Timestamp #195: Partners in Crime

Doctor Who: Partners in Crime
(1 episode, s04e01, 2008)

 

Only this diet plan can help repopulate a society.

After the introduction of a new electric theme mix, we find Donna Noble walking down the street toward a high rise office building. The Tenth Doctor is also arriving, though he breaks in through a back door instead of the lobby. Both of them are posing as officers from Health and Safety, and they crash a press conference presented by Miss Foster of Adipose Industries.

Penny Carter, a science journalist from The Observer pushes for more details while our heroes independently make their way through the call center, inspect the gold pill-shaped necklaces presented as subscription gifts, and look to the printer for a copy of the client list.

The duo track down separate Adipose clients. Donna chats with Stacy Campbell while the Doctor interviews Roger Davey. At 1:10am every morning, Roger wakes up to the burglar alarm but there’s no movement in the house. The Doctor presumes that the cat flap (but not cat people) has something to do with it. Meanwhile, Donna gets personal with the problem as Stacy’s fat literally pops off into an adorable little blob.

The incident triggers a tracking device in the Doctor’s pocket as Miss Foster initiates full parthenogenesis after Stacy witnesses the creature’s birth. In short, she dissolves into a herd of the little guys who jump out the window. Miss Foster’s security team arrives at Stacy’s house to capture the little guys as Donna and the Doctor search for them in a series of near misses. Neither of them catches up to the security van.

Miss Foster reviews the security footage and figures out that they have a spy in their midst. The necklace that Donna took triggered the event. Meanwhile, Donna goes home and suffers through nagging lectures from her mother. Donna takes her leave and joins her grandfather Wilf as he stargazes with his telescope. The pair are great together, and Donna makes Wilf promise to let her know if a blue box appears in the night sky.

She’s never told her family about what happened at her Christmas wedding, but she knows that she’s waiting for the right man.

On the TARDIS, the Doctor is talking to himself as he analyzes the necklace. He’s a lonely man, still missing Martha.

The pair return to Adipose Industries, both in blue vehicles, and make their way upstairs. Donna hides out in the restroom and waits for the office to close. The Doctor does the same, but in a utility closet in the basement. While Donna waits, she’s interrupted by Miss Foster and her hit squad. They find Penny Carter and take her to the corner office for interrogation.

The Doctor and Donna both follow, one outside on a window washing rig and the other just outside the main entrance…

…and then we come to one of my favorite scenes in the revival era of Doctor Who as our heroes cast their gaze on the pill that gives rise to the creatures of living fat.

Let’s leave this comedy gold to the shooting script:

The Doctor lifts his head up… looking left, to the desk.
Donna lifts her head up… looking right, to the desk.
Then the Doctor looks straight ahead, seeing –
Donna looks straight ahead, seeing –
The Doctor!!!!
Donna!!!??!
Big long moment, both just boggling, open-mouthed. Then, all shot through the glass, in silence, big gestures:

The Doctor: Donna???
Donna: Doctor!!!!
The Doctor: but…what? Wha… WHAT??!?
Donna: Oh! My! God!
The Doctor: but… how???
Donna points at herself! It’s me!
The Doctor: well I can see that!
Donna: oh this is brilliant!
The Doctor: but… what the hell are you doing there???
Donna’s just so thrilled, she waves! Big smile!
The Doctor: but, but, but, why, what, where, when?
Donna points at him – you!! I was looking for you!
The Doctor: me? What for?
Donna does a little mime: I, came here, trouble, read about it, internet, I thought, trouble = you! And this place is weird! Pills! So I hid. Back there. Crept along. Heard this lot. Looked. You! Cos they…

And on ‘they’, she gestures and looks towards Miss Foster.
Who is staring at her. As are the guards. Penny, too.
Donna freezes. Oops.

Miss Foster sics her goons on the duo, so Donna and the Doctor run. They rendezvous in the stairwell and head to the roof where the Doctor rigs the window washing crane while Donna talks about her efforts to track down the Time Lord, the Titanic buzzing Buckingham Palace, and the disappearance of bees.

The Doctor and Donna descend, but Miss Foster uses a sonic pen to sabotage the car and break the cables. The Doctor and Donna dangle during feats of derring-do as he disarms Miss Foster and takes her sonic pen. He opens a window, dives inside, and rushes down to rescue Donna and free Penny.

The Doctor and Donna run into Miss Foster – who is really Matron Cofelia of the Five-Straighten Classabindi Nursery Fleet, Intergalactic Class – and learn about the adipose. She’s been hired by the Adiposian First Family to breed the next generation from the people of Earth after losing the breeding planet. When Foster threatens to kill them, the Doctor uses both sonic devices to stage a diversion.

They rush downstairs as Foster captures Penny and accelerates her plan. After all, the Doctor has notified the Shadow Proclamation of her illegal plan to seed a Level Five planet. The Doctor hacks the building’s induction core while he and Donna discuss Martha, Rose, and Donna’s quest to find him.

A series of miscommunications result in Donna being invited to travel on the TARDIS. Meanwhile, one million customers across Great Britain start decomposing into adipose. The human witnesses look on as the adipose march through the streets toward their wet nurse. As Foster doubles the power of the signal, Donna comes to the rescue with her necklace and disables the inducer.

In the end, ten thousand aidpose walk the streets as Foster’s ride arrives to take them all home.

Hilariously, Wilf is listening to music and looking in the opposite direction as the nursery ship enters the atmosphere.

The nursery ship uses levitation pulses to take the adipose aboard. The Doctor recognizes this and runs with Donna to the roof, refusing to blow up the ship with all the children aboard. Martha has done the Doctor well, Donna remarks. Unfortunately, he knows that the First Family plans to eliminate Foster to cover their crime. Sure enough, they cut the levitation beam and she goes splat.

The Doctor drops the sonic pen in the trash as he and Donna head to the TARDIS. Donna begins pulling luggage from her car – she’s been planning on this since Christmas – but loses her head of steam as the Doctor looks on with a forlorn gaze. He draws a line in the proverbial sand: He just wants a mate.

No, not to mate, Donna! A friend. A traveling partner.

A companion.

Donna agrees and rushes off to leave the car keys for her mother. She finds a trash bin and phones her mother, leaving instructions with a nearby observer.

That observer is Rose Tyler. She vanishes just after Donna leaves.

Donna’s first request is a fly-by over Wilf’s hill. She waves at him as she leaves on her trip through space and time.

After all, she’s finally found her man.

 

This episode fires on all cylinders. The humor keeps an otherwise by-the-numbers plot entertaining – particularly the classic comedy trope of characters missing each other by fractions of a second, just like the companions in The Romans, and the aforementioned miming skit, which echoes the Third Doctor and Jo Grant in The Sea Devils – and Donna Noble’s obvious homage to sneaky investigative journalist Sarah Jane Smith is a nice nod. Donna has a bucket load of character development here, and it’s refreshing after the last two companions.

Donna doesn’t want a relationship with the Doctor. She wants an adventure with the Doctor.

And with these two and their amazing chemistry, it’s going to be one hell of a ride.

 

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Doctor Who: The Fires of Pompeii

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

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