A Symbol, for Which it Stands

The power of symbols is not lost on me, and I often find myself divided between two camps. On the one hand, symbols can carry a tremendous amount of weight and history. On the other, symbols can be repurposed and reclaimed to support anything.

The most obvious historical example is the swastika, which originally was a sign of luck across various cultures that became a symbol of oppression and hatred. Unfortunately, negative connotations often carry more weight than positives, easily rendering the positive meaning impotent. Now, the swastika is avoided in Western culture because of its connection to the Holocaust.

In the United States, the Confederate Battle Flag is a prevalent symbol south of the Mason-Dixon Line, and is used to rally southern pride. Developed during the American Civil War as a distinctive symbol (since the Confederate States of America’s official flag was confusingly similar to that of the United States), each star signified a member state in the new nation, and was indicative of the unified drive for states’ rights that sparked the rebellion. It has two visually similar cousins, the Second Confederate Navy Jack and the battle flag of the Army of Tennessee.

The battle flag of the Army of Tennessee, commonly displayed as the Confederate flag.

As it signified “states’ rights,” I supported the South’s continued use of the flag, even with the understanding that the Civil War was also partly driven by the topic of slavery.  I had no concrete proof that slavery was the prime reason for the tensions, but was instead a secondary concern. Even in 1860, a year or so before the Civil War began, slavery was treated as a states’ rights issue; Southern Democrats endorsed the practice, Republicans denounced it, and Northern Democrats said democracy required the people to decide locally, state by state, territory by territory.

It should go without saying that I do not personally support slavery, but to understand the motivations of the time, I also need to consider the era. It wasn’t necessarily a moral issue, but rather a political one.

Then I found the Cornerstone Address.

The Constitution of the Confederate States of America was adopted on March 11, 1861. Ten days later, Alexander Stephens, the vice president of the new nation, delivered a speech in Athens, Georgia that outlined the fundamental differences between the CSA and the USA. Among those differences was what he called the “immediate cause” of secession and rebellion: Slavery.

Our new government is founded upon exactly the opposite idea; its foundations are laid, its cornerstone rests, upon the great truth that the negro is not equal to the white man; that slavery subordination to the superior race is his natural and normal condition. This, our new government, is the first, in the history of the world, based upon this great physical, philosophical, and moral truth.

Deeper into the address, Stephens elaborates on this fundamental difference, lamenting that the United States was “attempting to make things equal which the Creator had made unequal.”

After applying the lens of modern society to this revelation, I had no choice but to step back from my support of the states’ rights argument: It’s plain as day that the core point of contention between the Blue and the Gray wasn’t state autonomy at all, but instead a policy of oppression and subjugation that we deplore in modern times. In fact, this nation fights against such policies and regimes in foreign countries all the time. Why is it any different when the conflict is here at home?

Historians often ignore this speech, and detractors suggest that it was only one speech by one man over a century ago, so it shouldn’t matter. The problem lies in the man who delivered the address. The Office of the Vice President was nearly identical between both the United States and the Confederate States, and therefore held the same authority when speaking with the power of the position. Consider if any sitting Vice President in the modern era made a similar speech about using executive or legislative policy to enable subjugation of a race. He or she would be castigated, repudiated, and likely forced to immediately resign.

The articles of secession provide further evidence: Four of the states issued additional declarations of cause that strongly defended slavery as a reason to secede. Those four states – Georgia, Mississippi, Texas, and South Carolina – were among the first seven to leave the Union. Texas and two other states – Alabama and Virginia, the fourth and eighth states to secede, respectively – mentioned slavery in their secession acts. Of the six states with slavery as a declared priority, five of them were among the seven state signatories to the Confederate Constitution. That’s a clear majority of the founders of the Confederacy.

It’s clear with respect to history that the Confederacy stood for racism to achieve states’ rights, and the ends cannot justify the means.

I certainly don’t suggest that anyone who uses the symbols of the Confederacy is a racist or supports slavery, but I do believe that the motivations of the past should be considered when voicing support. Boldly proclaiming that “the South shall rise again” takes on a whole new tone when the true aims of the defeated Confederate States are added to the mix.

I believe citizens and governments should honestly deliberate over state-sponsored use of Confederate symbols. These symbols have power and history, and as mentioned before, the negatives tend to outweigh the positives. States speak for their citizens, and should not wave the sins of the past over the families of the oppressed.

