Debrief: Dragon Con 2020

Debrief: Dragon Con 2020
September 3 through September 7, 2020

 

 

Dragon Con 2020 is done.

Obviously, it wasn’t the situation that we wanted, but the Dragon Con social media team did phenomenal work to develop a platform that could deliver the convention experience at home. Alongside the convention staff, several track directors and their respective staffs were fantastic in both building content and stoking the fires throughout the weekend.

This convention gave me a chance to get comfortable with video content at home, and it gives me plenty of ideas going forward to develop ideas and content going forward. It was also good to touch base with my geek family, and even though it wasn’t in person, it still offered me the chance to catch up with them in an era when so many of us are isolated.

 

Thursday

Typically, Thursday would include breakfast at the local Waffle House, picking up our badges for the weekend, and introducing hundreds of newcomers to the convention via the Dragon Con Newbies events.

Instead, the convention got started here with a Zoom recording with the irregulars from the American Sci-Fi Classics Track. In what was scheduled as a one-hour event, we sat much longer and swapped tales of our various shenanigans and favorite memories from the convention.

It was a good way to catch up and almost feel home again.

 

Friday

Friday started with some browsing of the Dragon Con Goes Virtual channels before settling in for a chat about the second season of Lost in Space on the American SF & Fantasy Media Track.

The panel was moderated by my long-time friend Lindy Keelan, who I met during our time at The Scapecast. We were joined by Kevin Eldridge of The Flopcast and Nathan Laws of The 42Cast, and the panel was a great discussion about the season, the series so far, and what might be ahead for the family Robinson.

The next panel for Friday was one that I recorded before the convention with the BritTrack and the crew of Earth Station Who. Mike Faber, Mike Gordon, Mary Ogle, and I joined Caro and Rob to talk about where to get started in Doctor Who.

It’s a large topic to tackle, especially since the franchise has been around since 1963 in so many various ways, but this was a fun and informative discussion and I hope that newcomers and long-time fans find it useful.

 

Saturday

Saturday started with a bit more Dragon channel surfing and a trip at 88 miles per hour with the 35th anniversary of Back to the Future.

I teamed up with Michael Williams, Shaun Rosado, James Palmer, and Joe and Gary to talk about this film, its franchise, and the legacy that they still maintain in science fiction. It got deep at times and was really fun.

Later that night, I popped back into the Classics Track for a look back at the Marvel films that preceded the Marvel Cinematic Universe.

Michael Bailey, Jessa Phillips, and Keith R.A. DeCandido also joined the party as we tried to cover the history of Blade to Iron Man in one hour. We needed so much more time.

 

Sunday

Sunday brought me back to my podcasting roots on the Digital Media Track with a topic that Mike Faber and I have been talking to people about for quite a while: How to get started in digital media.

The video is available on the track’s Twitch channel, and (with Mike and myself) included Matthew Malis, Sean Weiland, Tyra Burton, and podcasting newbie Channing Sherman. The goal now is to get Channing to record a podcast. Because he really needs to get his content and character on the airwaves.

 

Monday

Monday brought three more events to round out the weekend.

First up was a pre-recorded panel about Doctor Who that is similar in style to the classic Roll-a-Panel.

With Sue Kisenwether, Jm Tuffley, L. Jagi Lamplighter, Keith DeCandido, and me, Caro spun the wheel and let fortune drive the discussion through the universe of Doctor Who.

The second panel was a discussion on mathematics in science fiction.

I joined Darin Bush, Deanna Toxopeus, Sue Kisenwether, Gary, and Joe on a journey through how our favorite genre uses and abuses one of our favorite technical topics. This is another one that could easily spawn multiple discussion panels.

Finally, the convention came to a close for me with the Dragon Con Newbies team and a quick discussion on Dragon Con TV about coming to the con in person next year.

I joined Kevin Bachelder, Kim McGibony, and Sue to cover some of the basics. We also invite anyone interested in Dragon Con to visit both the website and the Facebook group to get information from a group of helpful convention veterans.

 

General Notes

As I mentioned before, the biggest benefit to going virtual was that we could have some semblance of a convention this year. That’s key in a time where we’re all siloed and unable to physically convene in celebration of our favorite works.

The other benefit that really stands out is two-fold and focused on the fan tracks: First is ingenuity and creativity, and second is continued access.

Each of the fan tracks had to decide how to best present themselves this year to a virtual audience, and many of the ones that I was able to follow this year did so through widely available platforms like YouTube. Using Zoom or Streamyard, these tracks were able to bring experts and fans together and stream their panels to the world. Those panels remain available for as long as YouTube stores them, and they remain an example of both creative problem solving and what the track has to offer for newcomers.

It’s a win-win.

That path was forged by Joe and Gary with the “quarantine panels” that they have done for months leading into this event. Search this site for “Quarantine Con” or visit their YouTube channel and see. In my estimation, those two are the MVPs of this event.

I’m not just trumpeting that to, as Michael Bailey would say, “wax their car”. It’s absolutely true.

 

And that brings me to the things that would improve this system going forward.

First, there was too much divergence on where content was available, and that was confusing for the man-on-the-street who just happened to wander in. My perspective on this comes from the fact that I have a Roku device, an XBox, and a television that can run apps. That means that I can stream YouTube and Vimeo from my couch.

I could literally attend Dragon Con this year from my couch.

The convention’s core programming (Dragon Con Main, Dragon Con Fan Tracks, and Dragon Con Classics) was available in one location (dragoncon.tv/virtual). Those streams were hosted on Vimeo and mirrored to a Roku app, but that app was broken for the first day and did not transmit the Fan Track channel.

If it hadn’t been for the broken code, the Roku app would have been perfect for that intent. But, it also limited who could simply switch on and watch since not everyone has a Roku. Ideally, going forward, a Dragon Con streaming app should be available on multiple platforms for more universal access.

A contributing factor was each track’s individual programming. Some tracks used YouTube, which is universally available for anyone who can click a link. Others were limited to Facebook and Twitch, which are fine for attendees who were on their computers or could use one of the streaming sticks (Chromecast, Amazon Fire Stick, etc) to mirror the computer to the television. But Facebook and Twitch are not available on the Roku, and that was a deciding factor in which Dragon Con Goes Virtual content I chose to partake from.

An argument of “well, you wouldn’t have watched anyway” won’t fly here because I have watched several other panels this year that I usually don’t have the time to watch at a live event. One that stands out is the Star Wars droid-building presentation. Others were puppetry panels, including interviews and a Puppetry 101 discussion, and Michael Bailey’s presentation on Green Lantern and The Flash.

I also have a long list that I want to see because they’re now stored on YouTube for the foreseeable future.

