Timestamp #SJA26: Sky

Sarah Jane Adventures: Sky
(2 episodes, s05e01, 2011)

Timestamp SJA26 Sky

Welcome back to the attic.

Sarah Jane observes the star-filled sky and reminisces about all of the wonderful things that she’s seen. In that night sky, a meteor crashes into a nearby junkyard, startling a homeless man as a metalloid creature emerges from the wreckage. The newcomer scans the area before cloaking and walking away.

Sarah Jane muses about her found family as the Bannerman Road Gang talks to Luke via video. Sarah Jane misses her son, but finds solace in Rani’s assurance that he’ll be home soon. The next morning brings a doorbell in the early hours. Sarah Jane finds a baby girl abandoned on her doorstep, a baby girl who has the power to blow every light on the street with a cry.

Sarah Jane calls in Rani and Clyde, asking for her help as the Chandras muse about ley lines and electrical disruptions. The teens are hesitant, as is Mr. Smith, but Clyde soon settles the infant with a bottle and a cuddle.

At the Summerwell Nuclear Power Station, an orb of energy appears amidst arcs of electricity around the switchgear – an emergency that the nearby nuclear worker should have called away immediately! – and delivers a mysterious woman onto the plant floor. She is Miss Myers, she is looking for her child, and she enraptures the power plant workers. Miss Myers finds out that the baby is on Bannerman Road.

The Bannerman Road Gang attempt to get away but are intercepted by Gita Chandra. They find out about the meteor strike and inadvertantly name the baby Sky. Rani and Sarah Jane investigate while Clyde remains with Sky at the house. With the help of Professor Rivers, they find the homeless man and an eyewitness account of the metalloid creature.

By the way, that being is also headed for Bannerman Road.

The conflict reaches Clyde and Sky as the the metalloid being attacks them. They are rescued by Miss Myers and taken to the power plant. Rani and Sarah Jane chase after them with help from Mr. Smith. Miss Myers tells Clyde about the conflict between Metalkind and Fleshkind, but his skepticism forces him to run.

Everyone comes together at the power station. It turns out that Sky is a weapon, and as the baby primes herself, she transforms into a pre-teen. Sky then launches a lightning bolt at the Metalkind but refuses to finish off her oppponent. The girl is frightened and seeks solace in Sarah Jane’s arms.

Miss Myers reveals that she created the girl in a laboratory. Sarah Jane and the Bannerman Road Gang escape with Sky, returning to the attic. There, Mr. Smith determines that Sky – who enters the scene hesitantly, without fanfare, eager to protect his circuits – is a bomb designed to destroy all of Metalkind across the entire universe and end a centuries-long conflict, an act that would kill Sky in the process.

Sky remembers everything from the moment that she met Sarah Jane. She bonds with Rani as she learns about Sarah Jane, Luke, and what it’s like to be a girl. She later learns about her true purpose and returns to the power plant with the Bannerman Road Gang. Miss Myers is the only person who can defuse the bomb.

Sarah Jane confronts Miss Myers alone while Rani and Clyde shelter Sky at the car. Miss Myers has connected the Metalkind being to the station’s electrical systems to act as a beacon drawing the entire species to Earth. This will force Sarah Jane to surrender Sky to fulfill her destiny since the bomb is programmed to detonate upon contact with the Metalkind.

Sky, Rani, and Clyde enter the plant and find Sarah Jane. Sky believes that she must do what she was created to do in order to save Earth. Sky runs off and Sarah Jane gives chase, tasking Rani and Clyde with shutting down the reactor and removing power from the Metalkind beacon.

Rani and Clyde play a video game to operate the plant – which is not how any of it really works, but let’s roll with it… – while Sarah Jane tries to stop Sky. Luckily, they do the thing and shut down the beacon, forcing a blackout in the surrounding area because the UK apparently doesn’t have any other electrical power facilities.

Sky is knocked out from the effort, but she recovers after the energy backlash reprograms her genetic code. She’s no longer a bomb. The galactic politics removes itself from Earth as the Metalkind grabs Miss Myers, opens a portal, and teleports them off the planet.

The nuclear workers are released from their trance. The Bannerman Road Gang leaves without a word.

Returning home, they are greeted by the Chandras. In return, they get a story about a mix-up between two children at the foster agency. Sky Smith will be staying for the foreseeable future. The gang heads to the Attic where they find the Captain and the Shopkeeper, the servants of the universe who left Sky on the doorstep because she would be safest with Sarah Jane Smith. They teleport away leaving Sarah Jane confused.

