Timestamp #SJA2: Revenge of the Slitheen

Sarah Jane Adventures: Revenge of the Slitheen
(2 episodes, s01e02, 2007)

 

They’re back, and this time they brought a kid.

Maria Jackson offers a brief recap of the characters and their last adventure as she heads to her first day of school. She meets up with Luke Smith – dropped off by Sarah Jane, who doesn’t want to be called “mum” – and they head toward the newly-built school building. Meanwhile, some familiar-looking aliens with familiar gas problems take over a teacher’s body.

Luke and Maria meet with new student Clyde Langer – Kelsey Hooper has conveniently disappeared, but not for reasons pertaining to this plot – and they join the assembled students for an orientation tour by the Slitheen-assimilated headmaster. Clyde notes that the building smells like metal and batteries, and a later lunch also proves strange.

Luke and Maria get a ride home with Sarah Jane. Alan Jackson and Sarah Jane talk for a moment about parenting and other new construction that smells like metal. While the Slitheen run electrical experiments, Sarah Jane does some research and counsels Luke on how to be a kid. The research reveals a company called Coldfire that has been building schools all across London.

Maria’s mother Chrissie stops by for a visit just as the Slitheen cut power to the entire city, including battery sources, Mr. Smith, and Sarah Jane’s wrist analyzer. Even candles refuse to stay lit. The Slitheen stop their experiment due to a faulty stabilizer and energy is restored, leaving the aliens with one step to go before destroying Earth.

The next morning, Sarah Jane talks to Alan as he gardens. She asks him about the school that he worked on – St. Cheldon’s Comprehensive – and investigates the connection. St. Cheldon’s has a new building just like Park Vale does, along with the same problems with electrical systems and spoiling food. All the while, someone is watching Sarah Jane on the school’s security cameras.

Meanwhile, Luke and Clyde bond over science class and the science-teacher-turned-Slitheen, Mr. Jeffery, wants to recruit Luke to help with the stabilizer problem. Luke unwittingly provides the answer while Sarah Jane asks Maria to snoop around the school while she checks out Coldfire Construction.

Luke and Clyde discover an unaccounted for space in the school while Maria is trapped by the Jeffery Slitheen in a computer lab. Sarah Jane encounters her own problems at Coldfire when the receptionist turns into a Slitheen as well. Sarah Jane, Clyde, and Maria are all hunted as Luke figures out how to enter the extra space behind the walls. There he finds the headmaster and the Slitheen science project.

Sarah Jane escapes by dousing her pursuer in perfume and using the sonic lipstick to open the door. She calls Luke and tells them how to escape. Luckily, Clyde has a can of Wolverine – think Axe body spray – and the kids escape with Sarah Jane just in the nick of time.

The Slitheen question how a human has a sonic device, but they determine that it’s too late to worry. Meanwhile, the kids and Sarah Jane convene at Bannerman Road. Sarah Jane learns about the Slitheen (and recalls something a friend once told her about Slitheen in Downing Street) before meeting Clyde and consulting Mr. Smith about Coldfire’s new constructions around the world. All of the ten cities have underground railways to act as a cooling system for the capacitor systems, and Luke reveals that he has provided the Slitheen with the key equation. The city of Los Angeles has just gone dark followed by China, and Washington, DC is up next.

Clyde also has a fascination with military operations.

Mr. Smith provides a biographical report on the Slitheen, but the city goes dark just before the supercomputer can deliver a weakness. Sarah Jane and her team head for the school, armed with Clyde’s information that the Slitheen were offended by his lunch. It seems that vinegar is the secret weapon. They hit the street as the sun goes dark.

The headmaster drops his human skin and greets the team as they arrive. The vinegar works, prompting the headmaster to explode, and the remaining two Slitheen call in reinforcements just in time to capture Sarah Jane and Luke.

Cue the villain exposition on the evil plan. The Slitheen want revenge against the Ninth Doctor.

Luke explains that the system can’t hold that much power. The rest of the team is captured as Luke makes adjustments, which requires a reset of the system. Sarah Jane and Luke use the newly restored sonic lipstick to break the system and the team escapes. Sarah Jane shows mercy on the younger Slitheen, allowing him to escape with the others who transmatted away.

The team arrives back at Bannerman Road as Sarah Jane informs UNIT of the escaped Slitheen with “love to the Brig.” Maria has a moment with her mother (who is skeptical of the events since Maria moved away) and Sarah Jane explains things to Clyde, including her adventures with the Doctor.

