Timestamp #SJA18: Mona Lisa’s Revenge

Sarah Jane Adventures: Mona Lisa’s Revenge
(2 episodes, s03e05, 2009)

Timestamp SJA18 Mona Lisa Revenge

The art is so lifelike.

The Bannerman Road Gang is enjoying a moment in class while Clyde sketches K9. Mr. Chandra comes in with an important announcement, revealing that Clyde has won a chance to see the Mona Lisa at the National Gallery. Clyde never entered the competition, but Luke did it for him secretly. Clyde doesn’t mind given the occasion.

At the gallery, Lionel Harding and Phyllis Trupp examine the newly arrived painting. Phyllis longs for Harding, but as he ignores her overtures, the panting comes to life.

Luke arrives home to a furious Sarah Jane. She’s upset about the state of his room, and Luke is upset because she expects perfection just like the Bane did.

The next day, the class arrives at the gallery. Per the rules, they turn in their phones before perusing the facility. Luke confides his troubles in his friends and they start the tour. Luke picks up a Chinese mystery box and Clyde chastises him for handling the exhibits. They’re soon introduced to Harding and Trupp. Phyllis finishes preparing the exhibit hall and, upon confessing her feelings to the painting, is attacked by the Mona Lisa.

Clyde finds his own work in the gallery and his classmates celebrate. Harding praises his work, which Clyde later admits to his friends is inspired by their adventures. When the class is taken to see the Mona Lisa, they find Phyllis in the picture instead. After the class is ushered out of the exhibit, the gang sneaks back in to investigate.

Back at Bannerman Road, Mr. Smith checks in with Sarah Jane and her distracted state. She’s feeling depressed because Luke is growing up so quickly and that she’ll be alone again. Mr. Smith notifies her that the Mona Lisa has been stolen, and despite a lack of obvious alien activity, she decides to investigate because the kids are involved and the circumstances are so weird.

On their way to the exhibit, Rani notices that one of the guns is missing from Clyde’s painting. Hardin arrives to retrieve the kids and  Mona Lisa emerges from the shadows, armed with a Sontaran blaster. After a brief discussion with her hostages, she declares that she wants to have fun and opens fire, sending the gang running.

They find the police officers and museum staff trapped in the museum’s paintings. Meanwhile, Mona Lisa remembers Harding from his multiple trips to the Louvre and requests his help to free her brother from a painting of her same vintage. It so happens that the painting is in the museum.

The gang spots Sarah Jane’s car in the parking lot. While they look for her, Sarah Jane finds her way to the Mona Lisa exhibit gallery and hides as Harding and Mona Lisa arrive. Sarah Jane is taken hostage by Mona Lisa, who recognizes her from Luke’s discussion with his friends. Mona Lisa nearly shoots Sarah Jane, but stops when she hears a grumbling from her brother.

Mona Lisa puts Sarah Jane in a picture, drawing the gang to the gallery. They demand that Sarah Jane be released, but Mona Lisa refuses. Luke tackles Mona Lisa and the gang runs with Sarah Jane’s painting, so Mona Lisa releases William Bonneville’s Dark Rider from the painting of the same name.

And the chase commences. Mona Lisa and Harding continue their search while the Dark Rider pursues the gang with unlimited ammunition.

During their search, Mona Lisa sees a window and asks to go outside. When she reaches beyond the building, her arm reverts to its painted form. Furious that she’s trapped in the museum, she storms into a unfinished section. Clyde overhears as Mona Lisa details her plan to release her brother and conquer the world, but he is soon captured by the Dark Rider.

Clyde is forced to join the hunt for The Abomination, a painting by Giuseppe di Cattivo crafted from paint derived from sentient rocks that fell to Earth. The same paint was used to craft the Mona Lisa. The painting drove the artist insane and he crafted a puzzle box to make sure no one ever saw the painting again. Luke and Rani find this same information in a book from the gift shop.

The quest takes Mona Lisa and her group to the museum’s vaults. They find the painting, but the case is locked and the puzzle box is missing. In the gallery above, Luke realizes that the puzzle box he examined earlier is the key, but Mona Lisa arrives moments later to retrieve it. Harding tries to stand up against her, but after he smashes the box, Luke saves his life by promising an alternate method of opening the lock.

Everyone is unhappily reunited in the vaults. Luke asks Clyde to draw a new puzzle box so Mona Lisa can manifest it in the physical world. When she tries to, however, she also manifests K9 from Clyde’s sketchbook. When Mona Lisa opens the lock, K9 blasts the Abomination and destroys the alien pigment. This breaks Mona Lisa’s link on the physical, forcing all of her manifestations to revert to their true forms.

The world is saved once again.

The gang reunites with Sarah Jane and Luke makes amends while Sarah Jane praises his ingenuity. Meanwhile, Harding reunites with Trupp, but Trupp wants nothing to do with him after his dalliance with Mona Lisa.


The Mona Lisa is not a stranger to Doctor Who, having appeared before in City of Death alongside a Chinese puzzle box. There’s also another link with faces and time: An artist in City of Death painted Romana’s face as a clock, and one of the paintings in this story’s classroom setting was titled Face of Time.

That classic callback aside, this story was not particularly engaging. The villain had simple motivations, but the acting and thin plot were not compelling. The character moments with Sarah Jane and Luke felt forced for the story and didn’t seem to naturally evolve.

On the plus side, it was good to see Clyde happy about his craft. His joy was palpable, both in seeing his work in an actual museum and in his friend secretly submitting him for consideration.

I also like how he adores K9. I do too.

Rating: 2/5 – “Mm? What’s that, my boy?”


UP NEXT – Doctor Who: The Waters of Mars

cc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Debrief: Pop Pop Con Con

Pop Pop Con Con
October 16 through October 18, 2020

Pop_Pop_Con_Con

Last weekend was Pop Pop Con Con, a free virtual convention hosted by Shaun and Laura Rosado of PopCycled Baubles.

Three days of geeky discussions helped to fill the gap of conventions cancelled by the global pandemic, and it was a really fun event overall.

All of the weekend’s panels can be found on the PopCycled Baubles YouTube channel, and the videos from the panels I participated in can be found below.

