Culture on My Mind
Narrative Diversions
(Winter and Spring 2026 Edition)
September 21, 2026
Narrative Diversions is a look at the various pop culture things I’ve been watching, reading, and playing over the last few months. This edition covers January 2026 through June 2026 (plus a little bit to include Supergirl).
Movies
The movies in this collection are defined by the personal events of 2025 and 2026. Through 2025, a family friend was in the hospital fighting aplastic anemia. He died near the end of the year due to complications after a bone marrow transplant. We had family staying with us over the holidays and we eased our sorrow by laughing at popcorn movies.
The Ice Road (2021) – PG-13
Ice Road: Vengeance (2025) – TV-14
Liam Neeson stars in both of these predictable adventures as Mike McCann, an everyman trucker with a short temper. In the first film, he and his brother Gurty, an Iraq War veteran suffering from PTSD and aphasia, are hired to drive in a rescue mission across a treacherous ice road. In the second film, McCann does more driving on icy roads, but he does it in Nepal on a trip to take his brother’s remains to Mount Everest. Both of these adventures are formulaic and predictable with bad science all around, but they are also standard fare in the era where Liam Neeson has become that action star. If you need to choose one, the first one is better.
The Accountant 2 (2025) – R
White 2016’s The Accountant was more of a lone wolf story, this sequel adds Jon Bernthal to Ben Affleck’s particular set of skills. This becomes a buddy film of sorts, but still entertaining despite the messy plot. It did well enough to start development on a third entry, which I expect will be more of the same action-adventure formula, though hopefully with less than a decade of development.
My Secret Santa (2025) – TV-PG [Netflix]
In what amounts to Mrs. Doubtfire and She’s the Man meet Christmas, Alexandra Breckinridge stars as a mother who poses as a man to fund her daughter’s ski lessons by getting hired as a seasonal Santa Claus. Breckinridge (Virgin River, This is Us) and Ryan Eggold (New Amsterdam) have great chemistry in a story we’ve obviously seen before, but they’re good enough together to keep you engaged for 90 minutes.
Jingle Bell Heist (2025) – TV-14 [Netflix]
Part rom-com, part heist flick, this odd couple story is a decent enough tale of two strangers who connect to rob a prestigious London department store and end up falling for each other. Much like My Secret Santa, the chemistry is good and meshes well with some of the obligatory heist film twists. This one’s okay.
A Perfect Pairing (2022) – TV-14 [Netflix]
This rom-com brings heart to the fish out of water tale. Victoria Justice stars as a high energy, hard-working LA wine executive who travels to a sheep farm in Australia to land a major deal. She ends up working as a farmhand and learning some life lessons along the way. As with most films under this formula, it is pretty predictable but it has heart. I liked it.
Wind River (2017) – R
Our trip through cheesy popcorn movies was derailed by this serious film. It was as cold as its setting and as serious as its subject matter, and that is by design. The movie is a neo-Western crime mystery, and it is meant to draw attention to the epidemic of indigenous women being raped and murdered, both on and off reservations. The cast is phenomenal, including the somber work by Jeremy Renner and Elizabeth Olsen, the latter of whom adds a layer of discomfort and awkwardness to her portrayal of a law enforcement agent from outside the native community. It’s a brutal story that is intentionally uncomfortable and weighty, and probably one of the best movies I have seen all year.
Time Cut (2024) – TV-14 [Netflix]
Totally Killer (2023) – R [Amazon Prime]
The fascinating thing about these two titles is how they are pretty much the same movie. The coincidence is defined by circumstances surrounding their production. Time Cut started principal photography in 2021, about a year before Totally Killer was announced. Totally Killer filmed in 2022 and was premiered at Fantastic Fest in late September 2023 before going to Amazon Prime weeks later. Meanwhile, Time Cut was delayed by the 2023 SAG-AFTRA strike and didn’t premiere on Netflix until 2024 in time for Halloween.
Time Cut follows Lucy, a teenage girl played by Madison Bailey, who accidentally travels back in time to 2003 and attempts to save her older sister from a masked killer. The murder effectively doomed the small town of Sweetly, Minnesota to an endless cycle of fear driven by grief over the ensuing two decades. This all leads to the Back to the Future tropes of a time traveler interacting with her family and returning to a brighter future at the end of the adventure. Because of the release problems, Time Cut was negatively reviewed because of its similarity to Totally Killer, even though Time Cut was the first to film.
