Doctor Who: Face the Raven
(1 episode, s09e10, 2015)

Doctor Clara has consequences.

The Doctor and Clara return from an amazing adventure when they get a phone call from Rigsy. He has found a mysterious tattoo on his neck and it’s counting down. The travelers arrive at his home and meet his fiancée and his newborn daughter. Rigsy doesn’t remember getting the tattoo and he’s lost the last day or so due to a dose of Retcon. When the Doctor scans him, he discovers that Rigsy has been in contact with aliens.

He’ll also die when the countdown reaches zero.

Rigsy demands that the Doctor do what he does best, so the Doctor decides to save the man. He takes the TARDIS to the heart of London and uses the Great British Library’s maps to find the alien enclave. When that doesn’t turn up anything, he takes the TARDIS into the sky to scan the city with the sonic sunglasses. The spots where Clara’s eyes couldn’t focus indicate a perception filter or misdirection circuit hiding the “trap street”.

The team works together to locate the enclave. When the TARDIS finishes the analysis of Rigsy’s phone, he remembers what happened the night before. He found a dead body and several alien witnesses. They discover the enclave’s entrance and go inside, but are soon trapped. They discover that this is a refugee camp headed by Lady Me. The former Ashildr is also in charge of the quantum shade that has infected Rigsy, effectively a death sentence for a crime that Rigsy supposedly committed.

Me places Clara under her personal protection as she takes the team deeper into the street. The camp is teeming with aliens who believe Rigsy is a murderer. Me tells the Doctor that many of his enemies are also on the street, making it the most dangerous place in the universe. The misdirection circuit is driven by glowing worm-like creatures in the streetlamps. Me has also ordered the street to be a violence-free sanctuary.

Rigsy has been convicted of the murder of Anah, a two-faced Janus woman. While the community believes Rigsy to be guilty, the Doctor and Clara know that he was lured to the scene. Their discussion is interrupted by a man who stole medical rations, and even though his actions were noble, Me still considers him to be guilty. The man’s timer expires and he is executed by the quantum shade which takes the form of a raven and can find its target at any place and time.

Me does have the power to rescind the sentence. She tells the Doctor that he needs to convince the refugees that Rigsy is innocent. Clara also discovers that the victim can give the sentence to someone else as long as they consent. Since Clara is under Me’s personal protection, she assumes that she can avoid the raven, so she offers to take Rigsy’s burden.

Clara and the Doctor canvas the street and discover that Rigsy tried to call the Doctor when he realized that he was in the enclave. The Doctor believes that Me was trying to lure him to the trap street. Clara interviews Anahson, the daughter of Anah who has been posing as a boy to shield her ability to see the past and future in someone. Using her ability, she tells them that Me concocted a mystery to bring the Doctor to the enclave.

The Doctor notes that Anah’s body is being kept in a stasis chamber. Even more important, Anah is still alive. The stasis chamber is locked by the TARDIS key, but when the Doctor attempts to unlock the chamber, his wrist is ensnared by a teleportation bracelet. Me enters the room and confesses that her task was to deliver the Doctor and keep the key so that he couldn’t be tracked. She’s also supposed to take his confession dial.

Things get really complicated when Me tries to remove the quantum shade from Rigsy. Since it was transferred to Clara, the terms of the contract between Me and the quantum shade were changed. Clara’s fate cannot be altered by the Doctor, but he threatens to destroy the refugee camp if Me doesn’t fix it.

Clara begs him to stop and takes responsibility for her decision. She wants their last moment to be a kind one. She realizes that she’s been taking reckless risks since Danny Pink died, and while the Doctor expresses guilt over her fate, Clara tells him that she needs to face her own fate. She makes the Doctor promise that he’ll face what comes next as a doctor instead of a warrior. He needs to heal himself, not insult her memory, and not take revenge for her death.

With a hug and a goodbye, she walks into the street and faces the raven. After Clara’s body collapses to the ground, the Doctor is teleported away to points unknown as Me expresses her sorrow and apologizes to the Time Lord.

Later on, Rigsy puts the final touches on his latest work. The abandoned TARDIS now stands as a memorial to Clara Oswald.

The Doctor lost. These types of stories don’t happen often, but they do make up a significant chunk of the franchise’s history and often have a strong emotional message behind them. This time around, Clara saved Rigsy but the Doctor lost Clara because his companion tried to become him. Her recklessness has been building since Danny Pink was killed, and while I’m glad that her behavior has had consequences, it further cements my opinion that she should have permanently left the TARDIS in Last Christmas.

The Doctor has some consequences as well. He didn’t see Clara’s descent into risky behavior because he relied on her to show a human face to those around him. He also was responsible for the birth of Me from the resurrection of Ashildr. He has as much blame as anyone for Clara’s death.

All of that said, the concepts of a trap street and the actual trapping of the Doctor were pretty neat to see. The conflict with the Doctor not being the smartest person in the room was tense and driving. I enjoyed seeing all the pieces come together even if it meant watching everyone lose in the end.

On the design side, that burgundy Crombie coat looks amazing. I’m also a huge fan of the Back to the Future/Star Wars Easter egg where a flux capacitor poster contains the word “Delorean” in the Aurebesh script. Someone really had fun with that.

I also got a nice kick out of the “Remember 82” moment. What does it mean? Well, Clara is the first ongoing, long-term companion to permanently die on screen since Adric’s planet quaking demise in Earthshock, which was first broadcast in 1982. And, yes, I hear you saying already that the Ponds died in their final appearance, but they died off-screen and in the relative past. Adric was the last companion before now to die on screen while traveling with the Doctor.