I want to thank the Rosados and all of the panelists for a great weekend, and for experimenting with the path forward for events like this in the future. The entirety of the convention was hosted and run on Streamyard, including the transitions between discussion panels, video bumpers, and scrolling chyron banners. It was very well crafted.

I keep saying that this is the way new and smaller conventions should be run. There’s no need for renting physical space with this, and it would certainly help to build an audience and get the convention on its feet in the first few years.


The New Normal – VOD

1984

Far Beyond the Stars

D&D Tips and Tricks (Player Edition)

NuTrek

Sci Fi Westerns

cc-break

Timestamp #SJA17: The Eternity Trap

Sarah Jane Adventures: The Eternity Trap
(2 episodes, s03e04, 2009)

Timestamp SJA17 The Eternity Trap

Spooky fun.

Professor Rivers has returned, this time with the story of a haunted house. In 1665, Ashen Hill Manor was inhabited by magician Erasmus Darkening, who promised to replenish Lord Marchwood’s fortunes through alchemy. Marchwood’s two children, Elizabeth and Joseph, spied on the magician one night and vanished for eternity.

The professor tells this story to Sarah Jane, Clyde, Rani, and her assistant Toby. Sarah Jane is covering the story as Rivers studies the estate, and Luke remained home just in case something went wrong. They find out the estate has been plagued by other disappearances over the years.

It’s a beautiful home. It’s also haunted.

Sarah Jane doesn’t believe in ghosts. While the team roams the halls, they hear a series of church bells but cannot find the source. Clyde and Rani wander outside find a shed and a fountain while Sarah Jane examines a bookshelf. The books shuffle on their own, the fountain cycles on and off, and wet footprints appear in the shed as children giggle and music plays.

They hear a young girl crying, but it stops as Clyde pulls the sheet off of a mirror. The magician appears in the mirror and Clyde and Rani return to the house.

Everyone convenes around a lantern and talk about what they’ve all found. Toby gathers everyone’s mobiles after the gang calls home, and Rivers starts the experiment. The camera monitors flicker with the magician’s face before the nursery camera shorts out.

Meanwhile, Rani finds the magician’s face in the history book Sarah Jane was reading. The book had flipped itself to the right page. The gang returns to the control area as Rivers vanishes in the nursery and electromagnetic readings spike throughout the house.

The gang investigates only to find echoes of Marchwood’s children and the toys come to life. Rivers begs for help over the walkie-talkies, but the team can’t reach her. A message appears on the chalkboard: “GET OUT.”

Instead of getting out, the team tracks the energy and, against Sarah Jane’s better judgment, splits up.

Sarah Jane finds the echoes of Marchwood’s children. They warn her to leave before Erasmus takes her too. She ventures outside to discover a being with red eyes that is vanquished by the spirit of Lord Marchwood.

Rani and Clyde explore and find a secret passage to Erasmus’s lab. The discover a computer, which should not exist, along with Erasmus Darkening (who claims not to be a ghost). Before they are captured, they are rescued by Marchwood and his children.

Sarah Jane returns inside and hears the voice of Professor Rivers again, asking for help by name. She’s reunited with Rani and Clyde, then all three of them find Marchwood who beseeches them to leave. Sarah Jane reiterates that the curse doesn’t result in ghosts, and the gang meets up with Toby at the staircase in time to see all of the people who have disappeared in the house except Rivers. When Erasmus arrives, they all vanish.

Erasmus promises to come for the team and reveals that he is not exactly human. Sarah Jane and Toby seek out the computer while Rani and Clyde distract the so-called magician.

Toby tells Sarah Jane about a a creature that used to come into his room and watch him sleep. Meanwhile, Rani and Clyde are chased into the game room and watch as the pool table comes to life. They eventually run outside and are locked out of the house. They seek solace in the shed from the red-eyed being.

Sarah Jane and Toby find the computer and surmise that the house has been transformed into a portal to another galaxy, the pathway home for an alien who was stranded on Earth three centuries ago. The machine has malfunctioned and trapped the disappeared between dimensions.

Erasmus confronts Sarah Jane and Toby, preferring the eternal life of the accelerator over death in isolation. The red-eyed creature came through the portal, and Sarah Jane realizes that her friends are in trouble. After Lord Marchwood rescues Clyde and Rani, they are all reunited with Sarah Jane and Toby. Toby’s ghost-hunting technology inspires Sarah Jane.

After Erasmus took Marchwood’s children, the lord sought revenge and inadvertently damaged the device. Lord Marchwood uses that information to lure Erasmus into a trap that dissociates him into pure energy. The “ghosts” have all vanished and Rivers has returned, and Sarah Jane destroys the computer once and for all.

As the gang says farewell to Professor Rivers and Toby, they debate the existence of ghosts. Sarah Jane remains firm that ghosts don’t exist, but hesitates when she sees Marchwood’s family watching from the window.


This was a fun little romp that took advantage of actor Tommy Knight’s school exams to get the gang out of the house. For the first time, Luke, Mr. Smith, and the Bannerman Road house do not appear in the series.

The setting was quite beautiful. This location, Hensol Castle, was previously seen in Forest of the Dead and is used as a wedding venue in South Wales.

The story itself, which was quite relevant for the lead-up to Halloween for this publication, was an amusing ghost hunting expedition, but quite average otherwise. The spin on the haunted house story by making the menace a trapped malevolent alien was a good one.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Sarah Jane Adventures: Mona Lisa’s Revenge

cc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Pop Pop Con Con

Pop Pop Con Con
October 16 through October 18, 2020

Pop_Pop_Con_Con

I’ll be contributing to another genre convention this year.

With the global pandemic, so many fan conventions have been cancelled. The fun of great conversation and hanging out with friends is something that I miss. In an effort to help fill that gap, Pop Pop Con Con will be happening over the weekend of October 16-18, 2020.

Pop Pop Con Con is absolutely free, and will assemble fans of anime, movies, comics, TTRPGs, and more. We’re going to be discussing a ton of fun topics with a laid back atmosphere.

The event is being hosted by Shaun and Laura Rosado, longtime fans and owners of PopCycled Baubles. Along with putting on this show, they’re also celebrating the re-opening of their online store.

The event will be hosted online on the PopCycled Baubles Facebook page, YouTube channel, and Twitch channel.

