Timestamp #282: Twice Upon a Time

Doctor Who: Twice Upon a Time
(1 episode, Christmas Special, 2017)

Timestamp 282 Twice Upon a Time

The (other) two Doctors.

709 episodes ago, the First Doctor faced the Cybermen. After the threat was over, the Doctor walked through the snow storms of the South Pole to his TARDIS. There he found someone claiming to be the Doctor.

He found the Twelfth Doctor.

The First Doctor is obviously confused by the new Time Lord and the confusing proportions of the TARDIS. The Twelfth Doctor realizes that the First Doctor is refusing to regenerate, and as he outlines the problems with that idea, time stops around them. They are soon greeted by a British soldier from World War I.

This soldier comes from Ypres 1914 where he was engaged in a standoff with a German soldier. Both hold the other at gunpoint inside a bomb crater and the British captain is startled when time freezes. He takes in the bizarre battlefield before encountering a glass avatar that deposits him half a world away with the two Doctors. When he greets them, the glass avatar appears and the Doctors approach it. When the Twelfth Doctor declares that the planet is protected, the avatar disappears and the First Doctor invites everyone inside the TARDIS for protection.

The First Doctor is astounded because he thought that this TARDIS was his TARDIS. Meanwhile, the Twelfth Doctor mentions that the British captain is from the First World War, which shocks him since he only knows of the War to End All Wars (which it obviously did not). As the captain tries to understand the wonders around him, the two Doctors come to terms with their mutual situation. The Doctors offer the captain some brandy to calm his nerves and the Twelfth is astounded by the First’s lack of decorum toward gender roles.

The discussions all halt when the TARDIS is pulled into an overhead spacecraft that holds the Chamber of the Dead. The First Doctor exits the TARDIS to face the chamber as the captain and the Twelfth Doctor watch from the console. The First Doctor doesn’t understand being called the “Doctor of War.” Meanwhile, when Bill Potts arrives from a portal, the Twelfth Doctor rushes to meet her before realizing that this being is not the Bill that he knew. In fact, she is a duplicate and his Bill is dead.

The Doctors wonder who has been stealing the faces of the dead and investigate the chamber. They find the glass avatar who explains that they chronicle the lives of beings in the moments before their deaths, becoming a living testimony. They explain that they tried to capture the captain’s testimony but a timeline error caused him to become misplaced. The captain offers to take Bill’s place, but the Twelfth Doctor proposes taking both Bill and the captain. The First Doctor demands to know who the Twelfth thinks he is, and the First is astounded to find out just how his future will play out as the avatar reveals his legacy. It is recorded as one of battles and bloodshed.

Technically, what the Testimony shows him is accurate. It’s just missing context.

The Twelfth Doctor opens the airlock and everyone jumps, holding onto the chains restraining the TARDIS as it drops to the surface. The Testimony retrieves the Twelfth Doctor’s TARDIS and the four travelers escape Earth in the First Doctor’s ship instead. As they run, Bill figures out how the two Time Lords are related.

The Doctors realize that the glass avatar’s face is asymmetrical, and they decide that they need to find a database to figure out who she represents. The Twelfth Doctor considers the Matrix on Gallifrey, but instead decides to visit Villengard at the center of the universe. There is a database there, but it wants to kill him. Unfortunately, the area is swarming with Kaled mutants.

The Twelfth Doctor insists that Bill wait in the TARDIS with the captain and the First Doctor, but Bill stands defiant as her Doctor considers her nothing more than a doppelgänger. The tension is broken when the First Doctor chastises her for bad language. With a laugh and the hope that she and the Twelfth Doctor can joke about this for years, she joins the captain while the First Doctor explores the surface with his future self.

They discuss their mutual decision not to regenerate. The First Doctor admits his fear of the future, but when he asks about the Twelfth’s rationale, the answer is pre-empted by weapons fire. The Twelfth Doctor stands in the open and demands that their assailant scan him. When the truth of the Doctor’s pending doom is revealed, the sniper allows the Time Lords to enter the tower.

In the meantime, Bill and the captain talk about his fate. The captain recognizes that he must die, but he’s no longer ready to do so. He’s shocked when Bill reveals herself as a glass avatar.

The First Doctor remains at the tower entrance for his safety as the Twelfth Doctor climbs to meet his assailant. The shooter is revealed to be the Dalek named Rusty. They come to a truce as Rusty tears off his own gunstick, and the Twelfth Doctor finds out that the glass avatars and their ship, the Testimony, were created on New Earth. This comes from the Dalek programmed to hate Daleks and his connection to the Dalek hive mind. Rusty agrees to provide the information since helping the Doctor harms the Daleks.

Bill’s glass avatar meets up with the First Doctor as he finds Dalek parts nearby. She talks to the Doctor, probing his past and his motivations, asking what he’s running toward. She declares that the Doctor is amazing and thanks him for his efforts. When he realizes that she’s a glass avatar, he comes to understand her motives as an agent of Testimony.

Bill and the First Doctor ascend the tower and time stops again. The Doctors realize that there is no evil to fight, and while Bill is an avatar, she reminds the Doctor that reality is merely a function of memories. The Twelfth Doctor tells her that he’s tired of losing people, hence the reason why he doesn’t want to regenerate. He decides to return the captain to his proper time as he considers how their decisions not to regenerate caused the timeline error that displaced the officer.

En route, he has a revelation and changes course, dropping the captain at the start of the famous Christmas Truce, ensuring that his life will be spared. The captain will not be able to remember his adventure and won’t be able to see the Doctors or Bill once his timeline restarts. He asks them to check on his family from time to time, introducing himself as Archibald Hamish Lethbridge-Stewart, an ancestor of the Brigadier. The Doctor is overjoyed at the prospect.

When time starts again, Captain Lethbridge-Stewart and the German soldier nearly pull their triggers, but they stop as both sides begin to sing Christmas carols. The truce was a miracle, a one-of-a-kind, but one that allowed everyone to stop fighting and be kind for a short time.

The First Doctor is happy to see how the “Doctor of War” solved the problem, to which the Twelfth responds that their place is to help when the universe isn’t a fairy tale. The Doctors decide that they are both ready to go on living and they part ways.

The First Doctor returns to the South Pole as the Twelfth bids farewell to Captain Lethbridge-Stewart. Ben and Polly find their Doctor on the TARDIS floor as he regenerates into the Second Doctor. Meanwhile, the Twelfth Doctor asks Bill if she’d like to take one last trip in the TARDIS. She tells him that the hardest thing about knowing him is letting him go then gives him a goodbye present as she kisses his cheek and turns into Clara.

The Doctor is overjoyed to remember her, as is the memory of his former companion. He also gets to say goodbye to Nardole, who encourages him not to die since it would mean that the universe would go cold. The Doctor refuses to offer his testimony to the avatars, stating that he must be left alone to face his fate. He thanks them for what they have offered and they agree with a hug.

The Doctor boards the TARDIS again, ready to leave the battlefield. As he engages the TARDIS, he gazes upon the universe and concedes that one more lifetime won’t kill anyone. Well, except him. He relays some advice to his future self in a powerful speech before falling to the floor. He picks himself up and utters his final words: “Doctor… I let you go.”

The regeneration process is so violent that it rips into every corner of the console room. As smoke fills the room, his ring falls from his hand and his face transforms into a younger version. As the smoke clears, the Doctor’s new face is visible in a reflection.

The Thirteenth Doctor is a woman. Oh, brilliant.

She smiles broadly for just a moment until the TARDIS suffers a catastrophic systems failure. The ship tilts to one side as the console room explodes around her. The doors fly open, and even though she holds on as tight as she can, she eventually falls out of the TARDIS as it hovers thousands of feet above Earth.

The Doctor can only watch in horror as the TARDIS is engulfed in flames and dematerializes, leaving her to plummet toward the planet below.


Starting with the good stuff, I adore this multi-Doctor special because the threat isn’t really a threat at all. Fans have been conditioned since 2005 to expect a monster of some sort each week, and this fake-out driven by that assumption is a nice change of pace. I also like how the story was carved out of a space in The Tenth Planet‘s finale, drawing a parallel between the two Doctors as they ponder their futures. The classical romanticism and vulnerability are touching.

The setup also ties off a narrative thread started in The Pilot, which showed us a Doctor fresh off losing two people close to him. The thread has run across this series and comes to a beautiful conclusion here as the Doctor faces the loss of three people in The Doctor Falls. In a sense, both Doctors share a fear of the future.

It doesn’t hurt that I have a soft spot for the Christmas Truce. The truce was not unique in general – World War I had quite a few “live and let live” moments like this where soldiers would stop hostilities and fraternize – but this was one of the largest and most memorable.

The biggest failing of this adventure was the writing for the First Doctor. This story treats the character as a sexist dinosaur, but it seems like Steven Moffat’s target was the 1960s in general and he used the First Doctor as an avatar for his grievances. Certainly, the era didn’t treat women fairly, but Doctor Who stood apart with more well-rounded characters in comparison to some of the portrayals and dialogue found in later decades. Yes, the First Doctor was the character who let a caveman die until Ian stepped in, threatened a “jolly good smacked bottom” for Susan after her clumsiness inconvenienced him, was generally irascible and cranky, and even said a few things in The Five Doctors that made his successors squeamish, but this representation betrays the progressive heart that this show has had since birth.

Don’t get me wrong: David Bradley’s performance is amazing. It’s Steven Moffat and his meta-commentary that failed here because his research into the character seems to have stopped at the First Doctor’s first adventure, which is a far cry from the character’s nature in his final adventure.

That huge downside is unfortunate because there’s so much to love here, from the regeneration being a good narrative cover for the change in actors, the First Doctor’s treatment of sonic technology, the transitions from 1966 archive footage to modern imagery and back, and the fantastic rebuild of the First Doctor’s TARDIS. I also didn’t notice that Bill’s wardrobe constantly changes throughout the episode, perhaps as a tip of the hand to her true nature.

Not bad at all for an episode that was supposed to be Jodie Whittaker’s first adventure. That would have been a sight to see.

Finally, the regeneration is probably one of my favorites of the modern era. I was visiting family on the other side of the country when this episode first aired and I stayed up late at my brother-in-law’s house after everyone else had gone to bed. Peter Capaldi’s final speech was perfect and brought me to tears then, as it still does today.

Even with the imperfect writing, this story still does it for me.

Rating: 5/5 – “Fantastic!”


UP NEXT – Series Ten Summary

cc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Advertisement

Timestamp #281: World Enough and Time & The Doctor Falls

Doctor Who: World Enough and Time
Doctor Who: The Doctor Falls
(2 episodes, s10e11-12, 2017)

Timestamp 281 World Enough and Time Doctor Falls

Powerful, surprising, and heartbreaking: A Doctor Who triple threat.

World Enough and Time

Upon a snowy landscape, the Doctor stumbles from the TARDIS and repeats the word “no” as he begins to regenerate. He falls to his knees as the energy overtakes him…

…and we flash back to a long cylindrical spaceship hovering at the edge of a black hole’s event horizon. The TARDIS materializes in the control room at the closest point to the phenomenon and Missy emerges. She describes herself as “Doctor Who” and introduces her companions. As alarms sound, we find out that this is a test of Missy’s resolve to be good. The Doctor watches from the TARDIS as Missy, Bill, and Nardole work through the puzzle and make contact with a blue-skinned humanoid named Jorj.