Rating: 4/5 – “Would you care for a jelly baby?”

UP NEXT – Doctor Who: Heaven Sent and Doctor Who: Hell Bent

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Doctor Who: Sleep No More
(1 episode, s09e09, 2015)

“You must not watch this.”

Professor Gagan Rassmussen introduces a video that he has assembled that details strange goings-on aboard the Le Verrier space station. What follows is a found footage-style episode with a unique title sequence.

We first meet Chopra, a soldier who is upset at deadly killing machine-cum-lovesick puppy Grunt 474. Next are commander  Nagata and soldier Deep-Ando, both of whom mock Chopra for abstaining from the sleep aid Morpheus. They are the rescue crew who came to find Rassmussen. The professor warns that they will all die horribly. Don’t get too attached.

The station is empty with the exception of the Doctor and Clara. The soldiers confront the travelers, who pose as stress engineers, then brief them on the mission. Nagata takes them under her command as they continue to investigate. The Doctor assesses that they are in the thirty-eighth century, a time after India and Japan were merged during a great catastrophe.

Chopra and Grunt 474 have an altercation and Clara learns that the grunts are disposable clones. The team encounters hostile creatures that dissolve into piles of sand when they are dispatched. The Doctor, Clara, Nagata, and Chopra take refuge in a lab while Deep-Ando runs down a different hallway. Clara analyzes the Morpheus pods and ends up trapped inside one of them. When the pod opens, Clara emerges with wires connected to her. The Doctor demands an explanation and investigates a different pod with his sonic sunglasses and the team is soon introduced to Rassmussen.

Morpheus was designed to give people the effects of a full night’s sleep in a five-minute burst, primarily motivated by the drive to work all day long. The Doctor and Chopra are not convinced. In fact, the Doctor calls the technology an abomination. He concludes that the monsters are created from sleep dust, the crusty mucus that forms in the corners of your eyes during slumber, which has evolved from the Morpheus technology which Rassmussen has upgraded on the station.

The team continues to investigate the station as they look for Deep-Ando. Meanwhile, Deep-Ando tries to take refuge in a storage room. The computer demands that he sing Mr. Sandman – the 1954 song by The Chordettes used as the Morpheus jingle – and he is killed by the sand creatures. The rest of the team hears him die, but they are soon forced to deal with a different problem as they run from the creatures and fight against failing systems as the station falls toward Neptune. Rassmussen is consumed by a creature as the team escapes. Clara, Nagata, and the Doctor hide in a freezer while Chopra and 474 hide elsewhere.

While a Morpheus pod floats down the passageway with a message that hazardous materials are in transit, Chopra tells 474 that they’ll have to destroy the station to prevent the monsters from escaping. When trapped by a fire, 474 sucker punches Chopra and takes him to safety. The grunt likes Chopra but has sustained fatal injuries from the fire. 474 sacrifices herself to save Chopra.

The Doctor reviews helmet cam footage – Nagata notes that her team doesn’t have such cams – and wonders why Rassmussen was killed by direct assault. When the creatures (which Clara has named Sandmen) knock at the freezer door, they let them inside. Since the Sandmen are blind, they assume that they can quietly sneak by and escape. They head to the engine room next.

Along the way, the Doctor notes that someone is collecting the footage. He also notes that the images are being collected by the dust itself and being fed into the Sandmen. Since Clara was inside a pod, she has been infected and is now transmitting video from her own eyes. The Doctor promises to save her and destroy Morpheus forever.

Chopra assumes that everyone else is dead and returns to the rescue ship. He’s soon consumed by the Sandmen.

In the engine room, the Doctor realizes that the system failures were deliberate. He takes Clara and Nagata to the rescue ship where he finds Rassmussen not dead and willing to let the Sandmen spread amongst humanity. The creatures speak to him but have the mentality of babies. While he enacts his plan, he unleashes a King Sandman against them from the Morpheus pod.

The Doctor plays Mr. Sandman as a distraction so they can escape. Nagata shoots Rassmussen to stop him – an act that annoys Clara – and the Doctor decides that they need alternative transport to Triton so they can destroy the Morpheus project. Unfortunately, the Sandmen are guarding the TARDIS, so the Doctor destroys the grav-shields so the station and the Sandmen will be destroyed as the station crashes.

As the TARDIS dematerializes, we learn that Rassmussen has embedded the secrets of Morpheus in the video. By watching it, we are all infected. Joy.

As far as I’m concerned, the elephant in the room for this story is the format. The found footage genre evolved from the epistolary novel format, which typically tells stories via diary entries or correspondence. Bram Stoker’s Dracula (1897), Mary Shelley’s Frankenstein; or, The Modern Prometheus (1818), and H.P. Lovecraft’s The Call of Cthulhu (1928) are prime examples. In cinema, the genre rose from 1980’s Cannibal Holocaust and The Other Side of the Wind by Orson Welles (shot in the early 1970s and released in 2018) but really took off with The Blair Witch Project in 1999. With the Paranormal Activity series (2007-2015, 2021-present), •REC series (2007-2014), Cloverfield (2008), District 9 (2009), Apollo 18 (2011), Chronicle (2012), Europa Report (2013), and so on, the first two decades of the 2000s became immersed in the format. These films are inexpensive to produce and rake in money, making them a huge return on investment for studios. In fact, a reviewer in 2012 noted that the genre had defined the era for horror and science fiction like slasher movies did in the 1980s.