Totally Killer follows Jamie, a teenage girl played by Keirnan Shipka, who travels back in time to 1987 and attempts to save her mother from being murdered by the Sweet 16 Killer. This one adds additional twists to the formula by having the same killer chasing after Jamie in the modern day. It also has some temporal shenanigans that add tension to the time travel aspect while Time Cut is more straightforward.
In the end, they are effectively the same campy slasher flick, but Totally Killer felt more immersive and charming.
The Final Girls (2015) – PG-13
Because of our dive into campy time-travel slashers, the algorithms recommended this odd cheese ball. This one presents a woman named Max whose mother was killed in a car accident. Max was a child at the time and in the car when the fatal accident occurred, and she had to grow up with her mother’s reputation of being a 1980s scream queen horror actress.
Fantastic circumstances result in Max and her friends being pulled into her mother’s most famous movie, and the gang has to fight the slasher while trying to survive. The entire 90-minute ride ends up being a brilliant love letter to the ’80s slasher genre, including a laugh-out-loud denouement that is one last stab of the knife. If you’re a fan of 1980s slasher fare like A Nightmare on Elm Street, Friday the 13th, and all those others that graced USA’s Up All Night, this is a great bit of nostalgic humor.
For the stretch of time from mid-January to late May, movies disappeared for me while I studied for my Professional Engineer license. I would watch an episode of TV during breaks, but I’m one of those people who have a hard time breaking movies into smaller chunks. Knowing that about myself, I ignored movies until my exam was over.
Star Wars: The Mandalorian and Grogu (2026) – PG-13
The first film I watched after the exam was the reward I had decided on for reaching my goal. I’m a huge Star Wars fan (no surprise!) and I have enjoyed the majority of the episodic series on Disney+, so going to see this next adventure for the GFFA version of Lone Wolf and Cub was a no-brainer.
On the whole, I enjoyed this one immensely, but I also see why it wasn’t the runaway hit that everyone seems to have expected. One of the biggest mistakes both Lucasfilm and Marvel Studios have made is producing television series linked to their film franchises that are hidden behind a paywall. General moviegoing audiences aren’t going to do homework as part of their experience, and that includes reading novels/comics or watching “what you need to know” videos from Screencrush or New Rockstars.
If Disney insists on tying in the TV series to the major film releases, they need to make those TV series easily accessible to the general audience. That includes making them affordable on Blu-ray instead of sporadic $40-50 steelbook collectible releases, and getting them out from behind the paywall in a timely fashion.
As a fan, I loved this movie and what it did for Grogu’s character. It also helped flesh out the galaxy in the New Republic era. While it did feel like a few episodes crafted into a feature length presentation, I hope there’s more to come soon. I’d like to see shows like this more frequently instead of letting fans sit in waiting for so long between chapters.
Project Hail Mary (2026) – PG-13
This is one that I really wanted to see but missed in theaters due to exam prep. It was worth the wait. Yes, it’s two and a half hours long, but the mystery, exploration, and emotion keeps the movie rolling right through that runtime. I was also impressed with the practical model and puppetry work. It was fantastic. Amaze, amaze, amaze.
Supergirl (2026) – PG-13
I enjoyed the book this movie was based on, but I was glad to see that it wasn’t a point-for-point adaptation. The James Gunn Supergirl is similar to, but not exactly the same as, the Tom King version. Instead we tread new ground in a slightly too long and slightly overpacked film that explores grief and sorrow. It seems that many social media “reviewers” and professional critics (including Variety‘s own) missed the point in their attempts to smear Gunn in faint praise to the since-passed Snyderverse. In fact, Variety‘s review focused more on Millie Alcock’s physical features than on the plot and motivations (which the reviewer said they didn’t understand, even though it was clearly stated in the film!).
I got it. I understood it. I enjoyed the journey and am looking forward to the next chapter in 2027’s Man of Tomorrow.
Remarkably Bright Creatures (2026) – PG-13
On its face, this is a formulaic feel-good movie where things turn out okay at the end, and sometimes you need that. But what sold me here was Sally Field acting her heart out to a mop bucket and making me cry. I understand what’s presented on the screen is a fraction of what’s in the book, and I may get to that some day because of this film.
