Culture on My Mind – Disney Investor’s Call 2020: Addendum

Culture on My Mind
Disney Investor’s Call 2020: Addendum

December 21, 2020

Since it was just announced, I have one addendum to my post about the Disney Investor’s Call: The Book of Boba Fett.

The news was dropped at the end of The Mandalorian‘s season finale, and it was formally announced on December 21st.

Now, among things that shouldn’t need saying with the actual words being right there in the tweet and Facebook post, this is a new series, not the third season of The Mandalorian. A new series that Disney couldn’t talk about at the investor’s call because it would spoil the back half of a currently airing production.

Nevertheless, certain geek websites and YouTube talking heads insist that Temuera Morrison and Boba Fett are replacing Pedro Pascal and Din Djarin because of behind the scenes “drama” or some bantha poodoo.

Don’t give them the oxygen or the credit. They’re lying to you.

Star Wars: The Book of Boba Fett is coming in December 2021. The Mandalorian is slated to return for a third season soon after that.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Dragon Con American Sci-Fi Classics Continues

Culture on My Mind
Dragon Con American Sci-Fi Classics Continues

December 21, 2020

The folks at the Dragon Con American Sci-Fi Classics have been continuing to churn out content. It’s been a few weeks since I checked in with them, so here’s a bit of catching up.

On October 22nd, they celebrated Halloween with Tar Man, Bub, Barbara’s Brother, and More: Our Favorite Zombies! This panel included Jason Gilbert and Samantha Bryant.

On October 29th, Felicity Kusinitz and Rick Terault stopped by to discuss the 45th anniversary of The Rocky Horror Picture Show.

Also on October 29th, Gary and Joe were visited by Beth Van Dusen and Lola Lariscy to chat about horrific children in Tender Lumplings: Our Favorite Evil Kids.

On November 5th, they took a dive into local children’s television shows from the age of youth on Jabberwock & Vegetable Soup: Obscure Children’s Shows. The panel included Kevin Eldridge, Felicity Kusinitz, Deanna Toxopeus, and Sherman Burris.

On November 11th, Keith R. A. DeCandido stopped by to talk superheroes on Talkin’ Tights & Capes with Keith DeCandido.

On November 12th, I joined in the fun as Gary Mitchel celebrated a birthday with the tradition AMA (Ask Me Anything) panel.

On November 19th, it was All Things V! Graciously Welcoming Our Lizard Overlords. Guests included: Charles and Adina, founders of CT:V, the Flagship of the Visitor Fleet, a dedicated group of costumers celebrating the original sci-fi classic “V”; The Irredeemable Shag from The Fire and Water Podcast Network; and Denise Lhamon.

November 26th saw the Turkey Day Potluck on the channel. Kevin Eldridge joined in to host the variety show.

On December 3rd, they hosted a huge panel on Elf, Scrooged, Muppets & Die Hard: Greatest Christmas Movies Ever Made! Guest included Elizabeth Jones, Bethany Kesler, Shaun Rosado, Alison Sky, and Chad J. Shonk.

The Christmas spirit continued on December 10th with Funny Christmas & Chanukah Music. Guests included Kevin Eldridge, Geena Phillips, Chris Cummins, and Metricula.

December 17th rounds out this batch with Moving the Stars for No One: A David Bowie Tribute Panel. Guests included Beth Van Dusen, Rob Levy, and Tom Morris.


So, I can’t make any promises, but I’m going to try to keep up with the promotion of this channel. It’s one of my home bases during Dragon Con and Gary and Joe are great people. I admire the work that they’re doing to keep these discussions going throughout the year.

Gary and Joe have a lot more fun discussions planned. Stay tuned to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #211: The Beast Below

Doctor Who: The Beast Below
(1 episode, s05e02, 2010)

Timestamp 211 The Beast Below

It’s no disc on four elephants on a turtle, but it’s still home.

Behind-the scenes: Because Series Five started a franchise trend of related mini-episodes and prequels for certain stories, I’ll start including them where appropriate.

Meanwhile in the TARDIS, Part I

Shortly after departing Leadworth, Amy bombards the Doctor with a stream of non-stop questions. How does the TARDIS retain its air supply? Why did he label a time machine “police box”? Where are the other windows which are on the exterior of the TARDIS? What is a police box and is the Doctor a policeman? Has he seen his haircut? Does he ever need to change the bulb on top the TARDIS?

She also considers the bow tie to be a cry for help.

The Doctor answers most of the questions, which Amy follows with one more question: Is the Doctor an alien? He tells her that she’s the alien and that this is what he really looks like. He also opens the doors and shows her the depths of space.

When she says that they look more like a Hollywood special effects display, he throws her into the dark.

The Beast Below

On the Starship UK, children sit in class waiting to be graded by their instructor, a Smiler. A boy named Timmy doesn’t want to join, but when he does, he gets graded as a failure. Students who have a zero grade aren’t allowed to take the Vator lift with their classmates. Not wanting to take the stairs to the London deck, he sneaks onto the other elevator car, but this car takes him to Level 0 and a bottomless chasm into which the Smiler tosses him with an evil sneer.

Back at the TARDIS, Amy is floating in space with the Doctor holding her by a single ankle. He has extended the air shield so they can breathe while watching the cosmos. He spots the Starship UK, a refuge for humanity after the Earth was burned by solar flares, and sets a course.

While Amy watches the monitor, the Doctor appears on the screen and beckons her to join him. She’s surprised, but exits the TARDIS and wanders the starship in her nightgown. The Doctor takes a glass of water and sets it on the deck, proclaims that he’s looking for an escaped fish, and tells Amy to keep an eye open for secrets, shadows, and lives lived in fear.

As they wander, a cloaked figure calls a man named Hawthorne, who then relays the information about the Doctor’s presence to a woman surrounded by glasses of water. Meanwhile, the Doctor explains that they’re looking for a girl named Mandy, points out the Smilers as peculiar, and leaves Amy to pursue Mandy (Timmy’s friend) while he tries to stay out of trouble.

Amy finds Mandy, who tells her that they’re path is blocked by a hole at Magpie Electricals. Amy tries to pick the lock guarding the hole while talking to Mandy about herself. When Amy takes a peek inside, a nearby Smiler turns to the evil face as Amy finds a tentacle with a stinger on the end. When she leaves the tent, she’s surrounded by cloaked figures who gas her.

The Doctor descends into the engine room and finds the mysterious cloaked woman and a glass of water. When pressed, he explains that an engine the size of that needed to propel the ship would cause ripples in the water, but the surface is still. Additionally, there are no couplings in the electrical boxes and no engine whatsoever. The woman, Liz Ten, asks for his help before providing him with Amy’s whereabouts and vanishing.

Amy regains consciousness in a booth where her name (Amelia Jessica Pond), age (1,306), and marital status (unknown) are displayed before she’s offered the truth about the starship and two options: Protest or Forget. Should only one percent of the population protest, the project will be discontinued with consequences for all. She views the video and presses Forget, but then sees a video from herself begging her to find the Doctor and get off the ship immediately.

The Doctor opens the booth with Mandy on his heels and reveals that her recent memories were erased. They discuss the similarities between Time Lords and humans, as well as the remnants of his people. The Doctor decides to bring down the government by slamming the Protest button. The deck opens to the chasm below and he and Amy are dropped into a slimy pit full of biological refuse.

It turns out that it’s a mouth, as pipes have been surgically implanted they can use the normal path to escape, but the mouth is closed. To prevent being swallowed, the Doctor triggers the vomit reflex and the pair land in an overspill pipe. They find a Forget button, but when they refuse to press it, two Smilers approach menacingly. A maskless Liz Ten bursts in with Mandy and shoots the robots, but when they start repairing themselves, the group moves on.

Liz Ten muses about the Doctor and his history with royalty, revealing that she is Elizabeth the Tenth, the Queen. They spot more of the roots (the tentacles) behind barriers and retreat to Liz’s quarters. The Doctor muses to Amy that they shouldn’t be here. They are interrupted by the cloaked figures, Winders who are half-human and half-Smiler, and taken to the dungeons (the Tower) to meet with Hawthorne.

In the Tower, they find evidence that the starship is being propelled by a large, captive creature that is being tortured to keep them moving. Liz Ten demands that they release the creature with her authority, but Hawthorne doesn’t budge. The Doctor shows her the mask that she wears, noting that it’s an antique, and proving that her body clock has been slowed. She’s been on the throne for hundreds of years, forced over time to either Forget or Abdicate.

She watches a pre-recorded video of herself explaining that they lacked the resources to build a suitable ship, but they found the last of the star whales and decided to ride it to safety. Despite being heartbreaking, the choice saved them all. To abdicate would mean destroying the ship and killing humanity to save the creature.

This is what Amy chose to forget, a choice that makes the Doctor furious.

The Doctor is faced with three options: Leave the star whale in captivity, kill all of humanity, or turn the creature into a vegetable to save them all. The Doctor starts setting up option three while Amy sees Mandy reunited with Timmy (who doesn’t recognize her) and then caress one the tentacles like a pet.

Amy decides to force Liz to abdicate, but instead of destroying the ship, the vessel speeds up. Amy recognized that the creature had volunteered to save the children of humanity, comparing the star whale to the Doctor. Later, the Doctor gazes out at the stars as Amy arrives with Liz’s mask. There will be no more secrets on Starship UK, and the Doctor and Amy make amends to each other.

