Timestamp #311: The Power of the Doctor

Timestamp 311 - Power of the Doctor

Regeneration, degeneration, and regeneration again.

The Cybermen attack a cosmic bullet train and Team TARDIS responds to the distress call. The train’s guards apparently kill the intruders, but these are the CyberMasters so they regenerate. The Doctor, Yaz, and Dan board the train using a metal ladder but the Cybermen send a team to the roof to counter them. The Doctor deactivates the magnetic field holding the Cybermen to the roof and they fly into the depths of space. Dan takes a blaster bolt to his spacesuit’s helmet but survives once the team enters the train.

The Cybermen are searching for cargo on the train. While Dan slows the train and Yaz tends to the wounded, the Doctor confronts the CyberMasters. They find the cargo is a young child and the CyberMasters escape with him.

Wait, are we trafficking people now?

In Siberia, 1916, a messenger arrives at Father Grigori Rasputin’s home with an urgent request. Tsarevich Alexei has taken ill and Rasputin has been summoned to the Winter Palace.

In London, 2022, Ace studies an empty wall in an art gallery. The curator insists that the missing painting has been taken for restoration, but Ace is not convinced. She calls Tegan, who is in Romania looking for missing seismologists, and notes that fifteen famous paintings have gone missing. Tegan is further confused by a Russian stacking doll containing a tiny Cyberman and a note from the Doctor.

Tegan hasn’t heard from the Doctor in four decades. Ace hasn’t heard from them in three decades.

The TARDIS arrives at the former site of Dan’s house in the modern day, and Dan announces that he’s leaving the TARDIS after his brush with death. The Doctor understands as she and Yaz say farewell. The Doctor returns to the TARDIS and receives a message from a renegade Dalek offering information about a plot to end humanity and a promise to help destroy the Dalek race. Yaz returns as the TARDIS locates the child from the train, leading them to 1916.

There is also an extra planet in the solar system.

St. Petersburg, 1916: Rasputin confers with Tsarina Alexandra about her son’s hemophilia and the appearance of a second moon. Rasputin is really the Master; he hypnotizes the tsarina and Tsar Nicholas II, convincing the family to leave so the Master can control the palace.

The TARDIS materializes on the mysterious moon, revealing it to be a Cyber-converted planet. They spot another TARDIS in the distance, but it is corrupted, tethered to the planet, and is connected to the missing child. That child is really a Qurunx, a rare sentient energy being disguised as something that someone would want to protect. When Cybermen arrive, the Doctor and Yaz barely escape into the TARDIS before being summoned by Kate Stewart.

They fly to UNIT HQ and learn about the missing scientists and paintings. The Doctor is reunited with Ace and Tegan, and while Ace approves of the new face, Tegan holds a grudge. The team finds that each of the paintings has been defaced with the Master’s Rasputin face. The team also receives a message from the Master that he’s holding a conference in Naples, so the Doctor leaves with Yaz after touching each of her former companions. The touches are literally shocking.

The Naples conference reveals that the Master has killed the seismologists. His disguises and dealings are grandstanding to attract the Doctor’s attention. Today is the day that the Doctor is erased from existence forever. Despite the threat/promise, UNIT soldiers arrest the Master and force him into the TARDIS to be held under armed guard.

Adding a complication, Vinder arrives on the Cyber-planet in search of the Qurunx. Unfortunately, the wormhole destroys his ship and strands him on the planet.

The Master is taken to a high-security bunker. En route, he taunts Kate, Tegan, and Ace. Meanwhile, the Doctor takes off to find the renegade Dalek. Yaz expresses her frustration at being kept in the dark, but the Doctor admits she doesn’t understand how everything connects. The Doctor also taps Yaz with the same static effect.

The TARDIS arrives inside a volcano in Bolivia and the Doctor meets with the Dalek. Meanwhile, Yaz discovers a much larger group of Daleks operating heavy drilling machinery.

Ace and Tegan watch a CCTV feed of the Master’s cell, but he addresses them, revealing that he sent the miniature Cyberman and the note from the Doctor. The doll returns to normal size and disgorges several Cybermen and Ashad (mysteriously returned to life). Tegan and Ace take cover with firearms, but the gold bullets prove ineffective. The Cybermen have leveled up.

UNIT is under siege from the Cybermen. The Master is set free.