She also swears him to secrecy, and he tells her that she should be Luke’s mother. Sarah Jane has Mr. Smith put a rumor into the world to explain the strange happenings. She tells Luke that she’s proud of him and accepts her role as his mother.

 

Coming back ten months after the first episode, Sarah Jane returns with minor changes. The largest, of course, is changing Kelsey Hooper for Clyde Langer because the BBC thought that there were too many female characters on the show. That is a frustrating decision.

Otherwise, this story was a serviceable sequel to the Ninth Doctor’s adventures with the Slitheen. It was a good introduction to Clyde and a wonderful chance to grow for Sarah Jane. Motherhood looks good with her.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

 

UP NEXT – Sarah Jane Adventures: Eye of the Gorgon

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

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The Mystery of the Missing Doctors

The Mystery of the Missing Doctors

 

Funko Pops are the Beanie Babies of the early twenty-first century.

I say that as a statement of fact, not as a slight or insult. Created in 1993, Beanie Babies were a fad collectible from the late 1990s. They weren’t toys in the normal sense, and are collected more for their trading value and the overall cuteness factor. I have several of them, most of them celebrating milestones in my life because they were inexpensive and heartfelt gifts from friends and family. I cherish them because of those intended purposes.

Funko Pops are very similar. They’re difficult to play with, but they serve as inexpensive gifts for the pop culture fiend in your life. The line spans thousands of characters over a wide variety of franchises and licenses. From a collecting perspective, while they’re certainly not as advanced and playable as standard action figures, they do provide an easy way to celebrate particular fandoms.

I don’t collect a lot of Funko Pops. I don’t have any problem with people who do.

My main point of contention is with the Funko company itself, or rather with how they treat licenses that they create for.

 

Here it comes: Oh, god, he’s going to talk about Doctor Who again, isn’t he?

Yes, I am.

The franchise hardly needs any introduction. It’s a cultural touchstone that has existed for 56 years with fourteen actors in the title role. There are a lot of collectibles on the market to celebrate this franchise, among them Funko Pops.

But I feel like Funko is doing fans of this show (and their product line) a disservice with their offerings.

Funko Pops based on Doctor Who started hitting shelves in 2015. Thirty distinct Pops were released that year, focused mostly on the revival era of the franchise. At this point, the show was between Series 8 (during which Peter Capaldi debuted as the Twelfth Doctor) and Series 9 (during which Jenna Coleman departed). The revival Doctors were highly represented and the classic era got some love as well. The modern companions were fairly well represented as were the monsters. The TARDIS herself got two releases.

Twelve of the figures – forty percent of the year’s figures – were exclusives to geeky stores (Hot Topic, Barnes & Noble, GameStop, ThinkGeek, FYE) and major conventions (San Diego Comic Con (SDCC) and New York Comic Con (NYCC)). The SDCC Twelfth Doctor in the spacesuit commands over $200 alone on the secondary market.

2015 (Thirty releases, twelve exclusives)

  • Ninth Doctor (x2)
  • Tenth Doctor (x4)
  • Eleventh Doctor (x3)
  • Twelfth Doctor (x3)
  • Fourth Doctor (x2)
  • Sarah Jane Smith (The Hand of Fear)
  • K-9
  • Rose Tyler
  • Jack Harkness (x2)
  • River Song
  • Weeping Angel
  • Dalek (x3)
  • Cyberman
  • Adipose (x2)
  • The Silence
  • TARDIS (x2)

The line slowed down considerably in 2016. Six figures were released and all of them but one were Doctors. Only one was exclusive.

2016 (Six releases, one exclusive)

  • Twelfth Doctor
  • Eleventh Doctor (x2)
  • Tenth Doctor
  • War Doctor
  • Davros

The following year brought a major shift in the line as only three figures were released, and all of them were exclusives.

2017 (Three releases, all exclusives)

  • Clara Oswald (SDCC, later Hot Topic)
  • Rory Williams (Hot Topic)
  • First Doctor (NYCC, later Barnes & Noble and Books-a-Million)

In 2018, Funko moved back to six releases. Half of the line was sent to exclusive markets, including to Emerald City Comic Con (ECCC).

2018 (Six releases, three exclusives)

  • Amy Pond (ECCC, later Hot Topic)
  • Thirteenth Doctor (SDCC, later BBC)
  • Vashta Nerada (NYCC, later Hot Topic)
  • Thirteenth Doctor
  • Clara Memorial TARDIS
  • Missy

Finally, 2019 brought five new figures, two of which were exclusives. This year’s lineup was exclusively targeted toward Series 11 of the revival era.

