Culture on My Mind – Dragon Con Report 2024 #4: Volunteers

Culture on My Mind

Culture on My Mind
Dragon Con Report 2024 #4: Volunteers
April 26, 2024

One of the ways that I like to prep for Dragon Con is by listening to the Dragon Con Report podcast. Brought to you by the ESO Network, the podcast is a monthly discussion on all things Dragon Con that counts down to the big event over Labor Day weekend in Atlanta, Georgia.

The show is hosted by Michael Gordon, Jennifer Schleusner, and Channing Sherman, and it delivers news, notes, tips, and tricks for newbies and veterans alike. The Dragon Con Newbies community has a great relationship with the show and the network.

The fourth show of the 2024 season explores what it’s like to be a volunteer at Dragon Con. The convention is run by volunteers, from registration to technology operations and more. Mike, Jen, and Channing talk with guests Julia McCure (a volunteer with Information Services) and Andrés Thomas (of the Animation Track) to discuss the lifeblood of the convention. 


The show can be found in video form on YouTube and in audio on the official website and wherever fine podcasts are fed. The Dragon Con Report channels can be found on Facebook, Instagram, and YouTube. You can catch their shows live on those platforms or on demand on their website.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp: Series Twelve Summary

Doctor Who Series Twelve Summary

Timestamp Logo Thirteenth

Jodie Whittaker’s second set picked up the pace.

This group of stories was where the Thirteenth Doctor hit her stride, and it seemed a fitting place to throw a wrench in her confidence with the Timeless Child revelations. The only stinker in the bunch was Orphan 55, a story with one of the most telegraphed plot twists, a serious lack of tension and internal continuity, and an overly preachy ending that lectured the audience and characters instead of using subtle metaphorical elegance.

Much of this series focused on pulpy storytelling and having fun, though Chris Chibnall’s penchant for “oops, we’re out of time” rush endings was a constant companion. I love how this series remembered that Doctor Who can be exciting, whimsical, and thoughtful. The Timeless Child thread was woven fairly well throughout the series, and I appreciate how it only cropped up from time to time instead of being in our faces like Russell T. Davies and Steven Moffat are prone to do.

The TARDIS got some enhanced interior deco, finally adding some depth to that claustrophobic set, and the Master got a facelift with an amazing performance from Sacha Dawan. We also got to see the trio of Ryan, Graham, and Yaz in top form (although I would still love to see Yaz doing more) before the fam was broken apart.  It was a fun series that, with one notable exception, I’d easily watch again.

Overall, Series Twelve comes in with a solid 4.1 score. That’s in good company with the classic Fifth Season, the classic Eighteenth Season, Series Two, Series Seven, and Series Nine. It’s a six-way tie for tenth place in the scope of the Timestamps Project.

Spyfall – 5
Orphan 55 – 2
Nikola Tesla’s Night of Terror – 4
Fugitive of the Judoon – 5
Praxeus – 4
Can You Hear Me?
– 4
The Haunting of Villa Diodati
– 4
Ascension of the Cybermen & The Timeless Children
– 4
Revolution of the Daleks
– 5

Series Eleven Average Rating: 4.1/5


Next up, the Timestamps Project continues to the end of the Thirteenth Doctor’s era with Flux and the finale specials.

UP NEXT – Doctor Who: Flux – The Halloween Apocalypsecc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Theater & Nerddom: Is Theater Part of Pop Culture?

Culture on My Mind

Culture on My Mind
Theater & Nerddom: Is Theater Part of Pop Culture?
April 19, 2024

This week, I’m playing catch-up with the Theater and Musical Lovers YouTube Channel.

The channel and its associated Facebook group were established as an unofficial gathering of Dragon Con attendees who love theater, musicals, and the performing arts. Their goal is to create a community of fellow thespians and fans at the convention.

Last August, the thespians and stagehands discussed why theater and performing arts are definitely part of nerd and pop culture. Yes, indeed, they answered the question in the first act, but the discussion is really the main attraction. Join Gary, Sarah, Sue, Kelly, and Courtney to geek out on the big stage.

Note: Depending on security settings, you may have to click below to see the video directly on YouTube. You should definitely subscribe to their channel for more updates.


The Theater and Musical Lovers Group will be hosting more of these panels. If you’re interested in participating or have some topic ideas in mind, head over to the group on Facebook and drop them a line. You can also find them on Instagram and coming soon on TikTok.

You can find Gary and Sarah on the socials: On Twitter, they are Gary_Mitchel, SarahRose_KPK, and Daisuki_Suu; on Instagram, they are Gary_Mitchel and Daisuki_Suu; and Gary’s horror-themed podcast that he hosts with Erin McGourn is A Podcask of Amontillado. Of course, the Theater & Musical Lovers channel can be found on YouTube.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #302: Revolution of the Daleks

Doctor Who: Revolution of the Daleks
(1 episode, New Year Special, 2021)

Timestamp 302 Revolution of the Daleks

A little bit of cloning and a little bit of open warfare.

It’s been 367 minutes since the Doctor and her team destroyed the Reconnaissance Dalek in GCHQ. An ill-fated truck driver takes the empty casing to Depository 23, but he is assassinated en route with some bad roadside tea. The woman who served the tea stashes his corpse in the truck and drives it away.

Jo Patterson, the Technology Secretary for the United Kingdom, meets with Leo Rugazzi and Jack Robertson to see the engineer’s new defense drones. The demonstration includes a mock riot which is broken up by a drone that looks like a Dalek but uses water cannons and tear gas. The drone is solar-powered and driven by artificial intelligence. Patterson buys into the idea because they will help her win the upcoming election.

Some 79 billion light years away, the Doctor wakes up in her asteroid cell and scratches another tally mark on the wall. She goes through her daily routine, including a walk with restrained Weeping Angels, Ood, Silence, and Pting, before getting ready for bed. She hears four knocks through her wall and knocks four times in reply, but there is no further answer.

Back on Earth, Ryan, Graham, and Yaz meet in the TARDIS disguised as a house. Yaz is working on a method to find the Doctor, but Ryan and Graham urge her to move on. Graham also shows her footage of the new security drone and the companions decide to investigate.

Patterson convinces Robertson to expedite a national rollout of the security drones at no cost to the taxpayers. Later, the companions confront Robertson about his drones but are forced to leave when armed security arrives.

In the prison, the Doctor finds Jack Harkness during her daily constitutional. He shows her a temporal-freezing gateway disinhibitor bubble which they use to escape by treating it like a hamster ball. Using a vortex manipulator, the pair vanishes.