In general, I dislike these types of films. They do the job, and I give them credit for footing the bill for projects that I do like, but they feel shallow and don’t appeal to me for deeper storytelling purposes. From the previous list, Cloverfield and District 9 stand out as two that captured my attention, but I don’t revisit those titles often. It follows that this cinematic genre in Doctor Who presents a huge stumbling block for an otherwise Twilight Zone/Outer Limits kind of story.

It’s obvious that this story pulls from The Ring (2002) – itself a remake of the Japanese film Ring (1998), which was based on the Koji Suzuki novel from 1991 that spawned a ton of similar projects worldwide – which is a story that I really like since it highlights the depravity of humanity, something that the Doctor Who universe does in spades while showing us that there are ways to overcome it.

In fact, this calls back to the classic era stories where the Doctor does not defeat the villain. Victory in this case (and many of the classic serials) was simply to escape and survive.

I don’t have a problem with the monster being the “sleep bugs” in the corner of the eye any more than I have a problem with the mites that perpetually live on human flesh. I have had a healthy appreciation for the microscopic world since the Martian invasion was stopped by the common cold in The War of the Worlds. Granted, mucus monsters are an odd choice, but developing a squickiness for a universal something that we cannot control is a tried-and-true hallmark of horror sci-fi.

So is the depravity of man, especially when one person is willing to sell out the entire human race over a belief. Even if Rassmussen was nothing special in the villain department. He reminded me of the slasher villains that stalked in the shadows and refused to die, but he lacked menace. He just existed as a bad man, mediocre at best.

All of that said, I do have a problem focusing through the found footage film genre. That distraction pulls this experience down for me. I applaud the attempt and experimentation, but it’s not for me.

Now, if you’ll excuse me, I need to go wash my face.

Rating: 2/5 – “Mm? What’s that, my boy?”

UP NEXT – Doctor Who: Face the Raven

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Doctor Who: The Girl Who Died
Doctor Who: The Woman Who Lived
(2 episodes, s09e05-06, 2015)

Who really wants to live forever?

The Girl Who Died

Clara is floating in space. She is stranded while the Doctor deals with an attack by the Velosians and something is crawling around in her spacesuit. The Doctor asks her to focus on particular stars until he can materialize the TARDIS around her.

Once the crisis is resolved, the TARDIS lands on Earth, and the travelers are abducted by Vikings. Never a moment’s rest. They even snap the sonic sunglasses in half. Two days later, the travelers and their captors arrive at the Viking village. The Doctor has been lying to Clara about a plan for the duration. He also has a premonition – perhaps a vision of his past? – about a girl he sees.

The Doctor frees himself and poses as Odin with a yo-yo, but his bluff is called when an image appears in the sky and proclaims itself to be that particular god. Several armored aliens appear and start taking the strongest warriors to Valhalla, and Clara uses the distraction to free herself with the broken sonic sunglasses and the girl’s help. The sonic signature draws the aliens to her and the women are taken.

In what is presumably a ship, the Vikings are vaporized in a trap but Clara and the girl escape. While the Doctor formulates a plan in the village, the women explore the ship. They encounter the being posing as Odin and watch as he consumes the adrenaline and testosterone extracted from the men he killed. Clara puts on her best Doctor face as she confronts Odin but her new friend, Ashildr, declares that she will have revenge for the fallen. Odin agrees, promising that ten warriors will attack on the next day, and returns the women to the planet.

The Doctor informs Clara that the attackers are the Mire, one of the deadliest warrior races in the galaxy. They then consult with the remaining villagers on a solution. All of the warriors are gone, but the farmers and fishermen are resolved to defend their homes. The Doctor refuses to help at first, but the cries of a baby convince him to stay and offer basic defense lessons. He is concerned, however, that if the villagers defeat the Mire, it will only embolden the warriors of the universe to attack in greater numbers.

The training does not go well. The demoralized villagers gather for dinner as the Doctor watches the sunset with Clara. The sound of thunder – the booms of the Mire weapon forges – accompanies a discussion on Vikings and death. The Doctor wants to run and keep Clara safe, but she tells him to look for a solution. Meanwhile, Ashildr has started training with a handmade puppet of Odin. The Doctor finds her and asks for her opinion but it is dire. He says that she could leave, but this is her home. Ashildr says that she’s always been the different one in her community, but at least she’s loved here.

Her father overhears and consoles Ashildr as a Viking the Doctor nicknamed Lofty takes the baby to the boathouse. The baby loves the fish and the “fire in the water,” which the Doctor realizes is their key to winning. After all, the fire in the water is electric eels.

The Doctor develops a plan that includes the eels and a “monstrosity” built by Ashildr. The plan becomes action as Odin and his soldiers arrive to find the villagers partying. The party includes a ring toss that connects the soldiers to the electric eels and creates a magnet to steal the Mire’s helmets. With a helmet, Ashildr is able to show the warriors a giant serpent, a vision that disguises a giant handmade wooden horse puppet. The Mire retreat, leaving Odin behind as the Doctor and Clara confront him with video evidence of the Mire’s cowardice.

Odin vows vengeance as the Doctor sends him away. The Mire ship breaks orbit, but the village’s celebrations are cut short when they find that Ashildr has died. The Doctor is distraught and heads to the boathouse. Clara tries to console him but he takes the blame since the helmet drained her like a battery. The Doctor is sick of losing people, admitting that he’s always running from the pain of death and loss.

It’s at this point that he has a revelation. He realizes why he has this face, a question he’s asked since his regeneration. His face is a reminder of a time when Donna Noble encouraged him to always try to save someone, even at a fixed point in time. It was a time when he saved Lobus Caecilius and his family at Pompeii.

