Culture on My Mind – Bonnie Tyler

Culture on My Mind

Culture on My Mind
Bonnie Tyler
July 14, 2026

On July 8, 2026, Gen Xers were rocked with bad news about an incredibly talented influence in their lives: Bonnie Tyler, the First Lady of Rock, was dead at the age of 75.

Tyler was a Welsh singer and songwriter who started recording in 1975. Before that, she worked as a backup singer for Bobby Wayne & the Dixies and formed the band Imagination. Her career was inspired by a second place win during a 1969 local talent show. She chose her stage name after compiling a list of names from a newspaper.

She was known for her trademark husky vocals which were a result of a surgery in the mid-’70s to remove nodules from her vocal cords. Her biggest influences were Janis Joplin and Tina Turner, and she had a list of other influences and artists whom she admired. Her style was an eclectic mix of country, rock, pop, blues, and Celtic music. Her distinct voice drove her popularity.

She was also a huge philanthropist, donating time and money to numerous causes.

Bonnie Tyler published 18 albums (not counting compilations). Her work and talent are extensive, and over those 44 years there are three tracks that really stand out as influences in my life. “It’s a Heartache” from 1977 comes from her country and folk rock roots and was among the first recordings she made after her vocal surgery.

Part of my childhood was spent on the rodeo circuits in Utah, Wyoming, and Colorado. My parents first met on the rodeo circuit – Mom was a barrel racer and Dad was a bullrider and rodeo clown – and their love of the sport spun off a photography business focused on shooting professional and amateur rodeo events. One of my childhood aspirations was to be a professional bull rider, and I competed in a handful of events until one of the pros I knew was killed by the sport.

I remember hearing “Bonnie Tyler’s “It’s a Heartache” several times at various arenas and fairgrounds, echoing around the dusty venues that smelled of earth and livestock. Hearing the song again now brings back the feeling of the summer sun and the core memories of boots and cowboy hats. It’s also where I first started to dabble in fiction writing, though those early works are thankfully now lost to time.

The second song is Bonnie Tyler’s biggest career hit. “Total Eclipse of the Heart” from 1983 sold over 13 million copies and was actually shortened from 7:02 to 4:30 for radio play.

The song is a power ballad and it shows through Tyler’s vocals as she pours emotion and passion into her delivery. The song was written by Jim Steinman “to be a showpiece for her voice” and Tyler has said that it was a challenge to sing. It’s a song that moves you and is a joy to listen to, though that music video showcasing Surrey’s Holloway Sanatorium is a mental trip.

The third song came into my life through various soundtracks. As a result, “Holding Out for a Hero” from 1984 is a core part of my childhood and pop culture-loving life.

The song was written for 1984’s Footloose, showcased in the scene where the boys play chicken with tractors. Footloose was filmed in Utah County, Utah, and is closely linked to my family. Several of the scenes feature my grandfather working in the background, and the church and preacher’s house were both next door to his home. When working one weekend at his home, I had the opportunity to walk around the house that served as the preacher’s residence. It was abandoned by that point, but it was amazing to see the scenes playing in my head as I stood where the movie was filmed.

Sadly, that house and my grandfather’s home have since been demolished to make way for a Macey’s supermarket and a strip mall.

The song was also used in 1988’s Short Circuit 2, specifically during the sequence when a critically injured Johnny 5 heroically races to stop Oscar from getting away. Between these two movies, which got a lot of airtime in my home, “Holding Out For a Hero” became an integral part of my life. It’s a toe-tapper (at a minimum) with heavy synths and cheesy piano riffs accompanied by Tyler’s heartfelt pleas for a knight in shining armor. On the surface, it represents the overblown excesses of ’80s entertainment, but the song is so catchy that it digs into your soul and refuses to let go.

It’s the song I play when I need motivation, either at the gym or while crafting plans to take over the world.

These three songs are anchors in my life, and they’re why the news of Bonnie Tyler’s passing hit so hard. She was a fantastic talent, and I’d love the opportunity to thank her for sharing it with the world and my generation in particular.

May she rest well.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Battle of the Fictional Bands! (Again!)