An easy solution to that hurdle is to require every streaming track to have a YouTube channel. It’s not that far of a reach since everyone was using Streamyard and Zoom to broadcast, and those tools have the built-in capability to stream to YouTube.

If a track director has a question on how to do it, we obviously have several experts available to share that knowledge. I’m sure that we also have experts who could tie those YouTube videos into the apps (like the Roku one) to make one-stop-shops for people.

The second big stumbling block was the schedule. The main schedule for the three Dragon Con TV channels was available in the Quick Start Guide and on the Eventeny site for the con. The fan tracks, on the other hand, were buried behind a link hidden in plain sight in the Quick Start Guide. That schedule was a Google Sheets file which was not formatted well.

The schedule should have been more accessible and legible. So much content for this con was hard to find because of this stumbling block.

And, again, ingenuity and ease of access, I’ll point to an example: Kelley at the American SF & Fantasy Media track set up all of her panels ahead of time. She sent emails in advance to the panelists with their links to join the Streamyard recording, and she set up each YouTube livestream in advance so anyone subscribed to her track’s channel would have a ready list of what was going on at what time.

All anyone had to do was select the video and wait for it to start. Joe and Gary did the same on Classics, but I noticed it first from Kelley.

Both of these issues popped up while the con was in motion. Fixing them going forward would greatly improve the experience in the future.

 

Wait. Going forward?

Yes. Because there is some serious potential here for “off-season” programming and contingency planning for the future. Each of these tracks can literally produce panels at any time with this infrastructure, thereby keeping the interest alive throughout the year outside of Facebook groups and localized meetups.

Joe and Gary have a huge library of material to choose from – Dragon Con defines a sci-fi classic as any genre property over ten years old that is not taken by another track – and they have proven that there is interest beyond the scope of their mandate with panels on representation, social issues, and more.

Classics, SF & Fantasy Media, BritTrack, Digital Media, Star Wars, TrekTrack, Space, Science, Skeptics, Animation, Puppetry, the literature tracks… that’s just off the top of my head. All of these tracks have an evergreen presence because there’s so much to talk about. Doing panels year-round (even on a monthly basis) baits the hook for people who might want to come to contribute in person.

The potential is nearly endless.

 

Final Thoughts

I really enjoyed Dragon Con Goes Virtual, and I applaud the teams that made it happen. This wasn’t an easy choice, I’m sure, but they did fantastic work under the circumstances.

My deepest gratitude goes out to the staff, the directors, the pros and guests, the volunteers, and the attendees for this event. As one of the local news stations reported, the programming was accessed over 600,000 times by fans from over 49 nations.

That’s not insignificant.

You’ve done good work, gang. Congratulations.

I’m looking forward to see you in person next year.

359 days to go until next Dragon Con.

 

Until then…

Dragon Con 2020: Gone Virtual

Dragon Con 2020
September 3 through September 7, 2020

 

Dragon Con!

It’s an annual tradition for me, but thanks to COVID-19, it’s not going to be in person. And, as someone who personally has risk factors for the infection and lives with people who have risk factors, I’m okay with that. It sucks, but it’s understandable.

Dragon Con is going virtual, including three official video channels – Main Programming, selected programming from the fan tracks, and a classics track of panels from past years – as well as copious amounts of fan-generated content from the various tracks.

And all of it is free. No badges, no memberships… just tune in and get a taste of what Dragon Con does every year.

 

This year will be my twelfth time attending and my fifth year as an attending professional. I have done some work already with pre-recorded content, and I’ll also be on some live panels as well.

The main schedule is available in the 2020 Quick Start Guide. The Quick Start Guide is the overall guide to the convention that is given to each attendee every year. It includes a link to the large scheduling spreadsheet of fan panels, which points you to the channels where that video content will be hosted.

 

Note: All Dragon Con schedules are tentative until the convention ends on Monday. Even then, things are a bit suspect. As things change before the convention, I’ll update this post.
Revision History:

    • Rev 0 – 03 Sep 2020: Initial post.
    • Rev 1 – 04 Sep 2020: Added Doctor Who and available videos for Friday
    • Rev 2 – 07 Sep 2020: Added available videos for the weekend
    • Rev 3 – 11 Sep 2020: Added the Thursday video

 

9:00p: Shenanigans and Tails of Dragon Con! (4 hours)
American Sci-Fi Classics
Streaming live on Facebook (Event)
It’s here! It’s here! 2020 tried to stop us, but it couldn’t as Dragon Con Goes Virtual! As always, the American Sci-Fi Classics Track starts off on Thursday, because why wait for Friday? To kick things off, Joe, Gary, and a gaggle of the Classic Track Irregulars gather to tell the untold tales of Dragon Cons past. Well, untold until now. Now they’ll be totally told. So get your virtual con badge, an over-priced slice of pizza, settle in for the silliness, and remember to let Streamyard have permission to use your name, so the panel can see your name on your comments!

 

12:00p: Lost in Space – Season 2 Revisited (1 hour)
American Science Fiction and Fantasy Media
Live on YouTube
Trials and tribulations finally bring the Jupiter Two and the Robinsons back to the Resolute only to deal with robot slavery, mutinies, and all the mixed up trouble that only ‘Dr. Smith’ could get into.

2:00p: Doctor Who: Where to Get Started with the Earth Station Who Podcast (1 hour)
BritTrack
Pre-recorded on YouTube
Earth Station Who Podcast joins the BritTrack to chat about where new fans can get started with the Classic Doctor Who Series, New Series, novels, comics, and audios!

 

2:30p: Back to the Future 35th Anniversary (1 hour)
American Sci-Fi Classics
Streaming live on Facebook
The Avengers were wrong! This movie is awesome, and scientifically accurate, of course.

8:30p: Pre-Dawn of the Marvel Cinematic Universe (1 hour)
American Sci-Fi Classics
Streaming live on Facebook
We look at Blade, X-Men, Fantastic Four, and more.

 

3:00p: Getting Started With Digital Media: The Ups & Downs (1 hour)
Digital Media
Live on Twitch
This panel will help newcomers and veterans alike find the ins and outs of creating both audio and video podcasts, on multiple platforms.

Video available at Twitch.tv

 

10:00a: Doctor Who Potpourri (1 hour)
BritTrack
Pre-recorded on YouTube
Similar to “roll-a-panel,” Doctor Who panelists spin a wheel and get a topic with only five minutes to answer!

11:30a: Making Sci-Fi Add Up: Math in Classic Sci-Fi (1 hour)
American Sci-Fi Classics
Pre-recorded on Facebook
All slide rules must be peace bonded for this panel.