The schedule of events can be found on the PopCycled Baubles website, and the specific panels that I am sitting are listed below.

Friday, October 16th

PPCC-1-VOD9:30pm – New Normal VOD
Premium Movie Rentals: COVID-19 has changed how we do a lot of things, even going to the movies. Will Premium VOD become the new normal? What does the movie industry look like after COVID?
Panelists include Nathan Laws, Gary Mitchel, and Jenna Busch

PPCC-2-198411:00pm – 1984
It’s been argued that 1984 was one of the single best years in the history of movies. Is it true? Why? Let’s find out.
Panelists include Kristen Nedopak, Eric Ratcliffe, Gary Mitchel, and Calvin Watts

Saturday, October 17th

PPCC-3-DS93:00pm – Far Beyond the Stars
Deep Space Nine was a groundbreaking moment in Star Trek and in TV history. We’re going to talk about the best Star Trek series you’ve never seen and how it changed the world.
Panelists include Sue Kisenwether, Nathan Laws, Kimi Hughes, Michael Williams, and Will Nguyen

PPCC-4-DnDPE8:00pm – D&D Tips and Tricks (Player Edition)
Being a player can be tricky and sometimes it can feel overwhelming. We’re going to talk about the best tips and tricks to ensure you get the most out of your TTRPG experience (can be used for any Tabletop RPG).
Panelists include Dodger, Jeff Mueller, Nathan Laws, and Michael Williams

Sunday, October 18th

PPCC-6-NuTrek6:00pm – NuTrek
Trek has entered a new golden age of content. With Picard, Discovery, The Lower Decks and new movies on the horizon, the world of The Federation has grown by leaps and bounds. What hit? What missed? What’s next? Let’s talk.
Panelists include Sue Kisenwether, Callie Wright, Nathan Laws,  Michael Williams, and Calvin Watts

PPCC-5-Western7:30pm – Sci Fi Westerns
In the last 20 years, the Sci-Fi Western has become a regular staple and the cornerstone of a genre that tends to produce excellence. From The Mandalorian, Firefly, Westworld and Wynonna Earp, we’re going to talk about the Sci-Fi Western.
Panelists include Corrine Vitek, Bethany Kesler, Donald Maher and Brandy Roatsey

cc-break

Timestamp #SJA16: The Wedding of Sarah Jane Smith

Sarah Jane Adventures: The Wedding of Sarah Jane Smith
(2 episodes, s03e03, 2009)

 

Till death do they part.

Sarah Jane sneaks out of the house for a “traffic report meeting”. It’s the fifth time this month that she’s made an odd excuse like that, so Luke summons the gang and uses Mr. Smith to track her whereabouts.

She stops at a house and freshens her lipstick, nearly using her sonic instead. The gang follows her while K9 is left to verbally banter with Mr. Smith. What they find is a date in progress, but as they leave, they hear the straining engines of the TARDIS.

Sarah Jane returns home to find the gang acting strangely. Mr. Smith and K9 spill the beans and Sarah Jane is angry at first, but happily explains that she’s seeing Peter Dalton. She forgives the gang as she ushers out of the attic, briefly consulting K9 before saying goodnight to Luke. She jokes that she might have to tell Peter about aliens and her adventures, which was her barrier to finding love before.

As the lights go out, Luke hears the TARDIS engines again, but has no idea what it means.

Three days later, Peter stops by to meet Luke. Rani, Clyde, and Gita spy on the meeting as the gang saves her from an awkward parcel. The parcel opens to reveal a mischievous multi-eyed creature, and as K9 runs to wrangle the alien, Luke passes if off as a toy.

Sarah Jane, Luke, and Peter head to dinner. Rani and Clyde call for help with the alien – a Travast Polong – and Sarah Jane directs them on how to have Mr. Smith transmat the being home before returning to the table. Luke and Peter bond quickly.

Two days later, Clyde and Rani investigate Peter and find his home virtually deserted. Meanwhile, Peter proposes to Sarah Jane in a restaurant and she accepts. As the patrons applaud, the engagement ring glows red.

Clyde and Rani try to convince Sarah Jane that something is wrong, but the ring glows as Sarah rationalizes the information. She places Mr. Smith into shutdown as the computer detects an anomaly. She placates the gang as she starts planning. After all, the wedding is only two weeks away.

She shuts the door on the attic, perhaps for the final time, as a sinister laugh echoes.

The wedding day arrives and the guests assemble except for Maria, Carla Langer, and the Brigadier. Luke wonders why none of Peter’s family is in attendance, but Peter says that he has no living relatives. Sarah Jane arrives in a white limousine, bridesmaid Rani as her escort, and Luke walks her inside as the TARDIS chitters around them.

Clyde asks K9 to scan the area, which angers Luke because the robot dog should not be there. As the wedding commences, the officiant asks if anyone objects.

As the TARDIS lands, the door bursts open and the Doctor yells, “Stop this wedding now!”

The room shakes and spins as the Trickster arrives in angelic robes. As the Doctor protests, Sarah Jane, Peter, and the Trickster dematerialize. The assembled guests vanish moments later.

Luke, Clyde, and Rani regain consciousness and meet the Doctor. Along with K9, they are the only people left in the hotel. They have been left in a temporal bubble at precisely 15:23:23, with that one second repeating over and over again. They rush to the TARDIS, which is trapped between universes in a temporal schism and unable to materialize.

They’ve been left there to stop them from helping Sarah Jane. To use them to leverage against her.

The Doctor explains that the Trickster is the personification of the Pantheon of Discord, a group of aliens from a different universe thriving on chaos and trying to break into this universe. He starts following temporal traces as his sonic screwdriver starts blipping.

Sarah Jane wakes up with Peter, who asks her to say, “I do” so they can be together. She quickly realizes that the engagement ring has been controlling her and tosses it aside. She searches for the Doctor and discovers that the temporal bubble is split into two seconds. Sarah Jane and Peter are trapped in the other half.

As the inhabitants of both seconds run in search of each other, Peter explains that the Trickster came to him as an angel when he had been fatally injured after falling down the stairs at home. The Trickster offered him his life and the love he never had, but it was a ploy to capture Sarah Jane. If she marries Peter, she’ll forget her entire life in exchange for a life of paradise. If she doesn’t, she and her allies will remain in the void forever.