Patterson wins her election as Prime Minister and party leader. Rugazzi shows Robertson the organic remnants he found in the original casing, which he has cloned and grown into a Dalek mutant. Robertson tells Leo to destroy it, but it eventually takes control of the engineer.

The vortex manipulator drops Jack and the Doctor inside the Doctor’s TARDIS. Jack likes the new interior design. They discuss the Cyberium and Ashad, as well as the Doctor’s imprisonment for being herself while she was trying to figure out who she was. She tells the TARDIS to find her fam.

That fam is discussing the Dalek threat when the TARDIS materializes in the living room. It’s been ten months since the companions and the Doctor were separated, and after she apologizes, the companions tell her about the Dalek.

The Dalek controlling Leo takes him to Osaka, Japan, where he finds a clone farm that has somehow sprung to life in the time since it was cloned. As the companions board the TARDIS, Jack gives them a crash course on his history with the Doctor. They split up, sending Yaz and Jack to find the Dalek DNA in Osaka while Ryan and Graham accompany the Doctor to Robertson’s office.

Robertson shows off his 3D printing operation, but the Doctor warns him he’s messing with something he doesn’t understand. He also denies having a facility in Osaka, which Yaz and Jack find listed as an agricultural park but containing the clone farm. Jack also warns Yaz that she should enjoy her journey with the Doctor because it will end, but is worth the pain in the end.

PM Patterson announces the defense drones in an address outside 10 Downing Street. While she promises a new secure age for the UK, the Doctor, Graham, and Ryan take Robertson to Osaka. The Doctor and Ryan have a heart-to-heart talk during which she promises to find out about herself. Meanwhile, Yaz and Jack set explosives and are besieged by the cloned Daleks. They get some relief when the TARDIS arrives.

The Doctor asks about the farm and Dalek-Leo admits that he infiltrated Earth’s networks and diverted resources to remotely direct its construction. He even fed his clones with the workers just to keep things clean. The Dalek intends to use the planet as a base to conquer this sector of the universe. Yaz and the Doctor note that the light is changing in the facility, gradually becoming ultraviolet to allow the clones to teleport into the shells that Robertson built.

With thousands of shells at their command, the Daleks begin their assault on Earth, including the assassination of PM Patterson. The Dalek controlling Leo kills the engineer and teleports away. The Doctor finally figures out who she is… she’s the one who stops the Daleks. Opting for the nuclear option, she sends the Reconnaissance Scout’s signal through the time vortex and summons the Death Squad Daleks – the SAS of Daleks – who will ignore humans in favor of exterminating the impure clones. They mustn’t realize, however, that the Doctor is on Earth.

As the cloned Daleks wreak havoc in the streets, the bronze-colored Death Squad begin exterminating Robertson’s army. As the Doctor prepares to move on, Robertson approaches the Death Squad and joins them with information about who sent the signal.

The Doctor continues her plan: Once all of the defense drones are destroyed, Jack will destroy the Death Squad ship. Graham and Ryan join him and start planting charges. Jack finds Robertson as the businessman tells the Dalek leader about the Doctor. As the final defense drone is destroyed, Jack calls the Doctor with what he learned and she enacts a backup plan with Yaz.

The Daleks detect the TARDIS hovering over the city and swarm around it. She emerges and baits them into entering the TARDIS as the explosives tear the command ship apart. The Doctor appears as a hologram and reveals that the Daleks are trapped in the “house” TARDIS. Further, she has programmed it to fold in on itself and emerge in the heart of the Void where it will self-destruct.

With the threat eliminated, Graham and Ryan watch the news as Robertson takes credit for saving everyone. Disgusted, the pair joins the Doctor and Yaz on the TARDIS where Jack sends regards from Gwen Cooper. It is then that Ryan declares that he’s done traveling with her because he knows what he wants to do with his life.

The Doctor hugs him farewell. Yaz wants to keep traveling, but Graham doesn’t want to miss his grandson growing up. The fam shares one last hug and the Doctor gives each of the men a piece of psychic paper. The Doctor and Yaz are sad, but they know that it’s okay.

Sometime later, Graham and Ryan are back on the hillside as the latter practices with a bicycle. They discuss strange occurrences like a troll invasion in Finland and gravel creatures in Korea. They decide to make plans, but first, they finish cycling practice.

And a vision of Grace watches over them as they work.


The companions really steal this show as the Doctor struggles with the Timeless Child revelation. It makes sense, given that this is the swan song for Ryan and Graham. We also get a good story where three companions seem to work well together. Unfortunately, that formula still doesn’t include Yaz as she gets very little to do with this otherwise explosive plot.

There are some hiccups along the way. No one addresses the murder that kicks off the defense drone program, and the timing’s a bit suspect when it comes to building the farm. The Dalek wasn’t in charge of Leo long enough to make that work, but the story needed a way to mass-produce Daleks.

On the plus side, the subtle references to Doctor Who history are pretty clever. The Death Squad Daleks are the bronze versions that have popped up throughout the revival era, and the defense drones are voiced similarly to the Imperial Daleks last seen during the Dalek Civil War. It makes sense that they would fight one another.

I enjoyed the crash course on Jack’s history with the new companions. It plays well with the running thread of the companions and their questions about traveling in the TARDIS. I also dug the running gag of not telling Robertson how the TARDIS works while he traveled in it.

Finally, I’m glad that the creative team is embracing the changes they made by way of the Timeless Child. The Doctor has to rediscover who they are while facing a large, looming threat. It’s good drama.

Note that this is the final appearance of Captain Jack Harkness (as of early 2024) due to allegations of sexual misconduct leading to John Barrowman’s blacklisting by the BBC.

Rating: 5/5 – “Fantastic!”


UP NEXT – Series Twelve Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Dragon Con Report 2024 #3: Photo Shoots

Culture on My Mind

Culture on My Mind
Dragon Con Report 2024 #3: Photo Shoots
April 12, 2024

One of the ways that I like to prep for Dragon Con is by listening to the Dragon Con Report podcast. Brought to you by the ESO Network, the podcast is a monthly discussion on all things Dragon Con that counts down to the big event over Labor Day weekend in Atlanta, Georgia.

The show is hosted by Michael Gordon, Jennifer Schleusner, and Channing Sherman, and it delivers news, notes, tips, and tricks for newbies and veterans alike. The Dragon Con Newbies community has a great relationship with the show and the network.