Culture on My Mind

Culture on My Mind
Battle of the Fictional Bands! (Again!)
July 13, 2026

One of the staples of the Dragon Con American Sci-Fi Classics Track is the Battle of the Fictional Bands. Consider March Madness brackets, but filled with fictional musical groups from classic sci-fi that battle to the death.

On March 18th, Gary Mitchel, Joe Crowe, Amy Chandler, Shaun Rosado, Kevin Cafferty, and Kyle McCraw hosted a musical throw-down of competitors drawn from the KISS CUP OF DESTINY to decide once and for all (?) which act gets top billing.


These Classic Track Quarantine Panels are hosted by Gary Mitchel and Joe Crowe, the diabolical masterminds behind the Dragon Con American Sci-Fi Classics Track. If you want to play along at home, grab your internet-capable device of choice and navigate the world wide webs to the track’s YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

Gary can also be found on A Podcask of Amontillado, a horror-themed podcast that he co-hosts with Erin McGourn.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

You can find those discussions and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on her website Subspace Sue.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Dragon Con Report 2026 #4: Tracks of Horror & Urban Fantasy

Culture on My Mind

Culture on My Mind
Dragon Con Report 2026 #4: Tracks of Horror & Urban Fantasy
July 9, 2026

I’m playing catch-up with the Dragon Con Report after being out of the loop since January.

One of the ways that I like to prep for Dragon Con is by listening to the Dragon Con Report podcast.  Brought to you by the ESO Network, the podcast is a monthly discussion on all things Dragon Con that counts down to the big event over Labor Day weekend in Atlanta, Georgia.

The show is hosted by Michael Gordon, Jennifer Schleusner, and Channing Sherman, and it delivers news, notes, tips, and tricks for newbies and veterans alike. The Dragon Con Newbies community has a great relationship with the show and the network.

In the fourth episode for 2026, the team explores something wicked and weird with guests from the Horror Track and the Urban Fantasy Track.

Mike, Jennifer, and Channing are joined by Derek Tatum, Carol Malcolm, and DJ Icabod to chat about the scary and the strange fun you can find on these wonderful tracks this Labor Day Weekend!


The show can be found in video form on YouTube and in audio on the official website and wherever fine podcasts are fed. The Dragon Con Report channels can be found on Facebook, Instagram, and YouTube. You can catch their shows live on those platforms or on demand on their website.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – We Were There – Representation in Classic Media

Culture on My Mind

Culture on My Mind
We Were There – Representation in Classic Media
July 6, 2026

Representation is important in speculative fiction. Part of the power in television, movies, print, and art overall rests in being able to see yourself in the roles you enjoy. The classic era of science fiction is particularly challenging for Black, Indigenous, and People of Color (BIPOC) representation. So for this installment of the American Sci-Fi Classics Track virtual panels, the Fandom Hybrid Podcast team take over to discuss the need for representation and some of their favorites across the years.

This presentation aired on March 4th, and features Hanako, Michael, and Anthony, all hailing from the Fandom Hybrid Podcast, alongside Gary Mitchel.


These Classic Track Quarantine Panels are hosted by Gary Mitchel and Joe Crowe, the diabolical masterminds behind the Dragon Con American Sci-Fi Classics Track. If you want to play along at home, grab your internet-capable device of choice and navigate the world wide webs to the track’s YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

Gary can also be found on A Podcask of Amontillado, a horror-themed podcast that he co-hosts with Erin McGourn.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

You can find those discussions and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on her website Subspace Sue.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Dragon Con Report 2026 #3: It’s the Brit Track

Culture on My Mind

Culture on My Mind
Dragon Con Report 2026 #3: It’s the Brit Track
June 29, 2026

I’m playing catch-up with the Dragon Con Report after being out of the loop since January.

One of the ways that I like to prep for Dragon Con is by listening to the Dragon Con Report podcast.  Brought to you by the ESO Network, the podcast is a monthly discussion on all things Dragon Con that counts down to the big event over Labor Day weekend in Atlanta, Georgia.

The show is hosted by Michael Gordon, Jennifer Schleusner, and Channing Sherman, and it delivers news, notes, tips, and tricks for newbies and veterans alike. The Dragon Con Newbies community has a great relationship with the show and the network.