The Trickster shifts seconds to confront the Doctor. He speaks of ice and fire and the Key to Time. He also remarks that “the Gate” is waiting for the last of the Time Lords.

The Trickster returns to the other second. Shortly after, the TARDIS partially materializes and the Doctor is able to get aboard before it vanishes again. In that moment, Clyde is charged with artron energy, which the Doctor explained can be used to fight the Trickster.

Clyde summons the Trickster and promises to join him. It’s a ploy, of course, which enables Clyde to attack the Trickster with his new power.

The TARDIS partially materializes in Sarah Jane’s second, and the Doctor confers with her. He reminds her that there is only one way to end the deal, and tells Peter that he is a good man. And that he’s sorry.

The Trickster and Clyde appear, and Sarah Jane takes advantage of her weakened enemy to plead with Peter. Although it will cost him his second chance at life, he needs to break the deal to save them all. It’s the same thing that happened with Andrea Yates.

Peter withdraws his agreement, throwing the ring at the Trickster and vanishing in a shimmer of light. As the temporal schism merges with the normal timeline, the Doctor vanishes as Sarah Jane and the Bannerman Road Gang return to the exact moment that they left. With Peter gone, Sarah Jane cancels the wedding with tears in her eyes.

The gang assembles in the attic to console Sarah Jane. The Doctor joins them, allowing everyone a look around the TARDIS, as he reminds Sarah Jane just how important she is to the universe.

She asks if this is the last time that she will see him. He doesn’t know, but asks her not to forget him.

She says that no one ever will.

 

This story was beautiful. It was fantastic to see Sarah Jane in love, even if it was all a dirty trick. While the gang tried their best to save her from yet another Trickster temptation, when it comes to temporal traps, you call in the Doctor.

The teenagers were still instrumental in saving the day, which is good because the last thing you want is the guest star sucking all the oxygen out of the room and dominating the story.

Of course, this being a story from 2009, it’s part of David Tennant’s farewell tour, so it lays hints about the road ahead while questioning if this is the last time that Sarah Jane and the Doctor will cross paths. The reflection on their first parting was beautiful.

Sure, the solution was a re-use of the first Trickster story, but the story itself more than made up for it.

The other nods to history aside, we also had a mention of Metebelis III and the return of the football rattle.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Sarah Jane Adventures: The Eternity Trap

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #SJA15: The Mad Woman in the Attic

Sarah Jane Adventures: The Mad Woman in the Attic
(2 episodes, s03e02, 2009)

 

When wishes go haywire.

In 2059, the Bannerman Road house is in disrepair. The attic is abandoned, Mr. Smith is broken down, and an old woman lives alone in the attic. A boy named Adam finds the woman, and we discover that she is Rani Chandra. She is unkempt like the house, spending her time lingering over photographs and memories.

She begins to tell him her story…

In 2009, Rani brings a story about strange lights to Sarah Jane, but she and Mr. Smith have already decided that it was merely lightning. She’s annoyed because the group is talking about Maria Jackson, who she considers to be “the girl before her” and is now hiding aliens in America.

Hurt by the dismissive attitude, she leaves and finds an e-mail from an old friend. She meets up with Sam Lloyd and they end up at a deserted pleasure park. Sam knows about the Bannerman Road Gang and wants Rani to investigate the mystery of a demon at the park.

Of course, Sam deserts her, so she looks around on her own and soon finds Harry the caretaker. She works her way into his office. After they talk for a bit, she brings up the haunting, but Harry dismisses her with fear. A voice says, “Playtime is beginning,” and Rani witnesses people who had previously disappeared on the rides. Their eyes are red and they’re grinning maniacally. The voices says, “Playtime is over,” and the rides stop. Rani takes her investigation to the haunted house even as Harry protests.

Sarah Jane, Luke, and Clyde find the e-mail from Sam. Even though Sarah Jane is upset that Rani has told someone about their secrets, she decides to investigate. When they arrive, Sam is cold toward the trio but tells them where to find Rani. Luke stays with Sam while Sarah Jane and Clyde head for the park.

As Rani makes her way to the heart of the haunted house, she finds a red-skinned alien named Eve. Harry locks Rani in the room and the two talk, though Eve does so telepathically. Eve is able to manipulate time, seeing pasts and futures, and is presumably the last of her kind. She came to Earth in a spaceship as her people destroyed each other in a massive war. Harry found her and kept her safe.

Eve says that the people in the carnival are her friends, but she cannot go outside because of her appearance. She assures Rani that she needs the Bannerman Road Gang and asks if Rani wants to see her future, but that future is of a mad, lonely woman. Rani wants nothing to do with that future, so she offers to help Eve escape.

Eve also shows Luke and Sarah Jane their timelines. Luke’s past contains memories of this very show while his future includes a graduation. Sarah Jane’s involves memories of her parents, The Five DoctorsThe Hand of Fear, The Time Warrior, and The Stolen Earth.

Her future somehow involves the TARDIS and the Tenth Doctor.

Sarah Jane and Clyde go in search of Eve. Simultaneously, Rani and Eve decide to go outside. The two teams eventually come together, but Rani’s feelings of rejection come to the surface. Back at the orphanage, Sam has departed with only a note to spare. It says that it wasn’t Eve who wanted Rani.

Once outside, Eve starts up the rides again, forcing them to spin wildly. When Rani gets upset, Eve possesses her as well. The mirror that showed Sarah Jane her future laments that Eve is outside, revealing that it is the artificial intelligence from the spaceship and needs Eve to return its control. Eve cannot control her power and is dying.

Sarah Jane returns to Eve, telling her that she must let everyone go, but Eve doesn’t know how to free them. After Sam arrives, he joins Sarah Jane and Clyde as they escort Eve back to the ship. The ship absorbs Eve’s excess energy, which frees her captives and saves her life. Rani runs for the beach with Harry in tow and rejoins her family.

Eve invites Sam and Harry to travel with her but needs the energy of a black hole to fuel the ship. Sarah Jane connects with K9 and they coordinate efforts to transfer the Switzerland singularity‘s energy to the ship. With that, K9’s mission is finished and he returns to the attic.