The adventure ends with Sky’s introduction to pizza.


Doctor Who and its spinoffs are no strangers to nuclear power, spanning at least The Daleks, The Tenth Planet, Doctor Who and the Silurians, The Hand of FearBoom Town, The End of Time, and Exit Wounds. Science fiction, in general, takes a lot of shortcuts with nuclear power and the plants that generate it, and this story is no exception. It hits every trope in the sci-fi writer’s guide, from strolling around plants like a public park and being able to walk right into reactor containment to treating operations and control rooms like video games.

My nuclear operations background was screaming during this story. Electrical arcs would be called away as an emergency, access would be restricted by badge-locked doors, unauthorized personnel would be intercepted almost immediately by security officers wielding military-grade weaponry. Moving control rods is not like playing Super Mario Bros. and the electrical grid is powered from more than one power source.

At least the main gate guards were somewhat on the ball.

All of that to say this: Since the treatment of nuclear power and operations is so far off-base – it’s hardly ever in the same ballpark, really – I roll my eyes at it but don’t let it sour my opinion of a good story.

Thankfully, this story has a lot of heart. The ongoing theme of The Sarah Jane Adventures is found family, and it continues here with a new member in the Bannerman Road Gang. Sky picks up Sarah Jane’s nuturing, particularly compassion for everyone, and lets it shape her early on. Her wide-eyed innocence takes us back to the first series and almost pushes a reset button on the group dynamic. It suits the franchise well.

It was also supposed to bring the Eleventh Doctor back to the title in a story arc for Sky. Since he couldn’t balance this and A Christmas Carol, Matt Smith was replaced by the Captain and the Shopkeeper. Sadly, the story arc will be abandoned by the premature end of the series.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Sarah Jane Adventures: The Curse of Clyde Langer

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – The 2018 LEGO Star Wars Advent Calendar

Culture on My Mind

Culture on My Mind
The 2018 LEGO Star Wars Advent Calendar
November 30, 2021

Lego Star Wars Advent Calendar 2018Day four of this look at our holiday tradition of LEGO advent calendars marks the last of this miniseries.

We’ve been doing these since 2015 and I have been chronicling the daily builds on Instagram. The 2019 and 2020 sets have been previously featured on this site, and to count down to this year’s builds, I’m taking a look back at the 2015, 2016, 2017, and 2018 sets.

These boxes contain twenty-four unique small builds, many of which are abstract, along with exclusive mini-figures and whimsical winter-themed spins on Star Wars staples. Among my favorites over the years are the winter Chewbacca, the rebel pilot snowman, and the AT-AT and R2-D2 pair with reindeer antlers. The 2018 box bounced all over the Star Wars franchise, including the original trilogy, The Force Awakens, and The Freemaker Adventures (which I haven’t seen yet, but plan to soon since it’s on Disney+).

The 2021 day-to-day images are posted on my Instagram account. Feel free to follow me there for whimsical observations, tons of pictures of my dogs, and this annual tradition. That adventure (and December itself) begins tomorrow.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The 2017 LEGO Star Wars Advent Calendar

Culture on My Mind

Culture on My Mind
The 2017 LEGO Star Wars Advent Calendar
November 29, 2021

Lego Star Wars Advent Calendar 2017

Welcome to day three of the look back at one of the holiday season traditions in my household. We typically like the annual LEGO Star Wars Advent Calendar, though we have been branching out a bit over the last couple of years.

We’ve been doing these since 2015 and I have been chronicling the daily builds on Instagram. The 2019 and 2020 sets have been previously featured on this site, and to count down to this year’s builds, I’m taking a look back at the 2015, 2016, 2017, and 2018 sets.

These boxes contain twenty-four unique small builds, many of which are abstract, along with exclusive mini-figures and whimsical winter-themed spins on Star Wars staples. Among my favorites over the years are the winter Chewbacca, the rebel pilot snowman, and the AT-AT and R2-D2 pair with reindeer antlers. The 2017 box shifted the focus toward the Rebels television series, Star Wars: The Force Awakens, and a little bit of Rogue One: A Star Wars Story.