The Super Mario Galaxy Movie (2026) – PG
This sequel is more of the same from The Super Mario Movie, and that’s perfectly fine with me because I love what Illumination and Nintendo are doing with this series of films. The inclusion of the Mario Galaxy characters was great, and I do like how they’re tying the princesses of Mario continuity together. Stick around for the post-credits stinger for a tease of what’s to come.
The Sheep Detectives (2026) – PG
I didn’t expect to cry over a whodunit involving sheep, but here we are. I have wanted to see this one since the trailer came out. It’s a strange and quirky story but a good one. The voice cast was amazing and the live actors were great too. I won’t tell you who did it, but the solution isn’t the point. The journey is what matters in this story.
Television
During my study time, episodes of television were perfect for short breaks to reset my focus and catch a quick meal. There were a handful of shows we chose to stay current with and could provide just the right amount of mental breather.
Star Trek: Starfleet Academy – Season 1 [Paramount+]
My wife and I went to a birthday dinner while this season was airing and someone asked what I thought of Starfleet Academy. They were surprised to hear my opinion that it was one of the most Star Trek shows of the recent era. It doesn’t have a lot of action, but it rests in the philosophical and ethical debates that were a hallmark of the original series and The Next Generation. Where the YouTube grifters were making their money was by griping about how these kids weren’t polished like typical Starfleet crews. And why would they be? These aren’t even the best and brightest – hat tip to Susan Wright and her Academy novel of nearly thirty years ago – since the Academy has been effectively defunct since The Burn.
I tell you, YouTube “reviewers” have all the self-awareness of a boot. Okay, maybe a little bit more, since they also know they’re core audiences will give them clicks and views because they complain about gay Klingons. *gasp* – The horror!
The fact that Paramount didn’t have the fortitude to stick with this series long term is disappointing. It will get two seasons before dismissing class permanently, and that is a shame.
Star Wars: Maul – Shadow Lord – Season 1 [Disney+]
I don’t normally root for the bad guys, but I loved every minute of this season. I enjoy watching Maul trying to get his revenge, and the moral quandaries in this show kept me hooked. From the Jedi merely trying to survive to the Lawsons being caught in the middle and Two Boots trying to do what is right, this show plays in the gray space between light and dark quite nicely.
Outlander – Season 8 [Starz]
I really liked the final season of this story, including the pre-destination plot and the very open fantasy ending. I would have loved more to better tie together Fanny’s story and put a bow on where the Fraser’s end up, but the latter being a mystery is fine for me. The former story line being dropped annoys me.
For All Mankind – Season 5 [Apple TV]
This season was far more entertaining than the fourth season, focusing on the Martian fight for independence. It also got back to exploration with a search for extraterrestrial life. We finally said goodbye to a long-time character who I thought should have checked out last season, and we get some redemption for another character. This season ran the spectrum from joy to sorrow, but I think it gets us back on track to finish strong with the final season next year.
From this point forward, the list starts into catching up after studying for the exam. These are shows we wanted to watch but just didn’t have time to spend until the schedule lightened up.
The Rookie – Season 8
The Rookie continues to be a fun and wacky character drama with police elements. In the day of modern policing, I see it as part fantasy showing what law enforcement can be. This season was much more cohesive and engaging than the previous one, though I had to remind myself of what happened nearly nine months prior. These short seasons are not kind for continuity.
Stranger Things – Season 5 [Netflix]
I enjoy this series but after ten years it was definitely time to put a pin in it. I like how out there this final season went as everything crashed toward the final battle with Vecna. I’m in the minority, but I really enjoyed the open and mysterious ending.
Tracker – Season 3
FBI – Season 8
Matlock – Season 2
I’m lumping these three together because they are procedurals with loose through-line plots. I remember not being totally engaged with Tracker‘s second season, but the third seems to have picked itself up a bit despite having a much leaner budget and cast. The show still gets off the rails from time to time with Colter’s personal subplots, but Season Three was more engaging overall.
Similarly, FBI keeps chugging along with its basic formula, leaning heavily on personal character subplots while driving the action and drama. I miss the spinoffs and haven’t given any time to the new one, CIA. I care about the characters, but I’d love to see more of the spinoff characters come back.