Unfortunately, as the ship departs, it grants Rani one wish. It chooses the wish she made earlier, that her friends would leave her alone, and erases the Bannerman Road Gang from existence. Rani protests but the ship takes off regardless.

Back in 2059, Adam reveals his true identity. He is the son of Sam and Eve, and he has come to reverse the wish because the ship was damaged and misinterpreted the wish. Given the opportunity, Rani wishes her family back into existence, deleting the timeline. Sam and Eve head into space and the Bannerman Road Gang heads home.

The adventure ends as Sarah Jane takes a photo of Rani, Luke, Clyde, and K9. K9 even says “Cheese!”

In a coda, we see the new future of 2059. Rani lives in the house at Bannerman Road, but it is well-kept and happy with three grandchildren and her son. Rani works with Luke and Maria, and the photo has a place of honor on the shelf nearby.

 

This one starts out as a tear-jerker in an era when Elisabeth Sladen is no longer with us. The part of Rani’s story about how magnificent Sarah Jane was, how much she meant to Rani and the Bannerman Road Gang, pulls at the heartstrings because Sarah Jane and Elisabeth Sladen were really one and the same.

What follows from there, however, is a paint-by-the-numbers alternate timeline tale with a misunderstood alien menace… who honestly isn’t that menacing. The story has a sweet aspect to it since the alien is innocent, acting out purely in loneliness and fear, but the mystery and menace are both pretty thin.

Couple that with Rani’s sense of rejection, which feels unfounded given her history in this show, and that leaves the story pretty average overall.

One note extends deep into the classic era: Sarah Jane mentions the Zodin, which were first brought up by the Second Doctor in The Five Doctors and blurted out in delirium by the Sixth Doctor in Attack of the Cybermen. It’s a running gag of sorts in the Doctor Who universe.

 

 

Rating: 3/5 – “Reverse the polarity of the neutron flow.”

 

 

 

UP NEXT – Sarah Jane Adventures: The Wedding of Sarah Jane Smith

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #SJA14: Prisoner of the Judoon

Sarah Jane Adventures: Prisoner of the Judoon
(2 episodes, s03e01, 2009)

 

When law and order collides with body snatching.

Sarah Jane Smith provides a brief overview of her past, leading to how her life on Earth is just as exciting as traveling amongst the stars. She travels to Genetec Systems to interview Mr. Yorke about nanoform technology. She probes the threat they might pose if released into the environment and that the return on investment is not likely to appear. She gets tossed out and laughs about it.

When she returns home, the Bannerman Road Gang sees an orbital re-entry overhead and they ask Mr. Smith about it. He’s been tracking it for 45 minutes, which is who long it took to cross the solar system, and reveals that it is a Judoon craft. UNIT has dispatched to the crash site, but they haven’t found the lifepod that was ejected.

Enter Sarah Jane and the gang.

As they get ready to leave, Rani’s mother Gita asks if Sarah Jane can help her network to get her new flower shop moving. They eventually get to the pod crash site and find a Judoon chasing an escaped prisoner. Sarah Jane explains that the Shadow Proclamation barely acknowledges Earth and have authorized the Judoon to execute anyone who stands in the way of justice.

The Judoon is knocked out by his prisoner. The fugitive escapes as Sarah Jane and the teenagers arrive. They help the Judoon, one Captain Tybo, recover and join the investigation to help minimize the damage as he searches for Androvax the Annihilator, a “Destroyer of Worlds”.

Tybo really lacks in the humor department.

After hearing a young girl scream, Sarah Jane and Clyde try to comfort her while asking Luke and Rani to distract the captain. The girl claims that the “monster” took her mother, but Sarah Jane’s scanner betrays the Androvax. Unfortunately, the fugitive steps out of the girl’s body and into Sarah Jane’s before placing Clyde into a trance.

It seems like Clyde is always getting the whammy.

Captain Tybo figures out that Luke and Rani were distracting him, and he smashes their mobile phones to prevent any further “mistakes”. They track down Clyde, revive him with a spray bottle, and discover that Sarah Jane is now a hostage of a Veil lifeform.

Sarah Jane returns to Bannerman Road and surveys the attic before summoning Mr. Smith. Meanwhile, Tybo commandeers a police car with inadvertently humorous effect and pursues the intruder. While Sarah Jane tries to gauge the depths of Mr. Smith’s programming – we’re reminded that he’s a Xylok, the only remnant of his previous alien identity – the Judoon and our heroes enforce local noise ordinances and finally reach the attic.

The possessed Sarah Jane has moved on, setting her sights on Genetec Systems. Unfortunately, Mr. Smith has been set to self destruct. In sixty seconds, Bannerman Road will be nothing more than a crater.

Oh, and Rani’s parents? They’ve been busy using guerilla tactics to promote Bloomin’ Lovely, and they’ve targeted Genetec Systems.

Luke uses logic to disable the self-destruct, reasoning that the detonation would harm the Earth. Mr. Smith directs the team to Genetec System Labs after detailing the Roswell crash of 1947 and a base called Dreamland.

(More on that on this site in a couple of months.)

Androvax plans on using the nanoforms to build a spacecraft to escape Earth. The fugitive doesn’t care what happens after that, so the nanoforms will be unleashed on the planet. As the building enters a security lockdown, Gita and Haresh use the distraction to escape from the guard who detained them.

The Bannerman Road Gang arrives with Tybo, but decide to lock the Judoon in a shielded room to prevent him from harming Sarah Jane (or Rani’s parents) during his hunt for Androvax. Meanwhile, Mr. Yorke ends up getting entranced by the Androvax after he lifts the lockdown.

Oh, and then there’s the Judoon retrieval force that just arrived and transmitted reinforcements to Genetec. That complicates matters.

The team finds Sarah Jane and, in the process of sparring with the Androvax, Luke is captured. Androvax attacks Clyde and Rani with the nanoforms, but they stun the wee beasties with lowered temperatures via convenient fire extinguishers.

Captain Tybo is released by the Judoon reinforcements in a clever subversion of the lawful good personality trope, and it’s almost Clyde and Rani’s undoing when they are threatened with execution for violating several regulations. Luckily, they are fast runners.

Androvax takes Luke to the now-complete spacecraft. Sarah Jane takes advantage of a momentary distraction to fight for control of her body while Clyde and Rani run aboard. Luke steals the power core and bargains for his mother, insisting that he’ll let Androvax leave if Sarah Jane is set free. Androvax agrees, but is captured by the Judoon moments later.