They return to the TARDIS, and Amy starts to reveal the reason that she needs to get back tomorrow morning, but they are interrupted by the console phone. On the other end is British Prime Minister Winston Churchill, asking for help as the shadow of a Dalek is cast on the wall of his office.

The Doctor sets a course, leaving the star whale and her wards to sail the stars, unaware of a glowing crack on the hull similar to the one that graced Amy’s wall at home.


We see an evolution of the Doctor in his first outing in this incarnation. Growing from the trauma of the Time War, we finally see hints of acceptance and resolve to never be cowardly or cruel, to never give up, and to never give in. In fact, when the resolution to this story seems to be the mental death of a magnificent creature to save everyone, he is ready to sacrifice the name of Doctor as a result.

In a similar story twist as The Doctor Dances, doing the thing that was supposed to end the world actually saves it. It was so good to see Amy take command of the situation based on what she’s observed. Smart companions are a winner with me. It’s also an extension of The Runaway Bride as a companion pleads with the Doctor to find another solution. In this case, the companion is successful.

Steven Moffat does take a serious shortcut here with easy entry points for the franchise: This story echoes The End of the World with a new Doctor taking a new companion to the distant future where they muse about the fall of Earth, the future of humanity, and talk about mothers while standing in front of large windows staring into space. Is it cheap? Sure, but it works.

We’ve also seen the hijacked brain story and clockwork androids before in the revival era.

I did love the rapid fire rush through the history of the Doctor and the monarchy, from Queen Victoria to Queen Elizabeth II and even a bit more of the story about a marriage to Queen Elizabeth I. I also got a kick out of some current events getting a nod with a discussion of Scottish independence, and I’m amused by the Doctor’s personality as he tries to be hip and modern. It’s very much “How do you do, fellow kids?”.

All of these things combined made for an exciting adventure that showcases the strength and abilities of Amy as a companion.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: Victory of the Daleks

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Disney Investor’s Call 2020

Culture on My Mind
Disney Investor’s Call 2020

December 18, 2020

This week, I’m thinking Disney.

It’s been a weekend since the Disney Investor’s Call, but it’s taken a few days to parse all of the news from the four-hour long presentation on all things Disney, including Star Wars and Marvel Studios.

It was almost like a mini-D23 Expo to close out a troubling year. But it did come with news that the Mouse House was planning on expanding their streaming offerings within the next few years, including around 10 Marvel series, 10 Star Wars series, 15 additional series under the Disney banner (Disney animation, Pixar, and live action), and 15 completely new movies under those same banners.

There will be a price hike on Disney+ to cover it. The service is going to $7.99 a month in the United States, coming from the 86 million subscribers they picked up in the first thirteen months as well as anyone else who wants in on what the House of Mouse has in store.

Raya and the Last Dragon

Raya and the Last Dragon

Long ago, in the fantasy world of Kumandra in ancient Asia, humans and dragons lived together in harmony. But when sinister monsters known as the Druun threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, those same monsters have returned and it’s up to a lone warrior, Raya, to track down the last dragon in order to finally stop the Druun for good. However, along her journey, she’ll learn that it’ll take more than dragon magic to save the world—it’s going to take trust as well.

This computer-animated adventure film stars Kelly Marie Tran as the titular Raya and Awkwafina as Sisu, the last dragon. It is directed by Don Hall and Carlos López Estrada, co-directed by Paul Briggs and John Ripa, produced by Osnat Shurer and Peter Del Vecho, written by Qui Nguyen and Adele Lim, and scored by James Newton Howard.

This film was originally set for a November 2020 theatrical release, but due to COVID-19 it was pushed back to late March 2021. The investor call revealed that it will be released to Disney+ on March 5th alongside a theatrical release. The streaming release will be on the Premium Access side of Disney+, meaning that it will require an additional fee to access. If it follows the Mulan model, it will likely become widely available around three months afterward.

Star Wars

Ahsoka LogoThe Star Wars news started with what might have been a no-brainer after this season of The Mandalorian.

There are a lot of dark clouds surrounding Rosario Dawson at the intersection of Star Wars fandom and the LBGTQ+ community, and she has a lot of work to do to regain trust given the allegations against her. I don’t discredit anything that the LBGTQ+ community has to say about it. Disney has made many strides forward in representation and diversity, but the casting of both Rosario Dawson and Gina Carano has told many people that there is still a long, long road to travel.

That said, given her status, I would have been very surprised if Disney had let Dawson go after a one-shot appearance as one of the most famous modern characters in the franchise.

There are not a lot of details surrounding the Ahsoka Tano limited live-action series, but Dave Filoni is slated as showrunner. Which, of course he is, because she is his creation.

I am excited about this for many reasons. I’ve loved Ahsoka since her premiere in 2008’s Star Wars: The Clone Wars, even if my fellow fans were not. Trust me, despite what franchise detractors claim now, they were certainly not fans of her twelve years ago. But in that time, she has expanded the philosophy of the Force beyond the Skywalker films, and has been an avatar for Dave Filoni to take the reins of the Star Wars universe after literally studying at the feet of George Lucas for the animated series that followed the 2008 film.

I just wish someone else was in the lead acting role, y’know?

Rangers of the New Republic Logo

The Ahsoka series is apparently going hand-in-hand with Star Wars: Rangers of the New Republic, a live-action series from executive producers Jon Favreau and Dave Filoni that will intersect with future stories and culminate into a climactic story event.

Whatever that means, anyway. I’m guessing that either we’ll get some clues as The Mandalorian wraps its second season, or maybe we already have with that golden badge that Cara Dune received from the New Republic.

Obi-Wan Kenobi Logo

Last August, Lucasfilm and Disney announced that Ewan McGregor was returning to his prequel trilogy role of Obi-Wan Kenobi in a series set on the Tatooine dunes. We found out from the call that the series will take place approximately ten years before A New Hope, or effectively halfway into his self-imposed exile after Revenge of the Sith. The series will be helmed by Deborah Chow, who directed in season one of The Mandalorian.

The big news here is that Hayden Christensen is returning to the role of Darth Vader for the series. It’s only been relatively recently that Christensen has warmed up to Star Wars fans after the fire and venom they flung at him after the prequels. Seriously, if you want to see how bad some supposed fans can be, read up on the troubles that Jake Lloyd, Ahmed Best, and Hayden Christensen have had in light of the nastiness of fan letters.

It’s not clear if Christensen will be in flashbacks or in the Vader suit, but I’m eager to see how the story goes because I loved Ewan McGregor’s interpretation of Kenobi.

After that, they talked about the next feature film.

https://twitter.com/PattyJenks/status/1337177394625478656?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1337177394625478656%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.polygon.com%2Fstar-wars%2F2020%2F12%2F10%2F22168256%2Frogue-squadron-movie-release-date-patty-jenkins

Patty Jenkins, director of Wonder Woman and Wonder Woman 1984 will be directing a Rogue Squadron film.

Coming to theaters in December 2023, this film will follow the next generation of starfighter pilots in the Star Wars universe. It also fulfills a dream since Patty Jenkins, the daughter of a fighter pilot, has always wanted to make a fighter pilot movie. She’s also a Star Wars fan. It’s a match made in heaven.

We’re also getting a film directed by Mandalorian and Marvel alum Taika Waititi, but no details are available.

Star Wars logo bundleFinally, we have a last bundle of television series.

Lando Calrissian’s getting a show, but we have no idea if it’s Billy Dee Williams, Donald Glover, or another actor in the svelte capes.

The Cassian Andor (Rogue One: A Star Wars Story) series is finally being talked about. The Tony Gilroy spy thriller will star Diego Luna as Cassian Andor with Stellan Skarsgard, Adria Arjona, Fiona Shaw, Denise Gough, Kyle Soller, and Genevieve O’Reilly as Mon Mothma.

Leslye Headland, Emmy Award-nominated creator of Russian Doll, is in charge of a Dark Side mystery-thriller called The Acolyte, which is set in the final days of the High Republic era. That’s well before The Phantom Menace.

Star Wars: Visions will present ten short films in an anthology from the world’s best anime creators.

A Droid Story will take us on an epic journey with a new hero guided by R2-D2 and C-3PO.

And, last but not least, The Bad Batch will continue the Clone Wars story with the elite and experimental clones introduced in The Clone Wars: Season Seven as they navigate the turbulent times just after the fall of the Republic. This one might be the hardest for me to watch since I’m not a fan of the clones who executed Order 66. It all depends on what happened to the Bad Batch as Palpatine gave the order and what happens to them afterward.

I have seen people complain already that it’s too much, too soon. First, this is a plan for years, not months. Second, everything but Rogue Squadron and Taika Waititi’s film will be behind a paywall so you need to pay to play. Third, this is nothing compared to Marvel Studios.

Marvel Studios

The investor call brought the final trailer for WandaVision, a series dealing with Wanda Maximoff, Vision, the aftermath of Avengers: Endgame, and the dawn of Phase Four of the Marvel Cinematic Universe. It premieres in January.

The series will also include Teyonah Parris as a grown-up Monica Rambeau (Captain Marvel), Kat Denning as Darcy Lewis (Thor and Thor: The Dark World), and Randall Park as FBI agent Jimmy Woo (Ant-Man and the Wasp).

