STEAM Saturday – Space Telescope Milestone, Remembering Eugene Parker, and the Atlanta Science Festival

STEAMSaturday

STEAM Saturday
Space Telescope Milestone, Remembering Eugene Parker, and the Atlanta Science Festival
March 19, 2022

In this edition, we look at a Webb Space Telescope milestone and remember Eugene Parker, the namesake for NASA’s solar probe.

STEAMHeadlines

NASA – NASA’s Webb Reaches Alignment Milestone, Optics Working Successfully (Mar 16, 2022)
Following the completion of critical mirror alignment steps, NASA’s James Webb Space Telescope team expects that Webb’s optical performance will be able to meet or exceed the science goals the observatory was built to achieve.

Scientific American – Eugene Parker, Namesake of NASA’s Sun-Touching Spacecraft, Dies at Age 94 (Mar 17, 2022)
The eminent astrophysicist changed the way we view our home star.

Space.com – NASA’s new moon rocket, its most powerful ever, rolls out for 1st time (Mar 18, 2022)
The Artemis 1 moon rocket is NASA’s first Space Launch System booster.

Scientific American – Even Mild COVID Can Increase the Risk of Heart Problems (Mar 16, 2022)
Scientists are just starting to unravel the disease’s long-term cardiac effects.

NPR – A man who got the 1st pig heart transplant has died after 2 months (Mar 9, 2022)
The first person to receive a heart transplant from a pig has died, two months after the groundbreaking experiment, the Maryland hospital that performed the surgery announced.

Atlanta Science Festival For my local readers, the Atlanta Science Festival is being held from March 12 to March 26, 2022. The Atlanta Science Festival is an annual celebration of the world-class learning and STEM career opportunities in metro Atlanta, featuring 100+ engaging events for curious kids and adults at venues all across the region.


STEAMSci

The Science & Entertainment Exchange – The Science & Entertainment Exchange is a program of the National Academy of Sciences that provides entertainment industry professionals with access to top scientists and engineers to help bring the reality of cutting-edge science to creative and engaging storylines.

PBS Space Time – PBS Space Time explores the outer reaches of space, the craziness of astrophysics, the possibilities of sci-fi, and anything else you can think of beyond Planet Earth.


STEAMTech

Today I Found Out – Today I Found Out is a place to learn something new and interesting every day, brought to the internet by a host of various scientific contributors.

Becky Stern – Becky Stern is a maker living in NYC– making and sharing are her two biggest passions!

 


STEAMEng

Kyle Hill – Kyle Hill is a science educator with degrees in civil and environmental engineering and science communication. He previously hosted the popular Because Science YouTube series, but now runs The Facility.

Megaprojects – Megaprojects is a YouTube channel which goes into detail on the history about all of humanities greatest achievements and structures.

 


STEAMArt

Charlie the Maker – A woodturner and artist based in the United Kingdom (and the son of Nick Zammeti), Charlie focuses on projects that artists of any age can accomplish.

Ben’s Worx – Ben is a maker from Queensland, Australia who has always had an interest in woodworking. He makes all kinds of things from wood, metal, plastics, and epoxy resin, and loves to experiment in the name of entertainment.

 


STEAMMath

Alex Yard & Knuckles – Enjoy some video game music theory videos with Alex Yard.

8-bit Music Theory – This YouTuber love music, video games, and analyzing and talking about music from video games. He promises that if you are a big nerd, you’ll love it too!


STEAMMulti

Frank Howarth – A Portland, Oregon based architect and woodworker, Frank Howarth uses stop-motion animation to demonstrate his design and building process for a variety of projects and art pieces.

Glen and Friends – Glen and Julie Powell of Toronto host this look into recipes from the Depression Era, including if those recipes still work or can be improved in the modern day. It’s a great look into history and how cooking is both science and art.

Corridor Crew – Corridor Digital is an American production studio based in Los Angeles, known for creating pop-culture-related viral online short-form videos since 2010, as well as producing and directing the Battlefield-inspired web series Rush and the YouTube Premium series Lifeline.

TED Talks – TED Conferences, LLC is an American media organization that posts talks online for free distribution under the slogan “ideas worth spreading”. TED Talks are influential videos from expert speakers on education, business, science, tech and creativity, with subtitles in 100+ languages. TED also manages TED-Ed and TEDx forums.


If you have any suggestions for STEAM Saturday, please leave them below in the comments. If your suggestion is used, your name will be credited.

Disclaimer: Please note that any sponsored content or advertising presented in videos and/or links highlighted in STEAM Saturday are not necessarily endorsed or supported by Creative Criticality. Pursue such content and offers at your own risk.

Thanks for stopping by. I hope that something inspired you to get out there and explore the universe.

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STEAM Saturday is a celebration of curiosity and imagination through science, technology, engineering, art, and mathematics, the very building blocks of the universe around us.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #242: The Rings of Akhaten

Doctor Who: The Rings of Akhaten
(1 episode, s07e07, 2013)

Timestamp 242 The Rings of Akhaten

Dining on infinity.

A brisk wind blows the autumn leaves, particularly one large red leaf that flies into a man’s face. As the man stumbles into the street, a woman saves him from being run over. The pair begin a relationship around that leaf — the most important leaf in human history — and eventually have a child named Clara Oswald.

That girl later mourns her mother who died on March 5, 2005. The Doctor, who has been watching Clara through all of these events, laments that she cannot be possible.

Back in 2013, Clara is sitting with her book and waits for the Doctor. When he arrives, she rushes to meet him and asks about the nature of time, space, and travel in both. When asked, she decides that she wants to see something awesome.

So, he takes her to the rings of Akhaten. Among those rings is a pyramid, a holy site for the Sun-singers of Akhet, a people of this seven-world system that believe that all life in the universe originated on Akhaten. The Doctor tells Clara that it’s a nice story they believe, but indulges her wish to take a closer look.

In the market near the pyramid, the Doctor introduces Clara to Pan-Babylonians, a Lugalirakush, some Eukanians, a Hooloovoo, and an Ultramanta. He does a ritual greeting with a Terraberserker of the Cadonian Belt, then mentions that he forgot how much he liked it there. After all, he’s been there once before while traveling with his granddaughter.