Jorj arrives at the control room with a gun and demands to know which of them is human. As three lifts race toward the control room, the Doctor emerges from the TARDIS and Bill admits to being human. Jorj declares that she is why the lifts are coming and shoots Bill, mortally wounding her. Figures with bandaged faces emerge from the lifts and take Bill, claiming they will fix her but will not return. The Doctor decides to trust them and leaves a psychic message for Bill to wait for him when she wakes.

Before the trip, Bill had disagreed with the Doctor about the rehabilitation test. The Doctor wanted Missy to be good, but Bill didn’t know if it was possible. They later had a discussion about the Doctor, the Master, and Time Lords and their flexible approaches to gender. Bill confided that Missy scared her, and the Doctor told Bill that he would do his best to not let her die.

This pressure now weighs on the Doctor. He let his companion die on his watch.

The Doctor tries to scan the lift with his sonic screwdriver, and when Jorj threatens him, he warns Jorj not to make him angry. The Doctor is borderline furious. Nardole finds thousands of life signs in the lower levels of the ship, leading the Doctor to understand that the different levels of the ship are moving at different times due to relativity.

On one of those lower levels, Bill wakes up in a medical facility with a cybernetic heart in her chest. She gets the message from the Doctor and meets a caretaker named Mr. Razor. She also hears a cybernetic voice calling out in pain. She finds the patient as screens show the time differential between Floor 0000 and Floor 1056. She can’t stop the voice from chanting “pain” over and over, and a nurse merely mutes the voice instead of tending to the pain. Bill finds that the others are also chanting about their pain but their voices are also muted.

Mr. Razor finds Bill and takes her to his room for tea. He explains that they are curing the people in the surgical  (conversion theater) suites and that she was saved from death with her new “shiny” cybernetic heart. She’s been on this level for months and passes the time watching the live feed of Level 0000. The Doctor literally takes a week to raise his eyebrow. Bill eventually recovers enough to work as a cleaner as she continues to wait. Meanwhile, the Doctor uses Venusian aikido to knock out Jorj and make his way to Bill.

Bill also cannot leave the hospital. Her heart will supposedly cease to function and the patients will raise the alarm. Mr. Razor explains that the people are being converted to survive Operation Exodus, a necessity since the human lifespan cannot survive the trip back to the top of the ship. Mr. Razor takes Bill outside one day, and sure enough, after a brief walk, her heart begins to fail.

The years pass and Bill continues to wait. She watches as the Doctor, Missy, and Nardole board a lift. They cannot take the TARDIS because the black hole with mess with navigation. Mr. Razor tricks Bill into one of the conversion theaters and condemns her to a full conversion. After all, people usually scream when they find out the real reason for surgery. They fit her for a headpiece that will inhibit emotion.

When the Doctor, Missy, and Nardole arrive on the bottom floor, Missy is left to explore the ship’s computer history. She soon meets Mr. Razor who is enamored with her and seems to know who she is. On separate paths, the travelers learn the truth: The ship’s origin was Mondas, the twin planet of Earth, and the conversions are the genesis of the Cybermen.

More shocking, Mr. Razor reveals that he is Missy’s predecessor, the Saxon Master. With that revelation in mind, Missy reverts to her cruel nature.

Even more shocking, this trip has turned upside down. The Cyberman standing before the Doctor is Bill Potts, and the former companion cries beneath the mask as she tells the Doctor that she waited for him.

The Doctor Falls

On Floor 0507, farmers and families face off against the scarecrows – the prototype Cybermen from Floor 1056 – shooting them at night and restraining them on wooden crosses by the light of day. One of those days, the relative peace is broken when a shuttle crashes through the ground near a girl named Alit. From the wreckage emerges a Cyberman carrying the unconscious form of the Doctor.

We flash back to the Doctor restrained to a wheelchair on the roof of the hospital on 1056. He was subdued by Missy and the Master, dancing and flirting as they discuss the Doctor’s deaths and how many regenerations he has left to spend. Notably, Missy cannot remember what happened that forced her regeneration. The Doctor ponders what happened in the Master’s life since he vanished while blasting Rassilon with his life energy.

Upon returning to Gallifrey, the Time Lords showed their gratitude for the Master’s help in preventing Rassilon from executing the Ultimate Sanction by restoring his body and kicking him off the planet. The Master stole a TARDIS and landed on the Mondasian colony ship where he lived like a king and killed at his leisure. When the colonist overthrew him and he attempted to run, he found that his TARDIS was burned out from being too close to the event horizon.

While they gloat, the Masters are shocked to find that the Cybermen are advancing on them. When the Masters attacked the Doctor, he was able to change the coding for humanity to read two hearts instead of one. With the Cybermen marching to convert the Time Lords, Missy knocks the Master unconscious and rescues the Doctor. She frees the Doctor and he calls for Nardole, who has successfully stolen a shuttle.

As the Masters and the Doctor try to board the shuttle, a Cyberman attacks the Doctor with an electrical shock. Bill kills the Cyberman but the Masters take over the shuttle as the Doctor falls. Bill stops the craft from taking off and ensures that the Doctor boards the shuttle.

That same shuttle has since crashed into 0507, leaving the entire group stranded. Two weeks pass as the Doctor recovers and Nardole prepares the families for war. Bill has been resigned to the barn since she frightens the children, and while she believes that she is still human, everyone else sees her as a Cyberman. Alit comes to her side with a mirror and Bill is shocked to see her true self. When the Doctor arrives, he rewards Alit for being kind to Bill. They have a brief discussion about Cybermen and what she’s become, Bill’s anger and grief boil over as she accidentally destroys the barn’s door.

The Doctor is amazed by Bill’s resiliency against the Cyberman programming. When Bill sheds a tear because everyone is afraid of her, he wipes it away and notes that she shouldn’t be able to cry. They meet with the Master, who mocks Bill and tells the Doctor about a plan that he and Missy have been working on. As they all walk across the farmland, the Doctor limps and stifles regeneration energy in his hand, revealing that his electrocution was fatal. When Bill worries about him and her future, he tells her that “where there’s tears, there’s hope.”

They reach the forest where the Master and Missy theorize that they’re out of temporal sync so they can’t retain their memories of these events. Missy reveals that the forest around them is a holographic wall disguising the lifts. Missy calls for one, not remembering that it is coming from the bottom floor and not empty. The lift reveals an evolved Cyberman, and despite killing it, the trio of Time Lords knows that the Cybermen now know where they are.

They cannot run because time is running faster on the lower levels. The Cyberman invasion would easily catch up to them. They have no choice but to fight as the Cybermen begin punching through the various floors. Nardole uses the fuel piping on Floor 0508 as weaponry and the Doctor finds a service duct that can be used to evacuate the children. Meanwhile, the Masters discuss running for their TARDIS on the bottom floor. After all, Missy once (now) threatened her former self into carrying a spare dematerialization circuit.

As night falls, the first wave of Cybermen appears. Nardole tricks them into believing that a single apple can destroy them all. When the Masters decide to leave, the Doctor delivers an emotional and passionate speech on why he helps people. It’s not easy and doesn’t always work, but it’s the right and kind thing to do. The Master ridicules the Doctor and continues on, but Missy is somewhat moved. She agrees that being the Doctor’s friend was what she always wanted, but she goes with her predecessor anyway. Within minutes, the two Masters arrive at the lift where the younger tricks the elder by fatally stabbing him and leaving just enough time to reach his TARDIS before regenerating. Unfortunately, the Master fires his laser screwdriver at Missy and mortally wounds her.

By all appearances, Missy dies. Her last intention was to return to the Doctor’s side.

The next wave of Cybermen arrives and Nardole’s tricks force them to retreat and develop a new plan. The Doctor downloads the plans for the floor into his sonic screwdriver and sends Nardole to escort the children to the service ducts. The Doctor convinces Nardole to leave despite the latter’s protests. After all, the Doctor is treating this like a suicide mission and Nardole owes him too much. The Doctor convinces Nardole that this will be penance for his crimes from before the Doctor rescued him. Bill stands beside the Doctor and Nardole admits that he’ll never be able to find the words for their sacrifice.

Now alone on Floor 0507, the Doctor and Bill prepare for a last stand by saying their farewells. They move to opposite sides of the floor and engage the Cybermen. The Doctor cites his numerous victories over them – Mondas, Telos, Earth, Planet 14, Marinus, Voga, Canary Wharf, and the Moon – before falling to several laser blasts. He nearly regenerates, but holds it back as he ignites the piping below the floor and engulfs the forest in fiery destruction. The Cybermen are destroyed.

As Nardole and his charges reach Floor 0502, he holds out hope that Bill and the Doctor will return. Alit convinces him to move on and focus on living with them instead.

Amongst the wasteland that is Floor 0507, Bill finds the wounded Doctor. She’s barely functioning, but her personality is nearly restored, and she mourns over the Time Lord’s body. She is surprised to find Heather emerging from a nearby puddle and learns that she’s real through a passionate kiss. Heather changed Bill into a being like her, and together they take the Doctor’s body back to the TARDIS. Heather sets the controls for a new location and offers Bill the choice to return to her old life or live a new one at her side as she travels the universe.

Bill chooses the latter, shedding a tear over her friend and telling him that “where there’s tears, there’s hope.” The two women depart as the TARDIS flies on and the Doctor heals, dreaming of Bill, Nardole, Rose Tyler, Martha Jones, Captain Jack, Donna Noble, Madame Vastra, Jenny Flint, Sarah Jane, Amy Pond, Clara Oswald, and River Song as they each call his name. The last voice is Missy’s, one which awakens the Doctor as he mutters some words of his former lives. He yells that he can’t keep being someone else and suppresses his regeneration as the TARDIS lands.

The Doctor is defiant, telling the TARDIS that he would listen to the lesson it’s trying to teach him, and steps into an arctic landscape. He screams into the snow and stifles his regeneration, pledging not to change as he hears a voice that echoes his concerns. When he demands to know who the other person is, he’s surprised to find the Doctor in the snowstorm. The original, you might say.

He finds the First Doctor.


Before this point, the televised history of the Cybermen was pretty simple: There were the Mondasian Cybermen from this universe and the Cybus Cybermen from Pete’s World. This pair of episodes complicate the evolution by introducing various origins for the Cybermen of this universe.

After Mondas was ejected from Earth’s orbit, the Mondasians were split into two groups based on the desire to fully embrace cyber conversion. The so-called Faction left Mondas to find their destiny in The Wheel in SpaceThe Invasion, and The War Games (with a cameo in Carnival of Monsters and brief nods in Dalek and Death in Heaven). The remaining Mondans would evolve into Cybermen in this episode – and in the audio drama Spare Parts and the comics The World Shapers and The Cybermen, if you count those – before proceeding to The Tenth Planet. It’s worth noting that the Cybermen in The Tenth Planet arrived with their rogue planet, so these Cybermen might not be those Cybermen.