We also got a first look at The Falcon and the Winter Solider, a post-Avengers: Endgame and post-Spider-Man: Far From Home series with the new Captain America (played by Anthony Mackie) and Sebastian Stan’s Winter Soldier as they take on Baron Zemo (Daniel Bruhl, Captain America: Civil War).

They briefly addressed Chadwick Boseman and the Black Panther legacy: Black Panther 2 is definitely happening with Ryan Coogler back at the helm, but they will not recast the role of T’Challa. I’m still pulling for Letitia Wright’s Shuri to become the new Queen of Wakanda.

Disney also announced a few new surprise titles for Phase Four.

Marvel logo bundle

Secret Invasion will star Samuel L. Jackson as Nick Fury as he battles a (ahem) secret invasion of Skrulls with shapeshifting Skrull ally Talos (Captain MarvelSpider-Man: Far From Home). This is probably going to be loosely based on the comics event of the same name.

Ironheart stars Dominique Thorne as Riri Williams, a young black girl from inner city Chicago who reverse engineers Tony Stark’s armor to become the protector of her neighborhood. I am definitely onboard for this.

Don Cheadle will return as War Machine/James Rhodes in Armor Wars as Marvel explores what happens when Iron Man tech falls into the wrong hands. We got a taste of that in Iron Man 2.

We’ll also get a “live action holiday special” with the Guardians of the Galaxy cast (written and directed by James Gunn) and a series of shorts featuring new characters in the Marvel universe via I am Groot.

F4Ready for another surprise? Just over a year after regaining the rights to Marvel’s First Family, director Jon Watts (Spider-Man: Homecoming, Spider-Man: Far from Home, and the third Spider-Man MCU film) will be in charge of Fantastic Four.

The Fantastic Four have been notoriously difficult to capture on film, but with Watts in charge, I’m expecting about the same level of levity and charm as he’s shown through the two Spider-Man films so far.

We got a first look at What If…?, which explores stories of alternate Marvel Cinematic Universes where one little thing changed the whole world. What if Peggy Carter was the super soldier instead of Steve Rogers? What if T’Challa was taken by Yondu, thus becoming Star Lord? What if…?

There’s also a first look at Loki, a series that looks like a ton of multiverse-bending madness. It also features Atlanta’s famous Marriott Marquis hotel. I’d know those elevators anywhere.

Oh, and Ant-Man and the Wasp: Quantumania! Peyton Reed is returning to direct, Kathryn Newton is taking over the role of Cassie Lang, and Jonathan Majors is Kang the Conqueror.

Is that enough? Of course not. Marvel still has Black Widow on May 7th, Shang-Chi and the Legend of the Ten Rings on July 9th, The Eternals on November 5th, and the third MCU Spider-Man film on December 17th.

Thor: Love and Thunder (enter Christian Bale as Gorr the God Butcher), Doctor Strange in the Multiverse of Madness (which just announced newcomer Xochitl Gomez to portray America Chavez!), the Black Panther sequel, the Captain Marvel sequel, Guardians of the Galaxy Vol. 3, and a Blade movie are still in the wings for 2022 and beyond.

We also have Hawkeye (Hailee Steinfeld is Kate Bishop), Ms. Marvel (Iman Vellani is Kamala Khan), She-Hulk (Tatiana Maslany in the title role with Tim Roth and Mark Ruffalo returning as Abomination and Hulk), and Moon Knight being developed for Disney+.

And… breathe.

Disney Live-Action

Love ’em or hate ’em, Disney’s still revamping their back catalog in live-action/computer animated form. However, given the tumult presented by COVID-19 on the motion picture industry, the upcoming remakes of Peter Pan and Pinocchio will join Lady and the Tramp and Mulan on Disney+ instead of theaters.

Peter Pan and Wendy will star newcomer Ever Anderson (the daughter of Milla Jovovich and Paul W.S. Anderson, who also plays a young Natasha Romanoff in Black Widow) and Alexander Moloney. Yara Shahidi will play Tinker Bell and Jude Law will play Captain Hook.

Yes, a black Tinker Bell. Prepare yourself for a whole new crop of close-minded bovine excrement from that particular sector of the internet.

Pinocchio will star Tom Hanks as Geppetto and Alan Cumming as Honest John, with Robert Zemeckis at the helm. Tom Hanks is a universal treasure, so I’m excited to see what he does with this.

Jungle Cruise and The Little Mermaid will still be released in theaters, and we’re also getting sequels to Enchanted and Hocus Pocus. I get the former, but I’m hesitant about the latter.

Disney Animation

On the success of the DuckTales reboot, Disney is breathing new life into Chip n’ Dale Rescue Rangers, this time in the hybrid live-action/computer generated format. John Mulaney and Andy Samberg are the chipmunk brothers in a world where cartoons live side-by-side with humans. So, Who Framed Roger Rabbit? style?

Lin-Manuel Miranda is coming back to Disney animation with Encanto, a new animated film set in Colombia dealing with “the dangerously wonderful chaos of family” combined with elements of magic. Encanto will be the studio’s 60th animated feature film.

Princess Tiana (The Princess and the Frog) and Moana will be returning in their own respective musical animated series, and Baymax (Big Hero 6) and the characters of Zootopia will also be getting their own shows. Disney also announced that they’re teaming up with the Pan-African entertainment company Kugali to develop a science fiction animated series called Iwájú, which showcases a gorgeous, Afro-futuristic world.

We’re also getting another crack at A Diary of a Wimpy Kid, this time as a 3D computer animated series. Not my cup of tea exactly, but it will probably work for the fans. Blue Sky Studios is working on an animated sequel to Night at the Museum, which was a fun and chaotic trilogy.

Pixar also has some dishes for the table: We also get a Buzz Lightyear origin story and a Cars series. I’m skeptical about both of those, but they’re still working on feature films too, including Luca and Turning Red.

Lucasfilm

Willow LogoLucasfilm also chimed in with news of a fifth Indiana Jones film with Harrison Ford back in the fedora, James Mangold in the driver’s seat, and a target date of July 2022.

They added a Willow television series to the mix, including Warwick Davis returning as the great sorcerer Willow Ufgood in a story set decades after the 1988 Ron Howard film.

Finally, Lucasfilm will be adapting Tomi Adeyemi’s New York Times bestselling novel Children of Blood & Bone, which features a young African girl in a coming-of-age adventure to restore magic to her forsaken people, the Maji.

Untitled Alien Series

FX Alien LogoTo wrap this all up, the call also contained news of a television series coming to Hulu via FX based on the Alien film series.

Noah Hawley, the writer and producer known from his work on Fargo and Legion, has been tapped to run this series. Rumors abound that Ridley Scott, director of 1979’s Alien and sequels Prometheus and Alien: Covenant, is being courted as executive producer.

All we have so far is that this series will take place on Earth, a first in the franchise if you ignore the two Alien vs. Predator films. And, honestly, most people do.


That’s a lot to cover, but it’s also a bright future for Star Wars, Marvel, and Disney/Fox properties. Keep an eye out because the next few years are going to be packed.

I know I’m excited. If my social media feeds are any indication, I’m not the only one.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #210: The Eleventh Hour

Doctor Who: The Eleventh Hour
(1 episode, s05e01, 2010)

Timestamp 210 The Eleventh Hour

Is this planet protected?

Before we get there, where were we? Oh, yeah…

“Geronimoooooooooooo!”

The TARDIS flies end-over-tea-kettle as the newly regenerated Eleventh Doctor hangs on for dear life. He nearly misses Big Ben before crawling back inside.

In 1996, a young girl named Amelia Pond prays to Santa Claus on Easter about a crack in her wall. When she asks for help to fix it, the TARDIS crash lands on her garden shed. Amelia ventures out to investigate and is surprised when the Doctor pops out of the time capsule with a grappling hook, having just climbed up from the library and now craving an apple.

He has a momentary spasm and breathes out a stream of golden regeneration energy. Despite still “cooking”, he promises to look at the crack in the wall. But first, food.

Apples? No good.

Yogurt? Same result.

Bacon? Nope.

Beans? They’re evil.

Bread and butter? Better as a frisbee.

Carrots? Not even one.

Fish fingers and custard? Perfection.

While the Doctor enjoys his new delicacy, he asks Amelia about her family. She has no parents, but lives with her Aunt Sharon. Her aunt is away and, as the Doctor notes, she’s quite the brave girl.

The Doctor ventures upstairs to look at that crack. Funny thing about that crack is that it would exist even if the wall was removed. It also has a voice, one which repeats “Prisoner Zero has escaped.”

He promises that everything is going to be fine before opening the crack with the sonic screwdriver. What he finds on the other end is a giant eyeball that sends him a message on the psychic paper before sealing the crack again. The Doctor muses about Prisoner Zero escaping through the crack into Amelia’s house, but before he can find it out of the corner of his eye, the Cloister Bell sounds. The Doctor rushes to the TARDIS to stabilize the engines. promising that he’ll just hop five minutes into the future to fix the issue and will be right back.

Amelia doesn’t believe him. Everyone says that they’ll be back, but they don’t come back.

As the TARDIS vanishes, Amelia runs up to her room and packs a bag. She runs downstairs (past the door that wasn’t open a second ago) and waits in the garden for the Doctor to return.

The TARDIS returns, with smoke pouring out of it in the broad daylight. The Doctor rushes in to find Amelia and Prisoner Zero, but instead takes a cricket bat to the face.