It’s a reminder to hold to the mark. To save people.

The Doctor returns to Ashildr’s side and rigs a Mire battlefield medical kit for human DNA. He places the device on her forehead and it sinks into her skin. It repairs her damage and she returns to life, and the Doctor scurries away as he gives Ashildr a second device. It is for her to give to whomever she wants.

The catch is that the medical device will never stop repairing her. It has made her immortal, and the second device is for her to find a companion on this never-ending journey.

As the travelers return to the TARDIS, the Doctor wonders aloud if he has made a terrible mistake. After all, he has just created a hybrid.

The days pass, and Ashildr’s innocent smile slowly changes to a grim stare. She is truly alone in the world.

The Woman Who Lived

It is now 17th-century London and a highwayman known as the Knightmare robs a stagecoach belonging to the Fanshawes. The Knightmare has an accomplice, the glowing eyes of a “demon” in the woods, and frightens the Fanshawes into surrendering their valuables when the Doctor arrives with a gadget.

The Doctor is traveling alone as Clara is taking her students on a field trip. The stagecoach escapes and the rogue reveals himself… or rather, herself, as Ashildr.

The Doctor has been keeping tabs on her throughout history, but he has arrived at this point in her life to track down an alien artifact. Ashildr reveals that she has forgotten where she came from and now goes by the name Me. All of her other names died with those who knew her. She now rides through life alone.

Me takes the Doctor back to her rather large home to help her pack. She asks about the Doctor’s mission and explains that she robs for the mere adventure. She’s seen a lot of adventures over the last 800 years, including being a medieval queen, fighting in the Battle of Agincourt, curing an entire village of scarlet fever and being persecuted as a witch, and surviving the Black Plague.

The Doctor warns her of another bout of the plague and the great fire caused by the Tereleptils. Me keeps journals to remind her of her experiences, and while she discusses her life, she admits that time is what runs out around her. She asks the Doctor to take her away in his ship, but he deflects so Me offers to help with his quest instead.

As Me prepares and consults her glowing-eyed accomplice, the Doctor reviews her journals. They are full of loneliness and heartbreak, including sections that are torn out because they are far too painful. The Doctor tries to help her with her emotional detachment but she rejects him. She also continues to mention parts of the Doctor’s life that she shouldn’t know.

Together they break into the Fanshawe estate and retrieve the Eyes of Hades, a glowing purple jewel. During the adventure, Me shows the Doctor that she has never chosen someone for the second Mire device. They also narrowly escape from Mr. Fanshawe, during which Me pokes at the Doctor’s previous companions, particularly those who left in tragic conditions.

On the road home, Me and the Doctor are ambushed by competing brigands. After a brief tussle with Me’s rival, Sam Swift the Quick, the brigands flee despite Me’s anger at not being allowed to kill them. They return to Me’s home where they discuss the Eyes of Hades and Me’s desire to travel with the Doctor. When the Doctor refuses to let her join him, he is confronted by the glowing-eyed accomplice. His name is Leandro, a fire-breathing alien from Delta Leonis. The alien amulet was Leandro’s means of travel, lost when he crashed on Earth.

Me wants to escape the doldrums of her life and Leandro has offered to travel with her. The downside is that the amulet only works upon someone’s death. Me restrains the Doctor in a closet – the Doctor expresses sorrow at saving her life and for not understanding that immortality would rust her heart – and turns the Doctor over to the local constabulary as an accomplice to Sam Swift. She then leaves to take Sam Swift’s life since the man is about to be hanged for highway robbery.

Meanwhile, the Doctor exchanges Me’s ill-gotten treasure for his life and a horse. He races to the gallows and offers a pardon on the psychic paper. Unfortunately, Me is able to kill Sam Swift and open a portal. Leandro reveals himself and double-crosses Me as an invasion fleet from his homeworld attacks the planet. She then joins forces with the Doctor to stop the threat.

Me deduces that reversing Sam’s death with close the portal, so she gives him the second Mire device. Leandro is vaporized by his people for his failure as the portal closes and the humans cheer. Sometime later, Sam, Me, and the Doctor gather in the pub for drinks. The Doctor asks Me to keep an eye on Sam, just in case the brigand ends up as an immortal as well, and offers his reasoning for rejecting her. She cannot travel with him because she’s too similar to him – just like Jack Harkness – and he needs someone who sees the universe differently.

The Doctor takes his leave with the promise to keep an eye on Me. She offers to keep an eye on those he leaves behind, protecting the world from him. Not as an enemy, but as a friend. Upon returning to the TARDIS, he plays the guitar as he thinks. Clara arrives with a selfie from a student that he helped, and standing in the background is Me.

The travelers plot their next adventure as they express their affection for one another. Clara promises that she’s not going anywhere but the Doctor is not so sure.

This story is dark but I love it for the simple allegory of immortality. As humans, we’re known to chase youth and try so many different things to extend our lives. We defiantly demand – or even ask, if we’re religious – for a little more time. Just a little more time.

But what are the consequences of living longer? What is that magic threshold between just enough and one day too many?

Immortality has a cost. We saw parts of this story played out with Jack Harkness, and we see it here in excruciating detail. It’s well crafted by writers Jamie Mathieson, Catherine Tregenna, and (yes) Steven Moffat. We last saw Jamie Mathieson with Mummy on the Orient Express and Flatline, and Catherine Tregenna comes from Torchwood (Out of Time, Captain Jack Harkness, Meat, and Adam). That explains the darker moralistic tones, doesn’t it?