2019 (Five releases, two exclusives)

  • Thirteenth Doctor
  • Reconnaissance Dalek
  • The Kerblam Man
  • P’ting (SDCC)
  • Tzim-Sha (NYCC)

Funko has released 23 figures based on the Doctor, but only 8 Doctors overall. The product line is heavily weighted toward the revival era, with only two Doctors and two companions representing the first 42 years of the franchise’s existence. Technically, Davros could represent the lone enemy from the classic years, but he has also appeared in the revival era which blunts the impact of that figure’s representation.

The problem is that we are missing six Doctors for a complete lineup of the show’s regenerating hero.

Funko has had problems completing lines in the past: Back when they had the Star Trek license, they created Pops for The Original Series, The Next Generation, and Star Trek Beyond. They completed the Enterprise crew for Beyond, but fell short with Next Gen and The Original Series. Specifically, they left out Beverly Crusher and Katherine Pulaski (both women and doctors) and only Kirk, Spock, and Scotty made the cut from the original NCC-1701. The rest of the franchise – Deep Space NineVoyagerEnterprise, the other twelve movies – didn’t get any love at all.

It’s not the only franchise line to fall to the wayside, either.

It would be understandable if Funko didn’t have the money or resources to complete the Doctor Who line, but that doesn’t jive with how they treat other popular franchises. Consider the various chrome sets (Marvel, DC, Star Wars, etc), the flocked versions, the sparkly “Diamond” glitter versions, the Rainbow Batman set (commemorating Batman’s 75th anniversary and Detective Comics #241), the DC Comics Lantern figures (Wonder Woman, Superman, and others became members of various Lantern Corp for a spell, prompting new Funko Pop molds for collectors), and the new Star Wars Skywalker Saga sets (which are really just repainted leftovers).

It also doesn’t pass the smell test when considering how many are coming out this year alone – an entire Mortal Kombat line, Miami ViceThe Dark Crystal, more Star WarsFrozenOverwatch, and the list goes on – and how many are stacked up on store shelves in the meantime. Just like Beanie Babies, these things seemingly reproduce like tribbles.

The evidence is clear. After an impressive debut followed by lackluster follow-up and lack of representation for classic fans, it’s apparent that Funko is failing fans of Doctor Who.

 

So, what can they do to fix it?

The obvious solution is to create the figures, but given that the market is saturated and (subsequently) distribution is scattershot, big-box brick-and-mortar storefronts are not the best option. I wouldn’t recommend convention exclusives either, since that approach tends to overinflate the price for anyone who cannot make the trip to San Diego, New York, Seattle, or other major conventions. I got lucky when shopping for the First Doctor because I found one on eBay that was missing the NYCC sticker and had a dented box, but not everyone has that.

Funko has worked with widely accessible storefronts such as Hot Topic, GameStop, Entertainment Earth, and Amazon. One option is to sell the missing Doctors through one of those more focused retailers. Another option is to use the online Funko Shop to “pre-order” the figures and judge how many to make. Six months later, distribute the figures to the buyers with a few left over for stragglers (which can by sold via the first option).

If this proves profitable, it could open the way for more companions, more monsters, and more Doctor Who in the Funko line.

Either way, the hole in the collection is painfully obvious. Doctor Who shouldn’t go the way of Star Trek or other incomplete franchise lines. It is a cornerstone and gold standard for science fiction television, and each of the incarnations of the titular hero has a dedicated fan following.

Funko should respect that history and those fans. They should complete the timeline of the Doctor.

Timestamp: Series Three Summary

Doctor Who: Series Three Summary

 

Tennant’s sophomore year is a winner.

The big arc for this series was the story of Martha Jones. She starts as a medical doctor and ends up saving the world, and I consider her one of the best companions in the history of the franchise. It’s easy to see her as the Rebound Rose, particularly since that’s how she feels for the entire run, but I think that her presence on the TARDIS is so much more important than that.

Martha is enamored with the Doctor, but she’s perpetually perplexed by the unrequited feelings. The Doctor doesn’t romantically love her, but I saw that he develops a different type of love for her over the span of adventures. Her journey starts as a thank you for saving the Doctor in Smith and Jones, but by the time that we reach Human Nature we see a different side of the Doctor. She’s gained his confidence and respect, and he trusts her with his life, even though guarding his identity will be one of the most trying things she’s ever done.