Finally, we come to Matlock, which seems to survive strictly on the chemistry amongst its leads and rolling with punches as actors are removed for cause. This one is a show that seemingly didn’t expect subsequent seasons, and has to create more twists and turns to account for that. It’s still enjoyable, but the main plot’s discovery process feels like it’s becoming more of a chore than an exciting mystery to unfold.
The Floor – Season 4
This is a game show that keeps reinventing itself, and I really like that. The core rules remain in place from season to season, but they keep it fresh by adding new twists and opportunities, such as the Category Steal perk. These changes insert new strategies and keep the contestants from being able to master the game through watching previous seasons. They have to develop tactics in near real time, and that keeps the watch fresh.
Doc – Season 2
The sophomore season of this series was good overall. Molly Parker continues to shine and the season arc with her mentor (played by Felicity Huffman) was decent, though the ending of her story was anti-climatic because it resolves off screen. Unfortunately, the oxygen was sucked out of the room by the season’s first half arc that lasted way too long. I’m glad to see the show continuing, but hopefully the third season learns from the speed bumps in the second season.
Grey’s Anatomy – Season 22
Murder in a Small Town – Season 2
Both of these series continue keeping station. Grey’s is Grey’s, with a lackluster character death that smacks of tropes we hoped were long gone. Thankfully, the most annoying character on the show found his way out by the finale. Meanwhile, Murder continues to do its thing with Rossif Sutherland and Kristen Kreuk powering the weekly whodunit through a new era of local political intrigue. It’s still an enjoyable ride.
The Morning Show – Season 4 [Apple TV]
The Night Agent – Season 3 [Netflix]
Another pair of series just carrying on but improving over the previous season. This is also a pair that each get one last hurrah in the near future. The Morning Show picks up with a timely arc about AI and how it affects the news media. It also plays with modern politics and charges of espionage. Truth be told, we stalled out for a while because of how timely and overwhelming this story was in modern context. Meanwhile, The Night Agent returned with a tighter plot harkening back to that of the first season with a more experienced Peter Sutherland taking on the entire chain of command.
The Morning Show will return for a final fifth season. The Night Agent will return for a final fourth season.
The Miniature Wife [Peacock]
This is a big disappointment. I was intrigued by the trailer and the premise, and equally motivated to watch because of Elizabeth Banks. The opening episodes were good, but the story fell apart as the main characters failed to learn or evolve. They end up in the same spot where they started, and I couldn’t be pressed to care about them because they were so unlikeable.
Books
Mechanical Engineering Reference Manual: 14th Edition – Michael R. Lindeburg, PE
Not quite leisure reading, but I did read this one cover to cover over six months during my PE exam study. It’s the definitive source for the mechanical exam.
The Shadow/Batman – Steve Orlando. Giovanni Timpano
I’m not overly familiar with The Shadow, so I thought I’d give this tale a try. After all, it seemed like the ideal match up. Unfortunately, I found it confusing and too reliant on a prior tale to be any fun for me.
Star Wars: Shadows of the Empire – John Wagner, Kilian Plunkett, Timothy Zahn, Michael A. Stackpole, Carlos Ezquerra, Steve Perry, Ron Randall
I read the original novel when it came out in 1996, but I hadn’t explored the graphic novel or the two additional stories in this omnibus, Mara Jade: By the Emperor’s Hand and Shadows of the Empire: Evolution. The main SOTE story felt like a quick and dirty version of the novel, but the big points still remain true: (1) Xizor’s still a slimeball who deserved everything he got, and (2) I still don’t like Dash Rendar, who I see as a poor replacement for Han Solo.
The other two stories were fun reads. It was neat to see some filler info on Mara Jade and where Guri landed post-SOTE. I also don’t turn down writing from Timothy Zahn.
Star Trek: The Next Generation – Dark Mirror – Diane Duane
I have read this one a couple of times, but not within the last couple of decades. It’s still as good as I remember. I’m not a big fan of the mirror universe, but Diane Duane makes it work here with the TNG crew. Quite a fun ride.
Star Wars: Dark Empire Trilogy
Star Wars: Dark Empire – Tom Veitch, Cam Kennedy
Star Wars: Dark Empire II – Tom Veitch, Cam Kennedy
Star Wars: Empire’s End – Tom Veitch, Jim Baikie
This was the first Star Wars graphic novel series I purchased and read. Unfortunately, those collections were lost in a move with the Navy in the early 2000s. Fortunately, this set is available on Kindle Unlimited.