2:00p: Dragon Con 101 (1 hour)
Dragon Con Facebook and Instagram channels
First Dragon Con? Confused or overwhelmed? Savvy con attendees will share their tips and tricks for making your experience an awesome one.

 

Timestamp #TW30: Children of Earth – Day Four

Torchwood: Children of Earth – Day Four
(1 episode, s03e04, 2009)

 

Torchwood suffers a terrible loss.

Confronted by Clem, Jack recalls his actions in 1965. The 456 offered a cure for a deadly flu pandemic that was about to break out, but they wanted twelve children in exchange with the promise that those children would live forever. Jack was specifically chosen because they needed someone who couldn’t die and didn’t care.

The children were taken to the specific coordinates, during which Clem escaped. His escape went unnoticed because the 456 left before disappeared first. Jack didn’t notice his escape, and it’s uncertain why the 456 didn’t notice either. It’s possible that Clem was on the verge of puberty and was thus undesirable to the aliens.

Clem, haunted by Jack’s face in his nightmares, steals Gwen’s gun and shoots Jack. After Jack resurrects, Gwen talks Clem down. Ianto is upset that Jack never mentioned this before.

Meanwhile, Agent Johnson takes Alice and Steven to her facility. Alice warns Johnson not to anger Jack.

The Torchwood team tunes back into the summit with the 456. While Frobisher questions what will happen to the children they demanded, the aliens state that a “remnant” is watching. Clem assumes that the 456 is speaking of him, while everyone else believes that it is the camera linking the summit to the party in the Prime Minister’s office.

The 456 demand that Frobisher sends a camera into the tank. When he does, a 456 is captured in profile and three heartbeats and distinct forms of life are detected. One of them is a child, one of the chosen from 1965, who has not aged a day since. The child’s eyes widen in shock. Presumably, it has not seen another human in the decades since its abduction.

The cameraman leaves as the 456 spew more green goo and transmit a recording of Frobisher’s voice announcing that this is off the record. The 456 says they do not harm the children, that they feel no pain, but if humanity refuses their demands, the entire species will be destroyed.

The Americans are furious. They demand all the records of the 1965 encounter and threaten Prime Minister Green with United Nations sanctions for withholding the information.

Ianto feels betrayed by Jack’s secrecy about 1965. Jack leaves to call Frobisher. Confirming that the 456 have returned, Jack warns that their return is proof that they cannot be trusted. After the call, Frobisher is summoned to the Prime Minister’s office for an emergency planning meeting. Lois continues to record the proceedings as the PM decides to negotiate with the 456 as they explore options for viable children that no one would miss.

Frobisher returns to the isolation room and offers the 456 one child per million people on the planet, approximately 6,700 in total. The 456 refuse and the children around the world start chanting various numbers, each country with a different value.

The hard line is ten percent of the children of Earth. No negotiation.

Agent Johnson discovers that her unit has been cut off by the government, so she decides to go to London to get more information. As she travels, the assembled officials try to decide how best to select the “units” for delivery and how to sell it to the pubic. The meeting becomes contentious as they bounce from random lottery to alphabetical selection to simply filtering out the “drains on society”.

They finally decide that those who are less likely to contribute to society are the viable targets, including those living on benefits and those destined for prisons, based on school league tables and academic performance.

The proposal is accepted and given to Frobisher for execution.

The Torchwood team decides to use the recording as leverage to blackmail the Cabinet. Jack and Ianto head to Thames House while Gwen secures Lois’s cooperation. As Jack and Ianto hit gridlock in the city, Ianto calls his sister to warn her, fully aware that the line is being traced. He extends the warning to the government officials monitoring the call before telling his family that he loves them. He also calls Gwen, therefore providing Johnson with the location of the new Hub.

Frobisher outlines his plan to the Cabinet, offering a vaccine against the chanting as a cover story. When the vaccine goes wrong, they can pretend that they didn’t know and that the 456 were behind it all. When Jack is in position, Lois addresses the Cabinet on behalf of Torchwood, informing them of the recording. Jack and Ianto surrender themselves at the entrance of Thames House.

When Johnson arrives at the Torchwood warehouse, Gwen shows her the recording and informs them of the gravity of the situation. Rhys has a copy of the recordings and is ready to send them to the public if anything goes wrong.

Jack and Ianto are taken before the 456. The 456 refuse to yield and Jack declares that they are making it a war. The 456 responds by releasing a virus into the facility, prompting an immediate lockdown. Ianto demands that an anti-virus be deployed or he will destroy the tank. The 456 refuse, and the tank is bulletproof. The 456 starts to shriek, a scream that goes beyond the recording as Clem screams in agony and starts to bleed. The 456 declare that the Remnant will be disconnected and Clement dies in Gwen’s arms.

Jack promises to get Ianto out, but it’s too late. Ianto has already been exposed. Ianto collapses and Jack catches him.

Dekker has donned an environmental suit. Jack is immortal. Everyone else in Thames House dies.

Including Ianto.

Jack says that it’s all his fault, but Ianto says no. Ianto says that he loves Jack and asks him to never forget him. As Ianto slips away, the 456 tells Jack that humanity will deliver the children. Jack succumbs to the virus as he kisses Ianto goodbye.

The Cabinet is left with two choices: Deliver 35 million children or face annihilation. Brian Green chooses to deliver the children.

Gwen arrives some time later in a room filled with body bags. She finds Ianto and Jack, knowing that Jack will come back but Ianto has paid the price for their efforts. As Gwen mourns, she declares that there is nothing they can do.

 

Working with Torchwood is not conducive to a long life. We learned this on Gwen’s first adventure, and it was reinforced with Suzie Costello, Owen Harper, and Toshiko Sato. But this one was a deep cut for Jack, the team, and the fans. Jack lost the man he loved and the team has already seen so much death, but the fans reacted by building a shrine in Cardiff Bay. The memorial was a persistent feature for several years and eventually became a permanent attraction in the area.

This episode and its terrible toll also proved that the 456 were a significant threat. In fact, one to be taken seriously. One that could not be defeated by sheer strength alone. The team was outmatched and outmaneuvered, and they’re left with little hope at the end of the chapter.

That makes this part a very powerful one.

A minor note comes by way of the mention that the 456 are only in the market for pre-pubescent children. That explains why the Bannerman Road Gang does not crossover into this series.

 


Rating: 5/5 – “Fantastic!”

 

 

UP NEXT – Torchwood: Children of Earth – Day Five

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #TW29: Children of Earth – Day Three

Torchwood: Children of Earth – Day Three
(1 episode, s03e03, 2009)

 

“We are here.”

Torchwood has gone to ground.

