Torchwood: Out of Time
(1 episode, s01e10, 2006)
Lessons learned from the most unexpected people.
The team patiently awaits a plane called the Sky Gypsy at a local airport. The twist on this arrival is that it hails from 1953, and the passengers – pilot Diane Holmes, Emma-Louise Cowell, and John Ellis – are surprised that they have flown through the Cardiff Rift. The accidental time travelers are taken to the Hub and debriefed, but the news is hard to take. So is the revelation that they can never return home.
The newcomers learn about how their families fared, and they’re fascinated and appalled by modern items such as automatic doors, televisions, DVDs, lads’ mags, and tea bags. Torchwood Three takes on the task of caring for the travelers until they can adapt to the 21st century. Jack befriends John, Gwen looks after Emma, and Owen tends to Diane.
Diane wants to keep flying – aviation is in her blood – but her license expired long ago. Between her independence and desire for chivalry, she and Owen strike up a relationship. And by relationship, I mean Owen is typical Owen and Gwen has been replaced in the casual sex department. Their relationship builds, but Owen and love are no replacement for the open sky. She leaves him a note and heads for the airport. After a goodbye kiss, Diane takes to the sky once again in the Sky Gypsy, firm in her belief that the Rift will take her home. Owen softly cries as she disappears into the clouds.
Emma’s parents have died during her journey, and after getting a cheerful start with a couple of roommates (and a small altercation with an overprotective John), Gwen takes her home. Emma sleeps on the couch, gets an eyeful of Rhys, and poses as Gwen’s cousin from out of town. The trio goes out to a nightclub, but Emma gets some mixed signals about how relationships work in the modern era. Emma later gets a job at a shop in London, and although Gwen wants her to stay in Cardiff, she changes her mind when Rhys discovers that Emma and Gwen are not related. Emma moves on to London, but the damage is done between Gwen and Rhys.
John was a traveling salesman who wants to reconnect with his family. Specifically, he wants to find his son, Alan, his only surviving relative. Sadly, he is devastated to find his son suffering from Alzheimer’s disease and barely able to make connections to his own past. Jack feels for him since there is no enemy to fight and no clear way to solve the problem. John is watching the end of his family line rushing right toward him. John steals Ianto’s keys and drives to his former home. John sees no other way out besides suicide, and even Jack can’t talk him out of it. Together, they sit in an enclosed garage with the idling car and John dies from carbon monoxide poisoning. Jack is shaken because John was a kindred spirit, a fellow man out of time, and now the captain is alone once more.
Miles apart, all three of our heroes reminisce over the last week and how their lives have been changed.
For the three travelers, the adaptation to modern life over one week is both adorable and tragic. The wonder of the new world in their eyes is fun to watch, but it’s also overwhelming. The way that it affects Jack, Gwen, and Owen is wonderful and adds just a bit more dimension to their characters. Jack Harkness’s story in this episode was particularly touching.
The parallels to Countrycide are evident: Sure, there are no backwoods cannibals here – in fact, there is no enemy at all in this story – but the drama that doesn’t rely on Doctor Who tropes is exceptional. The science fiction is limited to time travel that we don’t see in action, and the superhuman abilities are limited to Jack’s passive ability to withstand carbon monoxide poisoning. We also see Owen and Gwen’s affair, which started in Countrycide, starting to fall apart here.
On the downside, Tosh and Ianto were minimally used in this episode. That’s the second story in a row, and a trend that I hope gets reversed.
Rating: 4/5 – “Would you care for a jelly baby?”
UP NEXT – Torchwood: Combat
The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.