I don’t support a full ban of the symbols, as bans create an allure of mystery and taboo. We as a people need to learn from our history and mistakes, and never forget the past. To that end, I believe that the southern states should seriously consider removing the Stars and Bars from flagpoles, and to paraphrase Indiana Jones, place them where they belong – in a museum.


Best Day of Television

A meme has been making the rounds on Facebook about getting children into nature, claiming that kids “don’t remember their best day of television.” Thankfully, many of the people in my geeky circles have torn it apart with their best life-changing television memories.

Photo originally posted by the Children & Nature Network page on Facebook
Photo originally posted by the
Children & Nature Network Facebook page


Mine was May 23, 1994. The episode was “All Good Things…”, the series finale of Star Trek: The Next Generation. It was the first time I had ever seen a television show do what is now considered a proper wrap-up of story lines from the series, and it still ranks up there with “Goodbye, Farewell, and Amen” from M*A*S*H as one of my favorites farewells in television history.

While the Children & Nature Network has a point in unplugging kids and getting them into the world around them – I spent a great deal of time in nature and away from tech in my youth over many years working on my Eagle Scout award and as a volunteer Trail Patrol member at Antelope Island State Park – this meme easily glosses over the effect that good television has on people. Good stories, regardless of medium, transport your imagination away from the burdens of reality and allow you to dream and hope, and fosters creativity.

Yes, even kids can understand the burdens of the real world and create imaginative wonders to solve them. Anecdotally, I know a successful filmmaker and writer who escaped abuse at home through the wonders of Star Wars. A more concrete example is the duo of Jerry Siegel and Joe Shuster, the high school teens who created Superman to battle the social injustices of the 1930s.

My love of speculative fiction stems from being introduced to Star Trek and Lost in Space by my father, and the plethora of action, adventure, and science fiction that dominated the 1980s television landscape. My imagination is still fueled by those memories to this day.

In the end, kids will remember their best days so long as those days are spent seeking their bliss. The trick is finding out what fuels their passions while guiding them into the world at large. All things in moderation.


Timestamp #37: The Tomb of the Cybermen

Doctor Who: The Tomb of the Cybermen
(4 episodes, s05e01-e04, 1967)

Timestamp 037 The Tomb of the Cybermen

The fifth series starts right where the fourth left off with Victoria joining the crew.

The travelers arrive on the homeworld of the Cybermen to find an archaeology team researching the titular tomb. It’s a nice parallel to the previous serial, which briefly (re)visited the homeworld of the Daleks. As they explore, they unravel more of the enemy’s background. I had seen the cybermats before on the recent series episodes, so it’s good closure on my end to see where the mechanical caterpillars originate.

The team restores power to the complex and awakens the tomb, but the rocket ship is broken and the pilot is distrustful, so the team is stranded. Of course, the Doctor can leave anytime, but he chooses to remain, and the story continues with members of the exploration team belonging to the Brotherhood of Logicians, who want to add the Cybermen’s power to the Brotherhood’s intelligence.

I like the design of the Cybercontroller with the semi-transparent brain cavity, but those voices are still hard to understand at times. We also discover that these Cybermen are related to those from the assault on the moon base.  Once again, without explanation, they recognize the Doctor despite his new persona, but they do explain that the moon base attack was motivated by fear of becoming extinct thanks to the First Doctor’s actions toward Mondas.

An artifact of the 1960s are the stunt wires, which are plainly visible during the fight on my plasma screen, but were probably easily hidden on CRTs half a century ago.

The companions get some nice beats in this serial. First, Victoria reflects on her family and the terror of the Daleks with counsel from the Doctor. She’s very innocent, but very loyal. Jamie also gets to exploit his very well-developed relationship with the Doctor, especially in one exchange that made me guffaw. When discussing the minds of the cybermats:

“You might say they’ve had a complete metal breakdown.”



In another mythology-building moment, The Doctor advocates using a firearm to kill as he has no other choice, but then rejects it moments later when he enters the tomb to finish off the Cybermen. He also wraps up this serial with a refusal to make predictions about the end of the Cybermen, even though he was really really sure about the Daleks just days earlier. Spoiler alert, Doctor: They both come back.

I think Series Five has set a high bar with an excellent adventure.


Rating: 5/5 – “Fantastic!”

UP NEXT – Doctor Who: The Abominable Snowmen


The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.