The 2021 day-to-day images are posted on my Instagram account. Feel free to follow me there for whimsical observations, tons of pictures of my dogs, and this annual tradition. That adventure (and December itself) begins in two days.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The 2016 LEGO Star Wars Advent Calendar

Culture on My Mind

Culture on My Mind
The 2016 LEGO Star Wars Advent Calendar
November 28, 2021

Lego Star Wars Advent Calendar 2016

It’s day two of the look back at our holiday season tradition with advent calendars. We typically like the annual LEGO Star Wars Advent Calendar, though we have been branching out a bit over the last couple of years.

We’ve been doing these since 2015 and I have been chronicling the daily builds on Instagram. The 2019 and 2020 sets have been previously featured on this site, and to count down to this year’s builds, I’m taking a look back at the 2015, 2016, 2017, and 2018 sets.

These boxes contain twenty-four unique small builds, many of which are abstract, along with exclusive mini-figures and whimsical winter-themed spins on Star Wars staples. Among my favorites over the years are the winter Chewbacca, the rebel pilot snowman, and the AT-AT and R2-D2 pair with reindeer antlers. The 2016 box focused on the original Star Wars trilogy with a heavy lean toward The Empire Strikes Back and a nod toward the prequel trilogy.

The 2021 day-to-day images are posted on my Instagram account. Feel free to follow me there for whimsical observations, tons of pictures of my dogs, and this annual tradition. That adventure (and December itself) begins in three days.


cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The 2015 LEGO Star Wars Advent Calendar

Culture on My Mind

Culture on My Mind
The 2015 LEGO Star Wars Advent Calendar
November 27, 2021

Lego Star Wars Advent Calendar 2015

One of the holiday season traditions in my household is advent calendars. We typically like the annual LEGO Star Wars Advent Calendar, though we have been branching out a bit over the last couple of years.

We’ve been doing these since 2015 and I have been chronicling the daily builds on Instagram. The 2019 and 2020 sets have been previously featured on this site, and to count down to this year’s builds, I’m taking a look back at the 2015, 2016, 2017, and 2018 sets.

These boxes contain twenty-four unique small builds, many of which are abstract, along with exclusive mini-figures and whimsical winter-themed spins on Star Wars staples. Among my favorites over the years are the winter Chewbacca, the rebel pilot snowman, and the AT-AT and R2-D2 pair with reindeer antlers. The 2015 box focused on the original Star Wars trilogy with a hoiday twist.

The 2021 day-to-day images are posted on my Instagram account. Feel free to follow me there for whimsical observations, tons of pictures of my dogs, and this annual tradition. That adventure (and December itself) begins in four days.


cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp: Series Six Summary

Doctor Who Series Six Summary

Timestamp Logo Eleventh

Matt Smith’s sophomore series was about the same as the previous round.

The Moffat formula remains intact here, approaching a season-spanning threat while maintaining an adventure-of-the-week format. This version made the threat more personal by focusing on the Doctor’s impending death, the pursuit of Amy and Rory’s child, and revelations about Steven Moffat’s perennial favorite River Song.

One thing I really liked about this season’s approach was how it didn’t constantly remind us of the overarching threat. Series Five kept showing us the crack at various points, almost to the point of defenestrating each adventure. The reminders in Series Six were frequent, but they were also a bit more diffuse, allowing each story to thrive without constantly glancing at the sword dangling above.

I’m still up in the air about the conclusion. The end goal was the death of the Doctor – a fixed point in time – and The Wedding of River Song was pretty clear about what would happen if the Doctor was spared. Yet, he was spared because a machine that looks like the Doctor was shot and destroyed.

So, what happens when the Silence finds out that the Doctor survived? Alternatively, it is possible to subvert other “fixed points” through shenanigans and/or tomfoolery?

Anyway, to the numbers!

Series Six earned a 4.2 average. That leave this group at eighth place overall, tied coincidentally with the classic era’s Eleventh Series. Ahead of it in this ranking are Series One, Series Three, and Series Five (all tied for fifth), David Tennant’s specials, the TV Movie, Series Four, and the classic era’s Ninth Series.

A Christmas Carol – 5
The Impossible Astronaut & Day of the Moon – 4
The Curse of the Black Spot – 3
The Doctor’s Wife – 5
The Rebel Flesh & The Almost People – 5
A Good Man Goes to War – 5
Let’s Kill Hitler – 5
Night Terrors – 2
The Girl Who Waited – 5
The God Complex – 5
Closing Time – 3
The Wedding of River Song
– 4
Space/Time & Night and the Doctor – 3

Series Six Average Rating: 4.2/5


The Timestamps Project is still proceeding in mostly chronological order. Up next is the final series of The Sarah Jane Adventures. After that, we embark on a straight shot through the seventh, eighth, and ninth series of Doctor Who.