The Doctor is ambushed by the Daleks. The traitor was set up and the Doctor is forced into the traitor’s casing. Yaz rushes to the TARDIS and tries to pilot it as the Doctor is teleported to 1916. There, the Master gloats about the Master’s Dalek Plan, in which he plans to force her to regenerate using Gallifreyan technology meshed with the Cyber-planet’s power. He taunts her by dancing to Boney M’s Rasputin while the plan is set in motion.

Vinder contacts the TARDIS with his special communicator just as the Master opens a channel to taunt Yaz. Yaz locks on to the signal and lands in the Winter Palace, but she’s too late. The Master has regenerated into the Doctor, clothes and all. The Master-Doctor compels Yaz to follow as his companion while he steals the TARDIS.

Kate, Tegan, and Ace gear up to defend the building. Kate initiates a lockdown while Ace and Tegan run for the roof with parachutes. Ace also digs out her classic bomber jacket and metal bat. Ace escapes but Tegan refuses to jump and remains behind in the locked building.

As the Master-Doctor fights for control of the TARDIS, he outlines his plan to erupt every volcano at once, destroying humanity while turning the planet into a foundry for Cybermen and Daleks. Meanwhile, he will travel the universe and tarnish the name of the Doctor throughout time and space. He starts by ending a civil war by destroying both combatants, all the while clad in a distorted amalgam outfit of the Fourth, Fifth, Seventh, Tenth, and Thirteenth Doctor’s trademark clothes. Yaz pushes him out of the TARDIS and dematerializes, so the Master-Doctor awaits her return with a tune on the Second Doctor‘s recorder.

The Thirteenth Doctor awakens on an endless rocky vista. Near a telegraph pole, she meets a figure in Gallifreyan robes who morphs between the First, Fifth, Sixth, Seventh, and Eighth Doctor‘s forms. The figure is the Guardian of the Edge, an overseer of the Edge of Existence where the Doctor passes upon regeneration. Since she hasn’t yet passed this milestone, the forced regeneration can be reversed, so she develops a plan.

Inside the TARDIS, Yaz encounters a holographic message from the Doctor. The shocking touches implanted emotional receptors in the companions so that this AI program could interact with them. Yaz outlines her plan to the AI, including rescuing Vinder. The hologram replies that they only have one chance to reverse the forced regeneration.

Tegan returns to Kate and explains that she needs to help stop the Cybermen. Kate reveals the only plan is to destroy the building and entomb the threat. Kate offers herself to the Cybermen with the promise of information, leaving Tegan to find the manual self-destruct activator.

Outside, Ace jumps off the building and is immediately shot at. Luckily, the TARDIS scoops her out of the sky. Ace approves of the new TARDIS and Yaz’s plan to drop her into the Bolivian volcano. Yaz retrieves the Master-Doctor and seemingly apologizes. Vinder hides nearby with his armed blaster.

As Tegan navigates UNIT HQ, her hologram activates as the Fifth Doctor. It wishes her good luck and promises that the Doctor never forgot her after she left the TARDIS. He offers her a “brave heart” and lets her continue her mission.

Inside the volcano, Ace meets the hologram as the Seventh Doctor. She’s ready to attack the Daleks with her new Nitro-999. The Doctor AI apologizes to Ace for how they parted ways. Ace is happy to make up with the Professor, who tells her that they’re more than good: “We’re ace!” She meets Graham O’Brien and the two hit it off immediately.

Ashad and the Cybermen find Kate hiding behind a laser shield. After a bit of stalling, she offers herself and her knowledge in exchange for the lives of her soldiers. The Cybermen accept. Meanwhile, Tegan descends an elevator shaft and is detected by Ashad.

The Master-Doctor returns to the Winter Palace and orders the Daleks to commence their plan. Volcanoes begin to erupt around the world, but Yaz distracts the Master-Doctor long enough to activate the AI. The Fugitive Doctor enters the room and traps the Cybermen in their own crossfire. Vinder and Yaz force the Master-Doctor into the regeneration chamber and harness the regeneration energy from the CyberMasters to degenerate the Time Lord.

The Thirteenth Doctor returns, astounded at her wardrobe and circumstances. She then gets to work. After changing clothes, she makes a plan for the volcanoes and the Cyber-planet. Meanwhile, Ace and Graham attack the Daleks and destroy the device with the Nitro-999. The Doctor arrives just in time to rescue her companions.