At a nearby hospital, nurse Rory Williams summons his supervisor, Dr. Ramsden, to inform her that every patient in the coma ward is asking for her. They all call out in unison: “Doctor!” He also shows her evidence that the coma patients have been walking about the village. She tells him to take some time away, starting now.

The Doctor wakes up chained to a radiator and facing a police officer. He asks the officer about Amelia Pond, but the officer tells him that she moved away six months ago. The officer calls for backup while the Doctor asks her to count the number of rooms on the floor. The officer counts five rooms, but the Doctor proves that there are six. The extra room is guarded by a perception filter, and the officer goes to check it out while the Doctor protests.

He asks her to find his screwdriver, which has now entered the room and jumped up on the table. Prisoner Zero stalks her around the room, but the Doctor tells her not to look at it. Unfortunately, she looks it in the eye and rushes out. The Doctor works on the handcuffs with the sonic screwdriver while the officer reveals that she’s really a “kiss-o-gram”.

The door opens to reveal a man with a dog. The same man is in the coma ward at the hospital. As the Doctor and the woman stall for time, a voice announces that the house is surrounded and will incinerate the house if Prisoner Zero doesn’t surrender.

The Doctor and the woman run for the TARDIS, but the time capsule is still rebuilding. The Doctor spots the garden shed and realizes that he’s not five minutes in Amelia’s future. In fact, he’s twelve years late, and the woman is Amy Pond.

As they move through the village, they find that everything with a speaker is repeating the same message: “Prisoner Zero will vacate the human residence, or the human residence will be incinerated.” They rush into the nearest house, which belongs to Amy’s friend Jeff Angelo and his grandmother. There they discover that the message is being broadcast worldwide in every human language. The Doctor also finds out that Amy has been drawing the Doctor – the raggedy man – since she was a child.

The Doctor deduces that they have about twenty minutes before the Atraxi arrive and destroy the world. Sure enough, there’s a fleet of giant eyeballs in orbit.

The Doctor is not amused when he finds out that he’s effectively trapped in Leadworth. He also notes that he’s still cooking and not yet ready to tackle this emergency. Regardless, as he looks at the villagers all watching the sky change through their mobile phones, he notices Rory taking pictures of Prisoner Zero instead of the sky.

He also proves to Amy that he is the Doctor by handing her the apple with a smiling face that she gave him moments before he left her over a decade (or half an hour, depending on your point of view) prior.

With Amy on his side, the Doctor is introduced to Rory. He learns that Prisoner Zero is using coma patients – its kind needs a psychic link with a dormant mind – and signals the Atraxi with the sonic screwdriver. Unfortunately, the Doctor overloads and destroys the screwdriver before the Atraxi notice, so he’s forced think of another way to solve the problem in the next seventeen minutes.

Meanwhile, Prisoner Zero heads back to the hospital and kills Dr. Ramsden as she tries to rouse the coma patient.

The Doctor returns to Jeff’s house and takes his laptop to break into a conference call among the world’s top scientists. He proves his intellect by producing multiple scientific theories – including the “real” proof of Fermat’s theorem, which is the formula for faster-than-light travel – and a joke, then uses Rory’s phone to write a “slightly intelligent” virus that will turn every digital display in the world to “zero” at the same time. Basically, causing a worldwide inconvenience.

He uploads the virus to the internet, gives Jeff’s grandmother astronomer Patrick Moore’s phone number, and then advises Jeff to erase his internet history before the world notices him.

The Doctor rushes to join Amy and Rory at the hospital. Amy has used her kiss-o-gram police uniform to get past security, but encounters Prisoner Zero in the guise of a mother and twin daughters. The Doctor comes to rescue in a fire engine, breaking the ladder through a window and climbing into the coma ward.

The Doctor faces off against Prisoner Zero, learning that the cracks are spread throughout the universe. The Pandorica will open and silence will fall. Sounds ominous.

The clocks on the wall click to zeroes, sending a message worldwide to the Atraxi that Prisoner Zero is at the source of the computer virus, which is Rory’s phone. The Doctor reveals that he’s uploaded Rory’s photos of the coma patients, so Prisoner Zero shifts into the Doctor’s form with young Amelia through the psychic link with Amy.

The real Amy falls unconscious, and the Doctor speaks to her about the room with the perception filter, asking her to dream about it. When she does, Prisoner Zero’s true form is revealed and the prisoner is captured.

The Doctor then summons the Atraxi, telling them that they violated the Shadow Proclamation by threatening to burn a Level Five planet. He changes clothes, stealing them from the hospital like two of his predecessors, then heads to the roof.

The Doctor confronts the Atraxi as he finishes dressing, asking them a simple question: Is this world a threat?

The answer is no.

Are the people of the world guilty of any crimes under Atraxi law?

No.

Is this world protected?

Yes.

By whom? Oh, hey… it’s the Doctor.

He warns them to run, so they do. After the Atraxi leave, the TARDIS key glows and the Doctor rushes back to his blue box. When he enters he finds a whole new console room. He takes off to break the new time machine in, leaving Amy and Rory in the garden.

He returns as Amy dreams of being abandoned in the garden as a girl. The problem is that he’s been gone two years. She’s been dealing with abandonment issues for fourteen years. Despite that, he asks Amy to join him in the TARDIS to explore time and space.

She declines at first, so he shows her the console room. It’s a bit of a haphazard mess, but it’s still bigger on the inside. Despite still being in her nightie – there are plenty of clothes in the wardrobe – the Girl Who Waited agrees to go with him so long as the Doctor gets her back tomorrow “for stuff”.

Time being relative on the TARDIS, that shouldn’t be a problem, but the Doctor has a long history of missing the target.

The Doctor tells her that he needs a companion because he’s lonely. He also has a new sonic screwdriver (grown or built by the TARDIS, even) and is a Madman With a Box. With the ominous crack appearing on the scopes, the new pair bid farewell to Leadworth and hello to everything.

Oh, and that “stuff” for tomorrow? Yeah… Amy’s getting married. Presumably to Rory.


I love how whimsical young Amelia is, and I especially love how she maintains that whimsy into adulthood. All too often, kids have that wonder and eccentricity beat out of them by the systemic rigors of school, work, and growing up. But in Leadworth, thankfully, that’s simply not the way.

It’s obviously a defense mechanism for her, possibly to shield separation and abandonment anxieties based on how easily she spools out the line about how everyone says that they’ll be back, but they don’t come back. That led to one of the most heartbreaking moments in this entire episode as young Amelia Pond sat on her luggage in the cold garden and waited for her Raggedy Man to return.

The symbolism is not lost on me: Amelia prays (the Doctor is often referred to as a sort of god figure emerging from the TARDIS, a literal deus ex machina) to Santa Claus (a figure known for bestowing gifts and charity upon the deserving, much like the Doctor among those he meets) on Easter (a religious holiday centered on rebirth and resurrection). The fact that she asks for a policeman is just icing on the cake.

The scene that I come back to quite frequently is the “Hello. I’m the Doctor” sequence. The holographic projections of the previous ten (known) incarnations of the Doctor set the stage perfectly, almost like poetry, for Matt Smith to snug up his bow tie and set himself in the name.

I love seeing which images the producers select for scenes like this, but the Doctors flash by very fast. The creatures, on the other hand, include Cybermen, Daleks, a Pyrovile, the Empress of the Racnoss, the Ood,  the Hath, the Sontarans, the Sea Devils, the Sycorax, a Reaper, and a victim of the Vashta Nerada.

Finally, the new title theme was a bit off-putting at first, but I know from experience that it will grow on me. It’s quite the change from the variations from 2005 through 2009.

Even though the rules for the Timestamps Project allow for a +1 handicap for regeneration episodes, this story hardly needs it.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: The Beast Below

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp: Tenth Doctor Specials and Tenth Doctor Summary

Doctor Who: Tenth Doctor Specials and Tenth Doctor Summary

The Tenth Doctor Specials were a great but short run.

The grouping ran from December 2008 to January 2010 – effectively, the year of 2009 – and helped to create David Tennant’s farewell tour. It was accompanied by the Doctor Who Prom (which included a mini-episode called Music of the Spheres) and The Wedding of Sarah Jane Smith.

It was unique for exploring the darker side of the Tenth Doctor, following from the bittersweet victory of Journey’s End and evolving on what started in The Runaway Bride and the concept of the Time Lord’s unrestrained power.

In some fan circles, these episodes are looked down upon because they are so different in spirit from the zany friendly nature of the previous three series. I feel that they perform a great service in terms of a war veteran who is trying to make amends for the things he’s done while trying desperately to avoid any further destruction.

That’s where we are with The Next Doctor and Planet of the Dead. The Doctor has just lost Donna and closed the loop with Rose, and that cuts him to the quick. By the time we reach The Waters of Mars, he’s been traveling for a while without a companion, which we have seen established before as a really bad thing for him. Without the balance of a companion, the Doctor believes that he can solve anything with his power as the last of the Time Lords.

All of this culminates in his temper tantrum at the time of his fatal radiation exposure in The End of Time. He wants to do so much more. In fact, he needs to. It is a primal, emotional necessity to make up for whatever he did in the Time War. He still does the right thing in saving Wilf, and then turns his need on its head by using his remaining time to help those he loves.

In that, the Doctor is redeemed for his flirtations with darkness Time Lord Victorious, and presumably for his role in the Time War. He’s done so much good that maybe, just maybe, he can finally rest.