The third show of the 2024 season talks about the vibrant community of photo shoots at the convention. Mike, Jen, and Channing talk with guests Bill Watters and Danique Cosplay to discuss everything you wanted to know (and some things you didn’t) about the intersection of cosplay and professional photography. 


The show can be found in video form on YouTube and in audio on the official website and wherever fine podcasts are fed. The Dragon Con Report channels can be found on Facebook, Instagram, and YouTube. You can catch their shows live on those platforms or on demand on their website.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #301: Ascension of the Cybermen & The Timeless Children

Doctor Who: Ascension of the Cybermen
Doctor Who: The Timeless Children
(2 episodes, s12e09-10, 2020)

Timestamp 301 Ascension Timeless Children

The story that broke so many fans.

Ascension of the Cybermen

In the depths of space, Ashad speaks of the Cybermen. The mechanical menace has finally been defeated after winning a billion battles, and after a reign of terror, the empire has fallen. But that which is dead can live again in the hands of a believer.

The adventure plays out in two stories: One follows our heroes on a refugee planet in the far future, and the other follows a mysterious man named Brendan in Ireland.

Brendan’s Tale—

In mid-twentieth century Ireland, a man named Patrick finds a baby in the middle of the road. He takes the baby home to his wife Meg, and together they report the incident to the Garda police. With no leads, they couple decides to take care of him until the parents are found. After a year, they adopt the boy and name him Brendan.

Brendan grows up, attends school, and learns to farm. He applies to join the Gardaí and is welcomed into the police force by the sergeant who met him as a baby. While on duty one day, Brendan chases a thief named Michael near a cliff. Michael pulls a revolver and forces Brendan toward the cliff. Brendan is shot and falls to his death, but by some miracle, he springs back to life.

Brendan attributes it to luck, but everyone else is confused and afraid. Nevertheless, Brendan is awarded with a commendation. Many years later, Brendan retires from the Gardaí and is faced by his father and his sergeant, both of whom have not aged. They take him to the back office where he is strapped into a chair and has his memory wiped while he screams.

The Refugees’ Tale—

The Doctor, Graham, Ryan, and Yaz follow Shelley‘s coordinates to a planet in the far future. The Doctor parks a half mile out and breaks the news of humanity’s near extinction at the hands of the Cybermen. They find the last remaining human settlement comprised of seven surviving humans. The travelers arrive just in time to help establish a defense against the arriving Cyberman fleet.

With the help of Feekat, Ravio, Ethan, Yedlarmi, Fuskle, and Bescot, Team TARDIS gets to work: Graham sets up a neural inhibitor system that can restore Cyberman emotions; Yaz builds a particle projector to attack the automatons with gold dust; and Ryan establishes a forcefield. Unfortunately, a swarm of Cyberdrone heads arrive and destroy the gadgets. They also kill Fuskle and an older woman.

The drones leave and the Doctor orders the survivors to escape in their ship. She tells her companions to join them since the TARDIS is too far away. She promises to find them after she holds off the invading force. As the humans escape, Ashad confronts the Doctor with two additional drones. The drones pursue the companions to the ship, and Ryan is left behind with Feekat and Ethan as the rickety craft takes off.

The Doctor prepares a grenade as Ethan distracts Ashad. Ashad calls Ethan’s bluff and kills Feekat, then tells Ethan to carry his message of the Cybermen’s power. The Doctor uses her grenade and runs with Ethan and Ryan to the nearby Cyberfighters. The group hotwires Ashad’s ship and rockets into space.

The refugees aboard the gravraft limp toward Ko Sharmus and a phenomenon known as the Boundary, which can teleport people to random locations in the universe. On the Cyberfighter, Ethan also sets course for Ko Sharmus. Ethan talks about his upbringing and lessons about destroying cyber tech. Ashad makes contact and threatens to destroy humanity, even if it costs him his imperfect life. He believes that he was chosen to resurrect the Cybermen, and the death of everything is harbored within him.

The gravraft’s systems fail, leaving the ship on emergency power. A series of collisions prompt Yaz to look outside and find a Cyberman graveyard. A ship sits dormant in the debris and Graham convinces the survivors to use their remaining power to board it. They succeed, but as the ship powers up around them, Ashad and his guards arrive in a Cyberfighter.

The Doctor’s craft arrives at Ko Shamus. The planet has a single temporary settlement, and Ko Shamus is the elderly man who maintains it. He is stunned to see living humans and explains that he helps survivors pass through the Boundary. He fled with a handful of others, but as the word spread, more survivors sought sanctuary.

Graham, Yaz, and the refugees explore the Cyberman war carrier. They reactivate it and decide to use the ship as a mobile settlement to rescue what’s left of humanity. Graham and Ravio explore the rest of the ship and discover millions of dormant, battle-ready drones of a new design. The pair runs from Ashad, returning to the control center as the team continues to Ko Shamus despite the threat. Meanwhile, Ashad begins the ascension with his new army.

The Doctor, Ryan, and Ethan investigate the Boundary. It manifests as a rippling sheet of purple energy. As the carrier approaches the planet, Yaz calls the Doctor and explains the situation. The awakened Cybermen rampage through the ship and the Doctor urges the humans to evacuate. Unfortunately, they are trapped.

Then the two stories come together as the Boundary clears.

Through the portal, the Doctor sees the Citadel of Gallifrey. The Master leaps through the Boundary and tells the Doctor that everything is about to change… forever.

The Timeless Children

The Master forces the Doctor to join him in Gallifrey. If she doesn’t, he will kill the humans. As she crosses the Boundary, the Cyberman carrier arrives at the planet. Once on Gallifrey, the Master gloats about burning Gallifery to the ground and then takes the Doctor on a tour of the ruins.

On the carrier, the humans hide in a storage area after Bescot is killed. Graham develops a plan to use Cyberman suits as disguises. The team sets to work removing the biological remains and disconnecting the neural nets. Meanwhile, Ko Sharmus shows Ryan and Ethan his limited weapons supply.

In the Citadel, the Master is notified that the Cybermen have reached the Boundary. He invites Ashad to join him on Gallifrey and to leave some Cybermen behind to destroy Ko Sharmus, Ethan, and Ryan.

Graham and Yaz take a moment to talk about what happens if they don’t survive. He is quite proud of her and impressed by her resolve. With a tear in her eye, she jokes that he’s not so bad either. As their team puts the plan into motion, Ashad is alerted to their presence. Ashad searches for the humans but cannot find them in their disguises, and he gives up when the ship enters the Boundary.