UP NEXT – Sarah Jane Adventures: Sky
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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #232: Space/Time & Night and the Doctor

Doctor Who: Space/Time
Doctor Who: Night and the Doctor
(7 episodes, Comic Relief and Home Video Specials, 2011)

Timestamp 232 Night and the Doctor

Wrapping up some loose ends with the time travelers’ dating game run amok!

Space

Set between The Big Bang and The Impossible Astronaut, we begin with our travelers fixing the TARDIS in something called “conceptual space”. Amy unsuccessfully tries to get the Doctor’s attention, but is distracted by Rory installing thermocouples. Banter flies about Amy’s failed driving test and the fact that she was wearing a skirt. In fact, it’s the same skirt that she’s currently wearing, which distracts Rory and forces the TARDIS to execute an emergency landing.

When the Doctor restores power, the team is shocked to find the TARDIS materialized inside the console room. The Doctor presumes that it was the safest place to land, but when he investigates he finds that it is the same TARDIS as the one they are currently occupying.

More than a time loop, it is a space loop. No one can leave the TARDIS again.

That is, until another Amy walks through the doors. This, apparently, is where it gets complicated.

Time

The new Amy is from the future since the exterior shell is running slightly ahead of the console room. After the Doctor makes sure that the timeline stays exactly as it should – and after present Pond flirts with future Pond, much to Rory’s amusement – Amy enters the TARDIS.

Directly after, both Amy and Rory enter the console room. The Doctor sets up a controlled temporal implosion to reset the TARDIS, but since he doesn’t know which lever to pull, the entire TARDIS could explode. He doesn’t know which lever to pull, but a future version of the Doctor rushes in to tell him to use the “wibbly lever”. The Doctor thanks himself, pulls the lever, and enters the TARDIS before it dematerializes.

Everything’s back to normal and there’s no longer any danger of the localized time field imploding. But, just in case, he asks Amy to put on some trousers before they get back to work.

Bad Night

The console room is dark and the phone is ringing. Amy answers the phone, obviously having just been asleep. The voice on the other end, a Prince of Wales, asks for the Doctor as Amy swats a fly. The Doctor rushes in, clad in top hat and tails, and hands Amy a goldfish and bowl while he deals with the nighttime caller.

He assures the prince that his “mother is fine” while chastising Amy for answering the phone. It turns out that the Queen has been transformed into a goldfish at a party, and the warrior chief who did so is trapped in the TARDIS until he reverses it. Unfortunately, that warrior chief was the fly that Amy killed.

Oh, and River Song was at the party as well.

As the Doctor rushes off to solve the problem, Amy asks for his help. She can’t sleep because something is on her mind. Convinced that she’s “having an emotion,” the Doctor calls for Rory to handle it. It seems that they take turns dealing with her emotional needs.

Finally, the Doctor realizes that he has the wrong fish. He also only has three hours to get the right one before the pet shops open and the Commonwealth is potentially destroyed.

Good Night

The Doctor returns from another night with River Song, this time carrying a euphonium. This time, Amy’s waiting up for him, wondering if he does this kind of thing every night. While the Doctor explains his adventures in saving people – he helped a possessed orchestra on the moonbase, prevented two supernovas, wrote the history of the universe in jokes, and worked as physician in Brixton – Amy wonders if the companions’ lives are just brief flickers in his overall life.

She also explains why she can’t sleep. Her life doesn’t make sense because, as a result of The Big Bang, she can remember two versions of her life, one without her parents and one with them. The Doctor comforts her, in the process reminding her of the saddest moment of her life. It was at a fair when she dropped an ice cream, and she suddenly remembers a woman with red hair, dressed in a nightgown, who came to give her a new ice cream. When she finishes the story, the Doctor is by the doors, ready to go with her to the fair.

Time and space will never make sense, including this causality loop, but at least the Doctor gets ice cream and a trip to the fair.

First Night

River Song is in her cell at Stormcage when the Doctor arrives in a white dinner suit. The Ponds are asleep, so he is taking her to Calderon Beta. It’s a boring planet aside from a four hundred foot tall tree growing out of a cliff-top in the middle of the sea, which is where the Doctor wants to show River the starriest night sky in the entire history of the universe.