From that perspective, I love this set of stories with the exceptions that I have previously noted. Particularly with the portrayal of the Master in The End of Time.


The Tenth Doctor Specials collection comes in at an average of 4.4. That’s fourth all-time for the Timestamps Project, coming in behind the classic Ninth Series, the new era’s Series Four, and the Eighth Doctor’s run. It’s just ahead of both Series One and Series Three.

The Next Doctor – 4
Planet of the Dead – 5
The Waters of Mars – 5
Dreamland – 3
The End of Time – 5

Tenth Doctor Specials (Revival Era) Average Rating: 4.4/5


Timestamp Tenth Doctor

Following tradition…

The First Doctor was a wise grandfather, the Second a sly jester, the Third a secret agent scientist, the Fourth an inquisitive idealist, the Fifth an honorable humanitarian, the Sixth a squandered cynic, the Seventh a curious schemer, the Eighth a classical romantic, the Ninth a hopeful healing veteran…

…and the Tenth Doctor is a bargaining humanitarian.

The Tenth Doctor continues the work of the Ninth on Kübler-Ross model of grief. The Ninth worked through Denial and Anger, while the Tenth Doctor picked up with Bargaining and worked into Depression (with added bits of Anger since, let’s face it, this model is not perfectly linear).

He tried to stop the bad things from happening, always looking for a way out. But when those bad things finally happened, he was so very sorry. As mentioned before, he was always looking to even the score for watching Gallifrey burn, and he wanted to do so much more before his death.

We can only hope that the Eleventh Doctor finds Acceptance.

I started watching Doctor Who with the Ninth Doctor back in 2008, but the Tenth was always “my” Doctor. Watching these stories again with the full context of the franchise behind me has been a joy.


Series 2 – 4.1
Series 3 – 4.3
Series 4 – 4.6
Specials – 4.4

Tenth Doctor’s Weighted Average Rating: 4.34

Ranking (by score)
1 – Eighth (4.50)
2 – Tenth (4.34)
3 – Ninth (4.30)
4 – Third (4.00)
5 – Second (3.67)
6 – Fourth (3.67)
7 – Seventh (3.54)
8 – First (3.41)
9 – Fifth (3.20)
10 – Sixth (2.73)

Ranking (by character)
1 – Tenth Doctor
2 – Second Doctor
3 – Ninth Doctor
4 – Eighth Doctor
5 – Third Doctor
6 – Fourth Doctor
7 – Seventh Doctor
8 – First Doctor
9 – Fifth Doctor
10 – Sixth Doctor

I’ve mentioned this before: Those top seven spaces on the character ranking are really, really, really close. I have been tempted to make them a a tie for first place since I would gladly watch any of those stories at any time, but that would be taking the easy way out. It’s far more challenging to actually rank them.


Next up, we change Doctors and showrunners.

UP NEXT – Doctor Who: The Eleventh Hour

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #209: The End of Time

Doctor Who: The End of Time
(Christmas Special, 2009)
(New Year Special, 2010)

“It is said that in the final days of planet Earth, everyone had bad dreams…” Everyone forgot these terrible dreams, except one man.

London is gearing up for Christmas, and Wilfred Mott is no exception. However, when he sees flashes of the Master laughing maniacally, he seeks the sanctuary of a nearby church. In the stained glass, he spots an image of the TARDIS. A mysterious woman tells him that it’s called the mystery of the blue box, driven by a sainted physician who smote a demon and vanished. She muses that he may be coming back, but when Wilf tells her that it would make his Christmas, she vanishes.

And the Master laughs.

The TARDIS materializes on the Ood Sphere, a full century after the Doctor and Donna freed the Ood. The Doctor struts into the snowy landscape in a tropical get-up, trying to get a laugh from Ood Sigma with a remote car lock on the time capsule. It doesn’t work. Neither does the Doctor’s boasting that he named a galaxy Alison, saw the Phosphorous Carousel of the Great Magellan Gestalt, and married Queen Elizabeth I.

The Doctor is troubled by the rapid nature of the Ood evolution. The Ood are troubled as well, though their burden is bad dreams of a return. The Doctor joins their vision and sees the laughing Master. The Doctor protests since the Master is dead, sharing his memories of The Year That Never Was, but is troubled as he sees visions of Wilf, Lucy Saxon, and a mysterious couple.

He recounts the tale of the Master’s demise and funeral, but the Ood note how he missed a woman picking up the Master’s ring. There’s also a shadow falling over creation. The end of time is coming.

The Doctor runs for the TARDIS. Lucy Saxon is set free from her jail cell in Christmas Eve. As the Doctor flies the TARDIS apart, Lucy is introduced to Miss Trefusis, the woman who retrieved the ring, and a group of fanatical disciples of the Master. The ring is placed into a vessel among potions and the biological signature from Lucy’s lips. The disciples surrender their life energy as the Master rematerializes in a burst of energy. The drumbeat echoes in his head as he muses to Lucy, but Lucy stymies his plans by throwing a potion of her own into the mix.

The prison explodes.

The Doctor arrives a day too late.

But someone survived the inferno, and that unknown couple celebrates. They are Joshua Naismith and his daughter Abigail, and they give orders to prepare the gate.

Meanwhile, Wilf joins a group of friends for drinks, but ends up giving them informational packets to keep an eye our for the Doctor. When they question him, he reminds them of their bad dreams and that the Doctor can help them.

In a junkyard, two men pick up meals from a food truck. A third man in a hoodie arrives and reveals himself as the Master. He devours a hamburger with the other two men, and after he’s identified as Harold Saxon, he chases them back to the food truck while phasing in and out. The food truck has been destroyed, and the two men are consumed next.

The Doctor stands over the junkyard, which the Master senses. The Master begins pounding a drumbeat on a steel drum. The Doctor runs to find him but arrives just in time to watch the manic Time Lord jump away with superhuman power. The Doctor pleads with him, asking to help him before he burns up his lifeforce, but the Master disappears.

Wilf arrives right away with his Silver Cloak network, and the Doctor is beside himself as they fawn over him. The Doctor returns to town with Wilf and they sit down over tea. The Doctor wonders why they keep meeting, musing about the prophecy of his own death. Even upon regeneration, he says, each incarnation dies as the next carries on.

They spot Donna, and while the Doctor reinforces that she can never remember him, he’s pleased that she’s moved on. She’s engaged to Shaun Temple, but Wilf knows that she knows that something is missing in her life.

Wilf asks about his companions and the Doctor tells him that he’s traveling alone. Sadly, he notes, without a companion he’s made some bad choices. The Doctor starts crying, burdened by the guilt of his recent actions which also devastates Wilf. He asks if Donna could make him smile again, but by now she is gone. The Doctor moves on as fate places all of the players on the field.

The Doctor finds the Master. The Master generates some kind of electrical blasts and pours energy into the Doctor, forcing the Time Lord to the ground. The Doctor realizes that the Master’s body has been torn wide open, enabling him to weaponize his life force at the expense of his own time. It’s a resurrection gone wrong and the Master is insane.

The Master remembers back to their childhood, where they would play on pastures of red grass, stretching across the slopes of Mount Perdition. The Doctor talks of the prophecy and the Master of his drumbeat. The Master shares the sound with the Doctor, forcing the Doctor to recoil in fear. The Master rockets away and the Doctor gives chase. The Master stops and asks what is calling him. Then a helicopter arrives, shoots at the Doctor, and abducts the Master. The Doctor is left unconscious in the junkyard.

Christmas arrives. Donna has given Wilf a copy of Naismith’s book, Fighting the Future, which troubles Wilf. Donna has no idea why she picked it out. It just felt right. Shaun arrives and Wilf tries to watch the Queen’s address, but it is preempted by a message that only he can see. The mysterious woman warns that, even though he fought in the war and never took a life, he will need to take up arms. He should also not warn the Doctor of this.

He goes to his bedroom and retrieves his service revolver. He looks up as the Doctor tosses a rock at his window, and goes out to talk to him. The Doctor is trying to connect the dots and finally does when Wilf shows him Naismith’s book. When Donna comes calling, the Doctor and Wilf take off in the TARDIS, leaving Sylvia yelling at the wind and Donna amused.

It’s Wilf’s first trip in the TARDIS. He thought it would be cleaner.

Meanwhile, the Naismiths celebrate the arrival of the Master. Wrapped in a straitjacket, the Time Lord is introduced to the Immortality Gate, which Naismith found after the fall of Torchwood. The gate’s power supply includes two booths connected to a nuclear device so that it has to be manned all the time. Naismith wants immortality for his daughter, who is aware of the disciples of Saxon.

Naismith has moles in his staff. Two of his scientists, Addams and Rossiter, are undercover Vinvocci disguised as humans. They want to take the gate for themselves.

The Doctor and Wilf arrive, and the Doctor pushes the TARDIS one second out of sync to hide it. They sneak into the Naismith complex and find the Vinvocci as the Master repairs the gate and brings it online. As the Master is restrained, the Doctor questions what is going on.

The Vinvocci are a salvage team and the gate is a medical device that repairs entire planets using a genetic template. They are also not the Zocci and take offense to being compared to cacti. With this knowledge, the Doctor rushes upstairs as the Master jumps into the gate. The Master’s genetic template is transmitted across the planet into every human being.