She faced abuse and racism because of the Doctor but she kept to her mission because she loved him. He loved her enough to place his life (and the fate of the universe) in her hands. It’s a good reminder that not all love is romantic and that platonic love can be a force far stronger than sexual attraction.

When we get to “the year that never happened,” he shows that trust and respect once again, and Martha comes through to save the universe one more time. Martha’s character grew even more when her family got involved with the Saxon campaign, providing her a choice between saving her loved ones or saving all of existence. It was a clever move from the Master, and a brilliant choice to present to Martha. The entire time, Martha remains Martha. She doesn’t change herself to win the Doctor’s love, and she has enough self-respect to walk away when she knows that her efforts are futile.

It’s a far better relationship than we saw with Rose, the woman who melted for the Tenth Doctor and changed course from the shop girl we met way back in Rose. I know that fans love her, and that’s their prerogative, but I felt that she became less of a companion and more of a groupie as she went on. Rose had an important role in helping the Ninth Doctor heal after the events of the Time War, but Martha definitively showed the Tenth Doctor that there was more to life than death.

 

I don’t want to take away from Donna Noble’s debut in The Runaway Bride. She was amazing and took no nonsense from the Doctor. I’m glad that we get to see her again.

 

Series Three comes in at an average of 4.3. That’s a tie for third with Series One, coming behind the Ninth classic seasons and the Eighth Doctor’s run.

 

The Runaway Bride – 4
Smith and Jones – 5
The Shakespeare Code – 5
Gridlock – 4
Daleks in Manhattan & Evolution of the Daleks – 4
The Lazarus Experiment – 4
42 – 4
Human Nature & The Family of Blood – 5
Blink – 5
The Infinite Quest – 2
Utopia & The Sound of Drums & Last of the Time Lords – 5

Series Three (Revival Era) Average Rating: 4.3/5

 

As the Doctor Who universe continues to grow, the path for the Timestamps Project gets a little wibbly-wobbly. Next on the agenda is the first series of the Sarah Jane Adventures. We get back to Doctor Who for a brief moment with Time Crash and Voyage of the Damned, but then dive into the second series of Torchwood before returning to Donna Noble in Series Four.

We also have a rapidly approaching holiday season on the horizon.

Allons-y!

 

UP NEXT – Sarah Jane Adventures: Revenge of the Slitheen

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #193: Utopia & The Sound of Drums & Last of the Time Lords

Doctor Who: Utopia
Doctor Who: The Sound of Drums
Doctor Who: Last of the Time Lords
(3 episodes, s03e11-e13, 2007)

 

From the end of the universe to the end of the world.

 

Utopia

The TARDIS materializes on the Cardiff Rift in the modern day in order to refuel. They only expect to be there for twenty seconds, during which Martha and the Doctor discuss a little problem with the Slitheen on the Rift, and the Doctor almost avoids picking up an immortal hitch-hiker. Something propels the TARDIS to the year 100 trillion, at the very end of the universe, and Captain Jack Harkness is hanging on through time and space for the ride.

In that far future, a human hunt is underway by the Futurekind. Professor Yana and his assistant Chantho regret the event in motion, but they cannot spare the guards to save the lost soul. They are on a quest for a place called Utopia. When asked for a status report, Yana is unable to focus due to the sound of drums in his head.

They also detect a new arrival as the TARDIS touches down.

The Doctor is apprehensive – almost scared – since this place is farther than any Time Lord has gone before. (Remember that there was a rule among Time Lords that they shouldn’t travel beyond a certain time.) As they leave the TARDIS, they find Jack’s dead body. Luckily, he springs back to life. The Doctor dissuades Jack from hitting on Martha as they exchange tense pleasantries. Jack notes the Doctor’s new face and asks after Rose, relieved to know that she’s still alive.

As they explore, Jack shares his story with Martha as the Doctor criticizes his method of time travel. Jack used his vortex manipulator to bounce from the battle with the Daleks to Earth in 1869. From there, he waited for the Doctor to arrive, eventually settling on the Rift. Martha frets about being left behind like Jack was, but the Doctor focuses them back on their task. They have found a city (or hive) and the Doctor muses on the decline of the universe as it dies around them. They then spot the hunted human and rush to his aid.

Jack draws his revolver and fires warning shots into the air. The horde stops long enough for the travelers to set their sights on the Silo, a safe space for humanity. The Silo is also home to Yana’s lab, and he is excited to learn that a doctor (of everything) has arrived. As the humans in the Silo offer aid, the Doctor asks them to bring his TARDIS to the camp.