Which happens to be on September 21, 2360.

This is apparently right after he gave her the TARDIS diary so they can keep their timelines straight. He’s also chosen a dress for her, but there are more in the wardrobe down the corridor if she wants something different. While she runs off to rifle through the racks, the TARDIS lands. Curious about the sound of gunfire outside, he opens the door and finds a different River Song.

This one collapses into his arms, calling him a nostalgic idiot for coming back to this spot.

Last Night

This new River wasn’t injured, but rather holding her breath for dramatic effect. She flirts with the Doctor while explaining that she’s running from some Sontarans. She spots the dress and gets jealous, storming through the TARDIS to find the presumed mistress.

Of course, future River remembers the encounter – it’s the same night! – but not the details, so chaos ensues between the Doctor and the two Rivers. It gets worse when a third River enters the TARDIS, this one actually wearing the gold dress that the Doctor had picked out. This River was expecting to meet the Doctor here, but she questions why the same dress is hanging by the console. The Doctor asks her to step outside to check if the light on top of the TARDIS is working, which she does.

The second River rushes back into the console room and the Doctor sends her back to Stormcage by tweaking her vortex manipulator with his sonic screwdriver. The third River returns to the TARDIS, followed by an older version of the Doctor who tells her that she’s in the wrong blue box. His, after all, is parked around back.

River muses about two Doctors at once, then rushes out, excited about a trip to the Singing Towers of Darillium. The two Doctors are saddened because River visited that site before she died, but the older Doctor refuses to reveal any spoilers before leaving.

The first River returns, catching a glimpse of the future Doctor and developing a liking for the word “spoilers” before joining her Doctor on their night out together. She jokes that him and his secrets will be the death of her.

Up All Night

In a prequel to Closing Time, we find Craig Owens in his home, eating baby food as he protests to his wife Sophie that he can’t be left alone with their baby. He’s terrified that he’ll break Alfie, but Sophie disagrees, puts Alfie in his arms, and tells him he’s amazing. Craig bounces a little as Sophie notices another disappearance in the newspaper.

Craig questions whether or not she should leave the both of them alone all weekend, but Sophie is sure. She says that it is bath time, which Craig protests because it happened just yesterday, but Sophie suggests that it’s not the end of the world.

The kitchen lights flicker as they walk out.


Overall, this collection of shorts was entertaining enough. Space/Time were part of the 2011 Comic Relief special, the first multi-part charity story since the 30th anniversary special Dimensions in Time (“Which is totally canon, right?” he asked with a grin). It’s also the fifth televised story in the forty-eight year (to this point) history of the franchise to be set entirely on the TARDIS.

Meanwhile, the Night and the Doctor collection was a special feature for the Series Six home video release.

With that context, the source of Space/Time‘s humor is understandable since it caters to a lower denominator to drive pledges. It’s also irritating since it reduces a competent companion and woman to an upskirt gag to propel the story. Space/Time is definitely my least favorite part of this set.

Night and the Doctor plays with downtime on the TARDIS, addressing both Amy’s dual timeline crisis that stems from The Big Bang and going slapstick with the divergent linearity of the River/Doctor relationship. The Amy thread does quite well with the Eleventh Doctor’s aloof and detached nature when it comes to relationships, and it is by far my favorite subset of the collection. The dating game falls in the middle of the set by having fun with a lot of confusion.

Up All Night just… exists. That’s about it.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Series 6 Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #231: The Wedding of River Song

Doctor Who: The Wedding of River Song
(1 episode, s06e13, 2011)

Timestamp 231 The Wedding of River Song

A wedding, two funerals, and a question.

Prequel

A digital clock flickers on a computer screen, bouncing between 05:02:57 PM and 05:02:58 PM. Two soldiers patrol the corridors in Area 52, looking into supposedly empty tanks on their rounds. The tanks are not empty, however, but instead each contain a Silent. Behind a barricaded wooden door in a room containing an ancient Egyptian sarcophagus, a familiar woman stands in a black suit. She is River Song, wearing an eyepatch over her right eye. She smiles as the ominous nursery rhyme ushers out the scene.

Tick tock, goes the clock,
Tick tock, goes the clock,
Tick tock, goes the clock…
Doctor, brave and good.
He turned away from violence.
When he understood
The falling of the Silence.