Apparently, every other version of the Cybermen evolved independently and on parallel trajectories across time and space. At least, that’s how the story goes as of right now since Doctor Who‘s continuity is perpetually fluid.

As if that wasn’t enough, we get a quasi-confirmation that “Doctor Who” is a legitimate variation of the Doctor’s name. These days, fans will point to all sorts of sources to justify the character’s moniker of “The Doctor,” but there are several sources that also make “Doctor Who” just as legitimate: The computer WOTAN repeatedly called for “Doctor Who” in The War Machines; The Second Doctor used the alias “Doktor von Wer” – literally, “Doctor [of] Who” – in The Highlanders; The Second Doctor signed a note as “Dr W” in The Underwater Menace; Bessie’s license plate was WHO 1 and WHO 7; and Miss Hawthorne referred to him as “the great wizard Qui Quae Quod” – literally “Who Who Who” in Latin – in The Dæmons.

What about the show’s credits, you might ask. The character was credited as “Doctor Who” from An Unearthly Child all the way through Logopolis, spanning 18 seasons of stories. Starting with Castrovalva and the Fifth Doctor’s run, the character was credited as “The Doctor” through the TV movie (which also credited the Seventh Doctor as “The Old Doctor”). The name changed again to “Doctor Who” for the Ninth Doctor‘s run before returning to “The Doctor” in The Christmas Invasion. Rose also featured a website entitled “Doctor Who?”.

All that to say that either name is legitimate, really. Sure, Missy lies… a lot… but her lies always have a kernel of truth within. In recent years, the title has referred more to an ethos and mission statement rather than an actual name.

Considering the stories at hand, the horror film feeling of these episodes is amazing. The first half is edge-of-your-seat tension mixed with copious amounts of body horror, and the second half blunts the body horror for more battlefield tension. The tension follows the lighting, leading to more empathic storytelling in daylight and ratcheting tension during the night. The Doctor’s impassioned speech is truly a last-stand Hail Mary pass, and it serves up more tension before the final battle. The moment that truly sent shivers down my spine was “pain, pain, pain,” cueing the audience to just how monstrous the Mondasians were.

Another shocker was the identity of Mr. Razor, but this is only because I didn’t the “coming soon” teaser at the end of The Eaters of Light when this series was in first-run. If I had known that John Simm was returning, I probably would have seen right through the Mr. Razor disguise. Since I didn’t know at the time, it blew me away back in 2017.

As someone who earned a degree in physics, I love when science fiction shows play around with the subject and can explain it to the home audience. Gravitational time dilation is a real phenomenon related to special relativity that has been observed on Earth. Scientists placed identical atomic clocks at different altitudes (which relates to the pull of gravity) and noted significant differences in time between them. In this case, “significant” is on the order of nanoseconds, but imagine scaling that up beyond the fragile envelope of our atmosphere to a really long spaceship parked longitudinally on the event horizon of a black hole. That difference in gravity is pretty big.

I did have a question about fridging the black woman in this story – a terrible trio of tropes! – but Bill doesn’t really die and she’s not put in peril by the villain simply as a means to motivate the hero, so I dismissed the idea.

The video of Level 0000 looks like a paused classic black-and-white episode of the show. It added to the feeling of tension and was a nice callback to the era that this story and its cliffhanger were meant to evoke.

The two Masters working side-by-side in this story was pure joy. Notably, this is the first televised story to feature multiple Masters. It was also the third finale of the three in Capaldi’s run to feature the Cybermen.

In the end, I’m left in awe of the Twelfth Doctor’s resolve and strength. He survived all of that and still had the fortitude to hold back one of the character’s most primal forces, setting the stage for Peter Capaldi’s swan song in the next adventure.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: Twice Upon a Time

cc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #255: Listen

Doctor Who: Listen
(1 episode, s08e04, 2014)

Timestamp 255 Listen

Are we ever truly alone?

The Doctor meditates on top of the TARDIS in Earth’s orbit when he whispers the episode’s title. *ding* He later muses in the console room about the habit of talking to oneself when alone. Perhaps it is because we know that we’re not truly alone. On a tour of the world’s biomes, he studies hunters and prey and hypothesizes about a being that can remain perfectly hidden. He places his piece of chalk in an open book and asks what such a being would do. When he returns to the book, the chalk is on the floor and the chalkboard contains a single statement.

Listen.

Clara returns home from a date with Danny Pink, but it is obvious that things did not go well. In fact, Danny became hostile when she joked about him knowing of killing another person. She tries to apologize for her gaffe but, through a series of miscommunications, ends up leaving. Danny is also upset over the interaction.

Clara finds the Doctor and the TARDIS in her bedroom. The Doctor ropes her into his theory, including his dream journal, and the premise that everyone has had the exact same nightmare that someone is watching. In the premise, there’s no one there until a hand reaches out from under the bed to grab the dreamer’s leg.

To her credit, Clara wonders how long the Doctor has been traveling alone.

The Doctor interfaces Clara with the TARDIS’s telepathic circuits and sets the craft in motion. They arrive at the West Country Children’s Home in Gloucester in the mid-1990s, which the Doctor claims is part of Clara’s childhood but she doesn’t remember visiting the location. Since meeting herself could be catastrophic, the Doctor leaves Clara with the TARDIS while he investigates, but she spots a boy waving from a window. The boy is Rupert Pink, has a desire to change his “stupid” first name, and waves just like Danny does.

The Doctor enters the home and poses as an inspector. While he talks to the night manager about strange things that happen while he’s alone (and steals the man’s coffee), Clara sneaks upstairs to Rupert’s room. She asks the boy about the Doctor’s theoretical dream and then dispels the notion of a creature under the bed by climbing under it with Rupert. Her explanation is interrupted by someone sitting on the bed.

When Clara investigates, she finds someone sitting under the covers. The Doctor arrives to investigate and talk with Rupert about fear. He convinces Clara and Rupert to turn their backs on the figure under the covers, then addresses the figure with an offer to leave in peace. It approaches them and uncovers itself, and the Doctor implores them to promise that they’ll never look at the being. The figure leaves with the slam of a door and Clara convinces Rupert that his toy army will guard against anything else happening to him. She includes a soldier without a gun as the leader – Dan the Soldier Man, a soldier so brave that he doesn’t need a weapon to keep the world safe – and then the Doctor telepathically puts him to sleep.

Back in the TARDIS, the Doctor muses about why they were there when they should have been somewhere on her timeline. Since she was thinking about Danny when she was piloting the TARDIS, she theorizes that the boy was him. The Doctor reinforces this by saying that he scrambled Rupert’s memory of the night’s events with a dream about Dan the Soldier Man.

Clara tests the hypothesis by asking the Doctor to return to her to the moment when she stormed out on Danny. She makes amends with him but stumbles when she blurts out his real name. Danny asks for the truth about Clara, but leaves when she can’t tell him. Clara spots a figure in the Doctor’s orange spacesuit who beckons her back to the TARDIS, a person who is revealed to be Colonel Orson Pink, a time-traveling descendant of Danny’s. The Doctor found him at the end of the universe, stranded on an expedition that was only supposed to send a pioneer one week forward in time. They missed.

The Doctor stalls for time to ask about his dream theory. Even though there’s no one else left in the universe, Orson still locks his doors at night. Orson is adamant about not speaking of it, but the Doctor assumes that the figures have emerged since there’s no one left to hide from.

Orson hides in the TARDIS and inadvertently reveals Dan the Soldier Man, an heirloom that brings luck. He strongly implies that he and Clara are related.

As the Doctor and Clara spend a night in Orson’s base, they hear the rattles and squeaks related to the Doctor’s theory. They banter about Clara’s date and discuss the Doctor’s need to pursue the theory. They are interrupted by a knocking on the locked door and, as Clara asks why he’s so motivated to find out what’s going on, the Doctor unseals the door and sends Clara to the TARDIS.

Clara and Orson watch on the TARDIS scanner as the door opens, but the screen shorts as the air shell is breached. Orson rushes out to save the Doctor. When they return, the TARDIS begins to shake and the Cloister Bell sounds, so Clara engages the telepathic circuits to move the ship. She goes outside to investigate, leaving Orson to tend to the Doctor.

Clara emerges in a barn where someone is crying in a bed. She climbs to the loft, mistaking the child for Rupert and Orson before hiding when the a man and woman arrive. The child prefers to sleep in the barn because he cries so often. He also doesn’t want to join the army, but the man doesn’t think the boy has what it takes to join the Academy and become a Time Lord.

Wait…

The Doctor awakens in the TARDIS and calls for Clara, prompting the boy to spring from his bed. Clara grabs the boy’s leg and persuades him to go back to sleep, dismissing all of this as a dream. The boy does so and Clara departs, leaving him with a comforting thought. She asks him to listen and tells him that fear is a superpower. That one day he’ll return to the barn in fear, but that fear need not make him cruel or cowardly. Instead, it should make him kind.

She has crossed the Doctor’s timeline and encountered him as a child.

Clara returns to the TARDIS and suggests that all of this potentially stems from a fear of the dark. She tells the Doctor to take them somewhere else and never look at where they were. They return Orson home and then Clara returns to Danny’s side to discuss his fears.

The Doctor can be afraid, but that fear can be a comforting companion that always brings him home. In the TARDIS, the Doctor closes the book by underlining the word LISTEN. In the barn, the Doctor awakens to see the night sky and a gift from the mysterious voice under his bed: A toy soldier so brave that he doesn’t need a weapon.


This story makes good progress on the season arcs related to the Doctor’s identity and the relationship with Danny Pink. Both of these characters are alien to the environments in which they live, and the parallel between the Doctor’s quest to find himself and Danny’s quest to reconcile his history is fantastic. I especially like how both characters are on these journeys but still have to appear “normal” and blend in with the people around them. They have both experienced things that those around them cannot fathom, and as a military veteran myself, I can empathize.

Clara is a good counterbalance to both characters as they travel these paths, and I’m glad that she can be there for both of them.

This story marks the first appearance of the Doctor as a child. While the actor’s face remains shadowed throughout the encounter, it was a good call by director Douglas Mackinnon to style Michael Jones’s hair to match a photograph of William Hartnell in his youth. I also liked the parallel to The Day of the Doctor with the barn becoming a place of solace for the Doctor in his most stressful times.

Clara’s words of strength to the young Doctor echo throughout his life: The thread of not being cruel or cowardly was recently reinforced in The Day of the Doctor, and “fear makes companions of us all” was said to Barbara Wright in An Unearthly Child. The fear of the dark calls back to Silence in the Library/Forest of the Dead, and we also have character threads reaching back to The Empty Child and The Girl in the Fireplace.

Sadly, the aliens themselves are a clever idea but are backseated as a plot device to carry the theme. I’d really like to know more about them and the mystery that they embody.

Overall, it’s a twisted and convoluted narrative, but the results struck home for me.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: Time Heist

cc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #250: The Day of the Doctor

Doctor Who: The Day of the Doctor
(1 episode, 50th Anniversary Special, 2013)

Timestamp 250 Day of the Doctor

The big event in a cup-a-soup.