As they walk through the refugee camp, the Doctor praises the indomitable spirit of humanity. They also figure out (by almost falling to the bottom) that the Silo is a literal missile silo, home to a rocket to take people to Utopia.

Professor Yana finds the Doctor and puts him to work as a consultant, but the Time Lord doesn’t recognize any of it. Meanwhile, Martha finds out that Jack is carrying the Doctor’s discarded hand, prompting a discussion of the Doctor’s status as the last of the Time Lords. Chantho is also the last of her kind, and Martha is downright obsessed with the Doctor’s new hand.

She’s never seen him regenerate, so this is all new to her.

Yana introduces the Doctor to Utopia: A signal from the depths that calls to the last of the humans scattered across the night. The Doctor is intrigued but also concerned as the professor has another attack of the drums. He also recognizes that the rocket will not be able to fly, and with a wave of his sonic screwdriver the circuits are complete.

Humanity is ready to fly.

As the Futurekind watch from beyond the gates, the humans board the rocket. Martha talks briefly with the young child they met on their arrival, unaware of a Futurekind spy nearby. Meanwhile, the Doctor praises Yana’s work which he recognizes a system of “food and string and staples.” Yana reveals that he will be staying behind with Chantho, and the drums intensify as he sees the TARDIS on a nearby monitor.

As the Doctor uses the TARDIS to help make final launch preparations, he seems to recognize the professor’s symptoms. Meanwhile, Martha bonds with Chantho (who begins each sentence with “chan” and ends it with “tho”) before aiding the professor with monitoring a coupling room. The room is flooded with Stet radiation, but it also controls the gravity footprint on the ship.

While work proceeds in the coupling room, the Futurekind spy sabotages the system. As radiation rises, Jack jumpstarts the override by passing the current through himself. It kills him momentarily, but his resurrection proves useful as they need someone to go in and finish the work.

As Jack enters the flooded chamber, the Doctor reveals that he’s known about the immortality since the battle with the Daleks. Jack, a single person, is a fixed point in time. That’s something that should never happen. Rose’s power as the Bad Wolf gave him that gift. The Doctor asks him if he wants to die, and Jack says that he doesn’t know.

While Martha and Chantho monitor Jack’s progress, Yana’s internal drumbeat intensifies again as he learns about traveling in time and space. The discussion between the Doctor and Jack reverberates through Yana.

The Gallifrey theme (“This is Gallifrey: Our Childhood, Our Home“) punctuates every step, but comes crashing to a stop as Yana produces a pocket watch. He’s had it since he was found as a child, and he’s never been able to open it.

Martha recognizes it. She goes to find the Doctor.

Jack finishes his work and the countdown commences. As they work, Martha tells the Doctor about the watch. The Doctor is shaken by this news because it means that he is not the last of his kind. But the perception filter is slipping. Familiar words and voices flit through Yana’s mind as the rocket lifts off, and he opens the watch.

Remember Boe’s last words: You are not alone. YANA.

Professor Yana is the Master.

He locks the Doctor’s team in the launch control room and opens the Silo to the Futurekind. The Doctor breaks out, but he’s too late to stop the Master from killing Chantho. The Master takes the disc regarding Utopia, puts the jar with the hand in the TARDIS, and disconnects the TARDIS from the laboratory. He takes a fatal gunshot from a mortally wounded Chantho before jumping into the capsule and locking the door.

The Doctor breaks into the lab and begs with him to let him in, but the Master takes the opportunity to regenerate. He taunts the Doctor with a voice that Martha recognizes, but despite the Doctor’s apology and attempt to stop him with the sonic screwdriver, the Master dematerializes with the TARDIS.

The travelers are stranded in the future and left to fight the invading Futurekind.

 

The Sound of Drums

The Doctor fixes the vortex manipulator and is able to jump the travelers to modern-day London. As Martha and Jack discuss how they’ll find the Master, they realize that they have arrived on the day after Election Day.

The Master has been elected Prime Minister, and his name is Harold Saxon.

On Saxon’s first day, he’s a little overwhelmed by the demands of the job, but he’s happy to have Martha’s sister Tish on his staff. His cabinet is dismayed by his odd behavior, particularly when he calls them all traitors.

He rewards their loyalty by killing them all with toxic gas.