The Doctor questions why the Master would surrender Gallifrey to the Cybermen. He deflects, directing her to the Matrix instead. He is driven by an unbelievable truth that he discovered in Gallifrey’s history, and he traps the Doctor in a paralysis field so he can share that truth with her. He sends her deep into the Matrix with a promise that it will hurt.

The Master presents a history of Gallifrey. In the time before the Time Lords, the Shobogans were the native population of the planet. An explorer named Tecteun found a gateway on another planet, with an orphaned child at its base. Tecteun and the child explored the cosmos before returning to Gallifrey, where she ran experiments trying to determine where the child came from. One day, the child fell off a cliff, but instead of dying, the child regenerated.

This was the first time regeneration happened on Gallifrey.

On Ko Sharmus’s planet, the humans wage war on the Cybermen. Ryan takes out several with a basketball-shaped bomb, but the drones keep marching. Meanwhile, the carrier literally lands on the Citadel. Ashad meets with the Master and introduces the Death Particle, a device created by the Cyberium to wipe out all organic life. Ashad has purged the new Cybermen of organic components in preparation for his takeover of the universe, but the Master offers an alternative to fully robotic life. He accompanies Ashad while his consciousness remains with the Doctor.

The Doctor’s story continues as Tecteun experiments on the child, forcing the child to regenerate time and again. Finally, Tecteun cracks the mystery and injects herself with the solution. Tecteun regenerates. With this new technology, Time Lord civilization exploded with the Timeless Child at its core, limiting each individual to twelve regenerations.

The Doctor asks what happened to the Timeless Child. The Master tells her that she is that child.

Meanwhile, Ko Sharmus, Ethan, and Ryan continue their guerilla campaign. They take out several drones, but Ethan is eventually captured. He is almost executed, but Graham’s team destroys the execution squad. Ryan is surprised to see his friends.

Ashad and the Master arrive in the Cybermen storage bays. The Master uses his Tissue Compress Eliminator to kill Ashad and release the Cyberium. He absorbs the Cyberium and pockets Ashad to keep the Death Particle nearby.

The Doctor awakens on a vast green landscape. She struggles with the revelations but the Master promises his story is true. He continues the story with Tecteun and the child becoming part of a secret group called the Division. Despite the Time Lord philosophy of non-interference, the group intervenes in time when necessary. The vision flashes in parallel with Brendan’s story, then stops altogether because the files were redacted. It is impossible to tell how much was lost, but what remains was encoded with a perception filter that looks like Brendan’s story.

The Master wonders how many lives the Doctor has lived.

As the Doctor revives from her experience, the physical version of the Master reveals that he kept the corpses of every Time Lord he killed. He has combined the power of regeneration with the durability of the Cybermen.

He has created CyberMasters – festooned in Time Lord regalia and armed with the power of regeneration – and he leads them into a conquest of the universe. Meanwhile, the human survivors cross the Boundary and arrive on Gallifrey.

The Doctor’s mind swims in the Matrix’s redacted void when the Fugitive Doctor appears. The Thirteenth Doctor wonders about her life before their First, but the Fugitive Doctor tells her it doesn’t matter. They’ve never been limited by who they were before, and the Thirteenth Doctor has the power to stop the Master now. But first, she must harness the power of the Timeless Child to overload the Matrix. She unleashes the memories of the Doctor into the Matrix and blows out the paralysis field.

She comes to and finds her companions and the human survivors standing over her. The humans explain their plan to destroy the carrier, and the Doctor devises a plan to use the Death Particle to destroy the CyberMasters. The humans place explosive charges throughout the ship while Team TARDIS tracks down the Master. They find Ashad’s miniaturized form and the Death Particle, and the Doctor telepathically offers one last meeting with the Master in the Citadel.

Unfortunately, the bombs are activated early, so everyone has to run. The ship is destroyed as the Doctor ushers everyone into a TARDIS. She asks Ko Sharmus for a bomb – it only has a hand detonator – and explains her plan to unleash the Death Particle on Gallifrey. She sets the TARDIS for the twenty-first century and sends the humans to Earth.

The Doctor returns to the Matrix Chamber on her suicide mission. There she finds the Master and his CyberMasters. The Master goads her but the Doctor doesn’t fall for it. His revelations have strengthened her. She pulls out the bomb and mini-Ashad, but before she can pull the trigger, Ko Sharmus arrives. He sent the Cyberium into the past, and he takes the detonator as his penance for not hiding it well enough. As the Doctor runs for a TARDIS, the CyberMasters shoot Ko Sharmus and he detonates the Death Particle.

The new Cyber-Empire is dead.

The humans arrive on Earth and their TARDIS disguises itself as a house. The Doctor materializes on the refugee planet near her own TARDIS, and the TARDIS she used to get there disguises itself as a tree. Unfortunately for her, three Judoon materialize inside the TARDIS and arrest the Doctor, finally closing the cold case on the fugitive.

The Doctor is taken to a maximum security prison to serve a life sentence, and her companions have no idea if she survived.


It’s the most controversial story in modern Doctor Who history… and I like it just as much now as I did when it first aired.

I understand the complaints. Fans of most major sci-fi franchises don’t like to see things meddled with. From Star Trek to Doctor Who, the complaints remind me of the oft-memed scene from The Incredibles 2: “I don’t know that way. Why would they change math? Math is math. Math. Is. Math!”

But… here’s the reality check. Doctor Who has never been consistent with continuity, and there are several extensive parody lists on Reddit about how changes in the franchise have “ruined the show forever”. Yet, somehow, the franchise continues on even under periodic threat of cancellation (in various definitions of the word).