Ashad attempts to convert Kate into a Cyberman, but Tegan reverses the energy flow and disables the Cybermen. The two women sprint out of the building as it self-destructs, then join the Doctor the TARDIS as she pilots to the Cyber-planet. She quickly repairs Vinder’s ship and sends him home with love for the family. She then uses the TARDIS to jump-start the Master’s TARDIS, linking the two time capsules together so she can jump the Cyber-planet from 1916 to 2022. From there, she uses the power to freeze the erupting volcanoes into steel. With the planet saved, she frees the Qurunx and begins destroying the Cyber-planet.

The Rasputin form of the Master crawls from his pod and finds his way back to his TARDIS. As he dies after the trauma of forced degeneration, he shoots the Doctor with the Qurunx’s power. She is mortally wounded, but Yaz rushes to save her as the planet crumbles. The extended family gathers around as the Doctor passes out.

When the Doctor wakes up, she finds that Yaz has dropped everyone off in Croydon. The Cloister Bell rings and Doctor begins her regeneration. Despite wanting more time, she offers Yaz one final trip. They later eat ice cream while watching the Earth from the roof of the TARDIS. The Doctor eulogizes about the time they spent together because it was special. Instead of saying goodbye, the Doctor takes Yaz home and they share one last longing look. The Doctor leaves as Yaz reunites with Graham and Dan.

The trio arrives in a meeting room with a support group of former companions. They admit that, since returning from their travels, they’ve never been able to talk about what they experienced. Graham, Dan, Ace, Tegan, and Kate are joined by Jo Jones, Mel Bush, and even Ian Chesterton. They swap stories and make friends. They’re going to be okay.

The Doctor lands on a seaside cliff and asks the TARDIS to look after the next Doctor while she takes in a final sunrise. She says a fond farewell to her current incarnation before welcoming the Fourteenth Doctor. In a burst of explosive energy, she regenerates.

Her body changes. Her clothes change. But instead of someone new, the Doctor’s new form is someone familiar.


The final adventure of the Thirteenth Doctor is an amazing one. It ties off the CyberMasters storyline (which still irritates me, so it’s still effective) and fulfills the prophecy from The Vanquishers. It’s chock full of connections and callbacks, which is standard for an anniversary special, and it’s (surprisingly) well-written.

The end of the CyberMasters is well-crafted, spending the regeneration energy the Master stole from Gallifrey to restore the child the Time Lords pillaged to achieve immortality. I still have hope for the restoration of Gallifrey, but this is poetic justice.

The Master’s plan is diabolical and brilliant. Attacking the people the Doctor loves and handing the planet over to their greatest enemies is one thing, but taking the Doctor’s form and discrediting them throughout time and space is next level.

I also like how the franchise keeps playing with regeneration. While forced regeneration was established in 1969, the modern era has experimented with a “vanity” half-regeneration, transfer of regeneration energy, extending lifetime limits, jump-starting regeneration, and tests of loyalty. The classic era also experimented with Romana trying out different bodies. Here we add the ability to reverse a regeneration, but only under special circumstances that require a large infusion of regeneration energy.

It is in that regeneration/degeneration cycle that we find a fascinating mindscape to represent the Doctor’s continual transitory nature. The Edge of Existence, guarded by the past incarnations, marks the Doctor’s own river Styx. In Greek mythology, the river Styx separated the living souls from the dead souls of the Underworld. The river was guarded by Charon, the boatman who ferried the dead across. Funeral rites included low-value coins with the corpse which would be paid to Charon, and those who couldn’t pay wandered the shores for a century before being allowed across. It is fitting that the essence of the Doctor serves as the Guardian of the Edge, ensuring that each incarnation is truly ready to move on after death.

I kind of want a Tales from the Edge anthology. Who greeted the First Doctor? Were the Second and Tenth Doctors ready to accept the end? How would the Watcher figure in? Why does the Eighth Doctor despise the Gallifreyan robes so much?

The final thing I really like is the companion support group. While I dislike Ryan’s absence (particularly since he was among the first companions in this era), I love the concept of former companions swapping stories and bonding over their adventures. I have often wondered what happened to companions when they returned to their normal lives, and now I wonder why this idea took so long to arrive.

That brings me to the big friction point I have with this regeneration.