As the nanoforms begin to devour the building, Luke is able to use the spacecraft to send a shutdown command. Rani’s parents are safe and Androvax is in custody. Tybo takes the circumstances into account and commutes the sentence against Rani and Clyde. Instead, they are confined to the planet permanently.

Sarah Jane and the Bannerman Road Gang arrive home as the spacecraft rockets to the stars. Rani’s parents arrive moments later, promising to tell a story that the group will not want to miss.

 

The one thing that I really enjoyed in this story was the humor, particularly with the Judoon acting as an overexaggerated straight man. Which is something considering how much the Judoon really freak me out as villains.

When it comes to any other villain, be it the Daleks or the Cybermen or even (most times) the Master, the evil is obvious. These villains have a plan and it’s a fairly direct path for the forces of good to stop it. The Judoon, on the other hand, are lawful good characters to the extreme, and that’s what makes them dangerous.

Down to basics, the Judoon believe that justice is absolute. There’s good and there’s evil and there are no shades of gray. Anyone who stands in the way of justice – of the perceived good – is the enemy, and thus, disposable.

Since the rest of the universe (dare I say, the multiverse) operates in a spectrum between the light and dark, this absolute lawful good mentality makes the Judoon one of Doctor Who‘s scariest villains for me.

That’s what makes stories with them so good in my estimation.

There’s also a nice subversion of the lawful good when the reinforcements have to rescue Captain Tybo. I laughed out loud at that moment.

Other highlights include the main cast. First, the teenagers really carry this story from bow to stern. Second, evil Sarah Jane is cheeeesy as hell, and that is magnificent. I just hope she had plenty of lozenges because that voice had to hurt after a while.

The one downside I can see going forward is Clyde’s recap. If it’s attached to every episode going forward, it’s going to get tiresome.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

 

 

UP NEXT – Sarah Jane Adventures: The Mad Woman in the Attic

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp: Torchwood Series Three Summary

Torchwood: Children of Earth (Series Three) Summary

 

Torchwood‘s third series made us consider darkness in acts of salvation. The world is safe once again, but the prices paid were severe.

There’s a certain amount of creepiness in this series of five episodes since the invaders were trying to leverage the world’s most vulnerable population for their own addiction. The rest of the world did everything they could to save them from a fate literally worse than death, but politicians and Jack fell on the side of logic: The needs of the many outweigh the needs of the few.

Facing and defying the darkness that led to that logic sold the drama.

In true Torchwood tradition, the family is shattered in the end, and the magic is in how the logic is fulfilled in the process. The needs of millions outweighed the needs of Torchwood Three.

Just beautiful.

We’ve been through this twice now, so we’re familiar with the drill: We can’t make a direct comparison between Torchwood and Doctor Who, but we can look at the scores so far to get an idea of how it fits within the Timestamps Project’s scope.

Torchwood Series Three earned a 4.8 average. That places it even with the classic Ninth Season – the third season with the Third Doctor – which is the top-rated season in the history of the Timestamps Project. It’s also, by far, the highest rated series of Torchwood.

 

Day One – 5
Day Two – 5
Day Three – 4
Day Four – 5
Day Five – 5

Torchwood Series One Average Rating: 4.8/5

 

The Timestamps Project is still proceeding in mostly chronological order, so the path forward contains the third series of Sarah Jane Adventures and the remaining David Tennant specials, with a goal of completing both before the end of the year.

 

UP NEXT – Sarah Jane Adventures: Prisoner of the Judoon

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #TW31: Children of Earth – Day Five

Torchwood: Children of Earth – Day Five
(1 episode, s03e05, 2009)

 

The world is safe, but is it worth the cost?

Gwen appears on a camcorder recording, asking why the Doctor has not appeared to save the world. Sometimes, she muses, he must be appalled at how humanity deals with crisis. This tape is her record of the world ended.

Prime Minister Green appears on public television to announce his inoculation plan. Rhiannon and Johnny Davies, following Ianto’s warning, open their doors to the local children and keep their own hidden. The Frobishers also take refuge in their own home.

Colonel Oduya of UNIT talks to the 456, asking why they need the children. The 456 reveals that they are used as recreational drugs. Despite being appalled in their part of an intergalactic drug trade, the government still proceeds on course. The public relations campaign is shifted into full gear while Gwen and Jack meet with Frobisher and Spears.

During the discussion, they realize that the tapes are no longer valid leverage. Releasing them will only hasten the collapse. Gwen calls Rhys to let him know that it’s over, also informing him that Ianto has died. Jack asks Frobisher about his family and to let Gwen inform Ianto’s family of his fate. The government agrees, and Jack is placed into custody as Gwen and Rhys are set free. He’s placed in a cell near Lois.

At Agent Johnson’s facility, Alice and Steven are released. Alice is brought up to speed on the situation, and she tells Johnson that she needs Jack Harkness.

Frobisher is called to the Prime Minister’s office and informed that his children will be inoculated publicly in order to sell the ruse to the public. They will also be taken for processing. Frobisher threatens to tell the world about this campaign, but Green is not swayed. Frobisher has been betrayed despite his loyalty, and he asks Bridget Spears to requisition a gun for him.

With one hour before the operation begins, troops are deployed to start gathering the children. Frobisher returns home while Spears pays a visit to Lois Habiba and tells her the story of how she and Frobisher met. While she tells the story, Frobisher gathers his family upstairs, murders them, and then commits suicide.

Spears tells Lois that John Frobisher was a good man. That this wasn’t his fault. That history will not remember him this way.

Gwen and Rhys meet up with PC Andy Davison and travel to the Davies home. Gwen tells them about Ianto and warns that special forces are on their way to take the children. Jack’s request of her to save the kids has just gotten more complicated.

The soldiers start rounding up the children, causing parents to start panicking and revolting. The soldiers also start canvassing the local neighborhoods, so Gwen, Rhiannon, and Rhys start moving the kids to a hiding place. Johnny informs the local parents that the soldiers are there for the children, and a fight erupts on the street. Davidson joins the fight, but the adults are soon pacified. The distraction worked. The kids are safe for now.