Martha, Jack, and the Doctor retreat to Martha’s apartment to research Saxon. She’s stunned to realize that they’ve only been away for four days since she first met the Doctor, but the Master was able to use the TARDIS to change history for the duration of his campaign. All of it started after the downfall of Harriet Jones.

In a sense, the Doctor paved the way for the Master’s ascendancy.

Meanwhile, Vivien Rook of the Sunday Mirror tries to convince Lucy Saxon, Harold’s wife, that her husband is an imposter. She provides proof that his life is a forgery, starting only eighteen months before around the launch of the Archangel project. Lucy is faithful to her husband, however, and Rook ends up dead shortly thereafter by the hands of the Master’s death probes.

Lucy is beside herself that someone could put it all together, but Saxon reassures her that everything ends the next morning.

In Martha’s apartment, the Doctor reveals that he fused the TARDIS controls when the Master stole the capsule. It had no choice but to land eighteen months before their current location. The Doctor recognizes that Saxon’s campaign speeches were laced with the drumbeat, impregnating it in the minds of the electorate.

They watch as Saxon announces the arrival of the Toclafane, reassuring the viewers that this won’t be like the previous alien encounters – namely the destruction of Big Ben, the ghosts and Cybermen, and the Christmas Star – before cueing the Doctor that Martha’s apartment is boobytrapped (complete with a Magpie Electricals television set). They escape before it blows up, and Martha tries to warn her family that they are in danger. Saxon’s forces are faster, and her entire family is locked away while the travelers run.

The Master intercepts Martha’s call to her brother, and the Doctor takes the opportunity to talk with his friend and rival. The Doctor reveals the fate of Gallifrey. He also learns that the Master was resurrected by the Time Lords to fight in the Last Great Time War, but that he ran when the Dalek Emperor took the Cruciform and used a Chameleon Arch to become human.

The Master refuses the Doctor’s offer of help, showing the Doctor on television that he and his friends are now enemies of the state. He’s also dispatched Torchwood Three to the Himalayas on a wild goose chase. When he disconnects, the travelers have no choice but to run.

The Master is later contacted by one of the Toclafane – the spheres of death – demanding to know if the machine is ready. The Master says that it will be by the next morning, and despite the threat of the coming darkness from which the Toclafane must run, there’s nothing he can do to speed it up.

The Doctor, Martha, and Jack hide in an abandoned warehouse. While snacking on takeaway chips, they discuss the origins of the Master. The Doctor speaks highly of the known image of Gallifrey. At the age of eight, initiates are taken to look upon a gap in the fabric of reality known as the Untempered Schism, a window into the temporal vortex. It inspired the Doctor to run but it probably drove the Master mad.

Jack reveals that he works for Torchwood, but promises that he rebuilt it from the ashes of the old, corrupt regime. He downloads a video sent to Torchwood about the Archangel Network, a new phone service that the Master controls. The carrier wave is the sound of drums, whispering to the world to trust the Master. The Doctor devises perception filters for three TARDIS keys, one for each of them. He also reveals that Time Lords can detect other Time Lords, even through regenerations.

The team moves from the warehouse as Air Force One delivers President Arthur Winters to London. The President orders Saxon to cede control to UNIT and is dismayed by the Prime Minister’s childish antics. The President has arranged for first contact on the USS Valiant, a UNIT aircraft carrier. The travelers watch the goings-on from the side of the runway, and the Master is suspicious but overall unaware. Martha is upset to see her family paraded on the tarmac, and the Doctor reinforces that he wants to save the Master, not kill him. They use the vortex manipulator to travel to the Valiant, where they discover that it is an aircraft carrier in the sky.

As morning dawns, the Master prepares for the first contact meeting while eating jelly babies. The travelers find the TARDIS, but subdued lighting and the Cloister Bell alert the Doctor that something is wrong. It has been configured to be a paradox machine, set to go off at 8:02 AM.

But the Doctor has a plan.

They sneak into the meeting room, intent on putting a key around the Master’s neck and canceling his perception filter. The first contact begins, but the Toclafane specifically (by name) request to see the Master. Saxon reveals himself as the Master and assassinates the President. The Doctor is taken into custody before the Master kills Jack with a laser screwdriver.

The Master uses the Lazarus experiment and the Doctor’s genetic code (courtesy of the hand in a jar) to advance the Doctor a century in age. He then brings in Martha’s family for the main event.