In the third episode for 2026, the hosts go British.

If you’re a die-hard Anglophile or a fair-weather fan from PBS, the BritTrack is for you. Mike, Jennifer, and Channing are joined by Caro and Rob to discuss the tea-fueled panels and cutting wit they keep hidden in the Hilton’s basement just minutes from Trader Vic’s.


The show can be found in video form on YouTube and in audio on the official website and wherever fine podcasts are fed. The Dragon Con Report channels can be found on Facebook, Instagram, and YouTube. You can catch their shows live on those platforms or on demand on their website.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Power of Admitting You’re Wrong

Culture on My Mind

Culture on My Mind
The Power of Admitting You’re Wrong
June 25, 2026

On February 11, 2026, a sheriff’s deputy in Palm Beach County, Florida cited a driver for using her mobile phone while driving. The state’s distracted driving laws allow phone use for navigation and voice calls, but prohibit active texting or typing while driving and ban use completely in school zones and construction zones.

Katie Thomas is an adaptive athlete who documents her life via social media. She was born without a right hand, which is the hand she was accused of using to violate the distracted driving law. When Thomas confronted the deputy with this fact, he still issued the citation. When the error went viral and the nation saw the absurdity on their phones, computers, and televisions, the Palm Beach County Sheriff’s Office formally dropped the charge and dismissed the ticket.

Here’s the thing: The entire affair could have ended right there on North Dixie Highway had the sheriff’s deputy admitted his mistake and walked away. Instead, because of what I can only imagine was pride and fear of personal embarrassment, the citation blossomed into national news.

We’re living in an age of immense distrust in law enforcement. It’s a complex social issue influenced by high-profile misconduct cases, racial and social inequities, and authoritarianism. Events like the killings of George Floyd, Breonna Taylor, and Freddie Gray, policies like “stop-and-frisk” and racial profiling, and recent collaborations with overly militarized immigration enforcement agencies compound over time. The fallout is perceived illegitimacy of police agencies, discouragement of community cooperation, and demands for transparency and reductions in force.

Personally, my family grew up with a great deal of respect for police, but our confidence has been shaken by altercations with corrupt cops while doing nothing more than obeying the law, the very thing policing proponents say will stop people from getting hurt during police encounters. Long story short: Just doing what you’re told is not the absolute right answer.

Events that foment distrust, like the Palm Beach citation, can be defused by admitting errors. It was an obvious error to accuse a woman of operating a phone with a hand she does not possess. Consider that level of power: A simple admission of humanity, exchanging a moment of control for a moment of humility, can touch millions.

One of my favorite book quotes comes from 1991’s Star Wars: Heir to the Empire by Timothy Zahn:

“Do you know the difference between an error and a mistake, Ensign? Anyone can make an error. But that error doesn’t become a mistake until you refuse to correct it.”

When I was in the United States Navy’s nuclear power program, we addressed errors and oversights through a formal critique program. The methodology uncovered root causes for failures and developed corrective actions, often in an attempt to prevent errors from evolving into mistakes. The process wasn’t easy, especially on the egos of intelligent nuclear operators who thrive on a culture of perfection, but it was highly effective at maintaining the standards and growing the culture.

I know from personal experience how tiny errors can grow into mistakes that threaten peoples’ lives. Those are sea stories for a different day.

But the error made by one sheriff’s deputy can be a lesson learned for all of us. There is immense power in admitting when you’re wrong. We all need to have the integrity and fortitude to take that step.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Playing Remote Control

Culture on My Mind

Culture on My Mind
Playing Remote Control
June 22, 2026

Once upon a time, MTV meant music on television. It was in the name: Music Television. In the late 1980s, however, MTV branched out with their first original non-musical program and game show. Thus, Remote Control was born.

The game show ran from 1987 to 1990 and showcased trivia questions based on movies, music, and television presented in skit format. The show hosted by Ken Ober playing a character who grew up on television and really wanted to host a game show, so he set up a makeshift studio in his basement.

On January 28th, Joe Crowe, Gary Mitchel, and Kyle McCraw played a live instance of the Remote Control board game to celebrate the legacy of this pop culture phenomenon.