Clara is shocked. She runs after him and samples a glowing blue fruit, but isn’t impressed with the flavor. She also encounters Dor’een, a being that barks to communicate. It’s odd that the TARDIS translation circuits haven’t kicked in fully for Clara, but the Doctor helps by translating that Dor’een wants to rent Clara a moped. The cost is a sentimental object, using payment through psychometry. Clara doesn’t like the idea of giving up something important in trade, but it’s not much different than exchanging valuable bits of paper.

Clara turns her back for a moment, losing the Doctor but running into a little girl in crimson robes. When the girl runs off, two men in similar attire approach and ask if she’s seen the Queen of Years. Clara is confused and pursues the girl to a junkyard. After a spell, the two cross paths again. The girl says that she’s hiding but Clara just wants to help. She offers to take Merry Galel to the TARDIS as masked creatures continue to search for her.

The TARDIS refuse to open for Clara, prompting her to think that the box doesn’t like her. The duo take refuge behind the TARDIS and Merry explains that she is the Queen of Years. She was chosen for the role as a baby when the previous Queen died. She knows every story, poem, legend, and song of their culture. She’s scared because she has to sing a special song to their god to keep him from waking. Clara consoles her about fear, telling the queen that she’ll get the song right before taking her back to the men in red robes that were looking for her.

The Doctor finally finds Clara, asking what she’s been up to while munching on one of the blue fruits. Clara tells him that she’s been exploring. They then go see Merry sing her song, a duet with a man in red robes at the pyramid who sings before a mummy-like being. The Doctor reads the program and tells her that it is the Long Song, a song to keep the Old God, also known as the Grandfather, asleep. Members of the audience hold up offerings of sentimental value to feed the Old God, and the Doctor joins in the song.

The Chorister in the pyramid falters and a golden energy seizes Merry, pulling her toward the pyramid. The Doctor leaves the scene, which Clara interprets as running away before the Doctor corrects her, and rents a moped with Clara’s mother’s ring. Together, they race into the rings to save Merry, but they barely miss her before touching down at the pyramid.

The Doctor is unable to unlock the doorway right away. Inside the pyramid, the Old God begins to awaken, but the Doctor finally breaks the lock’s code and raises the door. Merry refuses to leave, believing that her failure is her fault. The Old God feeds on souls, and Merry believes that it wants hers.

The Doctor releases the door and enters the pyramid. The Chorister flees, claiming that the Long Song ended with him, and the Old God awakens. The Doctor tells Merry that they didn’t wake him. Instead, the being woke because it was time to wake up. Merry is as a sacrifice, and if she’s going to be so voluntarily, he wants her to know why: Every time the Old God threatens to waken, the Queen of Years is offered as a sacrifice to put him back to sleep as it feeds on her story.

He explains: “Souls are made up of stories. People we lost. People we found against all odds.” He calms Merry by telling a story that she doesn’t know. She is unique in the universe and there won’t be another person like her. If Merry doesn’t offer herself, everything will be fine.

The Old God begins to crack the glass case around it and the masked beings arrive to secure Merry for the sacrifice. The Doctor is able to use his sonic screwdriver to overcome the guards while Clara asks Merry to sing the door open. Merry and Clara run for the moped as the Doctor holds the guards at bay, but as the being breaks the glass, the Doctor realizes that he’s made an error.

The beast was an alarm clock. The real Old God Akhaten is inside the star, and now that it’s awake it is hungry. Very hungry.

The Doctor decides to fight Akhaten as Clara returns Merry to the platform. He faces down the star as Merry sings and he begins to tell it a new story. The story of his own experiences over all of his known lives.

“I walked away from the last great time war. I marked the passing of the Time Lords. I saw the birth of the universe and I watched as time ran out. Moment by moment until nothing remained, no time, no space, just me! I walked in universes where the laws of physics were devised by the mind of a mad man! And I watched universes freeze and creations burn! I have seen things you wouldn’t believe! I have lost things you will never understand! And I know things, secrets that must never be told, knowledge that must never be spoken! Knowledge that would make parasite gods blaze! SO COME ON THEN! TAKE IT! TAKE IT ALL, BABY! HAVE IT! YOU HAVE IT ALL!

Akhaten feeds on these experiences, and as the beast appears to return to slumber, the Doctor collapses. Unfortuantely, Akhaten isn’t quite sated. Clara recalls her mother’s words and returns to the Doctor’s side, offering the red leaf. The most important leaf in human history, full of her mother’s lost life and a future that never happened. Akhaten feeds on the infinite potential of that leaf, eventually falling asleep for good.

The Doctor returns Clara to her home, at which point Clara realizes that she saw the Doctor at her mother’s funeral. He tells her that she reminds him of someone he knew who died, but Clara tells him that she shouldn’t see her as a replacement.

The Doctor agrees, returning her mother’s ring. The people she saved wanted her to have it back. As Clara returns home, the Doctor looks on after her with a grim expression.


During this first adventure in the TARDIS to an alien planet, we find out that Clara’s mother died on March 5, 2005, the same day as the Auton invasion of Earth. It’s possible that she was a victim of that invasion, but not established.

What I really like about this story centers on the costume and set design, which exemplify this era of wonder and exploration in Doctor Who. Just look at all of the alien creatures in the bazaar! I also enjoy Clara’s sincerity, empathy, and innocence at this point in her journeys.

This is the first time in a while (either The Girl Who Waited or Asylum of the Daleks, depending on how you count the undercover Dalek puppets) that a story didn’t include an extensive cast of human characters and didn’t really link back to Earth. Clara is pretty much the only human in the story, and Earth only appears in establishing bookends instead of being the story’s setting. It’s refreshing.

I also like the Long Song – Emilia Jones has a beautiful singing voice – and the solution to feeding the beast of Ahkaten. The story falls apart though in Clara’s sacrifice: I’m not a big fan of her having to give up something so incredibly precious to travel with the Doctor, despite the obvious callback to the beginning of the tale. It’s almost like she’s being required to give up the core of who she is for the privilege.

That said, it can also be looked at as being pushed to grow beyond her self-established boundaries.