The Last Day

A soldier opens his eyes to find someone standing over him. The soldier is part of the army on Gallifrey and has been fitted with a headcam. The man explains the headcam’s use and function, including how the frightening images that keep popping up are hallucinations, not premonitions. The headcams are installed into the brain and record everything for the official record. The recording is censored, with violence and language deemed unsuitable for the soldiers’ families cut out, and anything particularly graphic gets tinted red.

These soldiers proceed to Arcadia, the safest place on Gallifrey due to the impenetrable sky trenches. If even one Dalek did get through, the city could be destroyed, so the soldier has to remain vigilant in his scans. As he is trained on the scanner’s use, he detects a Dalek.

That Dalek leads to many more. As the Daleks open fire, the soldier’s headcam goes blank. The last sound heard in the background is a chilling death cry of anguish.

Thus begins the Fall of Arcadia.

The Day of the Doctor

After opening on a familiar theme, we see a police constable patrolling near I. M. Foreman’s scrap yard and Coal Hill School. Inside the school, Clara finishes a lesson for her class as the bell rings. She gets a note to meet “her doctor” at an address on an open patch of road. There she spots the TARDIS and races toward it on her motorcycle.

The TARDIS lets her in without complaint and she snaps her fingers to close the doors. After a cheerful reunion with the Doctor, she jumps as the TARDIS shudders. A helicopter hauls the box away. The Doctor calls Kate Stewart at UNIT headquarters only to find out that she’s bringing the TARDIS. She had no idea that he was still inside.

She has the TARDIS taken directly to the National Gallery where she presents instructions directly from Queen Elizabeth I. The Doctor and Clara meet UNIT scientist Petronella Osgood – she has a nice scarf – and proceed into the gallery. There they find a Time Lord painting known as both No More and Gallifrey Falls. It depicts the Fall of Arcadia and appears in three dimensions. The Doctor is shaken by what he remembers upon seeing the painting, recounting the day that the previously unknown Doctor ended the Time War.

Inside the image, we find the last day of the Last Great Time War. As the Daleks rage and innocents die, the War Doctor takes a gun from a lone soldier. With that weapon, he carves a message into a wall near the TARDIS.

It reads “NO MORE”.

The Doctor escapes by plowing the TARDIS through a wall and a gathering of Daleks. As he flees, the High Commanders gather in the War Room to plan their next move. The Eleventh General dismisses the High Council’s plans since “they have already failed” and ponders the Doctor’s message. He also learns that there has been a breach in the Omega Arsenal of the Time Vaults. Among all of the forbidden weapons – many of which have already been used in vain against the Daleks – the Moment has been taken.

The Moment was the final work of the ancients of Gallifrey. It is a weapon so advanced that it developed a conscience to stand in judgment of the user. The General muses that only the Doctor would be mad enough to use such a weapon.

Sure enough, the Doctor issues a final warning as he walks the empty desert toward an abandoned farmhouse: “Time Lords of Gallifrey, Daleks of Skaro, I serve notice on you all. Too long I have stayed my hand. No more. Today you leave me no choice. Today, this war will end. No more. No more…” He uncovers a complex box that ticks and whirs, lamenting the lack of a big red button to activate it. He hears a rustling sound and investigates, returning to find a woman sitting on the box.

This woman appears to be Rose Tyler, a face that this incarnation does not recognize, but she eventually identifies as Bad Wolf, an avatar of the Moment. She mocks the Doctor in her judgment, wondering why he left the TARDIS so far away. Perhaps so the TARDIS couldn’t witness what he’s about to do. Meanwhile, the Time Lord refuses the right to be called Doctor. Even though the name resides in his head, he no longer feels worthy of it. The suffering of the universe is too great, and he must end it even though it means his death. The Moment decides that his fate and punishment will be to survive the holocaust and live with the consequences, counting the dead for the rest of his lives.

They are interrupted by a fissure that opens overhead. A fez falls out.

In the 21st century, the Eleventh Doctor opens the queen’s letter.

“My dearest love: I hope the painting known as Gallifrey Falls will serve as proof that it is your Elizabeth that writes to you now. You will recall that you pledged yourself to the safety of my kingdom. In that capacity, I have appointed you Curator of the Under Gallery, where deadly danger to England is locked away. Should any disturbance occur within its walls, it is my wish that you should be summoned. Godspeed, gentle husband.”

Kate leads the Doctor and Clara away to show them the next piece of the puzzle. As they leave, UNIT scientist McGillop takes a mysterious phone call and questions why he should move the painting.

The Doctor, Clara, and Kate arrive at a painting of Queen Elizabeth I and the Tenth Doctor, leading the scene to England, 1562. There, the Tenth Doctor and Queen Elizabeth I ride a horse out of the TARDIS where he presumably just gave her a tour of the time capsule. They later share a picnic, and after she remarks on the face that has seen war, he proposes marriage.

It’s a ruse to uncover a Zygon invasion of Earth. Unfortunately, even with his tracking device that goes ding, he misidentifies the queen as a Zygon. When the horse changes shape, the duo runs from the threat. They end up separated, and while the queen gets attacked, the Doctor threatens a rabbit before realizing that it is truly just a rabbit.

The Doctor finds the queen once again, as well as a doppelgänger. While he tries to figure out which queen is the real one, a time fissure opens and a fez falls out.

In the 21t century, Kate leads her group into the Under Gallery where the Eleventh Doctor is fascinated by stone dust. Kate orders Osgood to analyze it while they proceed deeper. The Doctor pulls a fez from a display case before coming to the reason why Kate called him here. Several 3-D paintings that used to show figures have had their glass broken out from the inside. The figures are missing.

The time fissure opens and the Eleventh Doctor faintly recalls seeing it before. He tosses the fez through before jumping across, landing at the Tenth Doctor’s feet. The two Time Lords realize who each other are, compare sonic screwdrivers, and bicker a bit before the time fissure crackles.

The Tenth Doctor sends the queens away with a pair of kisses as Clara communicates with the Doctors through the fissure. The Eleventh Doctor tries to send the fez back, but it never arrives in the Under Gallery. Instead, it lands at the War Doctor’s feet.

Kate leaves Clara in the Under Gallery as she calls her office to request the Cromier file – invoking a nod toward the “UNIT dating controversy” – unaware of the Zygon lurking behind her.

The Tenth and Eleventh Doctors attempt to analyze the fissure, canceling each other’s reversal of the polarity with their sonics. After a moment, the War Doctor jumps through and meets his successors, mistaking them at first for companions instead of Time Lords.

He also chastises them for pointing their sonic screwdrivers like water pistols.

The meeting is interrupted by the queen’s royal guard. The Eleventh Doctor tries to get Clara to pose as a witch through the fissure, but the guards and the War Doctor are not impressed. The Queen arrives and threatens to toss the Doctors in the Tower of London, which serves as Kate’s office in the future.

Once there, the Eleventh Doctor sets to work scratching at a pillar while the Tenth Doctor questions the War Doctor. Meanwhile, in the future, Osgood puts the pieces together and realizes that the statues are Zygons. She’s too late, however, and both she and McGillop are copied. Osgood is able to escape in short order.

Kate leads Clara to the Black Archive, a space where the deepest secrets are kept and everyone’s memories of visiting it are wiped. The archive is TARDIS-proofed to keep the Doctor out since he wouldn’t approve of the collection within. Kate shows Clara a vortex manipulator gifted to the archive by Captain Jack Harkness. The access code has been carved into a pillar.

Clara also finds out that Kate, Osgood, and McGillop are Zygons. In that confusion, Clara steals Kate’s phone and uses the access code to teleport away with the vortex manipulator.

In 1562, the War Doctor muses that he could program his sonic screwdriver to disintegrate the door, but the calculations would take centuries. He suggests starting on them while questioning the dread on the faces of his future selves. They discuss the Last Day of the Great Time War, and the Moment – only visible to the War Doctor – prompts him to ask about the children.

The Eleventh Doctor can’t remember the number of children on Gallifrey, but the Tenth Doctor can. There were 2.47 billion children, and the fact that the Eleventh Doctor doesn’t want to remember angers – no, infuriates – the Tenth Doctor.

The Moment fills in the blanks for the War Doctor: The Tenth Doctor is the man who regrets and the Eleventh Doctor is the man who forgets. She also points out that they all have the same sonic screwdriver at heart with different cases.

If the War Doctor can scan the door, then the Eleventh Doctor’s screwdriver could calculate the method of breaking the door. They confirm it but are amazed when Clara bursts through the door and claims that it wasn’t locked. The queen is right behind her, confirming that she was curious about what they would do.

In the modern day, the real Osgood skulks about the Under Gallery and finds Kate in Zygon stasis. In 1562, the queen shows her visitors what is going on, including how she implanted the Zygons in the Gallifreyan paintings using stasis cubes. They also learn that the woman is the real Queen Elizabeth I and that she killed her impostor in the forest.

After the Tenth Doctor and Queen Elizabeth I are married, the three Time Lords and Clara board the Tenth Doctor’s TARDIS. Detecting a potential paradox, the TARDIS compensates by shifting the desktops around a bit before Clara notifies the trio that they should head for the Black Archive.

The Zygons in the Black Archive are joined by their human counterparts, and Kate informs them that the Archive’s self-destruct mechanism has been activated. In five minutes, the nuclear warhead beneath them will detonate. The Doctors try to land the TARDIS in the Archive and fail, so the War Doctor suggests using the stasis cube instead.

When McGillop takes his call near the first painting, he gets an order to take the painting to the Black Archive. Once there, the Doctors emerge from the Fall of Arcadia and enter the Black Archive. They then use the memory modifiers to confuse everybody as to whether they are human or Zygon. If the participants stop the detonation and create a peace treaty – which is sure to be incredibly fair since the negotiators can’t remember which side they’re on – they will have their memories restored.

The countdown is stopped and the negotiations begin. The Osgoods figure each other out only by the nature of asthma. Meanwhile, Clara talks to the War Doctor about the Last Day, discovering that he hasn’t used the Moment. She expresses the Doctor’s regret about what he did that day, and the War Doctor makes his decision.

The Moment takes him back to the barn in the desert and presents him with a big red button.

He knows now that his successors are extraordinary men, but that they will only become so if he follows through. The Moment talks to him about the wheezing and groaning of the TARDIS, a sound that brings hope wherever it goes. At the same time, two TARDISes materialize behind him and his successors arrive.

They were able to arrive in this time-locked space because the Moment allowed it.

The two Time Lords talk about how they’ve treated their memory of the War Doctor. They explain that he was the Doctor on the day that it was impossible to get things right, and they offer to help him push the button today. Not out of fear or hatred, but because there is no other way. In the name of the lives that they cannot save.

The Eleventh Doctor stays his hand at Clara’s face. She could never imagine him destroying his own people. The Moment shows them the Fall of Arcadia, adding a moment of conscience to the act. Clara judges them: The Warrior, the Hero, and… what is the Eleventh?

She reminds him of the promise of the Doctor – “Never cowardly or cruel. Never give up; never give in.” – and tells her Doctor what to do. They have enough warriors, and any old idiot can be a hero. He should be a Doctor.

The Eleventh Doctor disarms the Moment and explains. He’s had lifetimes to think about this, and these three have a stasis cube. While the War Doctor thanks the “Bad Wolf girl” – the Tenth Doctor is taken aback – the Time Lords put their plan into action.