These Classic Track Quarantine Panels are hosted by Gary Mitchel and Joe Crowe, the diabolical masterminds behind the Dragon Con American Sci-Fi Classics Track. If you want to play along at home, grab your internet-capable device of choice and navigate the world wide webs to the track’s YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

Gary can also be found on A Podcask of Amontillado, a horror-themed podcast that he co-hosts with Erin McGourn.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

You can find those discussions and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on her website Subspace Sue.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Ahsoka Tano Collectible Grails

Culture on My Mind

Culture on My Mind
Ahsoka Tano Collectible Grails
June 15, 2026

Every toy collector has their grails. Something highly sought-after. Something rare. Something pricey.

When it comes to Star Wars figures, I mostly focus on Hasbro, from the various 3-3/4″ lines to the 6″ Black Series offerings. I started as a completist in 1995, but eventually slimmed my collection to characters I truly care about. (Based on that selling experience, trust me when I tell you that these vast majority of these toys have little to no return on investment.)

One of those characters is Ahsoka Tano. She was introduced in 2008 with the Star Wars: The Clone Wars movie as Anakin Skywalker’s padawan apprentice, and has since become a major player in the galaxy far, far away. I liked her from day one, from her start as a foil to Anakin’s cockiness to her symbolism as a child soldier turned mental health icon and Jedi rogue in the vein of Qui-Gon Jinn.

I identify in many ways with Ahsoka Tano, and I follow Ashley Eckstein, the voice actor who brought her to life, because of how she embraces the character, the fans (especially women and girls, who are often bullied and under-represented in fandom), and discussions of mental health without question. She’s an awesome role model, just like Snips.

While I don’t have many collecting grails, some of mine are Ahsoka-focused. Specifically, the Hot Toys and Sideshow Collectibles line for the character, which easily run ten times (or more) the cost of my typical collecting fare.

Hot Toys and Sideshow Collectibles have produced six figures that catch my eye in the sixth scale line. The Sideshow item is Ahsoka’s look from The Clone Wars, specifically the costume introduced in Season Three. This is probably the hardest of the set to find, but the soft goods costume and attention to detail look amazing.

The other five come from Hot Toys and reflect Ahsoka’s journey in the Disney era of the Star Wars franchise. One figure represents her journey during the Siege of Mandalore in Season Seven of The Clone Wars. The next two reflect her appearances in The Mandalorian and the early part of Ahsoka, one with her standard gray outfit and one as a set with young Grogu when she helped unlock his memories. The final two represent her evolution to knighthood, from a revamped version of her padawan look (complete with Ariana Greenblatt’s image) and her most recent form as Ahsoka “the white” from the latter portion of Ahsoka: Season One.

All of these figures outclass my typical Hasbro fare with price tags to match. The only significant variation I think they’re missing is Ahsoka’s look during Star Wars: Rebels. The quality alone makes them grails in my book, and they are a true representation of “you get what you pay for.” Mind you, I’ll be happy if I never see them come home. I’m not going to break the bank to buy them. But if they come home one day, I’ll happily find a place on the shelf to display these works of art.

For me, collecting isn’t a quest to be better than someone else or show off how much I can spend. It’s about having fun and keeping icons of characters and moments that inspire my creativity and drive.

That’s why one of the Hot Toys offerings will never sit on my shelf.

Earlier this year, Hot Toys announced a version of Ahsoka from The Clone Wars movie in 2008. It included her in the infamous tube top costume with Rotta “Stinky” the Hutt. The character in her early TCW outfit hasn’t really been offered since the toy lines that accompanied the early seasons, so this could have been a chance to test those waters.

Unfortunately, the Hot Toys team stumbled. They tried for a “real life” version of Ahsoka by using Ariana Greenblatt’s likeness in that outfit, a move that oversexualized that character in my opinion. It looked creepy, especially since Greenblatt has never appeared in that outfit, and reminded me of the disgusting nature of fandom. (No, I will not be posting the promotional image here.)

Back when Ahsoka was introduced, the common advice was to not search the internet for images of her while at work. As soon as she entered pop culture, fanboys began producing pornography featuring the character, cast in all sorts of costumes and scenarios, including certain situations with Anakin and the troops they led.

