festival) fell on 9,11, and 13 May under the Julian calendar. The College of Aesculapius and Hygia celebrated two festivals of Rosalia on May 11 and May 22. Rosalia was also celebrated at Pergamon on May 24–26. A military Rosalia festival, Rosaliae signorum, also occurred on May 31. 

Ludi Fabarici was celebrated between May 29 and June 1. Mercury would receive a sacrifice on the Ides of May (May 15). Tubilustrium took place on May 23 as well as in March. These dates do not correspond to the modern Gregorian calendar.

May also holds several special devotions to the Blessed Virgin Mary in Catholic circles.

Observances

Further observances are plentiful, including Celiac Awareness Month, Cystic Fibrosis Awareness Month, Ehlers-Danlos Syndrome Awareness month, International Mediterranean Diet Month, the Season of Emancipation (spanning April 14 to August 23 in Barbados), Better Hearing and Speech Month, the Kaamatan harvest festival in Labuan and Sabah, Flores de Mayo in the Philippines, Garden for Wildlife month, New Zealand Music Month, National Pet Month in the United Kingdom, Skin Cancer Awareness Month, National Smile Month in the UK, South Asian Heritage Month, World Trade Month, and Huntington’s Disease Awareness Month.

The United States adds another batch, including Asian Pacific American Heritage Month, National ALS Awareness Month, Bicycle Month, National Brain Tumor Awareness Month, National Burger Month, Community Action Awareness Month (in North Dakota), National Electrical Safety Month, National Foster Care Month, National Golf Month, Jewish American Heritage Month, Haitian Heritage Month, Hepatitis Awareness Month, Mental Health Awareness Month, National Military Appreciation Month, National Moving Month, Older Americans Month, National Osteoporosis Month, National Stroke Awareness Month, and National Water Safety Month.

It makes a lot of sense in the Northern Hemisphere since May is the gateway to the summer months.

Trivia

  • May’s birthstone is the emerald. It is emblematic of love and success.
  • The western zodiac signs of May are Taurus (until May 19) and Gemini (May 20 and beyond).
  • The month’s birth flowers are the Lily of the Valley and the Crataegus monogyna. They are both native the cool and temperate climates of Asia and Europe, as well as the southern Appalachian Mountains in the United States.
  • Another significant flower is the Mayflower (Epigaea repens), a North American harbinger of the month and the floral emblem of both Nova Scotia and Massachusetts.

Rabbit Rabbit is a project designed to look at each month of the year with respect to history, observances, and more.

For more creativity with a critical eye, visit Creative Criticality.