Either way, I guess that’s what gives the story so much power. It’s inducing strong emotions in the telling and the analysis, which is one measure of good storytelling.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: Cold War

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Battle of the Fictional Bands 2022

Culture on My Mind

Culture on My Mind
Battle of the Fictional Bands 2022
March 14, 2022

The week, the Dragon Con American Sci-Fi Classics Track is all about that music. The nerdy music that drove our childhoods and still pilots our geeky souls.

On March 10th, the gonzo panel of ToniAnn Marini (on Twitter and The Geeky Devil), Leigh Tyberg (The Salacious Crumbles), Keith DeCandido (decandido.net and wherever fine books are sold), Kevin Cafferty (Gleaming the Tube), Kevin Eldridge (The Flopcast), and Shaun Rosado (pneumaz on Twitter), joined Joe Crowe and Gary Mitchel for the panel that was so popular last year that it became five, including one at Dragon Con itself. Welcome back to the tour, but let’s just forget about those green M&Ms.


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be on March 24th. The docket contains a famous bloodsucker and a bonus panel that shall remain nameless for now, and there are always more on the way. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

ATL Comic Convention + Fandemic World Tour Atlanta 2022

ATL Comic Convention + Fandemic World Tour Atlanta 2022
Atlanta, GA – March 18 through March 20, 2022
ACCFandemic

Thanks to the COVID-19 pandemic, it’s been a few years since I have visited Atlanta Comic Con. It’s one of Atlanta’s smaller conventions but it’s also a fun escape in the middle of the summer before Dragon Con rolls in.

This year, Atlanta Comic Con changed course, moving from their typical mid-July schedule to something a little closer to the Vernal Equinox.

Hey ATL friends,
July was too far away and we couldn’t wait that long to see all our amazing ATL Comic Convention attendees, so we joined forces with our friends at Fandemic World Tour Atlanta to bring you an even BIGGER and BETTER show! Fandemic is happening March 18-20, 2022 at the Georgia World Congress Center Building B.

So, next week, you can find me at the Georgia World Congress Center on the Saturday and Sunday of the event. I don’t have a definite schedule yet, but I plan to be there on panels with Mike Faber and Michael Gordon of The ESO Network as we talk about Doctor Who, the Marvel Cinematic Universe, and Podcasting 101.

UPDATE (3/18/22): The tentative programming schedule has been added to the website. 

So You Want to Start a Podcast? – Saturday 1:30PM – 2:15PM, Room B203

Doctor Who: Out With the Old, In With the New – Sunday 12:30PM – 1:15PM, B203 [Recorded for Earth Station Who]

The MCU: What Now? – Sunday 2:30PM – 3:15PM, B203 [Recorded for Earth Station One]

The convention will also have quite a few celebrity guests, including Sebastian Stan, Norman Reedus, Michael Rooker, James Marsters, John Barrowman, Jeffery Dean Morgan, Pom Klementieff, and more. More information, including ticketing information, can be found on their website.

I hope to see you there!

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Timestamp #241: The Bells of Saint John

Doctor Who: The Bells of Saint John
(1 episode, s07e06, 2013)

Timestamp 241 The Bells of Saint John

The clever boy rides.

Prequel

A little girl finds the Doctor sitting on a swing in a playground. The Doctor is sad because he can’t find his “friend”, but the girl is friendly despite her mother’s warning not to talk to strange men. The little girl offers some advice about finding lost items before returning to her mother.

The girl’s mother scolds her for talking to a stranger. It turns out that the little girl is none other than Clara Oswald.

The Bells of Saint John

A man warns the world against attaching to strange public wifi networks. Which, you know, is wise advice under any circumstance. But this warning also adds a little bit of The Ring to the story: Within 24 hours of connecting to the strange network, a user’s soul is extracted into the internet where it screams in the cybernetic void.

The man knows what he speaks. He is one of the lost souls.

Shifting to Cumbria in 1207, a monk sends warning that the bells of Saint John are ringing. The Abbot informs the “mad monk”, the man known as the Doctor who asks for a horse. As the Doctor prepares, the Abbot looks upon a painting of “the woman twice dead”, remarking that if the Doctor is mad, the mystery around the woman is his madness.

In London, circa 2013, Clara Oswald has trouble connecting to the internet. George is leaving with a boy named Artie while Clara keeps track of Angie. She also remarks on Artie’s choice of reading material – Summer Falls by Amelia Williams – noting that Chapter Eleven is the best because it makes the reader cry.

Back in Cumbria, the Doctor and the monks arrive in a cave where the TARDIS is parked. The exterior phone is ringing, which isn’t supposed to happen, and it connects the Doctor to Clara through the help line that a “woman in the shop” gave her. The help line is supposed to be the best in the universe, after all. When Clara tries to connect to the Maitland family wifi, she asks Angie for the password. It is “RYCBAR123”, remembered by the mnemonic “Run you clever boy and remember.”

Of course, the Doctor remembers the phrase and startles Clara. Clara inadvertently connects to the strange network, starting her twenty-four hour clock before running to answer the door. There she finds the Doctor, dressed in monk robes, pounding on the door and excited to meet her.

On the other side of the strange network, an analyst named Alexei remarks that Clara is “borderline,” being clever without much computer skill. His boss, Rosemary Kizlet, his superior, orders him to upload Clara anyway and supplement her with a computer skills package. With the promise that Alexei will activate the “Spoonheads”, Kizlet returns to her office and discusses Alexei with a man named Mahler. They agree to kill the analyst after he returns from holiday, then discuss Mahler’s worry that they’re uploading too many people too quickly. Kizlet tries to comfort him while manipulating his senses of conscience, paranoia, obedience, and IQ. After Mahler leaves to carry out Kizlet’s orders, she raises his obedience level to the maxmum.

At the house, Clara is unconvinced to let the robe-clad stranger in. As she turns to go back upstairs, a little girl comes down to meet her. This strange girl is the same girl from the Summer Falls book cover, and she also has a spoon-shaded indent in the back of her head. Clara backs away in fear.

The Doctor returns to the TARDIS for a change of clothes, donning a purple cashmere coat and matching bow tie. He rushes back to the house to find Clara unconscious with her screaming voice trapped in the Spoonhead. The Doctor uses his sonic screwdriver to analyze the robotic base station before using Clara’s laptop to reverse the connection and restore Clara’s consciousness.