On the Last Day of the Great Time War, the Doctors send a message to Gallifrey High Command: GALLIFREY STANDS. They explain their plan to the Eleventh General, and even though the general finds the idea absurd, the Doctors explain that they’ve been working on it all their lives.

In an extraordinary moment, the three Doctors are joined by their other ten incarnations, including the one they will eventually become. The thirteen TARDISes take position as the Daleks intensify their firepower. The general tells the Doctor to go ahead. The planet Gallifrey disappears into a pocket dimension and the Daleks destroy each other in the crossfire. A single Dalek pod spins off into the void, foreshadowing their eventual return as the Cult of Skaro.

Gallifrey stands.

Back in the National Gallery, the Doctors muse on whether or not they succeeded. The mysterious painting remains an enigma, but they agree that it was better to have failed having done the right thing than succeeding in doing the wrong. The War Doctor bids farewell to his successors with a special nod to Clara, and they address him as Doctor, fully worthy of the title. He won’t remember this adventure, however, because the timestreams are a mess, but the Eleventh Doctor and Clara will. His legacy is safe with them.

As the War Doctor departs, he begins to regenerate after surviving the Time War. He hopes that the ears will be less conspicuous before transforming into the Ninth Doctor.

The Tenth Doctor takes his leave, asking the Eleventh Doctor where he’s going next. The Eleventh Doctor relents and reveals that they are destined to die in battle on Trenzalore. The Tenth Doctor is glad that his future is in safe hands, but expresses a desire to change their final destination. After all, he doesn’t want to go.

Clara leaves the Eleventh Doctor to sit and look at the painting for a little while. As she steps into the TARDIS, she mentions that the gallery’s curator was looking for him. He muses that he would be a great curator, and a deep voice agrees with him. The Doctor is astonished to see a very familiar face as the Curator arrives, looking very much like the Fourth Doctor.

The Curator suggests that the Doctor may revisit a few of his old faces before turning to the painting. He points out that everyone screws up the title of the painting: It is neither Gallifrey Falls nor No More, but rather Gallifrey Falls No More.

Gallifrey survived, and now the Doctor is tasked with finding it. The mission is now returning it and all its people to the universe.

Later on, the Doctor speaks of his dreams. In a vision, he walks through the TARDIS doors to join his previous incarnations as they stare at the planet Gallifrey above. He is destined to go home, even if it takes him the long way around.


First and foremost, I adore this episode. It is littered with nods to the franchise’s mythology, but more salient, it tackles some important concepts with the Doctor’s character.

During the revival era, the Last Great Time War has hung over the Doctor’s head. The Ninth Doctor was fresh from that conflict and obviously suffered from post-traumatic stress disorder from the magnitude of his choices. The Tenth Doctor and the Eleventh Doctor carried this weight as shown in this story.

The beauty of this story is that it retains the show’s history – the Doctor’s incarnations before now do not remember saving Gallifrey, so none of the motivations or choices made have changed – but absolution and redemption are offered for everyone involved, especially the Eleventh Doctor. Even though it is temporary, the senses of forgiveness and relief are important for the War Doctor and the Tenth Doctor and definitely shed a different light on the episodes we’ve seen to this point.

I love how the destruction of Gallifrey was driven by Clara, thus allowing a sense of humanity to temper the decisions of the Time Lord. This has been a constant over Doctor Who‘s history and was used to great effect here.

I do question how every incarnation of the Doctor knew to calculate the salvation of Gallifrey. Earlier, the sonic screwdrivers drove the point that the shell may change but the software remains the same, but those calculations were started by the War Doctor and matured with the Eleventh Doctor. In reverse, the idea to save Gallifrey seems to propagate from Eleven to War to Ten, a path that is far from linear. In fact, it’s wibbly-wobbly, which describes the Doctor to a tee.

Speaking of, I am so glad that the writers were able to give the War Doctor such brilliant insights into the revival era’s use of sonic screwdrivers. They’re not magic wands or water pistols, and the Doctor’s not going to assemble a cabinet at an enemy. I love his view on these scientific instruments.


Shifting gears, as much as I love the War Doctor and John Hurt, I really wish that Steven Moffat hadn’t needed to introduce him.

I get the reasons why: Christopher Eccleston did not want to return after how he was treated in the role, and he was less than impressed with the script when it was sent to him. What I don’t understand is why Paul McGann couldn’t have filled the same role.

Yes, I also love The Night of the Doctor, but it was developed as part of this whole story arc. Realistically, the Eighth Doctor could have been the incarnation that engaged in the Time War after seeing how Cass Fermazzi was willing to sacrifice her own life to avoid traveling with a Time Lord. This would effectively avoid the Stuffed into the Fridge trope (since Cass isn’t a loved one being used to motivate the hero) and could give us far more screen time for Paul McGann than just a TV movie and a webcast short.

It would have avoided the thirteen lives complications that developed from introducing another Doctor (which we’ll obviously cover during The Time of the Doctor) and would have still avoided the need for Christopher Eccelston’s involvement.

Everything else in The Day of the Doctor could have remained the same.

As much as I adore John Hurt and his performance here, the War Doctor needlessly complicated things, which apparently stemmed from Steven Moffat’s desire to have a “complete set” of regenerations before his departure. From what I can tell, that’s a rumor, but… yeah.


No look at the fiftieth anniversary special would be complete without a look at the mythology.

I have linked a good number of the mythological callbacks, but there are still quite a few favorites that jumped out in the course of this celebration. One of them is the set design, particularly the roundels (“the round things”) in the War Doctor’s TARDIS and in the Curator’s gallery. The War Doctor’s TARDIS design is a fun mix between the classic era (not counting the TV movie) and the coral motif that kicked off the revival era. The Curator’s gallery adds the hexagons to the roundels, tying the classic and revival eras together.

The Brigadier’s space-time telegraph made a notable appearance in the Black Archive. It was prominently featured in Revenge of the Cybermen and Terror of the Zygons, the latter of which was our last meeting with the Zygons. That portion of the story also showcased one of my favorite Osgood moments as she and her doppelgänger share their identities over her asthma inhaler.

The Day of the Doctor marks the last salvo fired in the Last Great Time War, a confrontation that began in Genesis of the Daleks. Russell T Davies stated in an episode of Doctor Who Confidential that the origins of the war that he envisioned began when the Time Lords struck first – the attempted genocide of the Daleks – in the Fourth Doctor’s era. This idea was repeated by RTD in Doctor Who Annual 2006, and was adapted in Hunters of the Burning Stone, a 2013 comic story published in Doctor Who Magazine as part of the 50th-anniversary celebration. The comic was written by Scott Gray and served as a sequel to An Unearthly Child, though it was the Eleventh Doctor in the lead with Ian and Barbara.

The Black Archive pinboards hold tons of photo references to the franchise’s history, including: Susan Foreman; Barbara Wright & Ian Chesterton; Vicki Pallister; Katarina & Sara Kingdom; Steven Taylor; Dodo Chaplet; Ben Jackson & Polly Wright; Victoria Waterfield; Zoe Heriot; Liz Shaw; Captain Mike Yates; Harry Sullivan & Warrant Officer John Benton; Leela; Romana I; Romana II; Adric; Nyssa; Tegan Jovanka; Kamelion & Vislor Turlough; Jamie McCrimmon; Peri Brown; Melanie Bush; Brigadier Winifred Bambera; Ace McShane; Grace Holloway; Adam Mitchell (why?); K-9 Mark III; Lieutenant General Sanchez; Brigadier Alistair Gordon Lethbridge-Stewart; UNIT Captain Erisa Magambo; Donna Noble, Martha Jones, Mickey Smith, Rose Tyler, & Wilfred Mott; Jo Grant; Jack Harkness; Craig Owens (again, why?); Sarah Jane Smith;
Amy Pond & Rory Williams; River Song; Kate Stewart; and Clara Oswald.

Finally, that moment. The all thirteen moment. The moment that made me jump out of my seat and cheer. The moment that makes me grin from ear to ear every time I see it.

It was amazing to see all of the Doctors on screen, interacting with each other to save their home. Since many of them are no longer with us, it was also fun to see exactly where the producers sourced the footage to bring this moment together.

  • The First Doctor’s footage came from The Daleks (specifically “The Dead Planet”), and his voice was newly recorded audio by John Guilor (who also voiced the First Doctor in the reconstruction of Planet of Giants).
  • The Second Doctor’s footage came from The Tomb of the Cybermen and The Mind Robber, and his audio came from The Seeds of Death.
  • The Third Doctor’s footage came from Colony in Space – the re-used footage was flipped from the original – and the audio came from The Green Death.
  • The Fourth Doctor’s footage came from Planet of Evil – again, the re-used footage was flipped – but the audio (“Ready.”) has yet to be identified.
  • The Fifth Doctor’s footage was sourced from Frontios and the audio came from The Five Doctors.
  • The Sixth Doctor’s footage and audio were sourced from the same story: Attack of the Cybermen.
  • The Seventh Doctor’s (flipped) footage and audio came from Battlefield, but the producers also used some footage from the TV movie.
  • The Eighth Doctor’s footage came from the TV movie. The audio (“Commencing calculations.”) hasn’t been identified.
  • Finally, the Ninth Doctor’s footage came from Rose and The Parting of the Ways (“And for my next trick…”), along with some footage from Aliens of London.

The sheer amount of work and research required to make this climactic scene come to life amazes me.


Finally, I want to take a look at three smaller items before closing this out.

First, The Last Day: It was a quick and easy prequel story. The biggest thing that came from it was a desire to know more about the soldiers and the headcams.

Second, the visual salute to Christopher Eccleston’s legacy in the regeneration. Steven Moffat didn’t want to include an image of Eccleston in the regeneration sequence because it would have been “crossing the line” by implying that he had been on set. So, there are hints as John Hurt morphs into Christopher Eccleston, but the camera cuts away just in time to give us the impression of what comes next. Of course, as implied by the novelization of this story, the Ninth Doctor broke every mirror in the TARDIS just after regeneration because he couldn’t face himself. That adds a new dimension to his first glance in the mirror in Rose.

The last is the novelization of The Day of the Doctor. If you haven’t had a chance to read it, pick it up. It tells the story of the TV episode but breaks the chapters into narratives by the War Doctor, the Tenth Doctor, the Eleventh Doctor, Petronella Osgood and the Zygons, the Twelfth Doctor, and even the Thirteenth Doctor. It expands a lot of the characters and scenes, and it also adds a few additional insights and inside gags, including some time with Peter Cushing’s Dr. Who. While I don’t generally lean on the expanded media for information, this is written by Steven Moffat so I consider it a bit more authoritative. Chapter 9 (“The Truth of the Doctor”) is a hoot.

It’s a quick read and well worth the time.

Rating: 5/5 – “Fantastic!”


UP NEXT – The Five(ish) Doctors Reboot

cc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #248: The Name of the Doctor

Doctor Who: The Name of the Doctor
(1 episode, s07e13, 2013)

Timestamp 248 The Name of the Doctor

The prophecy of Trenzalore comes to call.