They’re hiding out in an old factory once used by Torchwood One. As the world reels in fear of its own children, Gwen uses her police knowledge to steal laptops, debit cards, and mobile phones while Jack swipes a car. The team secures supplies, including a new set of appropriate clothes for Jack. Ianto makes contact just long enough to tell his family that he’s okay, but Alice is still left wondering about her father.

Torchwood Three’s “Hub 2” is up and running.

The Prime Minister locks the country down to protect the children. Clem McDonald is doing the best he can under the circumstances but ends up in police custody after stealing a woman’s pocketbook. Meanwhile, Alice tries another route to find out about Jack and ends up flagged by the government.

Gwen makes contact with Lois Habiba and asks her to wear a pair of Torchwood contact lenses so they can see what’s going on. Lois is hesitant but Gwen asks her to take the lenses in case she reconsiders. Back at the Hub, Jack and Ianto dig into the kill order while they discuss Jack’s status as a fixed point in time and space. Ianto is shaken by Jack’s immortality but they promise to make the most of what time they have.

When they find out that Clem has been arrested, Ianto sends Gwen to the police station to bail him out. She calls PC Andy Davidson to secure Clem’s release. While Ianto digs into Clem’s history, Jack asks to see the history behind each of the blank page victims. What he finds sends him running.

Agent Johnson’s group makes the connection between Jack and Alice. Frobisher orders Johnson to bring her in while he (and a sneaky Lois) head to Thames House. Johnson’s team storms Alice’s house – the bastards kill the dog! – and pursues her. When they catch up to her, they find young Steven pointing into the distance.

The rest of the world’s children point skyward, tracking a pillar of fire descending into Thames House. The 456 have arrived. They fill the containment chamber as Frobisher meets with Mr. Dekker and makes contact. The aliens instruct the humans to call them 456, and Frobisher extracts a promise that they will not speak of the previous visit to Earth in 1965. The 456 wish to speak with the world but will settle for a diplomatic liaison.

Representatives from UNIT and the United States meet with Prime Minister Green and make their displeasure clear. Green hands control of the 456 situation to Frobisher, a non-elected official with no powers of state, to defuse the tension.

Jack sneaks into the Frobisher home and steals a mobile phone to make contact. Jack asks if the current events are linked to 1965, and Frobisher confirms that the kill order was designed to silence those who remained with knowledge of the event. Jack wants to talk to the 456 but Frobisher counters with the revelation that he has Alice and Steven.

Lois slips the contact lenses in before joining Frobisher and Bridget Spears at the containment chamber. The conference is also being transmitted to Prime Minister Green, UNIT, and the American representatives. In the end, Frobisher demands that the 456 cease using human children to communicate. In exchange, the 456 demand a gift: Ten percent of the children on Earth.

Gwen takes Clem to Hub 2 where he meets the team, learns a quick lesson on social acceptance, and has a bite to eat. The team watches the diplomatic conference with the 456, and as Jack returns to the new Hub, Clem says that he can smell the man who previously delivered the children to 456.

Jack is that man. Gwen protests that he is a good man who fights aliens, but Jack reveals that he did what was asked of him.

In 1965, he gave the 456 twelve children. He gave them the “gift.”

 

This episode provides a bridge and a moment to breathe as the team gets its feet back on the ground. Not a moment is wasted, however, as the 456 arrive and the story climaxes with their demand as Jack’s allegiance is brought to question.

In that sense, the team’s grounding is short-lived. They end the episode off balance just like they started, and that keeps the drama moving until next week.

 

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

 

 

UP NEXT – Torchwood: Children of Earth – Day Four

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #TW28: Children of Earth – Day Two

Torchwood: Children of Earth – Day Two
(1 episode, s03e02, 2009)

 

The band is on the run and the Hub has been destroyed.

All that’s left is a giant crater in Roald Dahl Plass. As Gwen stumbles to her feet, an emergency response team pulls her away from the flames and loads her into an ambulance. This team is not your standard emergency response but rather an assassination squad. Gwen bites and shoots her way free before hijacking the ambulance.

Meanwhile, Ianto pulls himself out of the rubble and runs from a sniper as the police arrive, complete with Andy Davidson and a defense of Gwen’s character. Agent Johnson calls Frobisher and reports that the job is one-third of the way done, then takes Davidson to raid Gwen’s home. Frobisher also receives some information about a mysterious device and the 456.

Gwen stops the ambulance and interrogates one of the surviving assassins, learning that the government as ordered the destruction of Torchwood. Gwen rushes home, wakes up Rhys, and unceremoniously tries to usher him to safety. Ianto makes contact while Rhys gets dressed, and Gwen rushes away, shooting out Johnson’s tires before escaping.

Government forces also storm the Davies household in a search for Ianto, but he’s one the streets elsewhere. Gwen and Rhys end up dumping their car since the license plates are trackable.

As morning dawns, Frobisher tries to patch up relations with his family before heading to work. At Home Office, Lois Habiba does some more digging while Frobisher briefs the Prime Minister about Jack and the 456 device. The 456 have only directly contacted Britain. Lois tries to ask Frobisher if Jack can help, but she’s chided for her efforts.

Jack’s daughter tries contacting him without success. We also discover that Timothy White has survived and is on the run.

At what’s left of the Hub, recovery teams find an arm, a shoulder, and a head. They take to a warehouse in London while Ianto watches from a nearby rooftop. In the warehouse, the remaining pieces of Jack’s body start a gruesome and extreme resurrection sequence. He goes from a skeleton to a blind, screaming burn victim. Johnson reports this to Frobisher as gets ready to check on Mr. Dekker’s progress with the 456 device.

Gwen and Rhys find that their accounts have been frozen, so they take their fight to London by stowing away on a food delivery lorry. During the trip, Gwen finds the right way to tell Rhys about their pregnancy, leading to mixed emotions of joy and anxiety given their current situation.

Meanwhile, Ianto’s family receives a card in their newspaper, which is a covert request for Rhiannon to bring him supplies. Johnny runs a distraction while Rhiannon sneaks away, and when she makes contact, she’s happy to see him but upset about his condition. During this meeting, the children stop again.

In unison: “We are coming tomorrow.”

Timothy White is particularly upset about this revelation.

Ianto takes the laptop and Rhiannon’s car in his pursuit of the ambulance that took Jack. At Home Office, Gwen Cooper tries to make contact with Frobisher but ends up finding an ally in Lois. The women covertly set up a meeting, though Gwen was clearly expecting Frobisher instead of the new hire. Luckily, Lois is a much friendlier face, and she bears news of the kill order. Lois doesn’t like covering up murders.