Of the complaints I have seen regarding the Timeless Child revelation:

  • “This change disrespects William Hartnell.” How? Show your work. Because his stories still exist (even in telesnap form) and are even being preserved in high-definition format. If anything disrespects the legacy of William Hartnell’s work on Doctor Who, it’s how “An Unearthly Child” won’t be available because of Stef Coburn’s efforts. Otherwise, Hartnell’s legacy as the First Doctor remains intact.
  • “This change removes the mystery from the Doctor.” If so, please explain the history of the pre-Hartnell incarnations. Because all I see is massive story potential for the Doctor’s time with the Division and the implications of whether or not the Time Lords deserve to come back at all. We already knew they were arrogant and self-righteous, but now we get some context behind the regeneration limit. I also look at the events of The Time of the Doctor and how the Time Lords view the Doctor with a different lens, especially after thirteen incarnations risked their lives to save Gallifrey from utter destruction. Those Time Lords either gave the Doctor another set of regenerations or unlocked the Timeless Child’s potential that they had previously tried to stifle, allowing the Doctor to be who they truly are. In the end, the mystery is still there, effectively fulfilling the so-called “Cartmel Masterplan.”
  • “The Morbius Doctors aren’t real.” To the contrary, it was Philip Hinchcliffe’s intention that they were previous incarnations. The dialogue is also pretty clear: “Back! Back to your beginning!” followed by the eight faces. What happens on the television screen is part of the official continuity unless retconned later, and showrunner intentions fall into that same category for me. Showrunners are in charge of the show’s legacy while they hold the reins. Fans don’t have that responsibility. Philip Hinchcliffe has even seemed amused that fans ignored the obvious in  Morbius but readily attached themselves to the regeneration limits a mere four stories later.
  • “The Timeless Child isn’t canon.” We’ve already covered that. Unless retconned later, what happens on the screen during the show is official continuity.

Boiling it down, fans just don’t like the change. While that’s their prerogative, it’s also a personal choice. I don’t agree with that choice, but I respect it. We all need to remember that fan opinion is not continuity.

That said, it’s not all puppy dogs and marshmallows for me. I do have issues with the revelation.

First, is it even true? The revelation is provided by the Master, the man who massacred his entire civilization and is known for lying. Even if he is telling the Doctor the truth, is it based on his own interpolation of redacted events? Even with the Doctor having lives before the First Doctor, could the Timeless Child be someone else? Say, Susan, for example?

Imagine that storytelling potential. Taking Susan away from Gallifrey to protect her and remove some leverage from the Time Lords. Especially considering that Chris Chibnall’s screenplay suggests that the Time Lords who join Tecteun at the dawn of their society could be Rassilon and Omega.

10:27:40 INT. GALLIFREYAN CORRIDOR – DAY

TECTEUN walking down a corridor — at the far end, two Gallifreyan figures (with the collars up) in silhouette. We can assume these might be Rassilon and Omega.

I’d buy that. It would be a stronger story, leave some room for future work, and make the Doctor a bit more vulnerable in the future. It also provides a dramatic reason for the Time Lords to return. Note that the script says “assume” and that these characters were not credited on screen, so we can’t verify that it’s true.

As far as what happened to the Time Lords? I don’t like it. It feels disgusting, which makes it work dramatically. The fact that I physically recoiled from seeing Cybermen that can regenerate tells me that the Master is a villain of the highest order. While Missy had a path to redemption during Series 10, I don’t think this incarnation has a path back. He’s a monster.

I had a similar feeling toward Tecteun and her experimentation on the Timeless Child. She literally killed several incarnations of the child to unlock the secrets of regeneration for her own selfish desires. Yuck.

I also don’t like how the Timeless Child revelation was handled from a writing and production standpoint. The entire sequence with the Doctor in the Matrix was handled in a “tell don’t show” manner. I think it would have been better for the Doctor to experience Brendan’s story in A Christmas Carol format, then have the Master fill in the blanks in a much shorter manner. Having Brendan’s story in Ascension of the Cybermen was more confusing and probably made viewers more defensive from the start. A little rebalancing between the two episodes would have worked wonders.

Otherwise, I liked the balance of action and drama in this pair of episodes. The Doctor doesn’t have all the answers and has to figure things out with us. The companions get a huge chunk of the spotlight, and everyone has to use their wits and smarts to save the day. And Yaz getting some dues was a great thing to see.

In terms of franchise lore, there wasn’t much in terms of callbacks aside from what has already been mentioned. The Timeless Children does have the most extensive use of archive footage in Doctor Who at the time of airing. It’s also the first time clips from William Hartnell’s and Patrick Troughton’s eras were shown in full color.

It also features the first on-screen female-to-male regeneration.

Finally, for something to chew on, this adventure fulfills several elements of the Series Nine Hybrid prophecy: A hybrid creature (the Master and the Cyberium) stood over the ruins of Gallifrey and unraveled the Web of Time (the Master hacked into the Matrix and revealed the Timeless Child secret), and broke a billion billion hearts to heal its own (the slaughter of the Time Lords).

Probably not Chibnall’s intent, but a nice parallel nonetheless.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: Revolution of the Daleks

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Narrative Diversions (Winter 2024 Edition)

Culture on My Mind

Culture on My Mind
Narrative Diversions
(Winter 2024 Edition)

April 5, 2024

Narrative Diversions is a look at the various pop culture things I’ve been watching, reading, and playing over the last few months. 


Movies
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The Gray Man (2022) – PG-13 [Netflix]
I spent a lot more time on television and books this quarter. But, if shallow action flicks with a lot of twists are your thing, this will be right up your alley. The premise orbits around an agent named Six, an uber-skilled assassin for the CIA who ends up on the run after a mission goes a little caca. In response, the agency sends psychotic Captain America after him.

Every actor in this film, from Ryan Gosling and Chris Evans to Jessica Hanwick and Alfre Woodward, chews up every last bit of scenery. It is an orgy of action with predictable political thriller elements, but you can tell that the Russo brothers had a blast making it. Pop some corn, pour a drink, and invest an overly long two hours into not thinking about the details.


Television
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Quantum Leap – Season 2 [NBC]
This season of the revival continues the spirit of its progenitor in a loose thirteen-episode arc focused on family and love. Unlike the near-uniformity of the original series, this series throws twists and turns to share up the status quo, including a version of The Time Traveler’s Wife and a fair amount of the “I Thought You Were Dead” trope. It also enables the entire cast to pursue their respective agencies through varying storylines that all come full circle in this show’s core message.

I’ll spoil a bit here: There is no Sam Beckett. And, you know, I’m okay with that. The final title card on the original series finale stated that Sam never returned home. While he left a family behind, he also carried a calling from a higher power – known in fan circles as GTFW: god, time, fate, whatever – and that mission became his purpose.

If the current production team chooses to put a bow on Sam’s story, that’s perfectly fine. I’d love to catch up with Donna Eleese and Sammy Jo Fuller. I’d love to see some kind of tie to the origins of Lothos and the “evil leapers”. I’d love to hear Ziggy speak again. I’d love to know what happened to the original PQL site at Stallions Gate.

But if none of that comes up in the future, I’m okay with that too. I’m happy to let this one stand on its merits, especially with that season finale.

EDIT: Within hours of publication, industry trades broke the news that this show is officially canceled. It’s not unexpected, but still disappointing.