Notably, Catherine Tregenna was the first woman to write for Doctor Who since Helen Raynor penned The Sontaran Strategem & The Poison Sky in Series Four.

I also really enjoyed seeing the balance between the Doctor’s hubris and its consequences. He plugs Ashildr into the Mire helmet to win the battle, but it literally drains her of life. He fixes that problem by creating a larger one. Thankfully, he recognizes his errors and has to live with them. Ashildr, now called Me, calls him on the carpet: Does the Doctor ever give a thought to the various worlds and times he leaves behind… or even the possible consequences his actions could have?

There’s another allegory to tease out in the hybrid’s story, and that is one of identity. Ashildr chooses a new identity for herself and repeatedly corrects the Doctor when he misnames her. Cast against the ever-widening spectrum of gender and identity in our world, Me’s story carries particular representation in the Doctor Who universe.

The callbacks are plentiful, from the previously mentioned Tereleptils and Velosians to Clark’s Law: “Any sufficiently advanced form of technology is indistinguishable from magic.” We see the Doctor trying to pass himself off as a god (as he did in The Myth Makers) and reading a diary of his exploits (as he did in The Tomb of the Cybermen and the television movie). We also get the callback to Remembrance of the Daleks when the Doctor reminds his companion and the audience that “Time will tell. It always does.”

Overall, there is a lot to unpack in this two-parter. It is brilliant science fiction that turns a mirror on the face of humanity and asks us to think deeply about where we are and where we want to go as a people.

Rating: 4/5 – “Would you care for a jelly baby?”

UP NEXT – Doctor Who: The Zygon Invasion and Doctor Who: The Zygon Inversion

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Doctor Who: Under the Lake
Doctor Who: Before the Flood
(2 episodes, s09e03-04, 2015)

A creepy twisty time travel tale.

Under the Lake

In the year 2119, Captain Jonathan Moran records a private journal entry. He is the leader of an underwater mining facility in Caithness, Scotland known as the Drum. The team has discovered a strange craft and has brought it aboard to investigate. The team – Cass, her sign language interpreter Lunn, and Bennett, Pritchard, and O’Donnell – discuss the vessel as they are stalked by a shadow. When a fire breaks out, it consumes Moran as the team runs to safety. Moments later, they are confronted by the ghost of Moran and another figure.

Three days later, the TARDIS arrives in the middle of the abandoned complex. The Doctor notes that the TARDIS is unhappy and wonders why it brought them here, but Clara is excited about the adventure. They investigate the nearby mess hall, noting the signs of a fight that happened mere hours before. The travelers find the ghosts of Moran and the mystery man and follow them to the mysterious craft. The Doctor recognizes it as alien but cannot decipher the writing within. He’s also concerned that the TARDIS hasn’t translated the language.

The ghosts reappear and arm themselves before attacking the travelers. A chase ensues and the Doctor and Clara eventually find themselves in a chamber with the human survivors. Posing as members of UNIT courtesy of the psychic paper, they begin to unravel the mystery.

The Doctor also has a terrible moment here when he claims to understand sign language but doesn’t.

The room is a Faraday cage designed as a shelter in case of an accident with the base’s nuclear reactor. While Cass claims to be in charge of the people, Pritchard steps in as the representative of Vector Petroleum. Since it’s the company’s site, he takes responsibility. When morning comes, the group ventures into the base.

Apparently, the ghosts recognize the artificial day/night cycles of a base housed deep underwater.

The Doctor recognizes the second ghost as a Tivolian, a species known for their cowardice, and questions where the power cell and suspended animation chamber have been moved. The humans claim to have no idea, so the Doctor begins thinking out loud.

The Doctor comes to the conclusion that these beings are indeed ghosts and is overjoyed until the survivors explain that Moran was their friend. Clara reminds him to take out his cue cards, a stack of reminders with kind and apologetic things written on them. Clara takes out the correct one and the Doctor reads it, promising to solve Moran’s murder. With that done, the Doctor resumes being excited about wrestling a ghost and exploring the states of existence.

His musings are interrupted as the base shifts itself back into night mode.

The TARDIS sounds the Cloister Bell and the travelers return to the time capsule. The TARDIS wants to get away but the Doctor locks the ship in place. The Doctor then tells Clara not to “go native” and start acting like him. He doesn’t want her to get hurt.

Pritchard has gone out looking for the missing power cell. When he returns, the Moran ghost ambushes him in the airlock, mouths something, and then floods the lock. He later appears in the galley where Clara and Bennett are gathering supplies. They notice Pritchard’s body floating outside the base and that their new visitor is a ghost. Pritchard attempts to attack but O’Donnell shifts the base back to day mode, forcing the ghost to vanish.

Back in the control room, the Doctor asks Cass what they should do. Cass’s priority is to abandon the base and protect her crew, but the Doctor is eager to investigate. The crew is stymied when they get word that a rescue submarine is en route, and the Doctor uses his UNIT credentials to cancel the rescue and prevent the ghosts from escaping.

They then start determining why night mode is so important to the ghosts. He asks O’Donnell to place the base back in night mode so they can capture a ghost. Lunn, Bennett, and Clara lure the ghosts toward the Faraday cage as the Doctor, Cass, and O’Donnell coordinate from the control room. The plan goes well until the ghosts split up.

Lunn ends up cornered by Pritchard but the ghost doesn’t kill him. Pritchard rejoins the other ghosts as Bennett corners them in the Faraday cage with a hologram of Clara. The Doctor begins to investigate, eventually joining the ghosts in the cage to get a better look with the sonic sunglasses. Cass recognizes the lip movements. They are repeating the same four words: “The dark, the sword, the forsaken, the temple.”