The Wedding of River Song

It’s a weird timeline. Cars are flying on hot air balloons, the War of the Roses enters its second year as London picnickers are warned not to feed the pterodactyls, and Charles Dickens is interviewed on television about his new Christmas ghost special. Holy Roman Emperor Winston Churchill returns to Buckingham Senate on his personal mammoth.

Uh, what?

The Emperor is not pleased about his conference with Cleopatra and he asks his Silurian physician, Malokeh, for the time. It’s 5:02pm on April 22, 2011. Emperor Churchill is troubled by this news, despite the fact that it has always been the same date, so he summons his soothsayer from the Tower. He demands an explanation about what has happened to time. The Doctor raises his head and replies, “A woman.”

Some time before, the Doctor addresses a video receptor in a dark and damaged room.

“Imagine you were dying. Imagine you were afraid and a long way from home and in terrible pain. Just when you thought it couldn’t get worse, you looked up and saw the face of the devil himself… Hello, Dalek.”

The Dalek Supreme is damaged beyond repair, so the Doctor takes it apart and scans its memory banks for any information regarding the Silence.

At a different time, now on the docks of Calisto B, the Doctor arrives at a bar and asks for Father Gideon Vandaleur. He offers the eyestalk from the Dalek Supreme as a calling card. Once he meets Father Vandaleur, once an envoy of the Silence, he uses his sonic screwdriver to reveal the Teselecta. The Father has been dead for six months, and he wants to speak to the shapeshifting ship’s captain. He wants to know about the Silence’s weakest link.

Using that information, he tracks down Gantok and challenges him to a game of live chess. The next move will kill Gantok, but the Doctor is willing to trade the victory for information. He wants to know why he has to die, and apparently Dorium Maldovar has the answer. Dorium was beheaded at Demon’s Run, but the Headless Monks have stored the leftovers in the Seventh Transept.

Dorium’s head is kept in a box, a luxury for the richest victims of the Monks. Gantok tries to kill the Doctor but instead falls into a trap with ravenous skulls. After the Doctor seals the trap, he addresses Dorium. The beheaded head explains that it was easier to create a fixed point in time to ensure that the Doctor would die without fail. If the Doctor lives, then…

“On the fields of Trenzalore, at the fall of the Eleventh, when no living creature can speak falsely or fail to answer, a question will be asked. A question that must be never, ever be answered.”

The Silence must fall when the question is asked. It is the first question, hidden in plain sight, but the Doctor doesn’t know it. Dorium asks if he wants to, and the Doctor nervously agrees. After he hears it, the Doctor takes Dorium’s head to the TARDIS and sets a course.

All of this is the tale that the Doctor tells Emperor Churchill. He talks to the emperor about it as they stroll through the Roman Senate. The emperor produces a revolver, claiming that the Soothsayer is dangerous company. The Doctor, noting a mark on his arm, agrees.

Back to the story, the Doctor continues his farewell tour. However, once he finds out that the Brigadier has died, he finally accepts that his time has come. He produces the invitations in the blue envelopes and asks the Teselecta to deliver them. He’d do it himself, except that it would mean crossing his own timestream.

He goes to Lake Silencio. He meets Amy Pond, Rory Williams, and River Song. They drink a bottle of wine that Napoleon threw at him. The impossible astronaut rises from the lake. He goes to meet it after ordering his companions to stay back. This time we see that River Song is in the suit, unable to fight the plan in motion.

He explains that she won’t remember murdering him, but she will serve time for this crime that she can’t remember and committed against her will. He forgives her unconditionally and closes his eyes as his destiny arrives.

Except that it doesn’t. Instead of three blasts, there are five as River drains the suit’s power. The fixed point in time is subverted, resulting in the time track being derailed. In the future(?), Emperor Churchill and Doctor Soothsayer appear to be defending themselves with the revolver and a spear. While they can’t remember the Silence, they are surrounded by them.

They are saved by Amelia Pond, now wearing an eyepatch and in command of a platoon of soldiers. She shoots the Doctor point-blank. Luckily, it was only a stun bolt, and when the Doctor awakens on a train, he finds that Amy is only playing along. She returns the Doctor’s suit to him and start to plan.

Thanks to the crack in time, Amy has memories of alternate timelines but cannot recall that Captain Williams is really her husband.  Amy wonders if things can stay like they are, but the Doctor tells her that this mess, currently confined to Earth, will spread into the universe until all of reality disintegrates. Through it all, the Doctor continues to age because he is the focal point.