He also leaves a message for Alexei, Mahler, and Kizlet: “UNDER MY PROTECTION – The Doctor”. Kizlet immediately contacts her client with news that the Doctor has arrived.

The Doctor tidies up while Clara rests, even adding a plate of Jammie Dodgers nearby. He flips through a book of hers and finds a dried red maple leaf, then steps outside to guard her while she sleeps. Clara joins him some time later and the Doctor recounts everything that she missed: Angie is staying with her friend Nina, Clara’s father called to complain about the government, he fixed the washing machine, optimized the photosynthesises of the plants, organized the food pantry, and reassembled a broken Quadricycle. Okay, that last one? He invented the Quadricycle.

He also promises to stand watch while Clara sleeps, but she decides to come downstairs to him. While she gathers a cup of tea and a folding chair, Kizlet’s team watches them and plots. The Doctor explains the internet eating souls to Clara, which she equates to Twitter – she’s not wrong – and the pair realize that Clara has gained a greater knowledge of computers from being partially uploaded. The Doctor spots a Spoonhead and the lights around the neighborhood switching on. There’s also an airplane plummeting down on their position. Kizlet is intent on removing the Doctor and Clara from the equation.

Against her wishes, the Doctor rushes Clara into the TARDIS. She’s amazed as the Doctor makes a short hop through space into the falling airplane. The passengers and crew are switched off through the wifi, so the Doctor manages to pull the plane out of the nosedive and revive the people onboard. As the Doctor and Clara return to the TARDIS, Kizlet demands that her team locate the blue box.

The Doctor promises to explain everything over breakfast, dropping the TARDIS into a group of people who cheer the materialization as performance art while the Doctor retrieves his motorcycle from the garage. The pair ride to a café for breakfast as Kizlet’s team processes cell phone photos for the TARDIS, the Doctor, and Clara.

The Doctor and Clara use the laptop to hack the webcams at Kizlet’s office and cross-reference the imagery through various social networks to find their adversary’s location: They work at the Shard.

The Doctor leaves to get more coffee, talking to several people who are being controlled remotely along the way. Kizlet explains that her client feeds of the neural energy of humanity, similar to a farmer slaughtering cattle for harvest. She notes that Clara is not as safe as he thinks, and he soon discovers that Clara has been uploaded by a Spoonhead duplicate of the Doctor.

Furious, the Doctor rides his motorcycle to the Shard, using an anti-gravity feature to ride up the side of the Shard and literally break into Kizlet’s office. He demands that Kizlet restore Clara and the entire data cloud into their bodies. For those who no longer have a body, their deaths would ensure release from the living virtual hell.

Oh, and the Doctor? He’s still at the café. He sent his Spoonhead duplicate which has now uploaded Kizlet as motivation to restore everyone to the living world. The Spoonhead uses Kizlet’s tablet to boost Mahler’s obedience and he follows her demand to be released by emptying the entire cloud.

Clara wakes up at the café, but the Doctor has gone. Meanwhile, as UNIT storms the Shard, Kizlet reports her failure to her client. As the Great Intelligence bids her farewell, it orders Kizlet to reset herself and every one of her co-workers to their “factory settings”. Everyone is restored to who they were before the Great Intelligence’s plot began, including Kizlet who is now a scared child.

This plot has been going on for some time.

Back at the Maitland residence, Clara sees the TARDIS outside and goes to see the Doctor. He invites her to travel with him. She declines, telling him to come back the next day and ask her again because she might say yes. After she leaves, the Doctor returns to the console, dialing up the next day as he declares that it’s time to find out who she is.


As mid-season returns go, this one is a great season premiere. It pushes a soft-reset while giving the new companion a bright spotlight in which to play. This version of Clara is a bit less flirty than her predecessors (wibbly-wobbly-timey-wimey) but still definitely herself in the end. You know, despite the fact that she has no idea who Oswin or Clara Oswin are.

The return of the Great Intelligence was a neat trick, as was the allusion that this plot was long-reaching.  I especially liked the story and its connection to modern technology and our obsession with it. The plot itself is reminiscent of The Idiot’s Lantern. It’s also quite fun when real-life landmarks like the Shard are used in the plot.

The rapid-fire introduction of Clara to the TARDIS as they saved the nosediving airplane was a heart-pounding ride. Of course, I have to ignore the basic logisitics of that save since there is no place neither wide nor tall enough to park the TARDIS on a Boeing 737.

The switcheroo with the Doctor and the Spoonhead was a nice nod to The Android Invasion. The “short hop” discussion was a fun callback to the other times that such trips were difficult, such as The Seeds of DeathState of DecayArmy of Ghosts, and (most recently) Dinosaurs on a Spaceship

Overall, a good time and a fun start to the next run of adventures.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: The Rings of Akhaten

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – The Overthrow of the Kingdom of Hawai’i

Culture on My Mind

Culture on My Mind
The Overthrow of the Kingdom of Hawai’i
March 7, 2022

An educational short from TED-Ed about the dark history of paradise is on my mind this week.

The history is apalling but not unique. This United States has a history of taking lands from native people simply because they want it.

The United States apologized for its role in the affair through United States Public Law 103-150 of 1993 (known as the “Apology Resolution”), which acknowledged two things:

  • First, that “the overthrow of the Kingdom of Hawaii occurred with the active participation of agents and citizens of the United States”, and
  • Second, “that the Native Hawaiian people never directly relinquished to the United States their claims to their inherent sovereignty as a people over their national lands, either through the Kingdom of Hawaii or through a plebiscite or referendum.”

This short video provides an overview through the two-year reign of Queen Liliʻuokalani.

In light of the recent spate of book banning and demands for greater oversight in public schools, there is an unattributed quote circulating the internet. The truth about studying history is very simple.

Studying history will sometimes make you uncomfortable. Studying history will sometimes make you feel deeply upset. Studying history will sometimes make you feel extremely angry. If studying history always makes you feel proud and happy, you probably aren’t studying history.

History is never clean and simple because people and nations will always do terrible things, and they will justify those atrocities in any way they can. You can be proud of your heritage and citizenship but knowledge and understanding of what built them to you are key to maintaining the rights and privileges you enjoy.