The Floor – Season 1 [Fox]
Eighty-one contestants enter, each armed with their own categories of expertise. One by one, they play a game of trivia meets Risk until one is left standing on the Floor. Some flaws are obvious – in particular, the Randomizer is obviously geared toward emphasizing drama – but the gameplay is engaging and fun to play with at home.

The Irrational – Season 1 [NBC]
We were drawn to this one because of Jesse L. Martin, and while it is a typical procedural, it has a good hook with Alec Mercer’s use of behavioral science to solve crimes. The underlying story is also decent but by the numbers when all is told. The supporting cast is a treat and they evolve as the season progresses.

I liked this more than Lie to Me, which is now 15 years old.

Press Your Luck – Season 5 [ABC]
The original Press Your Luck aired from 1983 to 1986, but I caught it on Game Show Network in the mid-’90s. I fell in love with it but didn’t engage with the ensuing variations. When ABC resurrected the show in 2019, I was already invested. Adding Elizabeth Banks as the host was icing on the cake.

Much like Peter Tomarken’s enthusiasm in the original run, Elizabeth Banks obviously loves her job. She gets into the game and loves to see the contestants win. The additional bonus game that takes up the second half of the hour is a great addition.

This show is must watch television when a new season starts. My only complaint is that the seasons are too short.

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FBI – Seasons 1-5 [CBS via Paramount+]
FBI: Most Wanted – Seasons 1-4 [CBS via Peacock]
FBI: International – Season 1 [CBS via Peacock]
Back to the procedurals, this Dick Wolf (of the perennial Law & Order juggernaut) franchise is generally episodic and came recommended. The drama is standard for Dick Wolf television, but these shows definitely lean more on the police work since lawyers aren’t involved. The draw for us is the characters, and FBI is much stronger than Most Wanted since the latter changes characters like dirty socks. Most Wanted is also a darker show, and it lost a bright light when Julian McMahon moved on. Dylan McDermott’s character is too erratic for my tastes, but the supporting characters (especially Hana) keep me around. International has a solid cast and a dog, but it’s also fairly dark when it comes to subject matter.

Watching these shows has been a task of its own: FBI is on Paramount+, but the spinoffs are on Peacock. We wouldn’t be able to watch the spinoffs if we didn’t have free access to Peacock through our cable provider. (There’s another discussion to be had about the future of television relying on the viewing public’s Google skills to figure out where to watch various episodes. No wonder piracy still exists…)

We’re interested enough to watch the new seasons as they premiere (which will all be on Paramount+, thankfully). We’re going to finish Season Two of FBI: International before jumping into the new episodes just so we’re up to date when the crossover episodes hit.

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Found – Season 1 [NBC]
The premise drew me in, but I wasn’t sold until the end of the pilot episode. The main characters kept me engaged because they’re not monolithic. Each one is traumatized in some way and that diversity drives their interactions. Unfortunately, the season dragged in the second half as the drama surrounding Gabi’s secret started to smother the show.

Echo [Disney+]
I liked the character when she debuted in Hawkeye, and the evolution as she returned home was great. The respect paid to Native American traditions was nicely done, and I loved seeing how Alaqua Cox’s portrayal changed as her character grew. I’m looking forward to seeing where both of them go in the future.

For All Mankind – Season 4 [Apple TV+]
I was concerned about this season when it started because of how disjointed it was. By the time it concluded, the threads came together nicely. There’s not much more I can say without possible spoilers, so I’ll leave it with this: I look forward to news about Season Five.

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The Crown – Seasons 5 & 6 [Netflix]
When Season Six debuted, I remembered that we never watched Season Five. Both of them are about the same standard set by Peter Morgan, but it was pretty obvious that he was having trouble with the final season since the events were more recent and didn’t have the deep historical analysis of those of fifty years and beyond. The story had a lot of time jumps after Lady Diana’s death, but the finale was amazing, especially in that final scene that alluded to the Queen’s death.

Halo – Season 1 [Paramount+]
My message to the Halo fanbois: I’m sure you own all the games. Probably multiple versions of them. The novels and comics too. If you want that story, go play your games and read your books!

In 2018, Showtime president Gary Levine announced that their version of Halo would be set in a parallel timeline and would draw from the Halo canon while working with Microsoft and 343 Industries to ensure authenticity. This Halo is not the version in the games.

I can understand being upset about a lack of faithful adaptation if the intent was to be faithful. The recent Dune movies come to mind with the significant continuity changes in Dune 2. But the intent with Halo was to tell a new story separate from the games. That’s what this show is, and no amount of kvetching in social media comments, bullying fans of the show, or harassing the show’s stars online will change that.

As far as the show is concerned, it is a slow burn focused more on the characters than on the bang-bang-shoot-em-up. I love that about this adaptation. The battles are nice, but it’s obvious that the showrunners know what they’re capable of. The fall of Reach, for example, is obviously a large chunk of the budget so it’s told in far less epic scope than the game/novel month-long siege.

I loved Season One and Season Two improved on it. I hope the show gets another run.


Books

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Star Trek: Typhon Pact – Zero Sum Game – David Mack
Star Trek: Typhon Pact – Seize the Fire – Michael A. Martin
Star Trek: Typhon Pact – Rough Beasts of Empire – David R. George III
Star Trek: Typhon Pact – Paths of Disharmony – Dayton Ward
Star Trek: Typhon Pact – The Struggle Within – Christopher L. Bennett
Star Trek: Typhon Pact – Plagues of Night – David R. George III
Star Trek: Typhon Pact – Raise the Dawn – David R. George III
Star Trek: Typhon Pact – Brinkmanship – Una McCormack
The Typhon Pact series is a collection of hits and misses for me. It follows the Destiny trilogy (which I enjoyed) and A Singular Destiny (which I have not yet read). Basically, the Romulans, Breen, Tzenkethi, Gorn, Tholians, and Kinshaya combine forces in a fractured alliance. They stand together against the Federation and the Klingons, but they also have their own goals and motivations.

Zero Sum Game involves a covert mission to the Breen worlds after the Typhon Pact steals plans for a quantum slipstream drive. I loved exploring the Breen people (which smooths over some of the discrepancies in the species from the television series) and the story between Bashir and Sarina Douglas. The cat-and-mouse story on the USS Aventine was also fun. The downside was Section 31, a group that I have been tired of for a long, long time.