A crack tears open in the sky above the carrier as six billion Toclafane emerge and start murdering humans without prejudice. Ten percent are killed immediately. Martha takes one last look at her friends and family before using the vortex manipulator to teleport away. She emerges on the planet below and runs into hiding, promising to return.

Until then, the Master has won.

So it came to pass that the human race fell and the Earth was no more. And I looked down upon my new dominion as Master of all. And I thought it good.

 

Last of the Time Lords

It’s been one year since the invasion of the Toclafane. The planet Earth has been quarantined as it enters its final extinction. Martha, still fighting the good fight, is traveling the world. She just returned home to find Professor Alison Docherty, and her liaison Tom Milligan believes the legend that she can save the world.

On the carrier Valiant, the Master is still riding high as lord of the planet. He treats the Doctor like a pet dog, Martha’s family like slaves, Jack an eternal prisoner, and his wife like an abused plaything. He also knows that the Doctor has worked out who the Toclafane are, and that the epiphany has broken his hearts.

The Doctor sends Francine a signal – the number three – which she passes along. Meanwhile, Martha and Tom come across a field of thousands of spaceships, ready to wage war with the universe. They are challenged by the Tocalafane, but Tom is a doctor and Martha still has her perception filter.

On the Valiant, the prisoners revolt at 3:00pm as planned. In the chaos, the Doctor gets ahold of the Master’s laser screwdriver but can’t operate it due to isomorphic controls keyed to the Master alone. Martha’s family is locked up, Jack is killed (again), and the Doctor is back to being taunted in a leather chair.

The taunting includes mentions of The Sea Devils, The Claws of Axos, and something about closing the rift at the Medusa Cascade.

Martha and Tom find Professor Docherty. She tunes into a broadcast from the Master during which he ages the Doctor through his entire lifespan regardless of regenerations. The now thousand-year-old form of the Doctor has withered into a being unable to fit his own clothes, but Martha finds hope in the fact that he still lives.

Docherty says that the Archangel Network is continuously broadcasting a fear signal to the planet, keeping the humans in line. Martha produces a disc with information about one Toclafane sphere that was destroyed in a lightning strike and using that data they experiment on a sphere.

The Master and Lucy visit the Doctor, contained in a birdcage suspended from the ceiling, and tell him that they will launch a fleet through a hole in the Braccatolian space. He will only stop when there is a new Gallifrey in the heavens, and that the Doctor should be proud. After all, he’s doing this for the Toclafane, which the Doctor loves very, very much.

The Toclafane that Martha experiments on is the orphan kid from the end of the universe. The whole race is built from the humans who were launched toward Utopia. The Master took Lucy there and discovered them, transformed into the spheres, regressing into children. There was no Utopia. Just death.

The TARDIS, the paradox machine, keeps the fabric of time in place while the Toclafane exist.

Docherty asks Martha if the legends are true. She shows them a gun developed by Torchwood and UNIT that supposedly halts regeneration and kills a Time Lord permanently. She needs one last chemical component, apparently housed at an old UNIT base. After Martha and Tom leave for a safehouse, Docherty transmits Martha’s location to the Master in exchange for information about the professor’s son.

As Martha tells the assembled survivors in the safehouse about the Doctor, the Master comes for Martha. He flushes her out by threatening the survivors around her. He destroys the anti-regeneration gun, kills Milligan when he defends her, and takes Martha back to the carrier to kill her in front of the Doctor.

At the moment of her execution, the moment when the fleet is due to launch, Martha starts to laugh. The gun was a ruse since the Doctor would never endorse her killing the Master. Instead, the weapon was the story of the Doctor. If the world thinks of one word at the same moment within the Archangel Network’s telepathic field, it would restore the world.

The word: “Doctor.”

The world turns against the Master and the Doctor is restored, having spent the year integrating himself into the network. The power of his restoration is so strong that the laser screwdriver is useless against him. The Doctor corners the Master and shatters his world with one phrase: “I forgive you.”

Which is better than the Master’s actual fear concerning the Doctor.

The Master rallies the Toclafane to protect the Paradox Machine, then teleports the two Time Lords to the planet below using Jack’s vortex manipulator. The Master threatens to detonate the Toclafane, each with a black hole converter capable of destroying the Earth.

Meanwhile, the humans on the Valiant defend the ship against the Toclafane assault. Just as Jack destroys the paradox device, the Doctor manages to teleport himself and the Master back to the Valiant. The previous year is reversed to the point just after the President of the United States was assassinated. Everyone on the Valiant will remember the year that never was, but the rest of the universe will not.