Clarence and the Whispermen

Locked away in a jail, serial killer Clarence DeMarco shouts at whispering inhuman creatures. He insists that they are nothing more than voices in his head and asks them to stop. The Whisper Men vanish, then reappear inside the cell, demanding to find the Doctor.

The Whisper Men project Gallifreyan symbols in the air, forcibly impressing them into his mind with an instruction to bring the message to the reptile detective. They are part of the Intelligence and promise that if Clarence cooperates, he will be pardoned and will live a good long life only troubled by dreams.

He cries to be left alone. The creatures pass by him.

She Said, He Said

The story is divided into two parts: “Clara” and “The Doctor”.

Clara’s monologue walks down memory lane about her adventures with the Doctor and what it has done to her. She’s forgotten to ask who he is and why he runs. Then she found out at Trenzalore.

The Doctor’s monologue focuses on Clara’s impossibility and his meetings with her, from the Dalek Asylum and Victorian London to his current run with her.

Each part acts as a tribute to the other… as well as a warning about the darkness in the relationship and its secrets.

The Name of the Doctor

In a workshop, two engineers respond to an alarm. A supposed idiot, the First Doctor, is trying to steal a faulty TARDIS from the capital city of Gallifrey, and Clara Oswald tells him that he is making a big mistake.

Clara falls through a golden vortex. She does not know where she is but remembers one thing: The Doctor. She has appeared at various points in his life but few of those incarnations ever notice her. The Eleventh Doctor is an exception when she calls to him in Victorian London.

She blew into this world on a leaf and doesn’t believe she’ll ever land. She’s the Impossible Girl and she was born to save the Doctor.

In Victorian London, Madame Vastra visits Clarence DeMarco at his jail cell. He murdered fourteen women and is sentenced to death, but he bargains for his life with information about the Doctor. The Doctor has a secret that he will take to the grave, and it is discovered.

Later on, Vastra consults with Jenny, explaining that Clarence will live until she understands what he told her. They make preparations for a conference call to investigate further. Jenny hears a strange whisper from outside as Vastra wonders where Strax has gone. The Sontaran has the weekend off, much to Vastra’s displeasure at his chosen locale.

In Glasgow, a familiar Sontar-Ha is heard as Strax fights a large Scottish man. They are interrupted by a boy carrying a telegram, summoning Strax to the conference call. Strax apologizes to Archie, his opponent, for not being able to finish the match, then asks to be rendered unconscious. He drops into the trance-like conference call, an astral projection of sorts, of which Jenny complements the new desktop.

While working on a soufflé on April 10, 2013, Clara gets an invitation to the conference call. The letter has come from Vastra and drugs her so she enters the dream state. The final participant, River Song, pops in soon afterward, and the meeting commences with introductions of the Doctor’s wife to his current companion.

Vastra presents Clarence’s message, a grouping of Gallifreyan symbols, which River identifies as space-time coordinates. They are the location of the Doctor’s greatest secret, his name, which River knows. Vastra shares the single word from Clarence: Trenzalore.

Outside of the conference call, someone skulks around Jenny. Unfortunately, her form fades away as she is murdered by the Whisper Men. River forces everyone to wake up as the face of Dr. Simeon appears, stating that the Doctor’s friends are lost forever more unless he goes to Trenzalore.

When Clara awakens, she finds the Doctor blindfolded, playing Blind Man’s Bluff so they could sneak away to the cinema. The Doctor is annoyed but then realizes that Clara is troubled. They discuss the call over tea and the Doctor is brought to tears over Trenzalore. He runs to the TARDIS where Clara finds him under the console. The Doctor connects Clara to the TARDIS so she can telepathically transmit the coordinates she saw to the time capsule.

“When you are a time traveler, there is one place you must never go. One place in all of space and time you must never — ever — find yourself.” Trenzalore is the Doctor’s grave, and it is the one place he must never go, however, he owes his friends and they must be saved.

The Doctor sets the course but the TARDIS rebels, fighting the transit while he forces her onward. The TARDIS refuses to land on the actual site, so it parks in orbit and the travelers take a look upon the torn and battered planet. The Doctor shuts everything else down and forces the TARDIS to plummet to the surface, cracking the exterior glass in the process.

They find a battlefield graveyard. Some headstones are larger than others, based on the importance of the warrior. On the summit ahead rests the TARDIS, abnormally outsized as the “bigger on the inside” qualities start to break down and leak beyond the shell.

The TARDIS is the Doctor’s tomb.

River contacts Clara as the Doctor climbs on, an echo of the conference call which River left open. The Doctor cannot see her but spots her gravestone among the others. As he ponders how it can possibly be here, they are approached by the Whisper Men as River and Clara work out that the gravestone is the entrance to the tomb.

Inside the TARDIS monument, the Paternosters awaken and Strax revives Jenny from death. They are approached by the Great Intelligence and the Whisper Men, who welcome them to the final resting place of the great tyrant known as the Doctor.

Clara and the Doctor navigate the catacombs as River explains her death to Clara. The duo is pursued by Whisper Men. They are driven to the Paternoster Gang where the Intelligence proclaims that the Doctor’s final battle was not as large as the Time War but he has blood on his hands. He also remarks that the Doctor will be known by names such as the Beast and the Valeyard.

Clara has flashbacks to climbing through a wrecked TARDIS, an adventure that she shouldn’t remember. The Great Intelligence demands the key that will open the Doctor’s tomb, hissing that it is the Doctor’s real name. He threatens the Doctor’s friends with death if the Time Lord does not comply. The Great Intelligence keeps asking The First Question until the tomb opens.

The TARDIS can still hear River’s projection, so she supplied his name to keep the secret safe.

Inside the doors lies an overgrown control room. Where the time rotor would normally rest is a flowing beam of blue-white light. That is the Doctor’s mark on the universe. Rather than his body, his travels in time have left a scar representing his personal timeline, past and future, and everything that resulted from it.

The Doctor collapses from his proximity to it. When he points his sonic screwdriver at it, the voices of his previous incarnations flow from it. The Great Intelligence approaches the light, intent on rewriting the Doctor’s history and turning all of his victories into failures. The act will scatter him across the Doctor’s timeline.

As the Intelligence steps into the light, the Doctor writhes in pain as his very existence is rewritten. Vastra declares that a universe without the Doctor will have consequences. She flees outside in terror and sees the stars go dark as entire star systems are erased from history. Jenny, once saved by the Doctor, is erased as Strax turns hostile and must be vaporized.

Despite protests from River and the Doctor, Clara decides to act. With the phrase that has pursued her since the Doctor met her – “Run, you clever boy, and remember me.” – she jumps into the light and is split into millions of copies throughout history, each one setting right what the Great Intelligence has put wrong.

She even tells the First Doctor which TARDIS to steal. After all, a broken navigation system will be much more fun.

With Clara’s influence fixing the timeline, the Doctor decides to rescue her, using himself as Clara’s advantage. River protests, but the Doctor tells her that he can always see her even when no one else can. There is a time to live and a time to sleep, and while he has a hard time saying goodbye, it’s only because he doesn’t know how.

With her help, he tells her goodbye with the promise that they’ll see each other again. She also reminds him that, since she was telepathically linked to Clara, then she cannot truly be dead. To tell him the details, however, would be a spoiler.

As River dissipates, the Doctor enters his own timestream.

Clara falls to the ground inside the timestream and she wonders what’s left for her to accomplish in the Doctor’s timeline. The Eleventh Doctor’s voice guides her through the figures of his previous incarnations, telling her to focus on the sight of a leaf as her guide. Using it, she is reunited with the Doctor.

Beyond their embrace, Clara sees a shadowy figure. The Doctor shows intense fear at the sight, explaining that the figure is him, but Clara doesn’t understand.

The name Doctor is a promise, but this figure broke the promise. He is the Doctor’s secret. The figure defends his actions as Clara collapses, but the Eleventh Doctor turns away.

This new man is the Doctor… but not one we were expecting.


Clara’s mystery finally comes to a head here as her various incarnations are explained. All three of them were her, just in different splintered ways. This is the big part of Clara’s run that I really enjoy. The other is her initiative, which has been highlighted over her run.

This relationship proves to be an ontological paradox – a causal loop – since the Doctor might not have invited the modern-day Clara Oswald to travel as his companion had he not encountered Oswin and Victorian Clara, however, if she had not traveled with him, those echoes would have never existed.

She’s been with the Doctor since the beginning of his travels – key dialogue here was taken from The Web Planet providing some degree of influence at key moments. Of those moments, we get callbacks to The Five Doctors (Second and Third Doctors), The Invasion of Time (Fourth Doctor), The Arc of Infinity (Fifth Doctor), and Dragonfire (Seventh Doctor). Clara also seems to have influenced The Aztecs and The Web of Fear in her removal of the Great Intelligence’s interference.

This also marks the end of the Great Intelligence from the perspective of the show itself. The entity was splintered into infinite pieces across the Doctor’s timeline but then was systematically eradicated by Clara. The difference is that no one came to guide the Great Intelligence out of the Doctor’s timestream, so we have no reason to believe that it survived.

Clara’s adventure reveals the continuation of events from The Night of the Doctor, establishing a previously unknown incarnation between the Eighth and Ninth Doctors. It perpetuates a continuity re-write – far from the first in the franchise – based around the unfortunate behind-the-scenes drama of the Christopher Eccleston era. This change in continuity will come to a head in Day of the Doctor.

There’s certainly a lot of world-building in this single story, both in terms of resolutions and groundwork for the future. I found it all quite enjoyable, and remember it to be quite shocking when I first saw it.

With the rest of the Timestamps Project for context, I certainly appreciate the attention to detail in portraying the Doctors. Not only do we have twelve incarnations sharing the same airtime (a record number to this point), but we also got to see both versions (to this point) of the First Doctor in William Hartnell and Richard Hurndall.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: Clara and the TARDIS & Doctor Who: Rain Gods & Doctor Who: The Inforarium

cc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #130: The Five Doctors

Doctor Who: The Five Doctors
(Twentieth Anniversary Special, 1983)

 

“I am being diminished, whittled away piece by piece. A man is the sum of his memories you know, a Time Lord even more so…”

After a heart-touching introduction by the First Doctor, we find the Fifth Doctor – To save on confusion, I’m going to call them by number right out of the gate – putting the finishing touches on a brand new control console, and I actually kind of like it. The team is relaxing at the Eye of Orion, taking some time away from the rush of their recent adventures. The tranquil atmosphere has something to do with a bombardment of positive ions, and the Doctor agrees with Tegan that they can vacation for a little while.

Elsewhere, a black-gloved hand fiddles with controls and activates a scanner. On the screen is none other than the First Doctor (though not quite the genuine article due to an obvious need for recasting). A black Phantom Zone-like two-dimensional triangle swoops down and scoops up the Time Lord, an act that causes the Fifth Doctor considerable pain. The First Doctor is reduced to an Eaglemoss figurine and placed on a crystalline display.

Next up, we’re taken to UNIT HQ where Brigadier Lethbridge-Stewart is talking to his replacement, Colonel Crighton, when the Second Doctor arrives. The Time Lord has arrived to attend the Brig’s farewell speech and is unhappy with the renovations at UNIT HQ. He and the Brigadier take a walk, reminiscing over the Yeti, the Cybermen, Omega, and the Terrible Zodin (okay, not so much that one) before they too are swept into the Phantom Zone and turned into toys.