On the one hand, it was a necessary evil. What should have been a triumphant era in Doctor Who‘s history was plagued by lower budgets and declining viewership driven by substandard writing and plotting. Episode orders were cut, including for the Flux event and the follow-on specials. The show was nearly cancelled (again). Bringing in the most popular Doctor and the most popular showrunner leading into the 60th anniversary was a brilliant marketing move. It was a necessary marketing move, designed to tell the skeptics that The Powers That Be were serious about the longevity of the franchise.

On the other hand, it gave the most toxic members of fandom exactly what they wanted. Since Jodie Whittaker was announced as the Thirteenth Doctor, social media, YouTube, and places like 4chan were flooded with complaints and doom-mongering: Missives about how a female Doctor ruined representation for male fans and emasculated the fan base; How the show was becoming “woke” and feminist; How the next Doctor should be David Tennant and the years since his departure should be “decanonized” and cast aside as a fever dream.

Yeah, the vocal toxic minority wanted to erase the Smith, Capaldi, and Whittaker eras. So when David Tennant appeared as the Fourteenth Doctor, it felt like Russell T. Davies was giving them exactly what they wanted. By burning away the Thirteenth Doctor’s face and clothing (which hadn’t been done since Hartnell’s regeneration) and replacing it with a copy of something twelve years past, it felt like RTD was erasing Whittaker’s legacy.

It took a while to come to terms with RTD’s assurance that he wasn’t doing that, but symbolically that’s how it looked, and it added a sour note to what is otherwise an amazing, fun, and fitting send-off for the Thirteenth Doctor.

Rating: 5/5 – “Fantastic!”


UP NEXT – Series Thirteen and Thirteenth Doctor Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #16: The Chase

Doctor Who: The Chase
(6 episodes, s02e30-e35, 1965)

Timestamp 016 The Chase

The serial has an interesting start with the whole Time-Space Visualizer bit, and it is a great plot device to start the whole “chase” part of The Chase, but they spent a lot of time on it. I did enjoy how The Beatles become “classical music” in the future.

My first thought when the TARDIS touched down on Aridius was, “welcome to Tatooine,” twin suns, desert, and all. The reveal with the Dalek rising from the sand is cool, but not as much as the one that emerged from the water in The Dalek Invasion of Earth. Overall, I quite liked the story with the Aridians. It struck me as kind of the reverse of the Atlantis myth. I also liked the birth of the TARDIS’s resistance to Dalek weapons, and the clever trap to escape Aridius.

The New York sequence was humorous, as was the Mary Celeste sequence. There are a lot of Dalek shells littered through history after this serial. I wonder if the BBC used various sets that they had available from other productions. This serial had a lot of various sets and it seems like it would be more expensive than the usual Doctor Who production.

The fabricated duplicate of the Doctor was interesting, and it did lead to a clever Doctor vs Doctor fight. The mutually assured destruction Dalek-Mechonoids face-off was also quite the sight.

I did get a little excited when the Doctor asked for his screwdriver. Alas, it was not a sonic version, but my I think my parents own a set just like it so it was a nice touchstone to my childhood. I also may have missed it, but I did wonder why our heroes even leave the ship until they had a solution to defeat the Daleks? Since the TARDIS is impervious to Dalek weapons, why not arrive, wait for the ship to recharge, then leave again?

Finally, this is where we say goodbye to Ian and Barbara. While it wasn’t as moving a farewell as Susan’s, it was still very touching to see them finally make it home. They seem very happy together, and it was touching to see the Doctor’s reaction to their departure. Under that gruff exterior, he really does care.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

UP NEXT – Doctor Who: The Time Meddler

 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

 

 

 

Timestamp #15: The Space Museum

Doctor Who: The Space Museum
(4 episodes, s02e26-e29, 1965)

Timestamp 015 The Space Museum

I enjoyed that this serial had a mystery that both the crew and the audience need to figure out. The second episode started into the background, but the first episode effectively roped me in with the question of what was going on.

There were some great moments in this serial. The Doctor gives the admonition to stay close, but then it’s the Doctor who lags behind gets taken by the rebels. Later he hides in a Dalek shell, and his Yoda-like mirth made me laugh. It was really nice to have him fool the mind-reading chair, and an equally nice touch to have the “curator” get rid of him once he’s of no further use. The typical sci-fi tropes would have had the baddie just stick the hero away instead of trying to kill him off.