The Doctor recognizes that these must be coordinates leading to the flooded town outside the base. He can’t figure out if the message is a call for help or a signal for invasion, but he notes that the temple is an old church. Something there must be commanding the ghosts and waiting for something to happen.

The team decides to solve the mystery and use a remote submersible to explore the church. The missing stasis chamber lies within. They bring it aboard but the Doctor cannot open it with his sonic device, so the Doctor starts retracing his steps. The ghosts didn’t try to kill anyone until they read the symbols on the spacecraft wall.

He asks Cass about them. With her help, he deduces that the writing acts like a magnet. They were not surprised by the message because it was already in their heads, like a song that gets stuck on repeat in your head. The words act as a beacon as each new ghost is generated, waiting for the being in the stasis chamber to awaken.

Alarms sound throughout the base. O’Donnell explains that messing with the day mode so often has caused the system to malfunction and assume that the reactor is about to go (super)critical. As the computer system floods the base to cool the reactor, the team is split up. Clara remains with Cass and Lunn as the Doctor, Bennett, and O’Donnell end up at the TARDIS. The Doctor takes them back to the time before the flood.

As the TARDIS dematerializes, Clara’s group returns to the galley where they are shocked to find another ghost. This time, it is the Doctor.

Before the Flood

The episode starts not where the story left off, but with a break of the fourth wall. The Doctor literally addresses the audience and explains the bootstrap paradox. An unspecified time traveler wanted to meet his favorite musician, Ludwig van Beethoven, but when he arrived in 18th-century Germany, the man literally did not exist. The time traveler panicked but recalled that he brought a piece of sheet music for Beethoven to autograph. Thus, he copies out the music, gets it published, and becomes Ludwig van Beethoven, keeping history on track without ruffling a feather.

However, one question remains: Who really composed Beethoven’s Fifth Symphony?

With that, the Doctor plays the symphony’s opening bars on his electric guitar, and Peter Capaldi plays the Doctor Who theme to open the episode.

Returning to the story, the TARDIS materializes in 1980. While Bennett throws up from the trip, the Doctor and O’Donnell exit the TARDIS to look around. O’Donnell explains her fandom of the Time Lord: She was once military intelligence but was demoted. As Bennett joins them, she has her “bigger on the inside” moment as the Doctor walks away.

The team finds the ship, which the Doctor identifies as a hearse, and they note that the body, stasis chamber, and power cell are still on board. They are greeted by Albar Prentis, the Tivolian who will become the ghost and identifies the body as the Fisher King. The Fisher King ruled over the Tivolians for a decade before the Arcateenians liberated them.

When the Doctor can’t determine who sent the signal to the future, his team returns to the TARDIS to contact Clara. Back at the base, Clara, Cass, and Lunn note that the Doctor’s ghost is not hostile. Cass also sees that it’s saying something different. “Moran, Pritchard, Prentis, O’Donnell, Clara, Bennett, Doctor, Cass.”

Clara takes the Doctor’s call and is shaken by the knowledge that he will die. He talks to Clara privately about this supposed fixed point in time, and Clara convinces him to try. The Doctor analyzes his ghost as it moves into the base and opens the Faraday cage. The ghost’s message changes to “The chamber will open tonight,” prompting the Doctor to instruct the survivors to take shelter in the cage but to leave the phone outside to monitor the ghosts.

Meanwhile, the Fisher King has risen from the dead and has engraved the words on the wall. When Prentis reads them, the Fisher King kills him, giving rise to the first ghost. The Doctor, O’Donnell, and Bennett return to the ship to stop the chain of events. They determine that the Fisher King faked his death to escape the Arcateenians, and after hearing the Fisher King roar, decide to return to the TARDIS.

Unfortunately, they get cut off and spilt up. O’Donnell is soon killed by the Fisher King. O’Donnell’s ghost appears in the base and takes Clara’s phone.

The Ghost Doctor’s names are the order in which everyone will die. The Doctor and Bennett move to save Clara, the next person on the list, but the TARDIS will not travel to the future. Instead, it takes them 30 minutes back in time, locking the Doctor in his own time stream. While trying to avoid their past selves, they see that Prentis is still alive, but the Doctor stops Bennett from trying to change history: “If you save them, then somebody that was supposed to be dead is alive. Then you really are seeing ghosts.”

In the future, Clara figures out that the Pritchard ghost didn’t hurt Lunn because he wasn’t exposed to the signal. Clara notes that Lunn can retrieve the phone, though Cass objects while questioning if traveling with the Doctor has changed Clara. Lunn proceeds on his mission, leaving Clara and an angry Cass behind.

In the past, the Doctor orders Bennett back to the TARDIS and goes to confront the Fisher King. As they talk, the stasis chamber in the future engages. The Fisher Kind knows that the Doctor is a Time Lord, and he knows that the Time Lords battled in a war so great that the entire universe felt the effects. The Fisher King sees that he can make a strong transmitter out of the Doctor, and once enough Ghosts are created, the signal will reach the Fisher King’s people. They will bring an armada to conquer Earth.

The Doctor notes that the plan could work, but he erased the words on the ship. The Fisher King calls his bluff, but the Doctor points out that any change that prevents the Fisher King from conquering the planet is a good one. The Fisher King races to his ship but finds the words intact, realizing that he has made a critical error.

He has left the Doctor alone with the stasis chamber. One of the power cells is missing and is attached to the dam. When it explodes, the town is flooded and the Fisher King is killed. Meanwhile, the TARDIS activates Security Protocol 712 with Bennett trapped inside.