On to the Third Doctor, who is trying to outrace the spinning triangle in Bessie. He fails.

Tegan and Turlough escort the Fifth Doctor to the TARDIS, where he tells them that he must find his older selves to stop whatever is chewing at his soul. Meanwhile, back on Earth, Sarah Jane and K9 puzzle over the danger that the robotic dog detects. Sarah Jane ignores his concerns and heads to the bus for her daily schedule. She’s later consumed by the mysterious triangle.

The Fourth Doctor and Romana are punting down the river at Cambridge, just like they did in Shada. It’s a clever re-use of footage, really. Anyway, they are also taken, which causes the Fifth Doctor to collapse, but not before he sets the coordinates. The Fifth Doctor fades in and out before the TARDIS lands, and the mysterious figure adds models of Tegan, Turlough, and the Fifth Doctor to the display.

On Gallifrey, the Inner Council has convened, comprised of a newly-regenerated President Borusa, High Chancellor Flavia, and the Castellan. Shockingly, they admit the Master for a conference. The Inner Council offer a pardon for his long list of crimes and a whole new regeneration cycle in exchange for one act: He is to rescue the Doctor.

Surprise!

The First Doctor wanders an angular cave of mirrors, joined in a surprise appearance by Susan. (There were cheers from this Whovian. I’ve missed her.) The pair run as a Dalek (we haven’t seen them in a while!) rounds a corner and opens fire. The place is known as the Death Zone, an arena-like place on Gallifrey where beings from across the universe were sent to battle for amusement before the time of Rassilon. The Council sent two representatives who did not return. They attempted to send the Doctor, but all of his incarnations have vanished from the timeline. All of them (except the Fourth because Tom Baker had reasons) have been deposited in the Death Zone. Inside the Zone, the First Doctor and Susan trick the Dalek into a mirrored dead end. It fires and the reflected beam destroys the creature, revealing the mutant within the armored casing. Through a hole in the wall, they see the tower of the Death Zone and decide to investigate.

Elsewhere, the Second Doctor and the Brigadier tangle with Cybermen and the Third Doctor reunites with Sarah Jane as he rescues her from a terrible fall. As the First Doctor and Susan wander, they find the Fifth Doctor’s TARDIS and meet Tegan, Turlough, and the Fifth Doctor. The First Doctor spearheads introductions all around and then tasks Tegan with fetching refreshments. She objects, but the Fifth Doctor asks her to humor the oldest of the Doctors. After all, he used to get a bit tetchy. Meanwhile, the Master is sent into the Zone with the Seal of the High Council (to prove his credentials) and a transmat recall device. He is soon found by the Third Doctor and Sarah Jane, but the reunion is broken up by laser fire. The Master runs one direction while the Third Doctor and Sarah Jane go another, but without the aid of Bessie who took a direct hit to the engine.

The Fifth Doctor sets the TARDIS coordinates for the Dark Tower, a place that supposedly holds the tomb of Rassilon and is the current destination for all of the Doctors and companions. The Fifth Doctor, Susan, and Tegan set out on foot to disable the force field around it so the First Doctor and Turlough can move the TARDIS to its doorstep. Meanwhile, the Second Doctor and the Brigadier go in through the cave system beneath the tower, the Third Doctor and Sarah Jane encounter Cybermen, and the Fifth Doctor’s team encounters the Master. The last event is watched by a squad of Cybermen, who rush the Time Lords and stun the Master. The Fifth Doctor sends Susan (who twists her ankle) and Tegan back to the TARDIS before using the transmat recall to return to the capitol. The First Doctor decides to take up the Fifth Doctor’s task, and Tegan joins him. Amusingly, the First Doctor still has a great deal of resentment at being addressed as “Doc.”

The Fifth Doctor confers with the Inner Council about who has control of the time scoop and the Cybermen. He uncovers a homing beacon inside the recall device, surmising that someone led the Cybermen to the Master to attack the Doctors. Borusa has the Castellan, who originally gave the device to the Master, arrested and his office and quarters searched. Meanwhile, the Master makes an arrangement with the Cybermen, who then converge on the TARDIS.

The Third Doctor and Sarah Jane encounter a Raston Warrior Robot, a perfect killing machine, halting their progress until it passes. Luckily, the Cybermen approach and engage the Raston, providing a diversion for our heroes to escape (with the Raston’s supplies). In the caves, the Second Doctor and the Brig find a Yeti, which they evade before finding a door to the Dark Tower. It is unlocked, so a trap must lie beyond.

In the Citadel, a chest containing Black Scrolls of Rassilon, forbidden knowledge from the Dark Times, is found in the Castellan’s quarters. The Castellan is taken away for interrogation but is shot dead (without regeneration) en route. The Fifth Doctor is forbidden by Borusa from returning to the Death Zone. Flavia is tasked with taking care of the Fifth Doctor, and they discuss the possibility that the Castellan was not the traitor.

At this point, all three entrances to the Dark Tower are in use. The Third Doctor and Sarah Jane zipline across to the upper entrance, the Second Doctor and the Brigadier are in the basement, and the First Doctor and Tegan use a biometric entry coder to open the front door. The Master follows through the main entrance with the Cybermen. Interestingly, the First Doctor does not recognize his former classmate. The Master tricks the Cybermen into a death trap, but the CyberLeader survives until the Master tricks and kills him with a Cyberman blaster. The Master passes the trap, followed by the First Doctor and Tegan who survive by using π. Stay in school, kids… math can save your life.

The Third Doctor and Sarah Jane descend toward the Tomb of Rassilon, but the closer they get, the more psychic energy pushes back on Sarah Jane. The Third Doctor scouts ahead and finds former companions Mike Yates and Liz Shaw. Similarly, the Second Doctor encounters Zoe Heriot and Jaimie McCrimmon, but in both cases, the former companions are only specters designed to impede progress toward the heart of the tower. Once the Doctors understand that the companions are mere illusions, they disappear with chilling screams. The First Doctor is unaffected since, at his age, he has nothing left to fear.

The First, Second, and Third Doctors, along with their current traveling companions, finally arrive at the tomb. After a series of reunions, the Doctors decipher the Old High Gallifreyan language of mathematical symbols to discover that whoever wears Rassilon’s ring shall achieve immortality. The First Doctor is troubled by the last line in the text: “To lose is to win and he who wins shall lose.” The Master arrives shortly afterward and threatens the Doctors, but he is sucker-punched by the Brigadier and tied up by Tegan and Sarah Jane.

The Fifth Doctor goes to confer with Borusa, but the president is nowhere to be found. The Doctor discovers that the Harp of Rassilon is a musical key. The key unlocks a chamber where the figurines (including one of the Master) are being overseen by Borusa, the true mastermind of this scheme. The president is not satisfied with leading Gallifrey for all of his lifetimes, but instead want to be immortal and President Eternal. He plans to use the Doctors to clear the path and traps, leaving the way open for him to claim the prize. When the Fifth Doctor refuses to help, Borusa uses the power of the Coronet of Rassilon to compel his cooperation.

Politicians, right?

The Third Doctor reverses the polarity of the neutron flow on the control console, and with the forcefields down around the Tomb of Rassilon, the TARDIS engages autopilot and moves to the tomb with Susan and Turlough. The movement is just in time as the Cybermen detonate a bomb to destroy the TARDIS, but they miss. Soon, the Fifth Doctor and Borusa arrive via transmat to claim the prize. The first three Doctors combine their psionic powers to break the telepathic hold, and as the Fifth Doctor is freed, the voice of Rassilon issues a challenge to Borusa. The First Doctor convinces Rassilon to surrender the ring to Borusa, and the president’s desire is granted: The faces that line the plinth come to life, for they are those who have previously sought immortality, and Borusa becomes one of them.

Rassilon offers immortality to the Doctors, but they decline in exchange for the chance to go back to their respective timestreams. The Fourth Doctor is restored to Shada, and the Master is restored with the promise that his sins will find their punishment in due time. As the Doctors says their farewells, the First Doctor (smugly) explains that he convinced Rassilon to give Borusa the ring because he finally understood the riddle: It was a trap set by Rassilon to weed out the more selfish of their people because they were a danger to civilization. Each set of Doctors and companions boards the TARDIS in order and the TARDIS splits through a form of temporal fission to return them their proper homes.

Chancellor Flavia arrives and tells the Doctor that he is due back to the Citadel. Since Borusa has been disqualified, the High Council has decided that the Doctor shall resume his duties as Lord President. He orders Flavia back to the Citadel, telling her that she has full authority until he arrives in his TARDIS. After ushering Tegan and Turlough aboard, he sets a course and dematerializes, stunning his companions by announcing his intention to not take office.

“You mean you’re deliberately choosing to go on the run from your own people, in a rackety old TARDIS?”

“Why not? After all, that’s how it all started.”

 

All in all, this was a wonderful story to celebrate a significant milestone. I was curious, so I looked at scripted entertainment television across the United States and United Kingdom and came up with a short list of shows to reach twenty years by 1983: Coronation Street, Guiding Light, As the World Turns, General Hospital, The Wonderful World of Disney, Romper Room, Search for Tomorrow, Captain Kangaroo, and The Edge of Night. There were also a couple of semi-scripted children’s shows like Blue Peter and The Sooty Show, but the fact remains that, in a world dominated by soap opera longevity, Doctor Who was the only science-fiction drama reach that mark.

Yeah, they deserved this party.

I was very pleased to see so many of the companions back in action, even if their cameos were short. While I would have loved to see Liz, Zoe, and Jamie get into the mix, the saying holds true that too many cooks spoil the broth. It was clever, however, to subvert nostalgia with the canonical circumstances of The War Games. I appreciate that level of attention to detail.

I did miss having Tom Baker in the mix, which would have drawn The Five Doctors down to four if it hadn’t been for Richard Hurndall. From what I gather in fan circles, his involvement as the First Doctor is sometimes disparaged, but I thought he did a fantastic job. Mixing his performance with the archival footage at the beginning (effectively bringing us two First Doctors) was a nice touch and a beautiful tribute to the beginnings of this franchise.

Finally, that wonderful musical mix over the end credits to tie the eras together: C’est fantastique.

 

Rating: 5/5 – “Fantastic!”

 

 

UP NEXT – Twentieth Series Summary

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #65: The Three Doctors

Doctor Who: The Three Doctors
(4 episodes, s10e01-e04, 1972-73)

Timestamp 065 The Three Doctors 2

 

Happy 10th anniversary, Doctor Who! Traditionally, you’d get something made of tin, but the Time Lords are feeling benevolent.

A Pandora’s box arrives in the form of a cosmic ray research module, and it’s hungry because it eats Mr Ollis, the warden of the bird sanctuary where the module crash-landed. Doctor Tyler arrives and takes the box to UNIT where the Doctor analyzes the data, and the Doctor trolls the Brigadier with a silicon rod to stir his tea. As the Doctor and Jo investigate the crash site, the module consumes Doctor Tyler, and a psychedelic cloud leaks out, menaces our heroes, and eats Bessie.