History is bloody and complicated. If studying history always makes you feel proud and happy, you’re likely studying propaganda.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

STEAM Saturday – Curing HIV, Europa Clipper, and Fuqing 6

STEAMSaturday

STEAM Saturday
Curing HIV, Europa Clipper, and Fuqing 6
March 5, 2022

In this edition, a step forward is made in curing HIV, NASA is closer to the Europa Clipper, and China hits a milestone in nuclear power.

STEAMHeadlines

NBC News – Scientists have possibly cured HIV in a woman for the first time (Feb 15, 2022)
Building on past successes, as well as failures, in the HIV-cure research field, these scientists used a cutting-edge stem cell transplant method that they expect will expand the pool of people who could receive similar treatment to several dozen annually.

NASA – NASA Begins Assembly of Europa Clipper Spacecraft (Mar 3, 2022)
Science instruments and other hardware for the spacecraft will come together in the mission’s final phase before a launch to Jupiter’s icy moon Europa in 2024.

World Nuclear News – Fuqing 6 reaches full power as Hongyanhe 6 nears startup  (Feb 21, 2022)
Unit 6 of the Fuqing nuclear power plant in China’s Fujian province has reached 100% full power operation for the first time. Meanwhile, the National Nuclear Safety Administration (NNSA) has completed a comprehensive pre-operational inspection at unit 6 of the Hongyanhe plant in Liaoning province.


STEAMSci

Be Smart – A PBS Digital Studios science show hosted by Dr. Joe Hanson (Ph.D., Cell and Molecular Biology). 

Kyle Hill – Kyle Hill is a science educator with degrees in civil and environmental engineering and science communication. He previously hosted the popular Because Science YouTube series, but now runs The Facility.

Steve Mould – Steve Mould is a Master of Physics from the University of Oxford. He’s a British author and science communicator who hosts educational videos on his YouTube channel. He co-hosted ITV’s I Never Knew That About Britain alongside Paul Martin and Suzannah Lipscomb and previously appeared as a science expert on The Alan Titchmarsh Show, The One Show, and Blue Peter.

PBS Terra – PBS Terra is the home of science and nature shows from PBS Digital Studios. Subscribe to explore the frontiers of science and tech, our minds and bodies, our planet (and beyond)!


STEAMTech

TED Talks – TED Conferences, LLC is an American media organization that posts talks online for free distribution under the slogan “ideas worth spreading”. TED Talks are influential videos from expert speakers on education, business, science, tech and creativity, with subtitles in 100+ languages. TED also manages TED-Ed and TEDx forums.


STEAMEng

Practical Engineering – Grady Hillhouse is a civil engineer in San Antonio, Texas. His channel aims to increase exposure and interest in the field of engineering by highlighting the connection between the world around us and the energy, passion, and thought that goes into making it a nicer place to live.

Ask a Mortician – Caitlin Doughty is a mortician, author, blogger, and YouTube personality known for advocating death acceptance and the reform of Western funeral industry practices. You got death questions, she’s got death answers. Ask a Mortician was suggested by Sue Kisenwether.

[Content Warning: This video contains discussions of suicide and self-harm]

 


STEAMArt

Shop Time – Peter Brown is a geek with a full set of power tools, and he uses that knowledge to experiment, craft, and have fun.

The Wallace Collection – The Wallace Collection is a free museum in London with a collection of paintings, sculpture, furniture and arms and armour.


STEAMMath

If you have a suggestion for a mathematics-themed YouTube channel, please leave a comment below.


STEAMMulti

Smarter Every Day – Mechanical engineer and aerospace engineer Destin Sandlin explores the world using science in this series. He was one of three YouTube personalities chosen to conduct a one-on-one interview with President Barack Obama after his final State of the Union address. His secondary channel provides additional details and interviews to supplement his primary channel’s videos.

Frank Howarth – A Portland, Oregon based architect and woodworker, Frank Howarth uses stop-motion animation to demonstrate his design and building process for a variety of projects and art pieces.

Glen and Friends – Glen and Julie Powell of Toronto host this look into recipes from the Depression Era, including if those recipes still work or can be improved in the modern day. It’s a great look into history and how cooking is both science and art.

I Like To Make Stuff – Bob Clagett likes to make stuff, whether it be home renovations, fixing up a vintage car, or building an astromech droid.

 


If you have any suggestions for STEAM Saturday, please leave them below in the comments. If your suggestion is used, your name will be credited.

Disclaimer: Please note that any sponsored content or advertising presented in videos and/or links highlighted in STEAM Saturday are not necessarily endorsed or supported by Creative Criticality. Pursue such content and offers at your own risk.

Thanks for stopping by. I hope that something inspired you to get out there and explore the universe.

 

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STEAM Saturday is a celebration of curiosity and imagination through science, technology, engineering, art, and mathematics, the very building blocks of the universe around us.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #240: The Snowmen

Doctor Who: The Snowmen
(1 episode, Christmas Special, 2012)

Timestamp 240 The Snowmen

The cold birth of a great intelligence.

Prequel: The Great Detective

In Victorian London, the Paternoster Gang – Madame Vastra, her maid Jenny Flint, and their Sontaran servant Strax – meet with the Doctor as they pursue strange happenings. The Doctor shows no interest in their cases as he has since retired from investigating such matters.

Prequel: Vastra Investigates

Since the Doctor is unwilling to help, the Paternoster Gang strike out on their own. After they solve a case, Inspector Gregson of Scotland Yard talks with them about their adventures and membership. He’s confused about Vastra’s skin and Strax’s build, unable to grasp that they are both aliens. Vastra perpelexes him futher by talking freely about her love for Jenny.

As the carriage pulls away, Vastra and Jenny discuss the Doctor’s heartbreak, a deep emotion that has isolated the Time Lord in his TARDIS. They’re also confused about the continuing snowfall from a cloudless sky.

The Snowmen

Winter, 1842: Children are playing outside but one boy builds a snowman by himself. He laments how the other children are silly and the snowman repeats his words. As the boy starts to run away, the snowman offers to help him.

Fifty years later, the boy has grown up and oversees the sampling of snowmen. This man, Walter Simeon, deposits the samples into a giant snowglobe before sacrificing the men who gathered the samples to the snowmen.