Lunn finds the phone in the galley, but it ends up being a trap. Clara and Cass decide to go after him but end up separated. After Cass narrowly avoids death, she, Clara, and Lunn regroup in the hangar. As the stasis chamber pops open, the Doctor leaps out and connects his sonic sunglasses to the base’s speaker system. It projects the call of the Fisher King, luring all of the ghosts to the Faraday cage where the Doctor ghost awaits.

As a hologram. As it has been all along, courtesy of the Doctor being in the chamber.

The Doctor uses the sonic sunglasses to erase the signal from everyone’s minds. He also tells them that UNIT will cut the cage free of the base and eject it into space. The lack of a magnetic field will kill the ghosts. Bennett asks Lunn to translate a message for Cass: Lunn complies, finally admitting his love her Cass, and they kiss.

As the Doctor and Clara leave in the TARDIS, he explains that the order of deaths after O’Donnell was entirely fictional. He placed Clara’s name where he did to motivate himself into action. Clara asks the Doctor how he knew what to make his ghost’s hologram say. He only knew what he had to do because he found out through future knowledge of what had been done.

Which leaves the question: Who composed Beethoven’s Fifth?

It was a really fun idea to play with paradoxes and the crossing of time streams again. This story also had some great special effects and costume work, especially with the creepy Fisher King.

The Doctor continues his detached attitude toward humanity and the universe at large. His first impression upon meeting Cass was terrible, but his respect for her throughout the rest of the episode is great. He talks to her, not her translator, and admires her perspective of the world. The visual twist is that he correctly signs “you’re beautiful” to her when he attempts to communicate, even though he thinks that he’s saying “go ahead”.

The theme carries forward with the apology cue cards. I got a laugh out of “It was my fault, I should have known you didn’t live in Aberdeen” and its callbacks to The Hand of Fear and School Reunion. Is he expecting to run into Sarah Jane again?

Speaking of, take note of the Arcateenians. They are original to Torchwood and The Sarah Jane Adventures, so this marks the second time in this series that spinoffs get a nod in the main show. Another spinoff gets a tip of the hat as well with O’Donnell’s musings about 1980. She noted that they were in a period before Harold Saxon and the Moon exploding, both of which the Doctor was aware, but she also mentioned the Minister of War. This was explored in a Third Doctor audio adventure called The Same Face.

I loved the quiet point of view for Cass being stalked by Moran. I also noted the minimal and more deliberate use of sonic technology. This was the first episode since The Unicorn and the Wasp not to feature the sonic screwdriver, but it does feature the sonic sunglasses.

Finally, let’s talk once again about nuclear reactors. One of my biggest pet peeves in science fiction is when a reactor “goes critical” because it’s just not accurate. In general, nuclear reactors have three basic states in relation to criticality – subcritical, critical, and supercritical – which is just the measure of the chain reaction within the fuel. The reality is that a reactor “going critical” is good. It means that the chain reaction is self-sustaining and controlled, which is where a reactor is happy and doing its job. In fact, most reactors in the world today naturally tend toward subcriticality. Given enough time and lack of operator action, they are designed to shut themselves down for safety.

What most science fiction writers mean to say is that the reactor is uncontrollably supercritical, which would imply that the chain reaction is growing too fast and cannot be stopped. The writer in me understands the shortcut. I know what they mean to say. But the scientist, engineer, and fan in me all scream that we are smarter than the writers are willing to give credit. It’s okay to say supercritical (or even prompt critical) if you really mean it.

I won’t hold that against the overall score because it’s not Doctor Who‘s fault. It’s just another opportunity to beg writers to be better.

Rating: 5/5 – “Fantastic!”

UP NEXT – Doctor Who: The Girl Who Died and Doctor Who: The Woman Who Lived

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Doctor Who: Last Christmas
(1 episode, Christmas Special, 2014)

And to all a rushed denouement.

‘Twas the night before Christmas and all through the house, not a creature was stirring, not even a mouse. On the roof, however, the sound of a crashing sleigh and untethered reindeer awaken Clara Oswald. She looks upon the unlikely sight of Santa Claus and his elves, Ian and Wolf, trying to recover from the accident. Clara tries to dismiss the reality of Santa Claus, but the trio dismisses her instead. Even Santa challenges her belief in fairy tales as the Doctor arrives.

The Time Lord ushers Clara inside the TARDIS, prompting her to comment on how much she missed it. The Doctor asks if she truly believes in Santa, and she replies that she does. After all, the Doctor has returned at Christmastime.

At a base near the North Pole, a group of scientists are tracking a woman named Shona as she enters an infirmary. The scientists tell her not to worry about “them” and focus on something else, and when she enters the infirmary, she begins to dance to Slade’s Merry Xmas Everybody. She’s warned to not look at the beings in the room and the music helps her do that. When she reaches the end of the room, she finds the Doctor and Clara, and their presence brings her mind back to the beings.

Those creatures begin to move, homing in on the constant image of themselves in the victim’s memory. The Doctor tries to distract Clara from the threat by invoking the memory of Danny Pink, and Clara slaps him, finally revealing that Danny is dead.

As the scientists rush into the room, a mass of crab-like creatures descends from the ceiling. The attack is presumably stopped by the arrival of Santa, the elves, and an army of toys. Santa orders the victims back to bed, then introduces himself to the collective humans. He also shows the threat to the Doctor, revealing that Kantrofarri – “dream-crabs” – have invaded Earth.