Someone needs a copy of Care and Feeding of Psychedelic Clouds for Dummies.

As if that’s not enough, several cyclopean crab creatures apparate and storm UNIT HQ. The Brigadier leaves Sgt Benton in charge of the lab and leaves to assess the situation, prompting the cloud to arrive and force the Doctor, Jo, and Benton to take refuge in the TARDIS. The TARDIS won’t dematerialize, so the Doctor plays his last resort card and calls the Time Lords.

The TARDIS has been redecorated again, and while I liked the wash basin roundels more, this is still a step up from the wallpaper that dominated the Troughton era. While I was observing that, Sgt Benton was having his “bigger on the inside” moment, which made me laugh.

The Time Lords determine that the attack is stemming from a black hole which bridges into a universe of anti-matter, but they can’t help because the same gateway is siphoning all of their power reserves. Despite the First Law of Time, which forbids the Doctor from doubling back on his own timeline (wait, what?), the Time Lords break the rules and send the Second Doctor to help the Third.

Oh, the irony.

The Second Doctor arrives, heralded by his trademark recorder, and followed by his dislike of the new décor. Sgt Benton is overjoyed, since the last time this saw this Doctor was during the Cyberman invasion. The two Doctors link together telepathically, but can’t get anything accomplished because the “dandy” and the “clown” can’t stop bickering, so the Time Lords call up the First Doctor to set them straight. He can’t come all the way in because of a plot-convenient time eddy that the council cannot overpower, but he passes the word that the black hole is a time breach and that they must cross it.

The Time Lords, by the way, call the First Doctor the “earliest Doctor”: Hartnell’s character was definitively the original.

The Third Doctor decides on a bad plan and rushes out of the TARDIS. Jo follows, and both are consumed. The Second Doctor sees that the cloud has been temporarily satiated, so he and Benton leave the TARDIS to investigate. The Brigadier meets the Second Doctor again, and he jumps to the conclusion that the Third Doctor has regenerated… er, degenerated… er, changed back into the Second Doctor. Bickering and hilarity ensue.

The Second Doctor deduce that the cloud is made of antimatter, and that it was sent by someone powerful since it hasn’t caused a matter-antimatter annihilation. He suggests confusing it with useless information, such as with a television. That’s right, Doctor Who went meta before meta was a thing. While the Second Doctor works that problem, the Third Doctor and Jo wake up on a barren world with the one-eyed crabs, pieces of the laboratory, and Bessie, and they use the car to track a set of footprints to their source.

Back on Earth, the Brigadier wants the Second Doctor to address the Security Council, calling him the Third Doctor’s assistant to sideline the whole regeneration question, much to the Second’s chagrin. The cloud gets the hunger pains again, and the Second Doctor, the Brigadier, and Benton take refuge in the TARDIS. The Brigadier’s “bigger on the inside” moment trumps Benton’s as he accuses the Doctor of building the contraption from UNIT materials and funds. As the Third Doctor and Jo find Doctor Tyler and are subdued by the crab monsters, the Second Doctor works with the First Doctor who suggests letting the cloud attack the TARDIS. When it does, the entire headquarters building is transported into the black hole, which leaves the Brigadier nearly apoplectic. He goes off to call in this new development as the Second Doctor and Benton find Mr. Ollis, and then get captured by the crabs.

We also note that the TARDIS is just a prop thanks to a camera angle that peers all the way inside.

And then we meet the architect of this whole thing: The legendary long lost Time Lord named Omega. He was the solar engineer who created the supernova that powers Time Lord civilization, but was supposedly killed in the resulting explosion. In reality, he was transported to the antimatter universe, where his will and thought turned the formless matter into physical form. It’s also his cage, since his will is the only thing maintaining reality, and he vowed revenge on the Time Lords who left him stranded. Omega deduces that the Second Doctor and the Third Doctor are the same Time Lord, and boy is he angry. He places them in a cell pending execution, and they continue bickering before the companions put them in their place. I loved that!

Omega has control of the singularity, which grants him immense power, and Jo considers that the Doctor must also have some potential in this universe. The two Doctor will a door into existence, they all escape the cell, the companions get lost and escape the palace, and the Doctors get discovered by Omega in the singularity chamber, where Omega challenges the Third Doctor to a mental Thunderdome. The Third Doctor is defeated, but the Second reasons with Omega using the imprisoned Time Lord’s freedom as leverage.

The Time Lords send the First Doctor into the black hole, reasoning that together they are powerful enough to defeat Omega. The Second Doctor laments his lost recorder (foreshadowing!), but deliberately angers Omega to challenge the villain’s self control. The two Doctors reason that if Omega can transport matter to Earth on the light stream, he could transmit himself as well, but Omega reveals that he is a prisoner of his own design. If tries to leave, he loses control over the construct, and if he stops controlling the construct, he cannot leave. He brought the Doctor(s) to become the new caretakers. As he prepares to leave, however, he discovers that he no longer exists in a form that can survive outside of the antimatter construct. Omega is powered only by his will to live, and that only works on this side of the mirror. He goes all Kylo Ren on everything since he does not want to live like that, and the Doctor run back to the TARDIS just in time to let all of the companions seek shelter.

The First Doctor is unable to fully appear in the antimatter universe since the Time Lords’ power is so badly compromised, but he links with his successors and formulate a plan. They ask Omega to bring the TARDIS to him, and then ask the companions to trust them implicitly. They promise to set Omega free only if he sends the companions home, and Omega counters that he cannot be freed, but will keep the Doctors as his companions. Each of the Doctors’ companions step into the light stream and go home.

As much as I tear into the Brigadier’s character, he did have a very touching moment as he saluted the Doctors. He truly believes it to be the last time that he shall see them.

The Doctors offer Omega the TARDIS’s force field generator as a means to escape, but he physically rejects it, and the Second Doctor’s recorder (which has been on the TARDIS inside the generator the entire time and not modified to exist in both universes) annihilates with the anti-matter in a supernova, breaking the bridge and returning everyone to their rightful places. Poetically, the act also restores power to the Time Lords, making it the second time that Omega has exchanged his life for their civilization.

In exchange for his help, the Time Lords forgive the Doctor of his crimes: After fifteen serials in exile, they return his knowledge of time travel and provide him with a new dematerialization circuit. Jo is elated, since the Doctor decides that he can’t leave Earth yet since he needs a new force field generator.

Thank the Maker, we get time travel again!

Overall, this was a great story, and it was fantastic to see Troughton back in action. His madcap style is a great contrast to Pertwee’s pompous prim and proper. It was also good to see how well the companions and Doctors all interacted, although it would have been nice to bring in some of the First and Second Doctor’s companions as well. Time and budget are always constraints, and it might have also muddied the plot a little.

One place where I’m torn is with Hartnell’s final performance. It was so good to see him in character again, but he was obviously very ill and not fully back to where he left the character thirty-six serials ago. Sadly, he died two years after this performance, his last as the Doctor and his final acting performance overall.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Doctor Who: Carnival of Monsters

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

Timestamp: First Doctor Summary

Doctor Who: First Doctor Summary

Timestamp First Doctor

 

Starting with the last two serials for William Hartnell, they were pretty strong. It was obvious that he was starting to falter in the role, but the stories and supporting cast were strong enough to keep the show rolling.

As for the First Doctor, I enjoyed his stories a lot more than I thought I would. Many places in fandom categorize Hartnell’s Doctor as a curmudgeonly grandfather who wants to do things his way, and his way alone. His character has a lot more depth than that simple stereotype, and while he is a grumpy man, he also has a stunning capacity to love and care for those who he respects. Behind that gruff nomadic scientist is a sympathetic character with a childlike curiosity about the entirety of time and space.

I also had some trepidation about watching the older episodes, especially since so many are reconstructions, but the skills in acting and production shone through beyond the grainy images and telesnaps. I had watched The Aztecs long before starting the Timestamps project, and was thoroughly disappointed. To be honest, I needed the background of the preceding serials, and this time I had it.

The First Doctor’s adventures are truly worth the investment to watch them. And that’s why it’s so hard to say goodbye. Even after two serials of hardship in the fourth series due to the actor’s declining health, his farewell was quite up front and sincere. In those final two words, “stay warm,” Hartnell emoted his heartbreak and his gratitude for such a wonderful experience.

I’m glad I took the time to truly appreciate it.

 

The Smugglers – 3
The Tenth Planet – 4

Series Four (First Doctor) Average Rating: 3.5

 

Series 1 – 3.5
Series 2 – 3.7
Series 3 – 3.1
Series 4 – 3.5

First Doctor’s Weighted Average Rating: 3.41

 

UP NEXT – Doctor Who: The Power of the Daleks

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #29: The Tenth Planet

Doctor Who: The Tenth Planet
(4 episodes, s04e05-e08, 1966)

Timestamp 029 The Tenth Planet

This serial had a slow lead up to an otherwise enjoyable story. It’s the introduction of the Cybermen! Wow, they have come a long way in costume and character design. The Cybermen were a bit hard to understand, and were certainly more individual than the later versions.

It was good to get the backstory on such a popular villain, and the story keeps rolling with excellent tension surrounding the stranded astronauts and assault in isolation. Cutler was the trope of the blood-thirsty military officer, which felt a little bonk-bonk on the head with the message. That in mind, I get Cutler having no problem killing the Cybermen, but what didn’t follow was Ben enabling Cutler to kill them. Ben was terribly upset about killing in self-defense mere moments earlier, but then hands Cutler the gun without hesitation.

The Doctor spontaneously collapses and remains out of commission for an episode of the serial. This leaves the companions to carry the story, both in and out of the serial. Hartnell was obviously having a hard time with this one, and luckily the companion actors and characters are both strong enough to keep the gears turning.

Remember the rules, though: It’s a regeneration episode, so it get an automatic +1 on the score. They’re always hard episodes to do.

Watching the First Doctor say goodbye was heart-breaking. The companions think he’s either worn out or going daft, but it felt a lot more like he was completely lucid in his final moments. Just in case this regeneration thing doesn’t work, “stay warm.”


Rating: 4/5 – “Would you care for a jelly baby?”

 

UP NEXT – First Doctor Summary

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #28: The Smugglers

Doctor Who: The Smugglers
(4 episodes, s04e01-e04, 1966)

Timestamp 028 The Smugglers

It’s another new opening credits sequence on a nice cat-and-mouse game mixed with pirates and a mystery.

The Doctor seems surprised to see Ben and Polly, which puts a slight spin on my theory from The War Machines. That said, I don’t think he’s entirely upset about their arrival, as he gets over the anger quickly.

Polly is very bubbly and perky, and I like that Ben respectfully pokes at her by continuing to call her “Duchess” and “Ducks”. Their dynamic gets even more mixing as Polly gets mistaken for a boy during this story. It throws her further off her game while providing her a degree of power that she wouldn’t have as a woman in the era.

The reference to the Doctor as “Sawbones” (a slang term for a surgeon) is amusing, as is the play off of superstitions to break out of captivity. I can’t help but feel sorry for Tom and Jamaica for being so easily manipulated.

 

Rating: 3/5 – “Reverse the polarity of the neutron flow.”

UP NEXT – Doctor Who: The Tenth Planet

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.