The Doctor and Wilf jump into the control booths. The radiation shielding protects Wilf from the transmission, leaving the Doctor free to work. Meanwhile, the planet is panicking.

Everyone begins transforming into the Master and Donna has witnessed it since she’s immune due to the metacrisis. Unfortunately, she’s begun to remember all of it as the Master celebrates the rise of the Master race.

And that unknown narrator who has been chronicling the story? He’s happy, because the return of the Time Lords and Gallifrey is at hand. He’s also the current Lord President.

In Doctor Who fashion, this story is taking place in two distinct temporal zones. On the last day of the Time War, the High Council tells the Lord President that the Doctor still has the Moment. Once he uses it, Gallifrey will fall as the Daleks are destroyed. One adviser suggests that it might be for the best since billions are dying and being resurrected over and over, but the President vaporizes her for the suggestion.

He will not surrender.

He learns that the Doctor and the Master will survive the Time War and will end up on Earth, so the President sets his sights there.

On Earth, the Doctor and Wilf are restrained as the Master checks in with himself around the world. The Master is surprised as Donna calls, demanding to know why she hasn’t changed. Wilf warns her to run as the Master pursues, but when Donna is cornered, the Doctor-Donna power is unleashed. The Masters and Donna all collapse.

The Master ungags the Doctor. The Doctor offers to let the Master travel with him, but the Master is concerned about the drumbeat in his head. Wilf asks about it, and the Master shares the story of how he was forced to look into the Untempered Schism. That was when it began.

The Lord President learns of this story at the same time, correlating the rhythm of four with the heartbeat of a Time Lord.

The Doctor realizes that the Master is still dying even with the Gate’s influence, but the Master is otherwise obsessed. The drumbeat is now amplified billions of times and coming from the end of time. The prophecy concerns him.

When the Master order Wilf to be executed, the guard turns out to be Rossiter. The Master is knocked unconscious and Wilf and the Doctor are rescued by Rossiter, Addams, and a teleport to the orbiting Vinvocci ship.

Once freed from his restraints, the Doctor rushes to save them from a planet of missiles aimed toward the skies. Oh, and a starstruck Wilf who has never been to space.

The Doctor’s solution? He turns the entire ship off by destroying the ship’s systems. It has stranded them in orbit, but Wilf has faith in the Doctor. As the Doctor begins to rebuild the ship’s systems, the mysterious woman appears to Wilf again and orders him to give his gun to the Doctor.

As the Masters listen for the drumbeats – which are now revealed to have been planted by the Lord President at the end of the Time War – the High Council sends a White-Point Star through the link. The size of a diamond, it is small enough to break the temporal lock, and when it lands in London with a giant crater, the Master laughs hysterically.

Wilf talks with the Doctor as the Time Lord works on the ship. He recounts his memories of the war and learns that the Doctor is 906 years old. He supposes that the Doctor sees humans as insects, but the Doctor admits that he really sees them as giants. The Doctor refuses the gun, but tells Wilf that he would be proud to be his son.

The Doctor wonders if Time Lords live too long, but realizes that killing the Master would only mean that he starts down that dark path. While he’s made some bad choices and taken lives, he won’t kill the Master to save himself, even if Wilf pleads with him.

The Master sends an open broadcast to the Doctor, revealing the existence of the White-Point Star. The Doctor realizes with fear that the Time Lords are returning, and he takes the gun and rushes to the control room.

On Earth, the Master uses the White-Point Star to establish a link and open a pathway. Contact is made, and the High Council chooses life over the fall of Gallifrey.

Wilf is confused. He thought that the Time Lords were wise and peaceful, but that’s how the Doctor chooses to remember them. In reality, the horrors of the Time War had changed them, irrevocably corrupting them and making them far more dangerous than any of his enemies.

The Doctor restores power to the ship and takes control. With an old Earth saying, a word of great power and wisdom and consolation to soul in times of need, he drives the ship toward the planet: “Allons-y!”

Using the ship’s salvage lasers, Wilf and Rossiter destroy the planet’s missiles as the ship races to England. When they arrive, the Doctor dives from the ship, falling through the glass dome into the chamber below at the President’s feet in a battered mess.

That’s right. The Time Lords have arrived.

The President greets the renegades as “Lord Doctor” and “Lord Master”, noting the paradox of having been saved by Gallifrey’s most infamous child. When the Master tries to change the Time Lords into himself, the President reverses the effect worldwide and demands that humanity kneel before him.

Then Gallifrey materializes in Earth’s orbit, bearing down on the planet and causing it to quake. Shaun goes in search of Donna as everyone panics in the street. Wilf finds his way to the surface and enters the Gate’s control chamber.

The Master is excited that the Time Lords have returned, but the Doctor reminds him that he wasn’t there in the final days. All of the other horrors born in the last days of the Time War, which he had sealed away in the Time Lock, would also be released. The Daleks would be joined by the Skaro Degradations, the Horde of Travesties, the Nightmare Child, and the Could’ve Been King with his Army of Meanwhiles and Neverweres. Hell has come to Earth, and the Time Lords, who had planned to deal with these horrors with the Ultimate Sanction – an ascension above the physical form while creation tears itself apart – would be enacted here.

All of this chaos was happening at the same time as Dalek Caan breaking through the time lock to rescue Davros. Apparently, while it was primarily a battle between the Daleks and the Time Lords, the Time War engulfed the entire universe in both space and time.

The Doctor draws Wilf’s gun on the President, then on the Master. Both are the ends of the link, but the Doctor cannot kill either. Finally, he spots the mysterious woman in the President’s retinue. She was one of the two advisers who disagreed with the President and was forced to hide her face like a Weeping Angel. Her tear-streaked gaze focuses on the White-Point Star, and when the Doctor shoots it, Gallifrey returns to its rightful place on the last day of the Time War.

The President, now revealed as Rassilon, threatens to take the Doctor with him, but the Master unleashes his energy in fury. Rassilon falls to his knees as Gallifrey, the Time Lords, and the Master vanish.

The planet and her people are safe once again, and the Doctor is certain that he’s dodged the prophecy.

But someone knocks four times.

Wilf is still in the control booth, and the only way out is if someone replaces him and takes the brunt of the nuclear blast of 500,000 rads as the energy source goes into overload. Wilf offers to sacrifice himself, but the Doctor cannot allow that. Even in his anger because he could do so much more!

The Doctor pushes his own darkness aside because he knows the right answer and enters the booth. Wilf is saved as the energy pours into the Doctor. The Time Lord collapses in pain, and once the energy release is complete, the Doctor exits the now dead booth.

Wilf thinks that the Doctor made it out okay, but the Doctor shows him the injuries from his skydive. His regeneration has begun. The Tenth Doctor is dying.

All Wilf can offer is a hug.

Shaun and Sylvia tend to Donna as the Doctor drops Wilf at the house. The whine of the TARDIS awakens her, and she seems to be no worse for wear. The Doctor promises that he’ll see Wilf one more time, but he has a reward to find.

Here we find the Tenth Doctor seeking redemption for the dark things he’s done since losing Donna.

First, he saves Martha and Mickey from a Sontaran sniper. It turns out that they’re married now. To each other.

Next, he saves Luke Smith from being struck by a car. With a glance, he says farewell to Sarah Jane. She knows what’s coming next.

Next up? An intergalactic bar where he introduces a despondent Captain Jack Harkness to Midshipman Alonso Frame. You know what happens next.

After that, he buys a book from Verity Newman. Her great-grandmother was Joan Redfern, the woman who fell in love with John Smith. He asks if Joan was happy in the end. She was. Silently, so was he.

He returns to Wilf at Donna’s successful wedding. He offers a winning lottery ticket bought with a pound from Sylvia’s late husband. Once they cash it in, all of the family’s financial troubles will be history. The Doctor leaves with a final look at Wilfred, the man whose life he saved at the expense of his own. Wilfred cries, realizing that he’ll never see the Doctor again. It’s one salute that the Doctor doesn’t mind.

Finally, we come to New Years Day 2005. From the shadows, he talks to Rose Tyler at the Powell Estate, promising her that she’s going to have a really great year. When she meets the Ninth Doctor in a few months, she certainly will.

With that, he struggles back to the TARDIS, guided by Ood Sigma. Sigma tells him that the universe will sing him to sleep, and while this song is ending, the story never ends. The Doctor musters his strength as the Ood sing “Vale Decem” in chorus.

He enters the TARDIS, discards his coat, and looks upon his glowing hand as the TARDIS reaches orbit. He laments, “I don’t want to go,” and then erupts in violent regeneration energy.

The explosion rips through the TARDIS, toppling the coral supports, tearing apart the console, and blowing out the windows.

“Geronimoooooooooooo!”


You know, I actually feel sorry for the Master. When Professor Yana regenerated into this version of the Master, I was pleased. Professor Yana was a little crazed due to his identity crisis but also a whole lotta evil. The Harold Saxon Master was diabolical and slightly insane due to the constant drumbeat in his head. When the Master was defeated and killed by Lucy Saxon, I thought it was a good ending for the character, even with the knowledge that the Master never dies.

This resurrection gone wrong takes the character in an entirely wrong direction. I can understand the increased mania, since we’ve seen regenerations gone wrong before, and I loved the dynamic of the Doctor trying to save the Master from self-destruction, but the flight and speed superpowers were way over the top. It shifts a nefarious nemesis into a parody, and thankfully the powers were limited.