At an inn called the Rose & Crown, a familiar looking barmaid walks outside with a tray and spots a creepy snowman. She asks a passing man, the Doctor, about the snowman. He inspects it and asks the woman’s name. He think’s Clara’s name is a nice one and that she should keep it. As he leaves with his somber attitude, Clara gives chase and jumps onto the back of his carriage.

The Doctor calls Vastra on his carriage phone. Vastra is amused that he’s back in an investigatory mood, but the Doctor denies it. He’s sure that Clara will not be able to find him again since she doesn’t even know the name “Doctor”. On cue, Clara drops down from the carriage roof and asks, “Doctor who?”

Dr. Simeon pays a visit to Captain Latimer to muse about the pond where the captain’s governess died. The pond has frozen and Simeon wants the ice, declaring himself to be part of the Great Intelligence Institute. As Simeon departs, he is confronted by Jenny and Vastra. The doctor doesn’t find them threatening, and even taunts the duo as the inspiration for Dr. Doyle’s detective stories. Simeon states that no one can stop his plan, but Vastra knows differently.

The Doctor and Strax investigate the snow, leading Strax to express his discontent over the Time Lord’s apathy. The Doctor believes that the universe doesn’t care, then turns his attention to Clara. He tries to use something called the memory worm to erase her memory, but Strax botches the whole thing. The Doctor is fascinated by the fact that Clara hasn’t run during the whole affair.

They then face a group of snowmen as Clara thinks about them, triggering the telepathic nature of the alien snow. The Doctor has Strax take Clara back to the inn as he heads to a local common area. Clara follows him and finds the ladder that he’s hidden behind a perception filter. She uses the ladder to ascend into the sky where she finds a sprial staircase and the TARDIS resting on a cloud.

She knocks on the door of the TARDIS and then hides, rushing back down the staircase. The Doctor finds a scrap of her dress and knows it was her, but remains determined to stay out of Earth’s affairs. The next morning, Christmas Eve, Clara heads to her second job as governess to Captain Latimer’s children. She operates here as Miss Montague under a more posh accent.

Clara attends to the children, Francesca and Digby, amusing them with her “secret voice” which is her real accent. The children prefer her over the previous governess, the woman who drown in the frozen pond. Clara understands that the children think about the former governess often, and making the link about the telepathic snow, she rushes to the park to find the Doctor. She finds the ladder disabled but also finds an ally in Jenny who takes her before Madame Vastra.

Vastra offers her an audience, but is restrained to single word responses to Vastra’s queries. After all, the truth can be said in one word while lies are said with a string of them. Vastra tells Clara that the Doctor once saved many lives, but when he suffered a great loss, he chose to reture. She also sees a chance to reawaken the Doctor’s former sense of adventure, so she offers Clara a test: She must give her a message to pass onto Doctor; warning him of the danger, but she must do it in one word.

The word she chooses is “pond”.

The Doctor visits Simeon’s institute, an act that causes some discomfort to the Intelligence in the snowglobe. The Doctor recognizes the Intelligence and the danger it poses by inhabiting the former governess, but is forced to flee when Simeon calls for help. The Doctor investigates the frozen pond while denying such to Strax, but finds himself enthralled by Clara as she watches from a window.

Clara later tucks the children in with a story about the Doctor, but they are interrupted by the reanimated ice form of the dead governess. The ice governess chases Clara and the children to the nearby play room where the Doctor appears and shatters her with the sonic screwdriver.

Meanwhile, Simeon activates a snow machine in the front yard as the Doctor admires his bow tie, unaware that he had even put it on. As the ice governess reincorporates, the group rushes downstairs to find Captain Latimer and the Paternoster Gang. Jenny restrains the ice governess with a force field while the team works out the problem, realizing that the Intelligence needs the governess to create an army of unstoppable ice creatures.

The Doctor orders everyone to stay in the study but Clara disobeys, giving the Doctor a kiss before Simeon arrives with an ultimatum. The Doctor arms Clara with an umbrella, disables the force field, and rushes the pair upstairs. Clara pulls the Doctor along as the pair end up on the roof, using the umbrella to snag the ladder and lead them (and the governess) to the TARDIS.

It is here that Clara is introduced to the TARDIS – “It’s smaller on the outside!” – and its beautiful new console room. The Doctor is reminded of another woman, Oswin, when Clara talks about her love of soufflés. He gives Clara a key to the TARDIS, effectively accepting her as his companion.

Unfortunately, the governess has ascended the staircase and drags Clara out of the TARDIS. The pair fall to Earth. The Doctor moves the TARDIS to the courtyard, but he’s too late to save Clara. Even though Strax can revive her for a little while, she will succumb to her injuries.

Unfortunately, the Doctor thinks that she’s going to live, believing that the universe owes him for all the times he has saved it. He sincerely believes that if he saves the world, the universe will allow Clara to live.

The Doctor confrons Simeon, presenting a piece of the shattered governess in a 1967 London Underground-themed lunchbox. Alongside Vastra, he discovers that the snowglobe contains Simeon’s darkest thoughts and feelings, a reflection of the man as a boy. Simeon is shocked by this revelation, but still grabs the box. However, it does not contain the governess.

It contains the memory worm.

The worm bites Simeon, erasing all of the memories from his adult life. Without the link, the Intelligence seems to die but surges back to life. The dream has outlived the dreamer. The Intelligence inserts itself into Simeon, defeats Vastra, and then attacks the Doctor.

At that moment, Clara begins to die with a single tear dropping from her eyes. The snow mirrors the emotions and transforms into salty rain, effectively disincorporating the Intelligence as the Latimer family mourns Clara. The Doctor rushes to her side, listening as she utters her final words: “Run you clever boy. And remember.”

The Doctor attends Clara’s funeral and discusses the Intelligence with Jenny and Vastra. He remembers the name, but can’t quite remember when he met the Great Intelligence. He is also shocked to learn Clara’s full name – Clara Oswin Oswald – and rushes off as he realizes that there is another version of her somewhere that he might meet again for the first time.

She is an impossible girl.

In the present day, the cemetery is overgrown with weeds. A woman and her friend walk through the neglected graveyard and observe the headstone. This woman is Clara.