I like the story ideas here, though they haven’t aged well over the last thirty years. What amuses me is how sequel trilogy detractors take Palpatine’s resurrection to task when it was so prevalent here. The short-lived twist of Luke Skywalker turning to the dark side to defeat Palpatine was shocking back then, but isn’t that much different than his seclusion in The Last Jedi. The big difference is how absolutely over-powered Luke is in this story. The concept of bigger ships (Eclipse) and bigger weapons (Galaxy Gun) is eye-rolling.
The huge downside here for me is the art style. It just doesn’t work for me and often detracts from the experience.
Green Lanterns (2016-2018)
Volume 1: Rage Planet – Sam Humphries, Robson Rocha, Ed Benes
Volume 2: Phantom Lantern – Sam Humphries, Robson Rocha, Eduardo Pansica, Ed Benes
Volume 3: Polarity – Sam Humphries, Robson Rocha, Eduardo Pansica
Volume 4: The First Ring – Sam Humphries, Ronan Cliquet, Ulises Arreola
Volume 5: Out of Time – Sam Humphries, Ronan Cliquet, Eduardo Pansica
Volume 6: A World of Our Own – Tim Seely, Ronan Cliquet, Carlo Barberi, Matt Santorelli
Volume 7: Superhuman Trafficking – Tim Seely, Barnaby Bagenda, V. Ken Marion
Volume 8: Ghosts of the Past – Tim Seely, Ronan Cliquet, V. Ken Marion
Volume 9: Evil’s Might – Dan Jurgens, Mike Perkins, Marco Santucci
Filling another gap in my comics knowledge, I took advantage of Kindle Unlimited during my PE study to read some Green Lantern. The issues compiled in these volumes were a great decompression tool after long days of study. Starting with Green Lanterns from the DC Universe Rebirth era, I found the two junior lanterns Simon Baz and Jessica Cruz to be relatable and enjoyable to watch as they grew into their roles. I also enjoyed having flawed heroes who had to overcome difficulties – PTSD, anxiety, self-doubt, reliance on guns, etc. – to become Lanterns.
Hal Jordan and the Green Lantern Corps (2016-2018)
Volume 1: Sinestro’s Law – Robert Venditti, Rafa Sandoval
Volume 2: Bottled Light – Robert Venditti, Rafa Sandoval, Jordi Tarragona
Volume 3: Quest for Hope – Robert Venditti, Rafa Sandoval, Jordi Tarragona
Volume 4: Fracture – Robert Venditti, Rafa Sandoval, Jordi Tarragona
Volume 5: Twilight of the Guardians – Robert Venditti, Patrick Zircher, Jack Herbert
Volume 6: Zod’s Will – Robert Venditti, Rafa Sandoval, Jordi Tarragona
Volume 7: Darkstars Rising – Robert Venditti, Rafa Sandoval
Unfortunately, this title wasn’t as exciting for me. I enjoyed a lot about it – John Stewart, Kyle Rayner, the personalities in the Green Lantern Corps, the alliance with the Sinestro Corps, Soranik’s journey – but the title character irritated me overall. Parts of his story were interesting, but I found Hal Jordan insufferable, and that dragged down the entire series for me.
Which is odd when I think about it since I haven’t had the same issue with the character in the new Lanterns series. Maybe I like that version more because the other characters aren’t putting up with his garbage behavior?