What’s really intriguing is the Gallifery connection. We know Rassilon, from his origins as a founder of Time Lord civilization to the manifestation of his quest for power in The Five Doctors, and we know just how aloof and disdainful the Time Lords are in general. So, it really makes sense that they would willingly torture one of their own to save their civilization.

The Doctor knew it, too. Throughout the classic era, the Doctor wore his displeasure on his sleeves. Whatever happened in the Time War – whatever mighty burden the Doctor carries in the aftermath – was powerful enough to change his anger into rose-colored nostalgia.

Shifting gear, Wilf is just too precious. He is the perfect embodiment of Doctor Who, from his wide-eyed wonder upon going to space (having dreamed about it since Partners in Crime) to his delicate balance of self-sacrifice, love, and understanding that darkness is necessary to balance the light. He claims that he’s lived his life to its natural conclusion, but he has so much more to give the world in his honesty and sincerity. One of my favorite character notes is that he was a veteran, but he never killed anyone in the war and sees that as a badge of honor.

I am really going to miss him.

His moment in the “final reward” farewell tour was touching. It was also a fitting ending to Donna’s story as she gained so much happiness after losing so much. I was also pleased with the emotion and scope of the farewell tour, from Sarah Jane and Captain Jack – that scene was also a farewell to Russell T. Davies as well, given all of the creature cameos in those short minutes – to Rose and even Mickey the Idiot. The nod to the franchise’s origins with Verity Newman was a very nice touch.

The scene with Martha and Mickey was pretty cool, but their marriage comes out of pretty much nowhere. Last we knew from The Last of the Time Lords, Reset, and The Sontaran Stratagem, Martha was engaged to Tom Milligan. You know, the pediatrician working in Africa who was a resistance leader in The Year That Never Was? But somewhere between The Sontaran Stratagem and The End of Time, she hot-swapped Tom for Mickey.

The final farewell with Rose was a perfect place to end the tour, promising her a fantastic year to come from the shadows. She obviously disregarded the whole meeting as one with a New Year’s drunk, but the promise is heartwarming.

Then we come to the part where Murray Gold hits it out of the park. “Vale Decem,” which premiered at the end of The Waters of Mars, is a near-perfect farewell for the Tenth Doctor. It combines the Doctor’s theme with a Latin love letter that literally says “Farewell Ten”, and since the Doctor’s theme is the base melody and the Doctor can hear the song, it can be assumed that the Doctor’s theme exists in the “real world” of the Doctor Who universe.

Finally, the regeneration. It is heartbreaking from both the in-universe and production aspects. The Tenth Doctor was the most popular incarnation of the character since the Fourth Doctor, greatly owed to each of them being an entry point for the franchise. You never forget your first Doctor, after all. But from production, the regeneration was the coda to an era of the show which heralded the resurrection of the franchise.

In the phoenix flames of rebirth, the title character destroys the console room (which was iconic for years) and ends the Russell T. Davies era of Doctor Who.

And, yeah, that regeneration makes a lot of sense. He’s been holding this process back for who knows how long. Effectively, he’s been dying the entire time. The explosive destruction should be expected.

The end result on this story? It is a fun adventure when the tempo picks up, but I remember the first time that I watched it. I had only seen the series from Rose forward, and with very little knowledge about the show’s history or the Time War, the story was confusing and convoluted. It made a lot more sense on this watch thanks to my detailed trip through Doctor Who, but I wonder how much I would have enjoyed this a decade ago if Russell T. Davies had addressed more about the Time War in the course of his run.

That mystery will continue for several seasons.

Based on the rules of the Timestamps Project, regeneration episodes get a +1 handicap since they tend to be a little rough. Without that bump, this story would have settled at a high 3 or low 4, primarily from the Super Master effect.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: The Tenth Doctor Specials and Tenth Doctor Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #208: Dreamland

Doctor Who: Dreamland
(Animated Special, 2009)

“Always count your steps, Seruba Velak. You never know when you might need to escape in a box.”

One ship is pursued across the sky by two others. In a hail of laser fire, it crashes into the New Mexico desert, outside Roswell, on June 13, 1947.

Eleven years later, the Doctor arrives at a diner in Dry Springs, Nevada. He meets Cassie Rice, a customer named Jimmy, and a mysterious artifact that lights up under sonic screwdriver. While Cassie and Jimmy marvel over the technology, a man in a black suit arrives and demands it. He assaults them for it, and they make haste for the ranch where Jimmy works.

When they arrive, they find a large Viperox battle drone which has been eating the cattle. A helicopter arrives with soldiers on board, and after they blow up the Viperox, they tell the Doctor that he’s wanted at Area 51.

Also known as Dreamland.

Accompanied by Jimmy and Cassie, the Doctor is taken below ground to meet Colonel Stark. He tells them that he plans to wipe their minds, straps them to some operating tables, taunts them for a few minutes, and turns on the amnesia gas. The Doctor wriggles free, turns off the gas, and helps his companions escape through the ventilation shafts.

As alarms echo through the facility, the trio takes flight, ending up in Lab 51. Inside the lab, they discover an alien behind a glass partition. Force to run again, the team takes a lift to a hangar where they are immediately captured.

The Doctor’s entourage are shepherded toward the alien craft that crashed in Roswell. Using his sonic screwdriver, the Doctor hijacks the ship and takes it for a spin. Pursued by Air Force fighters, he crashes the ship in the desert. They take refuge in a ghost town called Solitude.

Meanwhile, Colonel Stark is confronted by a Viperox named Lord Azlok, demanding that he not disappoint the Viperox forces. Azlok is also very interested in the Doctor and his skills.

The Doctor and his companions find a Viperox that pulls Jimmy underground. Lord Azlok interrogates Jimmy and meets the Doctor, whom he pegs as an alien because of his two heartbeats. Cassie frees Jimmy and stages a diversion, and although the Doctor is upset that he didn’t figure out the master plan, they discover it soon enough. Lord Azlok brought the Viperox Queen to Earth, and she’s laying eggs Aliens-style to hatch an invasion force.

The trio runs again, this time taking an Indiana Jones and the Temple of Doom mining cart ride into the blinding desert. There, they meet four men in black suits. The head Man in Black, Mr. Dread, demands the the ionic fusion bar from the diner. When the Doctor stalls, the MiBs reveal themselves as robots. They are saved by Jimmy’s grandfather, Night Eagle, and a hail of arrows.

Night Eagle reveals that he found another of the gray aliens from the crashed ship and kept him safe. Rivesh Mantilax wants to go home, but first he needs to find Seruba Velak, his wife and the alien in the base. His wife was an ambassador who was trying to build an alliance against the Viperox, but was attacked by hired mercenaries.

Colonel Stark arrives and takes everyone into custody. Back at Area 51, the Doctor discovers that Stark has allied with Azlok. They watch as the gray aliens are reunited, then discuss how Rivesh was developing a genetic weapon to destroy the Viperox. Joined by Mr. Dread, Stark reveals his plan to use the ionic fusion bar as a weapon to destroy the Soviet Union.

The Doctor uses his sonic screwdriver to disable Mr. Dread, then runs to the roof with the alien weapon. On the edge of the roof, held at gunpoint by Stark, the Doctor pleads for the colonel’s help. Stark listens to reason, but his plan to arrest Azlok is interrupted by the Viperox leader himself and the promise to tear Earth to shreds.

Down below, Cassie finds Rivesh has been critically injured by Azlok. Once freed, Seruba says that she can save her husband, but only with her ship. Stark takes the group to the Area 51 Vault where all of the ship’s contents were stored in the final scene of Raiders of the Lost Ark. While the Doctor and Seruba start searching, he sends Cassie and Jimmy to retrieve the TARDIS.

As the sun sets, the Viperox emerge from the desert and start their rampage while Seruba finds the component and the Doctor finds a swarm of hungry Skorpius Flies.

Stark deploys his army against the Viperox while Seruba and the Doctor play hide-and-go-seek with the flies. The army is no match for the invasion, and as Stark’s operations center is overrun by Azlok, the Doctor is reunited with the TARDIS. Jimmy, Cassie, and Seruba step aboard and they travel to Rivesh’s side. Once Rivesh is revived, the Doctor asks him to activate the device but to stop before destroying the Viperox. The Doctor connects the device into the TARDIS console and it broadcasts a signal that drives the Viperox off the planet entirely.

The Doctor let them live because, one day, they are destined to evolve into something better.

The Doctor entrusts the device to Colonel Stark for the protection of Earth. They bid farewell to Seruba and Rivesh, and the Doctor takes off as Cassie and Jimmy hold hands.


Admittedly, it is a function of its form, but this story moved like a squirrel binging energy drinks. This piece was originally planned as seven six-minute episodes for the BBC’s Red Button service. As a result, we got a story that has a plot climax every five or six minutes.

It was kind of tiring.

I could point out the technical inaccuracies, but the fact that this was a cartoon developed for a charity event gives the writers a considerable amount of grace in my eyes. Some of the errors are animation shortcuts, others concern United States history, but overall they are inconsequential to the plot on the whole.

So, I’ll revel in the character and cast lists.

Like, the return of Georgia Moffett – daughter of Peter Davison and wife of David Tennant – who we last heard (and saw) in The Doctor’s Daughter and who I really enjoy seeing/hearing on the show.