The story overall is a good one, bringing the Doctor back from the depths of his mourning to a newly-restored sense of adventure and moral justice. There is an element of fridging involved with Clara’s death, but there’s also a great deal of heroism leading to it. Clara’s death was also anger-inducing since the Doctor let his guard down to wow her with his world.

To say that it’s complicated is an understatement.

What’s also complicated is the Doctor’s memory of the Great Intelligence. We’ve seen it twice on television – The Abominable Snowmen and The Web of Fear – and the Doctor was definitely cognizant of what and who the Intelligence was. But here, the Doctor is far more cagey about the being, almost like he’s forgotten. That’s entirey possible, given that the altercations were nine or ten incarnations and several hundred years ago.

I do love the dynamic that Clara brings to the show: She’s flirty like Amy was, but she’s more inquisitive and takes more initiative than her predecessor. We saw this in Oswin’s appearance and in this Clara’s debut, and her personality will carry through the coming stories. I also like this idea of fragments as a unique approach to a new companion.

One more thing that I like that the Doctor is hiding in 1890s London, right under Queen Victoria’s nose. Despite the royal banishment initiated in Tooth and Claw, the recent change of face may be his saving grace.

The new title sequence and theme are my favorites of the Matt Smith era. The flash of the lead actor’s face is also a nice callback to the classic era, an element that we haven’t seen since 1989’s Survival.

Another neat callback is the Eleventh Doctor donning the Fourth Doctor’s Sherlock Holmes outfit – a fitting piece to the story’s theme – which we last saw in The Talons of Weng-Chiang. Surprisingly, the amount of Sherlock Holmes references in the televised side of Doctor Who is sparse, but the audio and prose side more than makes up for it.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Bells of Saint John

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Sci-Fi Sports

Culture on My Mind

Culture on My Mind
Sci-Fi Sports
February 28, 2022

The week, the Dragon Con American Sci-Fi Classics Track is celebrating the sports of science fiction as we come into March, which is mad for hoops or something.

On February 24th, the panel of Darin Bush (on Amazon, though the man really needs a website) and Shaun Rosado (pneumaz on Twitter) joined Joe Crowe and Gary Mitchel for a celebration of the thrill of victory and the agony of defeat. Dodging that bludger, bouncing on that trampoline, and doing some real podracing!


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be on March 10th. The docket contains battling bands, a famous bloodsucker, and a bonus panel that shall remain nameless for now. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Book of Boba Fett

Culture on My Mind

Culture on My Mind
The Book of Boba Fett
February 21, 2022

The Book of Boba Fett has just recently ended on Disney+ and it is on my mind.

When the series was announced in a surprise stinger to The Mandalorian‘s second season finale, I was immediately struck by the name. The Book of conjured imagery of religious texts – particularly Christian, based on my upbringing – and unreliable narrators, which has been a theme of The Mandalorian‘s unique cult-like sect of wandering warriors. To that end, I expected The Book of Boba Fett to be the story of the resurrection and rebirth of the title character.

It’s a theme in keeping with the rest of Star Wars, which really is a collection of legendary tales. It is our modern mythology.

I have a complicated history with the character of Boba Fett. He debuted in the animated interlude of The Star Wars Holiday Special, returned for his best-known appearances in The Empire Strikes Back and Return of the Jedi, and then popped up in the Droids animated series for a single episode. He was also peppered throughout the early comics. He was originally conceived as a member of some elite “super trooper” squadron, but was rewritten as a solitary bounty hunter. His air of mystery during a handful of movie minutes made him iconic to Gen X Star Wars fans, but I found the character boring because there was nothing substantial to him. I prefer characters with some amount of body and, sadly, Boba didn’t have that.

I got excited during the former Expanded Universe’s heyday when various authors tried to explore Boba’s history, but it all ended up being a dumpster fire of hand-waving, smoke, and mirrors. His return in Dark Empire was a highlight of that story, but from Jaster Mereel of Concord Dawn to is-he-or-isn’t-he-a-real-Mandalorian, I found all of Boba’s EU story to be frustrating.

When we got to the revised origin from Attack of the Clones, I finally found my hook. An unaltered clone of Jango Fett, the very template of the clone army that served and destroyed the Republic, Boba finally had some something interesting. His father was more interesting – we named our hound Jango, after all – but the potential in Boba was evident. It only expanded as The Clone Wars progressed, the Expanded Universe was transformed into Legends, and the overall canon was pseudo-reset.

Boba’s appearances in The Mandalorian finally made me care about him. The Book of Boba Fett gave me the promise of how he escaped death in the Sarlacc and would return to his father’s core belief as a simple man trying to make his way in the universe. I have been mostly pleased with what I have seen.

Boba Fett reminds me of a cowboy, and not just because of the spur sounds when he walks. To explain that, I have to give you some of my backstory. My parents both competed in the Utah rodeo circuits – my mother was a barrel racer and my father was bullrider and bullfighter – and I grew up surrounded by cowboys. I actually competed for a little while before bull riders that I knew were killed and I decided that it wasn’t the life I wanted to pursue.

My dad turned away from competing and performing as it took a toll on his body, but he never relinquished his core. He honed his craft as a professional photographer and my parents sold that skill and their experience to local rodeo circuits. Mom would help with timing and coordinating events while Dad was in the dirt getting the good shots but using his knowledge to stay out of harm’s way. They also both helped mentor the next generation.

It was during these trips that I met Charles Sampson. He was the first African American cowboy to win a world championship in professional rodeo, he was inducted into the ProRodeo Hall of Fame in 1996, and he was one of the people behind a circuit that we followed. Charlie rode for nearly 20 years, including 11 trips to the National Finals Rodeo, and is well-known for his many injuries. Notably, his left calf has 17 pins and two metal plates, he has broken every bone in his face, and even lost an ear when a bull ran him over in 1988. He literally shattered his face during a riding accident in front of President Ronald Reagan. He retired from riding and turned to helping a younger generation through his expertise.

Boba Fett reminds me of these two cowboys. The Book of Boba Fett shows us how the bounty hunter has changed from the quiet menace we met in the original trilogy. He undergoes a change during the miniseries, growing from a solitary hunter to a member of a community. He learns a new way of looking at the world while retaining his core experience and expertise. He can still move and fight as necessary, but he still wants to make his way through the galaxy as a simple man.