The train arrives at Area 52, housed within the Great Pyramid of Giza. The Doctor is given an eyepatch – an Eye Drive to remember the Silence when spotted – and walk past tanks of Silents that are uncharacteristically fixated on the Doctor. They arrive in the King’s Chamber and meet River Song and a captive Madame Kovarian.

After a bit of taunting, the Doctor grabs River’s arm, forcing time to start moving forward again. They appear back on the shores of Lake Silencio, but it all vanishes again when River pulls away and orders the Doctor to be restrained.

This is the moment when the Silents spring their trap. They’ve been waiting for the Doctor to arrive so they could break free and kill him. Kovarian reveals that the Eye Drives are designed to kill their users, though the Silence turns on her as well. Rory stays to hold off the Silents while River, Amy, and the Doctor ascend the pyramid to see what River has built as a contingency plan. The Silents descend on Rory, taunting him until Amy remembers who he is and destroys the Silents with a machine gun.

Amy then reveals that she remembers what Kovarian did to her and her daughter Melody. She ensures that Kovarian’s Eye Drive is properly affixed, then leaves her to die.

At the top of the pyramid, River reveals a distress beacon that she built with her knowledge as a child of the TARDIS. The message – “The Doctor is dying. Please help.” – is being broadcast to the universe in the past, present, and the future. The universe has been replying, despite the Doctor’s desire to close himself off from all of it, offering to help because he has helped them so many times.

River wants the Doctor to survive more than anything else in the universe. The Doctor, realizing that there is only one way to pacify River, uses his bow tie to marry her in a rushed ceremony. He whispers a secret into his bride’s ear and tells her she must never tell anyone what he has just told her.

As she looks at him in wonder, the Doctor asks for her help. They kiss and time is reset. River shoots the Doctor three times on the shore of Lake Silencio, preventing his regeneration, and the alternate timeline vanishes.

Later, River joins Amy for a bottle of wine. River has just come from the Byzantium mission and Amy is in the relative present. Amy is wracked with guilt and would love to talk to the Doctor about it, but she cannot. River, however, reveals the Doctor’s final secret, which they also tell Rory when he arrives home. They dance with joy until Amy realizes one fundamental truth: She is now the Doctor’s mother-in-law.

In the Seventh Transept, a monk returns Dorium’s head (and box) to its proper pedestal. The monk reveals himself as the Doctor, having hidden himself in the Teselecta. That was the secret he told River. The Doctor realizes that he’s become too big and noisy, so it’s time to step back into the shadows. While River serves her days in Stormcage, the Doctor admits that her nights are between him and her.

Dorium will keep the Doctor’s secrets, but warns that Trenzalore still awaits him. As does the question.

The first question.

The question that must never be answered.

The question that the Doctor has been running from his entire life.

“Doctor who?”


So, it is possible to bypass a fixed point in time because they did it twice here.

I will say, though, that the idea was a clever way to tie all the various pieces together and, like Father’s Day, an avenue to explore the fragility of time. The solution is a literal deus ex machina and a bit of a cheat, exchanging one fixed point subversion for another. The second one is okay though, I guess, because it’s in the screenplay. Or the way things were supposed to roll out?

The very nature of this story demands callbacks, many of which have already been mentioned above. As if those weren’t enough, the alternate Amy’s drawings served as a moment of rapid-fire nods from her temporal travels to date. They included the Krafayis, the Weeping Angels, the Saturnyns, the Daleks, the Minotaur, the Cybermen, the Smilers, and a self-portrait of her time in pirate garb. The major callback, of course, Amy’s partial protection from temporal fluctuations based on her long-term exposure to the crack from last season.

The Question is a running gag in the franchise, recently highlighted in Silver Nemesis and The Girl in the Fireplace, and has been in play since An Unearthly Child. I feel like the big gag here defuses a bit of the victory by sticking its tongue out at the audience. Here we are, basking in the glow of a major win that sidestepped the Doctor’s death and the destruction of the universe, and our closing thought is a corny meta joke.

As we’ve seen before, the question works as the occasional gag, but making it a major fixture of the franchise’s mythology feels like a bit of shark-jumping. It’s easily fixed, too. The point is the Doctor’s real name, so instead of “Doctor who?”, how about “Who is the Last of the Time Lords?” or something similar?