Flashpoint (2011) – Geoff Johns, Andy Kubert, Sandra Hope
The Flash (2016-2024)
Volume 1: Lightning Strikes Twice – Joshua Williamson, Carmine Di Giandomenico, Ivan Plascencia
Volume 2: Speed of Darkness – Joshua Williamson, Davide Gianfelice, Neil Googe, Ivan Plascencia
Volume 3: Rogues Reloaded – Joshua Williamson, Carmine Di Giandomenico, Ivan Plascencia
Volume 4: Running Scared – Joshua Williamson, Carmine Di Giandomenico, Ivan Plascencia, Howard Porter, Hi-Fi
Volume 5: Negative – Joshua Williamson, Neil Googe, Christian Duce
Volume 6: Cold Day in Hell – Joshua Williamson, Pop Mhan, Christian Duce, Howard Porter
Volume 7: Perfect Storm – Joshua Williamson, Carmine Di Giandomenico, Carlos D’Anda, Dan Panosian, Christian Duce
Volume 8: Flash War – Joshua Williamson, Howard Porter, Hi-Fi
Volume 9: Reckoning of the Forces – Joshua Williamson, Christian Duce, Scott Kolins
Volume 10: Force Quest – Joshua Williamson, Rafa Sandoval, Christian Duce
Volume 11: The Greatest Trick of All – Joshua Williamson, Scott Kolins, Luis Guerrero
Year One – Joshua Williamson, Howard Porter, Hi-Fi
Volume 12: Death and the Speed Force – Joshua Williamson, Rafa Sandoval, Jordi Tarragona
Volume 13: Rogues’ Reign – Joshua Williamson, Rafa Sandoval, Jordi Tarragona
Volume 14: The Flash Age – Joshua Williamson, Howard Porter, Rafa Sandoval, Jordi Tarragona
Volume 15: Finish Line – Joshua Williamson, Christian Duce, Rafa Sandoval, Jordi Tarragona, Scott Kolins, Howard Porter
Volume 16: Wally West Returns – Kevin Shinick, Jeremy Adams, Clayton Henry, Will Conrad, Brandon Peterson
Volume 17: Eclipsed – Jeremy Adams, Will Conrad, Christian Duce, Fernando Pasarin
Volume 18: The Search for Barry Allen – Jeremy Adams, Will Conrad, Fernando Pasarin, Amancay
Volume 19: The One Minute War – Jeremy Adams, Roger Cruz, Fernando Pasarin, Luis Guerrero
Volume 20: Time Heist – Jeremy Adams, Fernando Pasarin, Tom Derenick, Serg Acuña
This run of The Flash was so much fun and tied in nicely with the magic of the early seasons of the CW television show. I really enjoyed the whimsy and the exploration of the Flash family. By nature of these collections, I skipped past the depressing side quest with Wally West. Michael Bailey warned me that it wasn’t very good.
I also read Flashpoint for the first time. It was okay. Nothing special was found here that hasn’t already been adapted into the various versions across film and television, though it certainly beats the socks off the abysmal film near the end of WB’s Snyder era.
He Who Fights with Monsters: Book Three – Shirtaloon (Travis Deverell)
He Who Fights with Monsters: Book Four – Shirtaloon (Travis Deverell)
He Who Fights with Monsters: Book Five – Shirtaloon (Travis Deverell)
He Who Fights with Monsters: Book Six – Shirtaloon (Travis Deverell)
He Who Fights with Monsters: Book Seven – Shirtaloon (Travis Deverell)
I also kept up with this LitRPG series. It follows a man from our world who wakes up naked, in the middle of a hedge maze, in what is effectively a sword-and-sorcery RPG video game. This time around, he actually dies and is transported home. That arc was disappointing, but it’s followed by an arc where he returns to the other planet and explores a new place with his old friends. That arc was better.
I set it aside before Dragon Con for a slight change of pace. Some friends of mine finally convinced me to try the Dungeon Crawler Carl series. We’ll see how that goes.
Stage
Hell’s Kitchen – Broadway in Atlanta
The Sound of Music – Broadway in Atlanta
Beauty and the Beast – Broadway in Atlanta
Weird Al Yankovic: Bigger & Weirder Tour
We took in three shows as our Broadway in Atlanta series and one concert. All three of the Broadway shows were great, and The Sound of Music was especially powerful. The Weird Al concert was fun as always, though my voice did hurt for a couple of days after the hours of laughing and singing along.
Games
None. I haven’t had a lot of spare time for video games lately. Related to that, though, my brother Nick is streaming periodically on Twitch if you want to take a look.
You can find him on Twitch as OldNick999.
Next Time
The next iteration will have a little bit of this and a little bit of that as we round out the rest of 2026.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
Narrative Diversions sources poster art from various places, including The Movie Database (TMDB), Memory Alpha, Memory Beta, TARDIS Wiki, and publisher, distributor, and reseller websites. TMDB’s contents are available with a non-exclusive license for personal and non-commercial use. Fandom wiki materials are available with a Creative Commons Attribution-Share Alike License 3.0 (Unported).
Many thanks to the fans who create and share their passion for entertainment and storytelling.
For more creativity with a critical eye, visit Creative Criticality.
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