But the rest of the country’s children are not. In the abandoned shelter, Gwen makes her video recording and then talks to Rhys about their unborn child. She had considered abortion, unwilling to bring a child into this new world, but changed her mind when she considered how it would affect Rhys. They’re forced to run again as the soldiers discover the hiding spot.

Jack is taken to Johnson’s facility where he’s reunited with his family. He’s taken to a warehouse with Dekker to devise a plan that will use the 456 wavelength that killed Clem to attack the aliens. Meanwhile, at eighty percent completion, Colonel Oduya asks the 456 if that’s enough. The 456 demand the rest.

Jack analyses the wavelength and considers Clem, realizing that Clem was killed because he was a weapon that could be used against the aliens. Jack deduces that they need to use a child as an antenna to transmit the deadly wavelength. Unfortunately, they only have one child at their disposal: Steven.

And the effort will kill the child.

In a heartbreaking moment, Jack decides to use Steven. Alice pleads for Steven to run, but Steven has blind faith in his “uncle”. Jack ignores Steven’s questions and initiates the wave. As Steven beings singing the wavelength, the children of Earth follow suit, and the 456 react violently, smashing into the glass and exploding. The remains are transported away as the 456 retreat.

Jack watches tearfully as Steven dies a terrible death. Alice is a wreck and the room mourns with her, but the children of Earth are safe.

The Cabinet disbands, leaving Prime Minister Brian Green alone with Bridget Spears and Denise Riley. When Green tries to save himself by framing the American general, Bridget responds that she has recorded the proceedings with help from Lois and the Torchwood lenses. Riley takes charge, promising to have Lois released and that Green’s days as PM are over.

With the threat behind them, Jack waits for Alice in an attempt to apologize. She won’t speak with him, so he leaves without a word.

Six months pass. Gwen and Rhys travel to a remote location, heeding a request for a meeting with Jack. He has been traveling the world, trying to absolve his guilt, but it’s not enough. Gwen gives him his vortex manipulator, which she saved from the Hub. Jack uses it to transport himself to a cold fusion freighter in the solar system, trying to run from what he did.

Gwen cries with her husband as they walk away. Torchwood is finished.

 

Jack has a point: Death follows him, both literally and figuratively. He dies and resurrects a lot, but he’s also lost several people who were close to him. Suzie CostelloOwen Harper, Toshiko Sato, Ianto Jones, and now Steven Carter. It’s a lot to handle.

Especially since he made such a horrific (but necessary) choice, one which shattered the families he had left.

This story also brings the reverse of a trope highlighted by Meat, Reset, and Planet of the Ood: This time around, humans are the ones being captured and exploited for resources. It also marks one of the few times when a child is explicitly killed on screen.

The shock and awe are only amplified by the masterful performance by Peter Capaldi. Frobisher makes a hard decision because he doesn’t see another choice, and the sequence is heartbreaking.

All of this, the drama and conflict and emotions that tear all of us apart, make for great television and storytelling.

 

Rating: 5/5 – “Fantastic!”

 

 

UP NEXT – Torchwood: Children of Earth (Series Three) Summary

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Debrief: Dragon Con 2020

Debrief: Dragon Con 2020
September 3 through September 7, 2020

 

 

Dragon Con 2020 is done.

Obviously, it wasn’t the situation that we wanted, but the Dragon Con social media team did phenomenal work to develop a platform that could deliver the convention experience at home. Alongside the convention staff, several track directors and their respective staffs were fantastic in both building content and stoking the fires throughout the weekend.

This convention gave me a chance to get comfortable with video content at home, and it gives me plenty of ideas going forward to develop ideas and content going forward. It was also good to touch base with my geek family, and even though it wasn’t in person, it still offered me the chance to catch up with them in an era when so many of us are isolated.

 

Thursday

Typically, Thursday would include breakfast at the local Waffle House, picking up our badges for the weekend, and introducing hundreds of newcomers to the convention via the Dragon Con Newbies events.

Instead, the convention got started here with a Zoom recording with the irregulars from the American Sci-Fi Classics Track. In what was scheduled as a one-hour event, we sat much longer and swapped tales of our various shenanigans and favorite memories from the convention.

It was a good way to catch up and almost feel home again.

 

Friday

Friday started with some browsing of the Dragon Con Goes Virtual channels before settling in for a chat about the second season of Lost in Space on the American SF & Fantasy Media Track.

The panel was moderated by my long-time friend Lindy Keelan, who I met during our time at The Scapecast. We were joined by Kevin Eldridge of The Flopcast and Nathan Laws of The 42Cast, and the panel was a great discussion about the season, the series so far, and what might be ahead for the family Robinson.

The next panel for Friday was one that I recorded before the convention with the BritTrack and the crew of Earth Station Who. Mike Faber, Mike Gordon, Mary Ogle, and I joined Caro and Rob to talk about where to get started in Doctor Who.

It’s a large topic to tackle, especially since the franchise has been around since 1963 in so many various ways, but this was a fun and informative discussion and I hope that newcomers and long-time fans find it useful.

 

Saturday

Saturday started with a bit more Dragon channel surfing and a trip at 88 miles per hour with the 35th anniversary of Back to the Future.

I teamed up with Michael Williams, Shaun Rosado, James Palmer, and Joe and Gary to talk about this film, its franchise, and the legacy that they still maintain in science fiction. It got deep at times and was really fun.

Later that night, I popped back into the Classics Track for a look back at the Marvel films that preceded the Marvel Cinematic Universe.

Michael Bailey, Jessa Phillips, and Keith R.A. DeCandido also joined the party as we tried to cover the history of Blade to Iron Man in one hour. We needed so much more time.

 

Sunday

Sunday brought me back to my podcasting roots on the Digital Media Track with a topic that Mike Faber and I have been talking to people about for quite a while: How to get started in digital media.

The video is available on the track’s Twitch channel, and (with Mike and myself) included Matthew Malis, Sean Weiland, Tyra Burton, and podcasting newbie Channing Sherman. The goal now is to get Channing to record a podcast. Because he really needs to get his content and character on the airwaves.

 

Monday

Monday brought three more events to round out the weekend.

First up was a pre-recorded panel about Doctor Who that is similar in style to the classic Roll-a-Panel.

