Doctor Who: Planet of the Ood
(1 episode, s04e03, 2008)
The revolution is at hand.
Mr. Bartle, the executive of an organization that is selling Ood, reviews a commercial for his operation and is then electrocuted by his personal Ood servant Delta Fifty. The Ood’s eyes glow red as he takes joy in the act.
The TARDIS dances as the Doctor randomizes their destination. When they touch down, Donna goes from excited to chilled as she opens the door into an arctic landscape and blowing snow. The Doctor is pleased to finally see snow (as opposed to the last three snow events), but his joy is interrupted as Donna steps back inside the time capsule and retrieves a parka.
An incoming ship, which Donna compares to a Ferrari against the Doctor’s “box”, contains Klineman Halpen. The arrogant man is set to replace Bartle, and his briefing includes a discussion on “red eye” syndrome from Dr. Ryder and a PR rep named Solana. They also discuss Delta Fifty, who has since gone to the snowy plains and died after being shot. The Doctor and Donna are there when he dies, having followed the Ood’s telepathic song. Delta Fifty’s last words were “The circle must be broken,” which accompanied the red eyes and his last breath.
The Doctor tells Donna about his first encounter with the Ood before they crest a hill and spot the facility in the distance. They join a buyers tour, using the psychic paper as their credentials, as another Ood succumbs to red eye and is nearly executed before displaying new symptoms. Halpen orders Commander Kess to take the Ood to Dr. Ryder.
As the Doctor takes stock of where they are – even mentioning the close relationship between the Ood and the Sensorites – Donna muses about being in the year 4126 and how humanity has survived global warming and the disappearance of the bees. Donna interviews one of the Ood and it mentions the circle before being taken away. The Doctor and Donna decide to abandon the tour and venture on their own.
Halpen examines the renegade Ood and orders an autopsy. The troops comply by shooting it.
The Doctor and Donna watch as the Ood are driven like cattle. They note Halpen’s trek across the compound to Warehouse 15. Inside the warehouse are an awful stench and a red glow emanating from an unknown source. Solana reports that the Doctor and Donna do not belong at the compound and Halpen heads back to his office.
The Doctor and Donna enter a different warehouse and find containers packed with Ood. They ask about the circle and the Ood reply in unison that it must be broken so that they can sing. Donna asks about the Ood being treated as slaves and the Doctor muses that they still exist in Donna’s time. After all, who made her clothes?
The guards find Donna and lock her in a container with three Ood. Meanwhile, Commander Kess plays the crane game with the Doctor before Solana intercedes. When Donna is released, the three Ood attack. As the Doctor, Donna, and Solana run, the rest of the Ood join in. The Doctor demands that Solana help them stop the red eye, but she betrays their position instead.
Kess reports to Halpen – who has been going bald and drinking “hair tonic” this entire time – and the boss orders them gassed.
The Doctor and Donna find the Ood conversion facility, the place where the natural-born Ood are converted into servants. They find a cage with a small group of these Ood, and the Doctor’s mind is flooded with the Ood’s Song of Captivity. He uses his telepathy to share it with Donna, opening her eyes to their plight, before opening the cage and joining them. One Ood shows the Doctor and Donna a brain in his hands, and they discover that conversion means cutting out their brains and replacing it with the translation ball.
The Doctor and Donna are apprehended soon after and taken before Halpen. The Doctor is furious to find out that the entire lot has been ordered to die. While the execution countdown begins, every Ood in the facility shares the song and attacks the assembled buyers. The Ood swarm the facility as the humans fight back. Commander Kess is trapped in the gas chamber as the countdown ticks to zero.
Halpen and Ryder try to escape, followed by Halpen’s Ood, Sigma, who hasn’t turned. They leave the Doctor and Donna to the rampaging Ood, but they are saved as the natural-born Ood telepathically tell the revolutionaries that Doctor-Donna-friend. The travelers run through the battlefield and find Ood Sigma as Ryder and Halpen enter Warehouse 15.
Halpen intends to destroy the mysterious red light with explosives, knowing that if it dies, all the Ood die. The Doctor and Donna arrive and discover that the red light is emanating from a giant brain, surrounded by a circular telepathic dampening field. When the Ood hindbrain is removed, the external brain assists with its continuous song.
The reason that the Ood have turned is due to Ryder’s association with a pro-Ood activist group. Ryder turned the circle down as low as possible. Halpen executes Ryder by tossing his over the side. Halpen turns a gun on the Doctor and Donna, but Sigma reveals that he has been poisoning Halpen over time with an Ood graft suspension. In short, it has transformed Halpen into an Ood, and Sigma says that he will now take care of the Halpen-Ood.
The Doctor disables the telepathic dampener and unleashes the song. The Ood end their rampage and join into the song that resonates across the galaxy. All of the Ood are returning to the Ood Sphere to be led by Ood Sigma.
As Sigma sees the travelers off, he remarks that Doctor-Donna will never be forgotten in the songs of the Ood, even though the Doctor’s song is soon to end.
This is a solid story about the revolution and the emancipation of slaves. The common thread of the song is a beautiful addition, linking the proliferation of song to the absolute freedom of the Ood. It’s also a nice bit of social commentary about modern-day slavery in sweatshops and poor working conditions.
Besides the nod to The Sensorites, we also get ties to Time and the Rani (use of a giant brain by the antagonists), Torchwood‘s Meat and Reset (exploitation of alien life for human benefit), and the potential mass extermination of a group of alien beings (Doctor Who and the Silurians).
The downside is the plethora of gunplay and violence, but we do get more threads laid for the future in a story that develops Donna, the Doctor, and their evolving relationship as they careen through time and space.
Rating: 4/5 – “Would you care for a jelly baby?”
The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.