Jack has finished his resurrection. He demands to see the man in charge but instead meets Agent Johnson before being sealed in concrete while Ianto watches from afar. Meanwhile, Gwen and Rhys use the information provided by Lois to sneak into a secure compound as funeral directors to retrieve Rupesh Patanjali’s body. This takes them into the lion’s den, and Rhys almost blows their cover when their contact, Corporal “Kodak” Camara, flirts with Gwen. Luckily, Camara’s a bit thick. He also hits the deck nicely when Gwen sucker punches him.

Unfortunately, as Gwen disables the cameras, the alarms are sounded and the couple is surrounded by Johnson’s forces just as they discover the concrete cell. They find an escape route when Ianto uses heavy machinery to rip the makeshift sarcophagus from the building. Gwen provides an explosive exit and Johnson reports her failure to Frobisher. The man is not pleased.

Ianto stops the machine at the edge of a large quarry and drops the sarcophagus over the edge. The concrete shatters and frees Jack’s body. He comes back to life once again and is reunited with his Torchwood family.

Frobisher, Spears, and the Prime Minister observe the device’s construction. It ends up being a tank of some sort. Later that night, the tank is flooded with a gas mixture that is poisonous to humans. Bridget wants to investigate the 456, but Frobisher tells her that they don’t have time. The 456 will be arriving tomorrow.

Frobisher and Spears leave as Dekker embraces the tank with an unnatural sense of welcoming anticipation.

 

It’s under extreme pressure where Torchwood works best, and this is no exception. Watching the team play to their strengths without the guidance of Jack Harkness behind them says a lot about how well they have adapted to their roles over the last two years. The endgame, of course, was the rescue of their team’s leader in a tense action sequence that left me cheering multiple times.

I do feel bad for Jack’s daughter, Alice, who is left wondering throughout the entire episode.

This episode brings some further Torchwood mythology to bear, including snippets of how Queen Victoria created other institutions (of which the current government is unaware) and the official stance that Torchwood Two has been disbanded (but that the current government is unsure).

Finally, we get another tease of Gwen Cooper’s linage with the funeral director sequence. Gwyneth, her ancestor from The Unquiet Dead, was the servant to an undertaker.

The team dynamic and resourcefulness make this an amazing chase episode as the mysterious threat bears down on the planet Earth. They arrive next week.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Torchwood: Children of Earth – Day Three

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #TW27: Children of Earth – Day One

Torchwood: Children of Earth – Day One
(1 episode, s03e01, 2009)

 

The Home Office gets explosive results.

Scotland, 1965: A bus full of children stops at an undisclosed location. When they stop, the children disembark and are walked toward a bright light. All of them but one walk into the light. The lone child flees as the light flares.

Cardiff, 2009: Gwen is withdrawing money from an ATM when she notices that the children around her have frozen in place, totally catatonic. The same is happening all around the area. As suddenly as it began, the phenomenon ends and the children start moving again as if nothing happened.

Gwen heads to Torchwood and begins to investigate the oddity. We’re reminded that Jack, Ianto, and Gwen are all that remains of Torchwood Three.

In a nearby hospital, a patient dies on the table. The doctor, Rupesh Patanjali, informs Ianto and Jack, believing that they are the patient’s neighbors. Jack and Ianto ask for a moment with the body, which they then open with a laser saw and withdraw an alien organ. They’re discovered by the doctor and leave with the organ, but before they leave Patanjali informs them of several more missing bodies. Jack and Ianto refuse to help due to all of the red tape involved in the investigation.

We are next introduced to a new set of players. Lois Habiba is starting a job working for Bridget Spears, who is the assistant to the Permanent Secretary to the Home Office, John Frobisher. Secretary Frobisher (who looks very familiar) is visited by UNIT Colonel Oduya who informs him that the phenomenon with the children happened all around the world.

Torchwood discovers this at the same time. They’re naturally concerned, and so is UNIT, the latter going to yellow alert while they investigate if the incident was extraterrestrial or not. Obviously, everyone wants to keep it quiet.

Jack is perturbed that Martha Jones chose now to go on her honeymoon – to whom, we do not yet know – but luckily Dr. Patanjali arrives at Roald Dahl Plass just as Torchwood needs a doctor. Jack and Ianto lured him in just like they did with Gwen. Naturally, Gwen goes above to serve as a recruitment officer and review the files that Patanjali brought. While they talk, the children all stop again.

But this time, they scream. Then they chant, in unison, “We are coming.”

It happened worldwide. It also happened with one adult, Timothy White, a patient in a mental institution in East Grinstead.

Patanjali is paged back to the hospital as the Home Office is flooded with calls. Frobisher gets a visit from Mr. Dekker, the head of MI5’s technology division and alien monitoring, who tells him that “the 456” have re-established contact for the first time since 1965. At the same time, Lois takes a call from Torchwood, which the system flags as classified. Using her supervisor’s credentials, she learns more than she bargained for.

Frobisher meets with Prime Minister Brian Green, a man who is a bit overwhelmed with the various alien threats looming over them. Frobisher suggests keeping certain historical events off the record, and Green wants to keep his name out of it. Frobisher gets the privilege of a “blank page”.

Gwen discovers that every child worldwide was speaking English, and Jack and Ianto agree that they need to interview one of them. Gwen drives to meet Timothy while Jack visits his daughter, Alice Carter, and her son Steven, his grandson.

Wait… what?

They catch up for a few minutes and muse about Jack’s immortality, but in the end, Alice refuses to let Jack use Steven for Torchwood experimentation. So, Jack turns to Patanjali instead.

Ianto visits his sister, Rhiannon Davies, but she also refuses to let him take one of the kids out. She’s also nervous about Ianto’s relationship with Jack. Her husband Johnny is quite a bit more homophobic about it. Ianto is humiliated but tries to save face. The moment is interrupted by someone stealing the Torchwood SUV. Ianto is exasperated.

Gwen’s interview with Timothy reveals that he was the child who ran away in 1965. His real name is Clement McDonald, and he’s developed an unusually heightened sense of smell. He’s been smelling the aliens coming back for months, and he also can tell that Gwen is three weeks pregnant.

Surprise! Although, it works out well with Rhys shopping for a house.

Gwen calls Ianto, who has made it back to the Hub, and asks him to search for information about MacDonald, missing children, and Scotland. Unbeknownst to him, Ianto triggers an alarm at an unidentified military monitoring station.

At Home Office, Frobisher orders the blank page, which is code for a kill order. There are four targets on the list: Captain Jack Harkness, retired Colonel Michael Sanders, Ellen Hunt, and Captain Andrew Staines. Lois sees Bridget is distressed, and when she looks at Bridget’s e-mail, she recognizes Jack’s name from the earlier call.