The group retires to a different room to discuss the threat. The dream-crabs are likely killing everyone as they blur the lines between dream and reality. In fact, reality and fantasy are difficult to tell apart because both are ridiculous. The Doctor and Clara both admit that they lied about the circumstances around their previous parting in an attempt to help each other move on.

The Doctor and Clara find Shona, who is interrogating Santa and the elves, and review the CCTV footage with Ashley of the four crew members who discovered the Kantrofarri. The same beings who are currently in the infirmary. The dream-crabs only wake up when someone thinks about them, and scientist Albert compares them to facehuggers from Alien. Humorously, the Doctor is beside himself that a horror movie was made about extra-terrestrials.

Notably, the polar expedition team refuses to explain its mission.

Clara goes to check on the captured crab and soon finds herself face to “face” with it. She awakens in her room with Danny in a Santa suit to surprise her for Christmas Day. Clara is enthused, but also sees notes on a blackboard similar to the Doctor’s warning her that she’s trapped in a dream. Outside of the dream state, the Doctor and the expedition team discuss how to save Clara from the dream-crab. The only way they know of is to kill Clara, which the Doctor refuses outright. The Doctor turns to Santa, who seems immune to the Kantofarri, and asks for a dream-crab so he can enter Clara’s dream.

The Doctor arrives as Clara and Danny snuggle near the Christmas tree. The Doctor tries to convince Clara that everything she sees is a fantasy. He tells her that the Kantofarri is literally liquefying her brain and Danny encourages her to move on from her grief. She can still mourn, but she can limit it to five minutes.

With tears in her eyes, Clara accepts the truth and wakes up. The Doctor wakes up next to her and the dream-crabs disintegrate from the stress. As the team investigates the remains, they all remark that they still have the “ice cream” pain in their heads. The Doctor leads them to the conclusion that they’re all still dreaming and have been since the first meeting in the infirmary. The rescue by Santa Claus was a dream. The Doctor uses the manuals in the base, which should all be identical, as proof that the humans are still trapped in the dream state. With help from Santa and the elves, manifestations of their brains acting as warning signs, the team wakes up in the infirmary.

The team narrowly avoids the original four team members and seals the infirmary. The Doctor and Clara take their leave with the knowledge that if the expedition team doesn’t free the Kantofarri, they’ll be fine. Clara asks why Santa was on her roof, prompting the Doctor to rush back into the base and question the number of people inside. There are four manuals but eight people in total, and everyone is still in a dream state. This is confirmed by another test with the manuals. As the beings in the infirmary rise, aware of the approaching endgame, the dream morphs into a nightmare that kills Albert.

The team runs for the TARDIS, but it too is a construct. The dream-crabs multiply and the Doctor suggests that they all dream themselves home. Santa Claus and his sleigh materialize above them as an escape pod. When the Doctor asks, Clara admits that she’s always believed in Santa, but he’s always looked different to her. With that, she gives the Time Lord a hug. After that, the Doctor takes the reins and flies them around London in a fun-filled fantasy.

Each person beings to remember their real life outside of the dream. One by one they awaken, each in their proper time and place. The Doctor awakens on a volcanic planet and rushes to Clara’s side as she decides to remain in the dream state. The Doctor uses his sonic screwdriver to free Clara of the dream-crab, but finds that it has been 62 years since they said goodbye in the coffee shop. Clara is now 89 years old.

They sit together in the living room and share Christmas hats. She admits that there were plenty of admirers, but only one man besides Danny ever measured up. Sadly, he was impossible. They open a Christmas cracker together and the Doctor apologizes for not returning sooner. His wish is made a reality when Santa enters the room and whispers “wakey-wakey”.

The Doctor awakens one last time, rushes to Clara’s side, and removes her from the dream. She hasn’t aged a day, and the Doctor invites – rather, begs – her to travel with him once again.

As they dematerialize together, a Christmas tangerine sits on the window sill as sleigh bells ring.

What we have here is a fun mind-bending adventure marred by a terrible ending. Jenna Coleman was planning to leave the series with this story but changed her mind at the last minute thanks to Peter Capaldi and Steven Moffat. Since the decision was made so late in the process, the script was revised at the eleventh hour, resulting in this rushed and hackneyed conclusion.

Before that decision was made, Shona was intended to be the next companion. I adore Jenna Coleman, but this should have been her exit based on everything that transpired over the last series of episodes. She got her chance to say goodbye to Danny and to the Doctor, and Clara’s departure here would even make this episode’s title make sense. After all, it is the last Christmas.

It’s yet another stumble by Steven Moffat.

Otherwise, we get the usual Christmas episode fare mixed with elements of Alien, The Thing from Another World, and even Miracle on 34th Street. Coincidentally, these are all of the films that Shona had intended to watch on Christmas Day.

Just like Amy’s Choice, this adventure was mostly a dream. We also get nods to The Time of the Doctor with the Christmas cracker and The Claws of Axos with Clara doing multiplication tables to avoid thinking about the threat. It was also quite fun to see Dan Starkey outside of his normal Sontaran garb as the elf Ian. We also see the first on-screen appearance of Michael Troughton, son of Patrick Troughton and brother of David Troughton (The Enemy of the World, The War Games, The Curse of Peladon, and Midnight). Notably, both younger Troughtons would take on their father’s role in audio stories.

All of this spooky fun is spoiled by that ending. It just drags the whole thing down. The dream-crabs were such a fascinating and scary idea, and this twisted holiday story would have been so much stronger as Clara’s swan song with a bittersweet goodbye over Christmas.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”

UP NEXT – Doctor Who: Series Eight Summary

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.