Or Lisa Bowerman as Seruba Velak. Big Finish fans know Lisa Bowerman as Bernice Summerfield, and classic era fans might remember her as Karra from Survival.

Or the first Native American companion (however briefly) in Doctor Who, Jimmy Stalkingwolf, portrayed by Canadian born English actor and singer Tim Howar. It would have been nice to a Native American actor in either this role or Night Eagle’s role, but I’ll take this advancement as progress. I mean, we’ve come quite the distance from An Unearthly Child when the First Doctor referred to “Red Indians” as having “savage minds”.

Or… How about Doctor Who getting David Warner as Lord Azlok. Emmy-award winning film, television, and theatre actor David Warner from The OmenTime After TimeTime BanditsTronTitanicStar Trek V: The Final FrontierStar Trek VI: The Undiscovered CountryStar Trek: The Next Generation, and so much more.

I mean… wow. Just, wow.

Of course, we first heard of Dreamland from Prisoner of the Judoon, which is where we first saw the ship designs seen in this tale. We get plenty of continuity from the Doctor abhorring salutes (previously The Sontaran Stratagem and Planet of the Dead) and outright despising the nickname “Doc” (referencing The Time MeddlerThe Five DoctorsThe Twin DilemmaThe Ultimate Foe, and more I’m sure).

I also enjoyed seeing Doctor Who outright embrace the Roswell mythos, from the “grays” of typical close encounter accounts to the legendary Men in Black.

Production-wise, this marked the first six-part story on television since The Armageddon Factor and the first six-part story produced since Shada, which was finally completed in 2017 (but not yet reviewed in that form on this site… although there’s always hope).

But, all of that awesomeness considered, I keep coming back to that over-caffeinated squirrel of story pacing. Like I said, it was tiring, and it really pulled me away from the adventure because I was trying to keep up with what was going on with otherwise thinly developed characters.

And that is truly a shame for a tale with so many other groundbreaking elements.

Rating: 3/5 – “Reverse the polarity of the neutron flow.


UP NEXT – Doctor Who: The End of Time

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp: Sarah Jane Adventures Series Three Summary

Sarah Jane Adventures: Series Three Summary

Series Three slid down a notch.

The series started strong with Prisoner of the Judoon and had a high note with The Wedding of Sarah Jane Smith, but the rest of the series seemed to hit a middle of the road status quo in a year packed with Doctor Who universe productions.

It makes sense that something had to give. The main show was concerned with wrapping up David Tennant’s run as the Tenth Doctor and introducing his replacement. Meanwhile, Torchwood was running full steam with a well-received series in what might be considered the golden age of the modern era.

On the other hand, if something had to give in terms of quality, this show was a good choice. The core audience was children and the standards for that demographic are typically lower. It’s just a shame considering how high the quality had been for two series preceding.

Series Three comes in at an average of 3.3. That’s the lowest so far for The Sarah Jane Adventures. In comparison to Doctor Who, that’s on par with classic seasons Six, Fifteen, Seventeen, and Twenty, ranked in a four-way tie at twelfth overall.


Prisoner of the Judoon – 4
The Mad Woman in the Attic – 3
The Wedding of Sarah Jane Smith – 5
The Eternity Trap – 3
Mona Lisa’s Revenge – 2
The Gift – 3

Sarah Jane Adventures Series Three Average Rating: 3.3/5


The Timestamps Project is still proceeding in airdate order, so we’ll finish off the David Tennant era next with Dreamland and The End of Time, then move into the Eleventh Doctor’s era with Series Five, the fourth series of The Sarah Jane Adventures, and then the sixth series of Doctor Who.

UP NEXT – Doctor Who: Dreamland

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #SJA19: The Gift

Sarah Jane Adventures: The Gift
(2 episodes, s03e06, 2009)

Eat your vegetables before they eat you.

The Bannerman Road Gang chases a disguised Slitheen with a stolen matter compressor into a warehouse. The plan is to compress the planet’s carbon into a giant diamond. When the Slitheen gets away, Sarah Jane calls K9 to act as a bloodhound.

The gang ends up in a standoff with the Slitheen agents, but the world is saved when two orange-skinned Slitheen materialize and apprehend the bad guys.

It turns out that they are Blathereen, another family from Raxacoricofallapatorius. The planet holds many families, but only the Slitheen are criminals. These two Bathereen, Tree and Leef, wish to show their appreciation with a dinner party, and Rani offers her home as a host.

The dinner party goes off without a hitch. The Blathereen talk about Raxacoricofallapatorius and how it was once the jewel of the Raxas Alliance until the Slitheen destroyed the reputation. They offer a gift, a pot of rakweed, which is supposedly a staple food on Raxacoricofallapatorius. They want Sarah Jane to act as an ambassador to end starvation on Earth with this single plant.

Sarah Jane and Rani are skeptical, and Clyde is suspicious. After the dinner, Sarah Jane asks Mr. Smith to analyze the plant but he finds nothing harmful. The gang heads to bed to prepare for their upcoming biology test. Clyde hasn’t studied, so he hatches a plan to borrow K9 to cheat on the exam.

The next morning, Luke searches for his tie in the attic and discovers that the rakweed has released harmful spores into the atmosphere. When he inhales the spores, he gets sick. That’s a first since the Bane made him the vision of perfect health. 

Luke stays home from school while Rani heads in and discovers Clyde’s plan. He has K9 transmitting him answers via an earpiece, and the plan makes Rani furious and fearful.

Sarah Jane and Mr. Smith discuss the rakweed’s mutation. The plant hunts its victims and drains their energy. The plant is spreading, and reports indicate that people are collapsing with black and red marks on their skin. At the current rate of propagation, the plant will have seeded the whole of London within hours, and the Earth within a week.

The rakweed issues another burst of spores and Mr. Smith saves Sarah Jane by using his cooling fans to divert the spore cloud. His energy is depleted as a result, but he’s still able to commence work on an antidote. Unfortunately, it won’t be ready in time. Sarah Jane puts the plant in her safe to block any further spores.

The rakweed spores infect Clyde and Rani’s teacher, sending the students into a panic. Clyde, Rani, and K9 are trapped in the school. By chance, while trying to escape the school, they determine that the sound of a bell causes the plant’s destruction.

Sarah Jane traces the Blathereen teleportation trajectory to Antarctica and follows them to their ship where they are gloating about their conquest of Earth. The trip is a one-way event, but Sarah Jane takes a Super-Soaker filled with vinegar and demands their help.

Unfortunately, the Blathereen trick and restrain her. She finds out that the rakweed is addictive and the Blathereen intend to use Earth as a farm to corner the galactic market. Leef and Tree reveal that they are descended from both the noble Blathereen and the criminal Slitheen, products of an interclan marriage. 

Sarah Jane learns that the plants require communication to survive, then escapes and teleports home. While she checks in on Luke, K9 amplifies the school bell and eradicates the plants within the school building. Clyde connects with Mr. Smith via K9 and shares their knowledge. Mr. Smith uses every electronic device in the affected area to transmit a signal at 1421.09 Hertz. The plants are destroyed and the infected are cured.

Saved by the bell, eh?

Furious, the Slitheen-Blathereen teleport to the attic and prepare to murder Sarah Jane. Mr. Smith activates the signal again, causing the rakweed in the alien stomachs to react quite negatively. The aliens explode in a burst of orange goo, covering the entire attic.

Thank goodness that this is the season finale. Cleaning that set is going to be a pain in the ass.

Clyde cleans the attic and the gang settles in for a nice picnic lunch and Sarah Jane muses on the possibility that one day some alien races will want to help humanity. That through friendship, the Earth could become a shining example to the entire universe.


The idea of breaking the Raxacoricofallapatorian monoculture is great. All too often in science fiction and fantasy, the cultures that we meet are one-note. Doctor Who is no exception. The big failing here is that we don’t break that tradition, and while we see an open door for non-villainous Raxacoricofallapatorians to exist, we continue the stereotype that all of them are nefarious.

That’s a lot of lost potential. The story could have been a great analogy for accidental introduction of invasive plant and animal species, cultural miscommunication, or even imperialism and colonial politics. The Blathereen gift could have been a legitimate olive branch given Sarah Jane’s galactic reputation, a miracle for any other planet but Earth, and the door of friendship could have been opened by having these two disparate groups working together.

Alas, no. Instead we have the evil aliens trying to take over Earth and our heroes finding the solution completely by chance.

The story does play with established mythology again, introducing the Raxas Alliance with Raxacoricofallapatorius, Clom, Raxacoricovarlonpatorius, and Clix. We also get mentions of several UK locales including Ealing (first mentioned in Ghost Light and Survival, but returning throughout Series Four), Perivale (from Ghost Light and Survival), and Chiswick (first seen in The Runaway Bride, but featured in Series Four).

The discussion of Sarah Jane Smith’s tendency to improvise was a nice callback to the Third Doctor in The Five Doctors, as was her lament that there should have been another way aside from violence to save the world, ala Warriors of the Deep. A fun (but disgusting) callback was Clyde’s “why does this always happen to me” when splattered with goo, which happened twice in Revenge of the Slitheen and Enemy of the Bane.

Finally, I find the K9-Mr. Smith rivalry to be pretty humorous. Two supercomputers who cannot stand one another… wacky fun.

But really, this story ends up fairly average and a little disappointing given its lack of original thought the pure amount of luck involved. It could have been so much more.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Sarah Jane Adventures: Series Three Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.