Jack arrives at the hospital and receives word that another man has died. When Jack examines the body, Patanjali shoots him. As Jack dies, a military force arrives as a woman named Johnson waits until Jack revives. Johnson also discovers the link between Clement and Timothy. She sends officers to retrieve him, so he runs.

Patanjali reveals that he was a spy for this group, attempting to infiltrate Torchwood. Jack revives and Johnson kills him again, issuing orders for her men to implant a bomb in his body. Johnson covers her operation by killing Patanjali, stopping him from revealing the truth to Jack.

Jack, meanwhile, revives after the soldiers depart. He returns to the Hub.

At the Hub, Gwen verifies Clement’s claim with a scanner. Jack congratulates her and inadvertently uses the scanner, thus discovering the bomb. He orders Gwen and Ianto to evacuate. He kisses Ianto, watches him rise on the elevator, and promises that he’ll come back. He always does.

The bomb has a blast radius of one mile. The Hub is completely destroyed in a massive explosion that knocks Gwen to the ground.

Meanwhile, the children chant: “We are coming, we are coming, we are coming… back.”

 

Day One is tense and engaging, leading us into the first season-long arc in the Doctor Who universe since The Trial of a Time Lord. The show picks up the pieces left behind from the previous season and lays down several threads to pursue in the process. We meet Jack’s family and Ianto’s family – two families that we had not previously met – and learn that Gwen and Rhys are expecting a baby.

Torchwood has apparently lost its secrecy, including the general location of Torchwood Three’s headquarters. It’s no wonder since the world has been time and again been exposed to aliens, but perhaps the destruction of the Hub will reset that norm. At this point, half the world knows of or believes in alien life, and the other half is in denial.

Unfortunately, this brings into question the fate of the various beings and relics housed in the Hub, including the Weevils, Gray, and Myfanwy.

We get a nod to Martha Jones, which is a bit meta since she was expected to appear in this set of stories until Law & Order: UK picked up Freema Agyeman. We also meet the fourth Prime Minister in the revival era – Brian Green picks up where Harold Saxon, Harriet Jones, and the unknown politician in Aliens of London left off – which is something that the classic era didn’t play with much.

Finally, after reading Children of Time from kOZMIC Press, I can’t help but think of a penguin when I hear the name Frobisher.

 

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Torchwood: Children of Earth – Day Two

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #206: Planet of the Dead

Doctor Who: Planet of the Dead
(Easter Special, 2009)

 

When stingrays attack!

At the International Gallery, a group of armed guards is hard at work protecting a golden goblet. They fire up a fancy security system as they lock up for the night, but the lasers around the perimeter don’t account for an assault from above. A masked figure Mission: Impossibles her way down, exchanges the artifact for a waving Maneki Neko, and runs out. Her accomplice is captured, so she boards a double-decker bus and bribes the driver to help her get away. The Doctor boards right after, sits beside her, and wishes her a happy Easter.

The Doctor muses about various Easters throughout time, including the original event, before a device that detects rhondium particles chirps in his pocket. As the bus traverses a tunnel and a passenger hears screaming voices, the bus leaves Earth and arrives in a vast desert.

The driver declares the bus immobile. True enough, because it’s a wreck. The thief, Christina de Souza, gets to know the Doctor as he analyzes the sand and doesn’t like what he tastes. The passengers blame him for their predicament, but he shows them the wormhole that they passed through. Unfortunately, the wormhole doesn’t allow them to pass through without the bus surrounding them. The driver tries to rush through, but he’s immediately reduced to a skeleton on the other side. The police on Earth immediately call for UNIT to assist.

Christina takes charge of the situation and facilitates introductions all around – Nathan, a young adult with slicked up hair; Barclay, about the same age and the one who confronted the Doctor about their situation; Angela Whittaker, an older blond woman; Louis, who goes by the nickname “Lou”; and his wife, Carmen – before handing the science bits to the Doctor. Carmen has low-level psychic abilities and can hear voices all around them. She also feels death coming.

The Doctor calms the passengers in order to focus them on surviving. He promises to get them all home. They set to work on preparing the bus, including the tools in Christina’s amazing backpack. She’s prepared for everything. While the passengers work on the bus, the Doctor and Christina scout the area. They verbally spar and spot a storm on the horizon. The Doctor borrows a mobile and rigs it to contact UNIT.

UNIT arrives and officer-in-charge Captain Erisa Magambo takes command of the tunnel. She takes the call from the Doctor and makes contact with UNIT’s scientific advisor, one Malcolm Taylor, who completely fanboys out before setting to analyzing the disturbance. The Doctor sends a picture of the storm back to Earth, which Christina says contains sparkling like metal. She also spots an insectile creature that takes them to its crashed ship by gunpoint.

The beings onboard identify themselves as the Tritovores and blame them for crashing their ship. When the Doctor explains that they’re in the same predicament, the Tritovores decide to trust him. In return, the Doctor restores their shipboard power and launches a probe. The sand planet is San Helios, located in the Scorpion Nebula, and the aliens had been on their way to trade with the inhabitants. Unfortunately, the city has been destroyed. All of it, including the 100 billion inhabitants, have been reduced to sand, and Carmen keeps hearing them die over and again.

Malcolm Taylor calls again with news that the wormhole is expanding. The Doctor also gets bad news from Nathan: The bus is out of fuel. Capping the unfortunate circumstances, the probe relays images of the storm. It is full of stingray-like creatures that stripped San Helios and have set their appetites on Earth.

The Doctor deduces that the stingrays, which are made of metal, travel fast enough to rip open the wormhole and travel from place to place. Christina, who is enamored by the Doctor and his alien nature, points the Time Lord to the Tritovores and their ship. The Doctor develops a plan to use the ship to move the bus. While the Doctor tries patching wires throughout the ship, Christina uses her rogue’s rig to dive into the shaft after a much-needed crystal.

While Christina retrieves the crystal, the Doctor muses about her nature (and similarities to Donna Noble) and the stolen goblet (the Cup of Athelstan) in her pack. The Doctor doesn’t approve of her thievery at first but admits that he stole his ship, the TARDIS, to begin his travels. As Christina retrieves the crystal, she awakens a stingray living in the ship’s ventilation system. She successfully evades it, but the rest start tearing apart the ship.

The Doctor and Christina run back to the bus with the storm in pursuit. When they get back, the Doctor orders everybody back to their seats as he discards the crystal and attaches the clamps surrounding it to the bus. He calls Malcolm, requesting a means to close the wormhole, but is stymied by the interface of the bus and crystal systems. They use the goblet, worth 18 million pounds, to bridge the technology. Destructively, to Christina’s chagrin.

