Doctor Who: Boom Town
(1 episode, s01e11, 2005)
Second chances all around.
Six months after the attempted Slitheen invasion, a scientist is pleading with Mayor Margaret Blaine to stop construction of a nuclear power plant lest it destroy the city. With a little bit of gassy rumbling we know who she really is, and she shows the scientist moments later as she unzips her head and devours him.
Mickey arrives in Cardiff by train and finds the TARDIS. He meets Jack and then reunites with Rose to deliver her passport. Rose explains that they are using the Cardiff Rift to recharge the TARDIS. One lesson about the chameleon circuit and the history of the TARDIS later, they head into the city for a little fun.
Mayor Blaine introduces the nuclear power plant – the Blaidd Drwg project – at a press conference. Afterward, she encounters a reporter named Cathy Salt who challenges the mayor about random deaths and the dangers of the plant. Cathy is nearly killed by the mayor in the ladies room, but the revelation that the reporter is pregnant stays the Slitheen’s hand. While at lunch, the Doctor spots a newspaper with the mayor’s photo on the front page. His day is ruined by the news that the Slitheen still lives. The team converges on City Hall with a divide-and-conquer strategy. The Doctor flushes the mayor out and the team corners her. While on the run, she assembles a transmat device from her jewelry, but the Doctor uses his sonic screwdriver to negate the effect.
The travelers and Mayor Blaine look over the model of the plant, revealing that it is hiding a tribophysical waveform macro-kinetic extrapolator – a pan-dimensional surfboard, of sorts – to escape the explosion that will destroy the planet. The Doctor finally connects the dots on the Bad Wolf label (Blaidd Drwg in Welsh) that is following them through time. That’s a mystery for another day, since he also learns that if he takes Blaine – better known as Blon Fel-Fotch Passameer-Day Slitheen – back to Raxacoricofallapatorius, she will be executed. She uses that to her psychological advantage as they wait for the TARDIS to recharge.
Mickey and Rose use the interlude to catch up, especially considering that Rose didn’t really call him to bring a passport. They leave for a night on the town while the Doctor and Jack have a conversation with Blon. The Slitheen makes a last request: A final meal at her favorite restaurant. Jack offers a pair of bracelets that will shock her if she tries to escape, so while he tries to wire the extrapolator to the TARDIS console, the Doctor and Blon dine. She tries to kill the Doctor multiple times, but he deflects each attempt. She details her pending execution in attempt to dissuade him, but the Doctor notes that if he shows her mercy then she’ll just start again. She decries him as a vengeful god – we’re back to the literal deus ex machina theme – and then the night goes sideways.
Meanwhile, Rose and Mickey walk around the bay, and Mickey reveals that he’s tried to move on. Rose tries to deal with the news, but ends up confronting Mickey over it. Mickey is distraught because Rose is gone all the time, and even though it will tear him apart, he promises to wait for her. Rose, rightly, is chagrined.
That’s one thing that I have really enjoyed about this series of episodes: It has addressed those who are left behind.
But, let’s get back to the sideways: The night is shaken apart by an earthquake.
The energy from the extrapolator is using the energy from the TARDIS to tear open the Cardiff Rift. Everyone returns to the TARDIS and Blon takes Rose hostage. The Slitheen reveals that this was her plan, relying on an advanced technology to find the extrapolator and destroy the planet through the Rift. Unfortunately for her, the heart of the TARDIS is opened beneath the console. Blon is transfixed by the beauty within the living machine, and with heartfelt thanks, she disappears. After the TARDIS is shut down and the crisis is averted, the Doctor finds an egg inside the skin suit. The TARDIS telepathically communicated with Blon and granted her a second chance by helping her revert to her youngest form.
Rose tries to say goodbye to Mickey, but he sees her and leaves before she finds him. With that, the travelers set course for a hatchery on Raxacoricofallapatorius.
The mythological ties are strong in this one, reaching all the way back to 1963. Between the discussion of how the TARDIS ended up stuck as a police box and the concept of the Heart of the TARDIS – alluded to in the third story, The Edge of Destruction, physically seen in Terminus, and discussed in the television movie – it’s apparent that writer and producer Russell T. Davies did his homework for this episode.
This story also continues the series thread of redemption for the Doctor. He wants to do the right thing in taking a serious criminal home to answer for their atrocities, but knowing that she faces execution is a huge wrinkle. This is a Doctor who has a lot of blood on his hands, and it’s apparent that he doesn’t want any more. After all, he was overjoyed last week that “just this once” everybody got to survive an encounter with him.
As previously mentioned, this series has also been simply fantastic at exploring the lives of those left behind, especially Jackie and Mickey. Doctor Who usually focuses on the adventure in the TARDIS, but if the companions leave family behind when the Doctor throws the switch, there is plenty of drama to explore. It makes the scenarios that much more humanly believable.
Finally, the Bad Wolf is coming to a head. The Doctor and Rose have been seeing the meme following them from place to place – notably, all of which have been on Earth this series (except for the off-screen adventures that Rose effuses about, breaking the guideline of “show, don’t tell“) – but the Doctor sets the idea aside for another day. It’s the bigger issue at hand, but not the most pressing in the face of Earth’s pending doom.
Something tells me that we’ll learn more during the next adventure.
Rating: 4/5 – “Would you care for a jelly baby?”
UP NEXT – Doctor Who: Bad Wolf and Doctor Who: The Parting of the Ways
The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.