The Master is apprehended, but Francine threatens to kill him. The Doctor stops her and decides to keep the Master on the TARDIS. Unfortunately, the plan is destroyed when Lucy shoots the Master. He collapses in the Doctor’s arms, but faced with the prospect of being locked away forever in the TARDIS with the Doctor, he refuses to regenerate.

Once again, the Doctor is the last of the Time Lords. The drumming stops. The Master is dead.

The Doctor’s raw fury and sorrow resonate thanks to David Tennant’s wonderful acting talent.

Later, the Doctor cremates the Master’s remains, ensuring that no one can harvest the Time Lord’s DNA. Martha finds Docherty and forgives her, even though the professor has no idea what’s going on. Martha and Jack say their farewells – Jack loses his ability to use the vortex manipulator – and Jack inadvertently reveals his nickname from his home on the Boeshane Peninsula: The Face of Boe.

The looks of simultaneous shock and amusement on Martha’s and the Doctor’s faces are incredible.

The Doctor prepares to leave, complete with the hand in a jar. All that’s left is Martha Jones. Unfortunately for the Doctor, Martha takes her leave of the TARDIS. She can’t continue on with all those people left for her to care for. She gives the Doctor her phone number, reminding the Time Lord that she’s not second best, and finally reveals her unrequited feelings for him. She makes him promise to come running if she needs him, and steps out of the TARDIS one last time.

The Doctor dematerializes the TARDIS, alone once again, unaware that the Master’s signet ring has been taken by unknown forces. But the moment is broken when a ship crashes through the TARDIS walls.

Her name is Titanic.

 

This trilogy of episodes earns every bit of the high ratings, from the drama and the effects to the characters that bind the whole thing together. Oh, the look on Francine Jones’s face when she realized that she had been used this whole time to get to the Doctor and Martha.

In terms of the overall franchise, this is a return to classic form. This is the first three-part story since Survival (the last story of the classic era). If you count the Torchwood episodes, this is the first story with more than four parts since The Armageddon Factor (or Shada, had it been fully completed and aired).

We also get the first appearance in the revival era of the Doctor’s best friend and nemesis, the Master. The callbacks to the classic era are a welcome addition with lines from Roger Delgado (prominent through the Third Doctor’s era and last seen in Frontier in Space) and trademark laughter from Anthony Ainley (who took up the role in The Keeper of Traken and carried it all the way to Survival). It’s worth noting that Eric Roberts (the Master from the TV movie) gave his permission to include his voice, but Fox refused.

The Roger Delgado lines were doubled by Sir Derek Jacobi (Professor Yana), who previously appeared in Scream of the Shalka as an alternative version of the Master. After this performance and the 50th anniversary televised special, he also worked with Big Finish to tell the story of his Master during the Time War.

The Master’s heritage was also on display with John Simm’s costumes, from the black single-breasted suit, white shirt, and black tie ensemble (from Planet of Fire) to a Pertwee nod (black overcoat with red satin lining) and the trademark evil Time Lord black leather gloves. The young Master also wore an outift similar to the Time Lords in The War Games.

Doctor Who mythology also makes a couple of debuts here.

First, we get to see Gallifreyan children on screen. Sure, we’ve heard about time tots before – lest we forget the tales of röntgen-bricks in the nursery – but the youngest Gallifreyan we had ever seen was Susan, and she was 15 during An Unearthly Child.

We also get introduced to the concept that regenerations are far more controllable than we saw from Romana in Destiny of the Daleks. The Master bypasses the Doctor’s regenerations to artificially age him – this is certainly not a new trick for either the Doctor or the Master – and he also willingly halts the process after being shot by Lucy. We will see this crop up again in the future.

The Ninth Doctor’s dark line – “I win, how ’bout that?” – also echoes from beyond Dalek as the Master (supposedly) dies.

I previously mentioned the majestic Gallifrey theme, which can be found on YouTube, but Murray Gold was also on fire with the haunting “Martha’s Theme” and the purely energetic “All the Strange, Strange Creatures” throughout this story. The use of modern pop music (also as digetic music) was fun, including “Voodoo Child” by the Rogue Traders – “So here it comes/the sound of drums/Here come the drums here come the drums…” – and “I Can’t Decide” by the Scissor Sisters.

Basically pulling out all the stops, as they should for the last full-time adventure with Martha Jones, an exemplary hero and companion. She saved the day, and (in my eyes) is better than Rose Tyler ever was.

 

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Series Three Summary

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.