The action scenes during the whole cat-and-mouse chase were engaging, and Vicki is brilliant in rewiring the armory computer. She’s really climbing the ranks as one of my favorite companions.

The thing that made me scratch my head was that this was apparently all started with yet another faulty component. It seems that the TARDIS is often just one bump short of falling apart at the seams.

Last but not least, there were new Daleks in the lead-in to The Chase. Unfortunately, the head light blinking sequences are way off, and I don’t like the super-shiny collar. It’s very distracting under the studio lights.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

UP NEXT – Doctor Who: The Chase

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #14: The Crusade

Doctor Who: The Crusade
(4 episodes, s02e22-e25, 1965)

Timestamp 014 The Crusade

It’s Julian Glover! General Maximillian Veers, Walter Donovan, and Aris Kristatos! Instead of an Imperial soldier, a Nazi, or a Soviet sympathizer, this time he’s a rather petulant King Richard the Lionheart.

Ian gets to use some of the swordfighting skills he’s learned over the last couple of years, and he gets knighted as well. The Doctor gets to display his interesting morals (once stolen clothes are fair to be stolen again), and displays a couple of character traits I’m glad have survived into the modern era (he does not suffer fools and cherishes bravery). The Doctor and Vicki really do have an adorable relationship, but the whole ruse of disguising Vicki as a boy is quite a stretch, especially given the rather conspicuous curves and facial features.

This was a simple story, but engaging and entertaining. The second and fourth episodes I watched were reconstructed from recorded soundtracks and screen caps.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

UP NEXT – Doctor Who: The Space Museum 

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #13: The Web Planet

Doctor Who: The Web Planet
(6 episodes, s02e16-e21, 1965)

Timestamp 013 The Web Planet

This serial had so much ambition, but so little payoff in six episodes to cover a very threadbare story. The costumes were laughable, and the Zarbi noises grated on me with seconds of hearing them for the first time.

There were some nice moments with Barbara and Vicki comparing notes on eras they were familiar with, and the Doctor is starting to remind me of Yoda with his giggling. From the production side, I’m glad they removed the handicap of losing power to the doors trapping the travellers in the TARDIS over the years. It seems like a silly stumbling block, even though it gave purpose to the Doctor’s rings. It was good of them to acknowledge the thin air, but those jackets made me giggle over the absurdity.

I give the serial extra credit for the enthralled Zarbi called Zombo, but, honestly, I’d rather watch The Sensorites again.

 

Rating: 1/5 – “EXTERMINATE!”

 

UP NEXT – Doctor Who: The Crusade

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

Timestamp #12: The Romans

Doctor Who: The Romans
(4 episodes, s02e12-e15, 1965)

Timestamp 012 The Romans

A nice humorous episode balanced with seriousness regarding the Roman slave trade. It was a true tour de force of popular Roman story tropes. The poor TARDIS keeps getting used and abused, this time falling off a cliff and laying in a ditch for a month. I loved Vicki’s energy, and the nice character moments between Ian and Barbara.

I also loved the allegory with The Emperor’s New Clothes.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

UP NEXT – Doctor Who: The Web Planet

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #11: The Rescue

Doctor Who: The Rescue
(2 episodes, s02e10-e11, 1965)

Timestamp 011 The Rescue

This one was a quick but interesting story to introduce Vicki as a new companion. She seems to be written as a direct replacement for Susan, but the Doctor treats her better. From a production standpoint, the creature designs were pretty cool, and I thought that Sandy was kind of a cute little beastie. I also like how they showed (deliberately or not) some type of TARDIS interior from outside the ship.

The story has a nice twist, but it’s also rather tragic. Overall, it helps further establish the Doctor’s view on preserving life with his anger toward the near genocide of the Dido.

There were two smaller things that grabbed my attention. First, that rocket ship has one strong antenna to survive the crash without breaking. Perhaps they should make the entire ship from that material. I’m kidding of course; they needed to show the audience that the ship was trying to communicate. Second, the TARDIS doesn’t land, but instead materializes.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

UP NEXT – Doctor Who: The Romans

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #10: The Dalek Invasion of Earth

Doctor Who: The Dalek Invasion of Earth
(6 episodes, s02e04-e09, 1964)

Timestamp 010 The Dalek Invasion of Earth

This was a great episode cover to cover, even with the dubious plot to steal an entire planet. Every one of the characters gets a chance to shine: The Doctor works through the puzzle in the Dalek jail cell, and helps Ian understand it as well; Barbara and Susan contribute to the fight at the Dalek saucer, which speaks volumes considering the lack of empowered women in 1960s science fiction; Barbara displays her intelligence and improv skills in stalling the Daleks by playing on their ignorance of human history; and Susan… oh, Susan.