On Earth, Captain Magambo orders Malcolm to close the wormhole to save Earth. In the desert, the Doctor gets the bus airborne with the anti-gravity clamps and rockets away from the stingrays. The bus returns home followed by three of the stingrays. Magambo orders her troops to open fire as Malcolm (with the Dcotor’s help) closes the portal.

The UNIT troops and their explosive solutions make short work of the three stingrays. Meanwhile, the Doctor sets the bus down at the tunnel’s exit and gets a kiss from Christina for his efforts. Malcolm meets the Doctor and fanboys all over the place while Christina is taken away. The Doctor recommends Nathan and Barclay for UNIT service and Magambo shows his the TARDIS, retrieved from the gardens at Buckingham Palace.

Christina asks the Doctor if she can travel with him, but he rejects her. She has to face the consequences of her actions and he’s not ready to lose another companion. Never again, in fact. While Christina is taken away, Carmen leaves him with some parting words: His song is ending, it is returning through the dark, and he will knock four times.

Carmen takes her leave and the Doctor uses his sonic screwdriver to free Christina. While she runs for the bus and flies away, the Doctor departs in the TARDIS.

 

This tale does wonders for the Doctor’s character development while providing an entertaining and riveting story. The revelation that he stole the TARDIS appears in the revival era for the first time – it had been previously mentioned in The War GamesFrontier in Space, and Logopolis – and does him well on the road to accepting Lady Christina. Of course, he still isn’t over Donna’s tragic departure, so there’s no way that she’s joining him on the TARDIS. Just like Mr. Copper in Voyage of the Damned, the Doctor rejected her.

Christina is a character that I wouldn’t mind returning to the show, particularly given her chemistry with the Doctor. A criminal and a member of the British aristocracy, she would be a fun addition to the show.

The revival era continues linking back to its heritage, this time with the K1 Robot, Quatermass, and UNIT’s general lack of luck with bullets against aliens.

This episode was a major milestone in the franchise, marking not only the 200th storyline but the first to be filmed for high definition. It was also the first to film in a Middle Eastern country.

Finally, the path is laid at the Doctor’s feet for his own demise. The end is coming.

 

Rating: 5/5 – “Fantastic!”

 

Keeping in mind that the Timestamps Project is following the franchise chronologically at this point…

 

UP NEXT – Torchwood: Children of Earth – Day One

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp: Sarah Jane Adventures Series Two Summary

Sarah Jane Adventures: Series Two Summary

 

Another solid run for the Bannerman Road Gang.

The series had its ups and downs, though. We met Rani, a new member of the family, after an emotional send-off for Maria. I was very pleased that Maria wasn’t killed off – it is a children’s show, after all – and that she got to return as a meaningful guest for a couple of adventures.

The negative was how repetitive the first four stories of the series were. All of them focused on mind control as a plot point, and it dragged down the performance of Secrets of the Stars and The Mark of the Berserker.

The series did spring back with the magnificent The Temptation of Sarah Jane Smith and the loose-end tying Enemy of the Bane. I really liked the character development for Sarah Jane Smith, the fresh take on the predestination paradox, and the clean slate leading into the next series of this show.

Series Two comes in at an average of 4.1. That’s lower than the first series, and in comparison to Doctor Who, that’s on par with classic seasons Five and Eighteen and Series Two in the revival era, just inside the top ten. It still beats both the first and second series of Torchwood.

 

The Last Sontaran – 4
The Day of the Clown – 5
Secrets of the Stars – 3
The Mark of the Berserker – 4
The Temptation of Sarah Jane Smith – 5
Enemy of the Bane – 4
From Raxacoricofallapatorius with Love – 4

Sarah Jane Adventures Series Two Average Rating: 4.1/5

 

Since we’re still proceeding in airdate order through the material from 2009, the Timestamps Project lands next on Planet of the Dead before diving into Torchwood: Children of Earth. After that, we’ll swing back to the third series of Sarah Jane and the end of the Tennant era to wrap up the calendar year.

 

UP NEXT – Doctor Who: Planet of the Dead

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #SJA13: From Raxacoricofallapatorius with Love

Sarah Jane Adventures: From Raxacoricofallapatorius with Love
(Comic Relief Special, 2009)

 

K9 looks adorable in a red nose.

This short story for Comic Relief’s annual fundraiser marks the first time that a Doctor Who spinoff has been featured for the charity event, and it’s also the first one to be considered part of the mainstream televised continuity.

It focuses on Sarah, Luke, Rani, and Clyde as they run a routine check on Mr. Smith. As they’re wrapping things up, an unknown force locks onto the attic. A man in a bowler materializes, declaring himself Ambassador Rahnius – Rahni, for short – of the Galactic Alliance.

In gratitude of their stellar efforts, he gives them each a set of sparkly red deeley boppers. (As an aside, I learned what those novelty headbands were actually called by watching this short story.) The visitor sits down to tell them a story, but he ends giving himself away with gas problems corresponding to a Slitheen. Our favorite robotic pooch K9 arrives and tries to stop the threat, but the Rahnius immobilizes the good boy before revealing himself and his mission: He’s there to steal Mr. Smith to corner the galactic financial markets.

He activates the deeley boppers, which are gadgets that prevent the humans from running, but Luke and Sarah Jane use the sonic lipstick to reverse the effect. Pinned in place, the Slitheen makes a ready target for Mr. Smith to teleport away.

With the threat ended, Sarah Jane declares this the bizarre five minutes of her life.

K9 agrees, red nose on his face and all.

So do I. There’s not much more to say about this fun little jaunt.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

UP NEXT – Sarah Jane Adventures: Series Two Summary

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #205: The Next Doctor

Doctor Who: The Next Doctor
(Christmas Special, 2008)

 

The Doctor who wasn’t really the Doctor.

The TARDIS materializes under an archway in a snowstorm. The Doctor strides out with a smile on his face, happy to be in London for Christmas in 1851. His joy is interrupted by someone screaming “Doctor!”, and he finds a growling creature behind a door wearing a copper Cyberman mask, a frantic woman, and a man claiming to be the Doctor.

This other Doctor, armed with his own “sonic” screwdriver, tries to lasso the primitive assimilation as it runs up a wall. The Tenth Doctor grabs on and the pair finds themselves dragged along until companion Rosita cuts the rope with a hatchet. The Doctors laugh about their adventure while Rosita chides them. While she goes to check the traps, the Doctor rambles along, mistakenly believing that the other Doctor is a future regeneration. He soon figures out that the other Doctor has memory loss, something that happened just before the Cybermen arrived.

The Tenth Doctor adopts the John Smith alias as the other Doctor rushes off to a funeral.