Rule 34 on the internet isn’t a new thing, especially when it comes to Star Wars. But, at the start of the Clone Wars, Ahsoka Tano is canonically a 14-year-old girl. Her costume, let alone her existence in the franchise, does not excuse the behavior. This goes far beyond horny fanboy fantasies and skirts the boundaries of child porn masquerading as “harmless” fanfic.

I’m not saying the artists at Hot Toys had this in mind, but given that history, placing Greenblatt’s likeness on a character she never embodied is far too close to legitimizing the behavior. The figure has since been cancelled and unceremoniously wiped from the Hot Toys catalog. A few have been shipped, making this a super rare (and incredibly expensive on the secondary market) figure in the series.

It’s one that I have no interest in pursuing. That vision of the character is not Ahsoka Tano to me.

But those other figures? I’m going to keep an eye out for them. If the Force is with me, they may even grace my shelves at some point. Because Ahsoka Tano means a lot to me, and these grails are elegant pieces of art that honor her legacy in the Star Wars mythos.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Dragon Con Report 2026 #2: Dragon Connections

Culture on My Mind

Culture on My Mind
Dragon Con Report 2026 #2: Dragon Connections
June 15, 2026

I’m playing catch-up with the Dragon Con Report after being out of the loop since January.

One of the ways that I like to prep for Dragon Con is by listening to the Dragon Con Report podcast.  Brought to you by the ESO Network, the podcast is a monthly discussion on all things Dragon Con that counts down to the big event over Labor Day weekend in Atlanta, Georgia.

The show is hosted by Michael Gordon, Jennifer Schleusner, and Channing Sherman, and it delivers news, notes, tips, and tricks for newbies and veterans alike. The Dragon Con Newbies community has a great relationship with the show and the network.

In the second episode for 2026, the hosts explore love. Love at con. Love that brings congoers together.

From chance encounters in crowded hotel lobbies to friendships that blossomed into lifelong partnerships, these are stories of fans who met at con and are still together years later. Mike, Jennifer, and Channing are joined by Josh Duart, Tyra Burton, Lauren & Nikki Evallen-Muller, and Kristi & Justin Grub to talk about meeting their someone in the dance of cosplay and late-night panel adventure.


The show can be found in video form on YouTube and in audio on the official website and wherever fine podcasts are fed. The Dragon Con Report channels can be found on Facebook, Instagram, and YouTube. You can catch their shows live on those platforms or on demand on their website.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Dragon Con Report 2026 #1: The First Dragon Con

Culture on My Mind

Culture on My Mind
Dragon Con Report 2026 #1: The First Dragon Con
June 8, 2026

I’m playing catch-up with the Dragon Con Report after being out of the loop since January.

One of the ways that I like to prep for Dragon Con is by listening to the Dragon Con Report podcast.  Brought to you by the ESO Network, the podcast is a monthly discussion on all things Dragon Con that counts down to the big event over Labor Day weekend in Atlanta, Georgia.

The show is hosted by Michael Gordon, Jennifer Schleusner, and Channing Sherman, and it delivers news, notes, tips, and tricks for newbies and veterans alike. The Dragon Con Newbies community has a great relationship with the show and the network.

In the premiere for 2026, the hosts are honoring Dragon Con’s 40th year with a look at the very first Dragon Con convention. Dragon Con officially launched on October 2, 1987, at the Pierremont Plaza Hotel in Atlanta, Georgia (which is apparently known now as the Crowne Plaza Atlanta – Midtown, located near Spring Street and North Avenue, about a mile from the current convention footprint). Chipping in $300 each, Pat Henry, David Cody, John Bunnell, Robert Dennis, and others were able to attract some big names like Michael Moorcock, Robert Asprin, Richard Garriott, and Gary Gygax, as well as 1,200 attendees. It was small, but it was a success.

Mike, Jennifer, and Channing are joined by Darin Bush and Marilyn Teague to discuss their memories of that 1987 event and its legacy.


The show can be found in video form on YouTube and in audio on the official website and wherever fine podcasts are fed. The Dragon Con Report channels can be found on Facebook, Instagram, and YouTube. You can catch their shows live on those platforms or on demand on their website.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.