With Sue Kisenwether, Jm Tuffley, L. Jagi Lamplighter, Keith DeCandido, and me, Caro spun the wheel and let fortune drive the discussion through the universe of Doctor Who.

The second panel was a discussion on mathematics in science fiction.

I joined Darin Bush, Deanna Toxopeus, Sue Kisenwether, Gary, and Joe on a journey through how our favorite genre uses and abuses one of our favorite technical topics. This is another one that could easily spawn multiple discussion panels.

Finally, the convention came to a close for me with the Dragon Con Newbies team and a quick discussion on Dragon Con TV about coming to the con in person next year.

I joined Kevin Bachelder, Kim McGibony, and Sue to cover some of the basics. We also invite anyone interested in Dragon Con to visit both the website and the Facebook group to get information from a group of helpful convention veterans.

 

General Notes

As I mentioned before, the biggest benefit to going virtual was that we could have some semblance of a convention this year. That’s key in a time where we’re all siloed and unable to physically convene in celebration of our favorite works.

The other benefit that really stands out is two-fold and focused on the fan tracks: First is ingenuity and creativity, and second is continued access.

Each of the fan tracks had to decide how to best present themselves this year to a virtual audience, and many of the ones that I was able to follow this year did so through widely available platforms like YouTube. Using Zoom or Streamyard, these tracks were able to bring experts and fans together and stream their panels to the world. Those panels remain available for as long as YouTube stores them, and they remain an example of both creative problem solving and what the track has to offer for newcomers.

It’s a win-win.

That path was forged by Joe and Gary with the “quarantine panels” that they have done for months leading into this event. Search this site for “Quarantine Con” or visit their YouTube channel and see. In my estimation, those two are the MVPs of this event.

I’m not just trumpeting that to, as Michael Bailey would say, “wax their car”. It’s absolutely true.

 

And that brings me to the things that would improve this system going forward.

First, there was too much divergence on where content was available, and that was confusing for the man-on-the-street who just happened to wander in. My perspective on this comes from the fact that I have a Roku device, an XBox, and a television that can run apps. That means that I can stream YouTube and Vimeo from my couch.

I could literally attend Dragon Con this year from my couch.

The convention’s core programming (Dragon Con Main, Dragon Con Fan Tracks, and Dragon Con Classics) was available in one location (dragoncon.tv/virtual). Those streams were hosted on Vimeo and mirrored to a Roku app, but that app was broken for the first day and did not transmit the Fan Track channel.

If it hadn’t been for the broken code, the Roku app would have been perfect for that intent. But, it also limited who could simply switch on and watch since not everyone has a Roku. Ideally, going forward, a Dragon Con streaming app should be available on multiple platforms for more universal access.

A contributing factor was each track’s individual programming. Some tracks used YouTube, which is universally available for anyone who can click a link. Others were limited to Facebook and Twitch, which are fine for attendees who were on their computers or could use one of the streaming sticks (Chromecast, Amazon Fire Stick, etc) to mirror the computer to the television. But Facebook and Twitch are not available on the Roku, and that was a deciding factor in which Dragon Con Goes Virtual content I chose to partake from.

An argument of “well, you wouldn’t have watched anyway” won’t fly here because I have watched several other panels this year that I usually don’t have the time to watch at a live event. One that stands out is the Star Wars droid-building presentation. Others were puppetry panels, including interviews and a Puppetry 101 discussion, and Michael Bailey’s presentation on Green Lantern and The Flash.

I also have a long list that I want to see because they’re now stored on YouTube for the foreseeable future.

An easy solution to that hurdle is to require every streaming track to have a YouTube channel. It’s not that far of a reach since everyone was using Streamyard and Zoom to broadcast, and those tools have the built-in capability to stream to YouTube.

If a track director has a question on how to do it, we obviously have several experts available to share that knowledge. I’m sure that we also have experts who could tie those YouTube videos into the apps (like the Roku one) to make one-stop-shops for people.

The second big stumbling block was the schedule. The main schedule for the three Dragon Con TV channels was available in the Quick Start Guide and on the Eventeny site for the con. The fan tracks, on the other hand, were buried behind a link hidden in plain sight in the Quick Start Guide. That schedule was a Google Sheets file which was not formatted well.

The schedule should have been more accessible and legible. So much content for this con was hard to find because of this stumbling block.

And, again, ingenuity and ease of access, I’ll point to an example: Kelley at the American SF & Fantasy Media track set up all of her panels ahead of time. She sent emails in advance to the panelists with their links to join the Streamyard recording, and she set up each YouTube livestream in advance so anyone subscribed to her track’s channel would have a ready list of what was going on at what time.

All anyone had to do was select the video and wait for it to start. Joe and Gary did the same on Classics, but I noticed it first from Kelley.

Both of these issues popped up while the con was in motion. Fixing them going forward would greatly improve the experience in the future.

 

Wait. Going forward?

Yes. Because there is some serious potential here for “off-season” programming and contingency planning for the future. Each of these tracks can literally produce panels at any time with this infrastructure, thereby keeping the interest alive throughout the year outside of Facebook groups and localized meetups.

Joe and Gary have a huge library of material to choose from – Dragon Con defines a sci-fi classic as any genre property over ten years old that is not taken by another track – and they have proven that there is interest beyond the scope of their mandate with panels on representation, social issues, and more.

Classics, SF & Fantasy Media, BritTrack, Digital Media, Star Wars, TrekTrack, Space, Science, Skeptics, Animation, Puppetry, the literature tracks… that’s just off the top of my head. All of these tracks have an evergreen presence because there’s so much to talk about. Doing panels year-round (even on a monthly basis) baits the hook for people who might want to come to contribute in person.

The potential is nearly endless.

 

Final Thoughts

I really enjoyed Dragon Con Goes Virtual, and I applaud the teams that made it happen. This wasn’t an easy choice, I’m sure, but they did fantastic work under the circumstances.

My deepest gratitude goes out to the staff, the directors, the pros and guests, the volunteers, and the attendees for this event. As one of the local news stations reported, the programming was accessed over 600,000 times by fans from over 49 nations.

That’s not insignificant.

You’ve done good work, gang. Congratulations.

I’m looking forward to see you in person next year.

359 days to go until next Dragon Con.

 

Until then…