Seize the Fire took me back to the USS Titan and a tense story about the Gorn and the future of their species. It was very much a submarine story mixed with the “boldly go” mission of Star Trek, but it was here that I started to wonder about the cohesive nature of the Typhon Pact series. The two novels weren’t linked, and it felt like the series was going to tell stories like an extended anthology series.

Rough Beasts of Empire was hard to finish. Not only does it do a lot of time jumping, but the two storylines didn’t engage me. The first concerns Spock’s Reunification Movement and the cold war between the two Romulan governments in the aftermath of Star Trek: Nemesis. I like Spock, but the three-way political conflict felt like a whole lot of wheel-spinning that eventually tied into the Sisko story. That storyline pissed me off.

Star Trek: Deep Space Nine ended its run with Sisko joining the Prophets in the wormhole. He told Kasidy and Jake that he would return, which he did in Star Trek: Unity at about the same time his daughter Rebecca is born. And then he gets a message from the Prophets that his life with Kasidy will be nothing but strife, so he abandons them. That’s right, Captain Benjamin Sisko, the strong single father we grew to love over seven years of magnificent television gets tossed into the stereotype of black men being absentee fathers who are disengaged and irresponsible.

That is not the Benjamin Sisko I know. Benjamin Sisko would not abandon his family, even with the vague foretellings of the Prophets on his mind. Benjamin Sisko would work through adversity and build the best life possible with his loved ones. Benjamin Sisko promised to return to those he loved when his time with the Prophets was done.

I don’t buy the Sisko who ran off to hide on a starship without a word of explanation to his wife.

Anyway…

Paths of Disharmony was a far better story, this time bringing the internal Andorian conflict to a head as they try to resolve their reproductive crisis. The Typhon Pact was vindictive and the ending was heartbreaking, but the political story and action were engaging. This one kept me up late quite often.

I wasn’t really impressed with The Struggle Within. This was an ebook novella in the set and the majority of the conflict centers around the women of the Talarian Republic fighting for equality. That should have been a good story, but it focuses more on Beverly Crusher being taken hostage and only features a small influence from the Typhon Pact. The story should have been longer and more involved.

Plagues of Night finally ties all of the disparate novels together, but it comes across like a slide show of vignettes. This is where the primary weakness of the series is displayed: I feel like it would have worked better to tie all of these threads together over a cohesive serial, thereby showing us the overall growing threat to the Federation. Plagues of Night finally picks up when it runs out of “remember when” moments and unites the Federation and the Romulans in a peaceful experiment. Of course, it all goes sideways and ends in a most shocking and explosive cliffhanger.

Raise the Dawn represents the chaotic state of affairs after what would otherwise be a declaration of war. It’s like a “day after” of the 9/11 attacks, and that uncertainty on a galactic scale is fascinating. David R. George III also gains a little redemption for how Sisko was portrayed earlier in the series as the character threads get tied off.

I haven’t finished Brinkmanship yet; I crossed the 50% mark just as the quarter ended (hence, why the cover is grayed out in the cover gallery above). The story is kind of interesting but it’s leading me to the same question I’ve had since I started this eight-book series: What exactly is Star Trek: Typhon Pact trying to do? I’d like to know if this is just a set of stories strung together because of the circumstances, or is this set trying to accomplish something else? I feel like there won’t be a definitive conclusion – a solved problem, such as a peace treaty – when all is said and done.


Stage

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Hamilton – Broadway in Atlanta
This is one of my favorites. We originally bought season tickets to the Fox Theater’s Broadway Across America tour to see it, and we see it every time it comes to town. This was our third live showing, and our fourth distinct showing if you count the Disney+ version. I always have a good time with it.

Beetlejuice – Broadway in Atlanta
I haven’t laughed this hard in a while. This musical takes all the good bits from the 1988 film and runs with them in an irreverent, often self-referential rollercoaster ride. I really appreciate how they beefed up Lydia’s role as a protagonist. It’s rude and crude: If that’s your cup of tea, find time to see this show.


Games

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Super Mario Odyssey – Nintendo Switch
Super Mario Wonder – Nintendo Switch
The time I invested in video games as 2024 started was with my wife. She loves the Mario games and these two were time spent together having fun. They’re quite enjoyable.

I’ll get back to Tears of the Kingdom soon enough.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #300: The Haunting of Villa Diodati

Doctor Who: The Haunting of Villa Diodati
(1 episode, s12e08, 2020)

Timestamp 300 Haunting Villa Diodati

Enter Frankenstein’s monster.

The place and time are Lake Geneva, June 1816. As a thunderstorm crashes down upon the Swiss countryside, Mary Wollstonecraft Godwin (the future Mary Shelley, the mother of science fiction), Lord George Gordon Byron, Doctor John Polidori, and Claire Clairmont bemoan the abnormal summer weather and enjoy a horror story. As Lord Byron reaches the climax of his tale, the crowd jumps at a knocking on the door.

When the tense crowd opens the door, they find the Doctor, Graham, Yaz, and Ryan. Everyone screams!

The Doctor flounders with the soaked psychic paper and Graham stumbles with modern vernacular, so Ryan simply asks to come in. They are excited to see the creative minds at work, but instead, dance with them and are treated to gossip about Mary not being married despite taking the Shelley surname and Byron separating from his wife to elope with Mary’s stepsister Claire.

Graham ventures off to find a bathroom, the Doctor tries to convince Mary to write a horror story, and the maid Elise is haunted by flying vases and disembodied hands. Graham ends up walking in circles through the house as mysterious figures appear and disappear around him.

Yaz finds Claire trying to break into Byron’s room to find letters about his feelings for her. Yaz consoles her before spotting one of the mysterious figures. Meanwhile, Byron chats up “Mrs. Doctor” while deflecting questions about Shelley. They also talk about Byron’s daughter Ada and the “unrelentingly evil” vibe surrounding the house. While chatting with Ryan, Mary laments her poor writing talent.

Graham returns to the drawing room as Polidori challenges Ryan to a duel for a perceived offense. The conflict is interrupted by the disembodied hand. It chokes Ryan and is shot into dust by the butler Fletcher. The Doctor tastes the dust and places it around the fifteenth century. Byron shows the collected party his odd collection, including the remains of a fifteenth-century soldier.

The soldier is missing two hands.

Mary explains that when the weather got worse, Shelley started having visions of a figure floating over a lake. Yaz plans to visit Shelley in his chalet while Graham sees the mysterious woman and girl but dismisses them as Polidori snoozes.