To that end, he has eschewed the methods that made him famous, using the knowledge he’s gained to bring about order with minimal bloodshed within the community. Much like how Charlie and my father remained cowboys but changed how they interacted with rodeo, Boba Fett still thrives in the Outer Rim while teaching the people who suffered under Jabba corruption how to thrive together.

Boba takes the title of daimyo, a title inspired from the Japanese feudal lords of the 10th to 19th century. Daimyo ruled hereditary land holdings and led clans, often guarding their holdings through samurai that were paid in land or food. Both land and food were used as payment for Fett’s own samurai throughout this show.

Boba has learned to rule through compassion and compromise, not through fear and absolutism. He has learned that there are better ways to resolve conflict than just shooting someone. It’s easy to kill an opponent, but it takes a stronger character to change minds and avoid taking lives. He’s learned this after his vengeance-fueled childhood and his years as a violent bounty hunter.

It’s actually disturbing to me that, based on the hot takes in social media, so many fans in my generation think that Boba’s compassion is a weakness. Of course, Boba’s attitude in this miniseries – injustice against anyone should not be tolerated, no matter how close or far from you it takes place – parallels the attitudes that these same Gen-Xers classify as the “social justice warrior” mindset, so maybe I shouldn’t be so surprised.

The Book of Boba Fett, which was billed as “Season 2.5” of The Mandalorian, is a side story that tells the legend of Boba Fett’s resurrection and rebirth through the style of the unreliable narrator. It highlights his reconciliation with his past, both the vengeful orphan and the “no disintegrations” violent hunter, as he evolves into a different kind of force. The season reminds me of the small spinoffs that happen in comics, offering an amplifying story to the big events that don’t necessarily fit in the main arc.

The flashback sequences of his survival and rise on the Dune Sea are his own dreams while he tries to regain his own physical strength. Those dreams are subjective by nature, part of the legend or the myth. For me, that also lent itself to the “modern day” sequences as possibly being told like the Armorer’s superstitious stylings of the purge of Mandalore.

This “legend of” story also explains why Boba Fett isn’t in every episode (even though the only one that he wasn’t in was the fifth episode, primarily a Din Djarin chapter, despite what the social media meme-makers think). The meme-makers have fun with this story because it is very different from the normal television method. Boba’s name on the tin, but he’s not in frame for twenty-five to thirty percent of the series.

Carrying the Biblical parallels forward, the New Testament is about the life and teachings of Jesus Christ and the progression of Christianity, but Jesus only appears in four of the twenty-seven books. Notably, those four all tell essentially the same story from different points of view. The remaining twenty-three books muse about the legacy and the legend.

The salvation of Tatooine is turned into gospel by Boba Fett’s ultimatum to the Pyke Syndicate. It is written and anyone within earshot will carry that legend to the ends of the galaxy.

I, Boba Fett, speaking as daimyo of the Tatooine territories formerly held by Jabba the Hutt, present the following offer: Nothing.

You will leave this planet and your spice trade. If you refuse these terms, the arid sands of Tatooine will once again flourish with flowering fields fertilized with the bodies of your dead.

At the end of The Book of Boba Fett, these Tatooine territories are free from the corruption and oppression of the Hutts, the Pykes, and the “curse” of the criminal element. The show called back several times to the ancient oceans of the desert planet, and I think that’s Boba’s vision of the future. It’s a restoration of balance to the planet by returning it to the people, both the Tuskens and the homesteaders. It also lights a beacon for the healing of another society as Din Djarin heads toward the ruins of Mandalore.

The Book of Boba Fett also fills some important gaps in the modern media landscape. First, we have the story of a sixty-year-old actor, Temuera Morrison, playing a middle-aged man in the second or third phase of his life. We also have an actress of similar age, Ming-Na Wen, playing Fett’s enforcer. Both characters are taking charge and getting results, living new and distinct phases of their lives. So much of what we see in Hollywood is focused on coming-of-age stories, tales of young and sexy CW archetypes battling angst, or even mid-life redemption stories portrayed by middle-aged actors. In the industry, older actors (especially women) aren’t even considered for action-hero roles. This is a refreshing change.

The second change is also refreshing: We have a single man and a single woman working together and they’re not romantically involved. There is no unresolved sexual tension, no will-they-won’t-they Moonlighting bantha poodoo, and not even a hint of attraction between them. The relationship is professional and asexual, and I am on board for all of it.

The Book of Boba Fett is not without problems, of course. The parallels to Dune are more than obvious, as are elements of the White Savior/White Man’s Burden, Magical Negro, Going Native, Mighty Whitey, and Disposable Vagrant tropes. The heartless elimination of the Tusken Raiders – the Tatooine natives – is deeply problematic because it treats them as props in Boba Fett’s ascension/resurrection. So, add Stuffed into the Fridge to the list of this story’s sins, which is a sad development since I really loved the added depth for the Tusken Raiders in this miniseries.

While I admired the storytelling style, I would have written the miniseries in a more linear fashion, presenting the flashbacks as the first few episodes, then building into the modern day story as Boba brings order to the towns under his purview. I would have spread the wealth of Episode 5’s Din Djarin story through Boba Fett’s story, following more of the A-plot/B-plot style of other television series. The present-day story stumbles in light of the flashbacks because there is no meat to it before the finale.

I would have also spent a bit more time polishing the disjointed action sequences that Robert Rodiguez directed because they are too narrowly focused. While the action occurs in frame, the rest of players stand around waiting for the lens to swing toward them. It breaks believability, especially in the finale.

But, those drawbacks considered, The Book of Boba Fett strikes me as the dogmatic material that inspired its name: A story told by an outside and biased observer trying to capture the epic scope and reputation but needing to embellish it here and there each time it comes ’round.

It’s not really a story about the man. It’s a story about his legend. Just like cowboy stories, both classic and modern.

We have a story about the legend of Boba Fett. All we need now is a campfire, a clear night, and a halfway decent pot of coffee on the Dune Sea.


Edited on February 24

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I also joined the Earth Station One podcast to discuss the series with Mike Faber, Michael Gordon, and Ashley Pauls. You can find this discussion on the Earth Station One podcast’s website and wherever fine podcasts are fed. You can also find the ESO Network on Facebook, Twitter, and Instagram


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.