The Cybermen, led by a new Cyber Leader and a human ally named Mercy Hartigan, review the Cybershade’s surveillance footage while they prepare for the rise of the Cyber King. These Cybermen are the Pete’s World variety, somehow left behind when the worlds merged.

The other Doctor and Rosita observe the funeral procession of Reverend Aubrey Fairchild before springing into action. Rosita heads to the “TARDIS” while the other Doctor investigates the house of the deceased. He’s joined by Mr. Smith, and he explains that the Cybermen presence is linked to a number of murders and child abductions across the city. The rash of crimes started with the death of a man named Jackson Lake and have led to the reverend’s demise by some advanced form of electrocution.

The pair find a pair of infostamps, one of which contains the history of London from 1066 to 1851. The other Doctor has a flashback to his “regeneration” and memory of another infostamp. They also uncover a Cyberman home invasion and have to run. While they flee, John Smith reveals himself as the real Doctor and the other Doctor bypasses the safeties on the infostamp to overload the pursuing Cybermen.

The other Doctor is troubled by the happenings. The Doctor promises to help him.

At the reverend’s graveside service, Miss Hartigan crashes the proceedings with an admission: The reverend had to die in order to get the mourners in one place. She dispatches the Cybermen to attack them, sparing only a few as the rest are deleted.

The Doctors return to Rosita’s side at their home base. Jackson Lake’s belongings are stacked by the wall, kept as evidence of his disappearance, and the Tenth Doctor finds another infostamp in the luggage. The other Doctor shows off his TARDIS – a gas balloon, fueled by the local gasworks for a substantial fee, long-form called Tethered Aerial Release Developed In Style – and dreams of flying it one day.

The Doctor now knows that this man is not him. He shares the story of the Battle of Canary Wharf, presuming that some of the survivors fell through time and landed in London, 1851. He draws the parallels between Jackson Lake and the man’s memories, even showing him the JL inscription on his fob watch. The man, truly Jackson Lake, was flashed with an infostamp that contained all of the Cybermen’s information the Doctor, thus side-booting his brain with an alternate identity.

There’s still one missing piece that Jackson can’t remember, but the Doctor helps him remember based on the amount of luggage on hand: Jackson remembers how the Cybermen invaded his home and killed his wife Caroline. His fugue state ends as he breaks down in tears.

While Jackson Lake mourns and is consoled by Rosita, the infostamps start to chime. The Doctor finds a whole cache of them and realizes that the Cybermen are on the move. The Doctor rushes out, and Jackson sends Rosita after him.

Miss Hartigan fits her survivors with Cyberman EarPods and uses them to fulfill tasks for her. The Doctor and Rosita find the survivors marching children from their workhouses and orphanages to the River Thames. The procession is guarded by Cybershades and Cybermen, and it ends at the court of the Cyber King.

The Doctor and Rosita are ambushed by Miss Hartigan and the Cybermen. The Cybermen don’t recognize the Doctor because of the corrupted data on the infostamp, but they repair it. The Cybermen march on the Doctor and Rosita, but are stopped by Jackson Lake and his cache of infostamps. The trio run (after Rosita sucker punches Miss Hartigan!) and Jackson reveals that his cellar may be a gateway into their operations.

Miss Hartigan, in it for her own social liberation from this patriarchal society, takes control of the child workforce after killing the EarPod-clad men. Meanwhile, the Doctor’s trio finds a Dimension Vault in Jackson’s cellar. The Cybermen used the Dalek technology to travel through time and escape the Void. They follow the tunnels to the enemy base as the Cybermen attempt to convert Miss Hartigan and provide her liberation (from her anger and rage) as their Cyber King.

Unfortunately for them, she’s too strongwilled for conversion. Her mind is too powerful to control, and she uses her new powers to obliterate the Cyber Leader when it tries to intervene.

The conversion has also moved up the CyberKing’s timetable. Since they’re no longer needed, the Cybermen try to delete the children, but the Doctor and Rosita free them instead. While the children run, Jackson remembers that the Cybermen had also abducted his son, and he finds the boy among the workforce. Unfortunately, Frederic is trapped on a ledge, so the Doctor swashbuckles his way up and rescues him.

As the base ignites around them, the Doctor, Jackson, and Frederic run. Outside, a giant mechanical CyberKing rises from the Thames with Miss Hartigan on the throne, ready to convert millions into Cybermen as it rampages through London. Jackson, Frederic, and Rosita rush to safety.

The Doctor grabs the Dimension Vault and uses the “TARDIS” balloon to look the CyberKing in the eye. He offers Miss Hartigan one last chance at mercy, extending the opportunity for the Cybermen to travel using the Dimension Vault to a place where they can live in peace. She rejects him, so he uses the cache of infostamps against her. The assault breaks the cyber connection and leaves her mind open to see what she’s become. The shock and terror of her reasserted humanity destroys all of the Cybermen, leaving the giant automaton to stumble about until the Doctor uses the Dimension Vault to transport it into the time vortex where it will be disintegrated.

Jackson Lake addresses the onlookers and rallies them to cheer for the Doctor as he drifts above the city. Later on, they discuss the Lake family’s future, including Rosita as Frederic’s new nursemaid. The Doctor offers Jackson a look inside the real TARDIS. Jackson is amazed by the sight, but Jackson has had quite enough adventure. He asks the Doctor about his companions, to which the Doctor turns maudlin.

Jackson offers the Doctor a Christmas dinner in honor of all those that they’ve lost. The Doctor accepts.

 

I’m of two minds about this story. The Jackson Lake mystery is simultaneously amusing and tragic, adding a compelling throughline to the Cyberman invasion plot. The flip side is that the climax of the Cyberman story – the Pacific Rim-style CyberKing – is utterly ridiculous.

It’s a shame, really, because this story balloon really flies along until the cyber-mech lets the air right out.

There are some good but minor things that help tie things off:

The infostamp memory files of the Doctor’s lives come from The Time Meddler, The Ice Warriors, Terror of the Autons, City of Death, Arc of Infinity, The Mysterious Planet, Time and the Rani, Doctor Who (The Movie), The Parting of the Ways, and The Family of Blood, none of which are actuallyCyberman stories. The War Doctor does not appear in the library files, which makes sense from a production standpoint, but doesn’t quite jive from an internal chronological standpoint.

Finally, I also love the character development as the Tenth Doctor considers that his time may be coming to an end. He’s excited to think that he won’t be the last of his regenerations, and his joy is infectious.

I just wish that the cyber jaeger hadn’t been a thing.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

 

Keeping in mind that the Timestamps Project is following the franchise chronologically at this point…

UP NEXT – Sarah Jane Adventures: From Raxacoricofallapatorius with Love

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.