Everyone finds themselves circling throughout the house. Mary attempts to find her son, but the house won’t let her. Elise finds baby William and spots lightning on the lake. Meanwhile, Polidori awakens and sleepwalks through a wall. The Doctor discounts a haunting because ghosts don’t exist, and she eventually deduces that a perception filter is at work. As everyone in the house slowly gathers together again, Mary finds a skull and a skeletal hand in William’s cot.

The group traps the animated skull and hand and then shares their findings. The Doctor finally realizes that 1816 was “the year without a summer” due to volcanic activity. She spots the glowing figure on the lake and determines it is a time traveler. The figure materializes in the hallway, and the Doctor immediately recognizes it as a lone cyberman. The Doctor warns everyone to stay put lest they be assimilated as Cybermen, then goes alone to confront it. She doesn’t want to lose anyone else to the mechanical menace.

The Cyberman kills Fletcher and tracks Elise due to William’s cries. The Cyberman seeks a “Guardian” and does not kill the baby. The Doctor finds it and questions the incomplete form, but the Cyberman cannot attack her due to depleted power cells. The Cyberman allows itself to be struck by lightning to recharge. It speaks of a Cyberium that has selected another host.

The rest of the group finds a supposedly vacant room, but it is covered in Shelley’s writing. In the cellar, Claire finds a man who mutters about keeping a Cyberman out. This man, Percy Bysshe Shelley, is the Guardian. The Doctor meets up with this group, finds baby William, and visits with Shelley. The Cyberman teleports to Shelly in search of the Cyberium, but Shelley somehow sends it away.

Through a psychic connection, the Doctor realizes that Shelley found a shimmering silver by the lake. It hid inside his body, cloaking his movements and altering everyone else’s perceptions. His mind is full of images, symbols, and numbers, and no amount of writing will remove them. The Doctor realizes that the Cyberium contains all future knowledge of the Cybermen and was sent back in time to change the future. It will burn Shelley’s mind if he keeps it.

Despite Jack’s warning, the Doctor convinces Shelley to stop fighting the Cyberman’s influence. Unfortunately, if she saves Shelley, the Cyberman will be able to raise an unstoppable army and kill billions. There is no right answer, and the Doctor is furious with the choice forced upon her.

The Cyberman arrives and demands that the Cyberium release Shelley. Mary confronts it and learns that it was a father once, a man named Ashad who was transformed in death (and killed his own children for joining the resistance against him). Using that story as inspiration, the Doctor shows Shelly a vision of his own death and forces the Cyberium from him.

Everyone is teleported back to the drawing room as the Cyberium chooses the Doctor. Ashad calls upon his ship and threatens to destroy the world, so the Doctor releases the Cyberium to Ashad’s control. The lone Cyberman vanishes and the thunderstorm disappears. The Doctor decides to travel into the future with Shelley’s scribblings to fight Ashad before he can destroy everything.

The next day, Claire berates Byron over his poor treatment of her and breaks up with him. Team TARDIS convinces Mary to keep writing and apologizes for giving Shelley a sneak peek of his death. Graham is confused by the ghosts (who weren’t ghosts) and the Doctor offers to send her companions home as she faces the Cybermen.

The companions refuse, and over a reading of Byron’s Darkness, the team sets course for destiny.


In a good suspense story featuring a possible inspiration for Frankenstein, or the Modern Prometheus, we get a prelude for the most divisive story in modern Doctor Who history. The premise was sound with our traveling heroes on a quest to see the origins of Mary Shelley’s masterpiece, and it evolved into a fantastic mystery thriller that brought us back to basics with historical and problem-solving elements.

The centerpiece – the lone Cyberman from Jack’s warning – is itself an amalgam of modern Doctor Who history. The body is mostly from Nightmare in Silver with lower legs from Rise of the Cybermen and arms from World Enough and Time. The helmet is a new arrangement but is inspired by a design by assistant Matthew Savage. (A 2016 three-dimensional update was showcased on his Instagram profile last year.)

The drama of this episode, with a chance to permanently defeat a menacing enemy at the cost of the greater good, was tense. This is when Doctor Who‘s social messaging is on target, with subtle pokes that make the audience feel the choice rather than experiencing a bludgeon to the head.

And, as mentioned before, this is the last prologue before the Doctor Who universe changes once again. To call what’s coming divisive is an understatement.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: Ascension of the Cybermen and Doctor Who: The Timeless Children

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Dragon Con Report 2024 #2: Host Hotel Hunger Games

Culture on My Mind

Culture on My Mind
Dragon Con Report 2024 #2: Host Hotel Hunger Games
March 29, 2024

One of the ways that I like to prep for Dragon Con is by listening to the Dragon Con Report podcast. Brought to you by the ESO Network, the podcast is a monthly discussion on all things Dragon Con that counts down to the big event over Labor Day weekend in Atlanta, Georgia.

The show is hosted by Michael Gordon, Jennifer Schleusner, and Channing Sherman, and it delivers news, notes, tips, and tricks for newbies and veterans alike. The Dragon Con Newbies community has a great relationship with the show and the network.

The second show of the 2024 season talks about the wild world of getting a place to sleep at the con. Mike, Jen, and Channing talk with guest Russ Eff about policy changes, unexpected charges, and the rush (literal and figurative) in fighting for a hotel room. 


The show can be found in video form on YouTube and in audio on the official website and wherever fine podcasts are fed. The Dragon Con Report channels can be found on Facebook, Instagram, and YouTube. You can catch their shows live on those platforms or on demand on their website.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Dragon Con Report 2024 #1: Top 12 Things We Would Never Change

Culture on My Mind

Culture on My Mind
Dragon Con Report 2024 #1: Top 12 Things We Would Never Change
March 22, 2024

One of the ways that I like to prep for Dragon Con is by listening to the Dragon Con Report podcast. Brought to you by the ESO Network, the podcast is a monthly discussion on all things Dragon Con that counts down to the big event over Labor Day weekend in Atlanta, Georgia.

The show is hosted by Michael Gordon, Jennifer Schleusner, and Channing Sherman, and it delivers news, notes, tips, and tricks for newbies and veterans alike. The Dragon Con Newbies community has a great relationship with the show and the network.

The first show of the 2024 season breaks the ice as Mike, Jen, and Channing discuss the latest news and list the things about the convention that should never change.


The show can be found in video form on YouTube and in audio on the official website and wherever fine podcasts are fed. The Dragon Con Report channels can be found on Facebook, Instagram, and YouTube. You can catch their shows live on those platforms or on demand on their website.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.