Once again, Susan is yearning to grow, but is frustrated in trying to figure out how exactly to do so. David seems like a good mentor to help her find an identity and a place to thrive. The Doctor’s grudging respect for him points to this as well, and it was heart-wrenching to see him finally let his granddaughter go. It was interesting how much Susan grew on me in the short time she was on the show. After the credits rolled, I couldn’t press play to start the next serial because I felt like I needed time to say goodbye.

Even among the secondary characters, the development was great. Particularly, I point to the wheelchair-bound scientist’s sacrifice to test his Dalek killing grenade. It was very chilling, since he died in vain.

Some last notes on characters, it was good to see the Doctor back in his signature jacket. This episode also reinforced a couple of things with his character. First, he doesn’t kill unless under a direct threat, which will be interesting to track over this project. Second, he very clearly established that he prefers the name (title?) Doctor, and not the shortened form of Doc.

Finally, William Russell (Ian) sure does like testing the limits of the sets, doesn’t he? He keeps running headlong into set pieces that shouldn’t bend, but do under the power of his spirited no-holds-barred acting style.

Production-wise, this story has a lot of action and explosive effects. The location shoots make the story feel much more open, especially in the transit to the museum. The TARDIS looked rather beat up with the windows out of place. I loved seeing the Dalek coming out of the river at the end of the first episode. That innovative idea was so exciting to me, I can hardly imagine how kids felt when this serial first aired.

The one downside to me was the slyther. It is certainly an interesting creature, though it doesn’t make much sense that the Daleks would keep a pet given their desire to destroy everything not Dalek. But that is a minor quibble in this gem of an episode.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Doctor Who: The Rescue

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #9: Planet of Giants

Doctor Who: Planet of Giants
(3 episodes, s02e01-e03, 1964)

Timestamp 009 Planet of Giants

The companions finally made it home… sort of. Welcome to the obligatory exercise in a science fiction series for the trope of shrinking the cast. I can’t grumble too much because there are some unique elements in this version that keep the idea from being boring repetition (even though it predates many of the modern sci-fi examples I can come up with).

The TARDIS model is back! I also thought it was refreshing for the Doctor to change his wardrobe a bit by exchanging his coat for a cloak. We also find out that bad things apparently happen when the TARDIS doors open during transition.

This one’s essentially an industrial thriller story, and even though it’s not particularly deep one, I still had a lot of fun with it. The effects are the highlight, and you can tell that the cast had fun as well. So did the set designers. But all that plus the character ingenuity can’t overcome a really shallow story.

 

Rating: 3/5 – “Reverse the polarity of the neutron flow.”

 

UP NEXT – Doctor Who: The Dalek Invasion of Earth

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #8: The Reign of Terror

Doctor Who: The Reign of Terror
(6 episodes, s01e35-e40, 1964)

Timestamp 008 The Reign of Terror

This was a nice recovery from the drudgery of The Sensorites. I enjoyed that the Doctor was in left in peril, and the fire over the closing credits for the first episode was an especially nice touch. I also liked the location shooting and the use of an actual historical setting, building a beautiful kiss with history in this serial.

The incidental music was great as well. Bursts of La Marseillaise, the French national anthem I know best from Tchaikovsky’s 1812 Overture, helped set the mood. I also believe that I caught riffs of the main title theme in the Doctor’s whimsical walking music.

Addressing the story, it was good to see Hartnell’s duplicitous First Doctor being outwitted, crossed, and played by the people of the era. That makes a ton of sense to me, since the Doctor and his companions, for all their knowledge, are truly the aliens in every serial. It was also good to see that the Doctor and Ian made up after sharing this adventure and proving the relationship amongst this cast.

Episodes four and five are missing in this serial. The animated reconstructions are pretty good, but have a weird fascination with shots of eyes and lips. I won’t hold that against the serial in my final rating.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – First Series Summary

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.