One last note on the first funeral of two: The Doctor’s new hair takes some getting used to.

Finally, I really loved the farewell for Alistair Gordon Lethbridge-Stewart and the actor who brought him to life, Nicholas Courtney, who died eight months before this tale originally aired. Part of the episode was set in Cairo, the city of Courtney’s birth. Eyepatches were prevalent all around, referring to a favorite anecdote of his from Inferno. The Doctor was told that the Brigadier died peacefully in his sleep, which was directly from the Seventh Doctor’s prophecy in Battlefield.

That last one was a tearjerker, particularly with the news that the Brig waited patiently for the Doctor’s return with a spare glass of brandy at the ready. They may have sparred quite a bit since the day that they met, but both characters had a deep respect for each other.

Goodbye, Brigadier.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: Night and the Doctor

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp Special #12: Death is the Only Answer

Doctor Who: Death is the Only Answer
(1 episode, Doctor Who Confidential Special, 2011)

Timestamp S12 Death is the Only Answer

The Doctor meets one of the greatest physicists of our time.

The Doctor celebrates the acquisition of a new fez formerly owned by his old friend Albert Einstein. He trips, knocking the fez out of his hands as he trips a lever on the console. A time portal appears and a bewildered Einstein stumbles through it with the fez.

Einstein has been working on the science of time travel, sure that the green liquid in his flask is the key. The Doctor scans the flask and tells Einstein that he is wrong. Unfortunately, the flask bubbles over and splashes its contents on the physicist’s face, transforming him into an Ood. An Ood with a message: “Death is the only answer.”

The Doctor generates an energy field that returns Einstein to normal… except for his hair, which is now standing on end. The Doctor drops Albert back at September 18, 1945, and flies on, unaware that a splash of Einstein’s liquid remains on the console room floor.

The liquid twitches.


This is a short and sweet episode with a fun premise and a great origin story. Doctow Who Confidential and BBC Learning teamed up with a contest that challenged students to write a script for a short episode. The winners were Adam, Daniel, Katie, and Ben, Year Six students from Basingstoke credited collectively as The Children of Oakley Junior School.

The episode itself debuted as part of When Time Froze on Doctor Who Confidential. It pulls from popular elements of the revival era (the fez, in particular) and previous mentions of Albert Einstein in the classic era (Four to Doomsday, The Stones of Blood, and Time and the Rani).

It’s a fun and cute episode, though the dangling thread of the strange liquid is a mean tease. I also appreciated the ominous Ood tie back to the ongoing thread: “Death is the only answer.”

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Wedding of River Song

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #230: Closing Time

Doctor Who: Closing Time
(1 episode, s06e12, 2011)

Timestamp 230 Closing Time

Here to help!

At the Sanderson & Grainger store in Colchester, Kelly and Shona prepare to close up for the night. Kelly is late for a date, so Shona offers to take her duties. Shona is perturbed that a customer is still in the changing rooms and is not amused at the flickering lights throughout the store.

Elsewhere, Craig Owens escorts his wife out the door for a weekend getaway, intent on showing her (and everyone else) that he can handle things on his own while she’s gone. Sophie has called a few people to check in on Craig, but he calls them back and tells them not to worry. He hears a knock at the door and, believing that Sophie has come back, answers it. To his dismay, his guest is none other than the Doctor.

His guest doesn’t like the new decor. Or the inexplicable power surges.

When he investigates, he finds a baby. Sophie and Craig’s baby.

Shona, on the other hand, finds a Cyberman. Surprise!

Craig tells the Doctor that he really can’t handle the baby. Alas, there are no off switches, but the Doctor has a secret weapon: He speaks baby.

It turns out that Alfie, the baby boy, prefers to be called Stormageddon, Dark Lord of All. Sophie is “Mum”, Craig is “Not-Mum”, the Doctor is “also-not-Mum”, and everyone else is merely “peasant”.

The Doctor says that Craig’s place is one more stop on his great farewell tour, of which he has spent a considerable amount of time waving at the Ponds through history. He sets out to visit the Alignment of Exodor, trying desperately to not notice the oddities around him. His curiosity gets the best of him, however, and he ends up as a toy salesman at Sanderson & Grainger. Nametag and all.

Craig is surprised to see the Doctor demonstrating a remote control helicopter. The Doctor explains that he’s living in the moment, even introducing Craig to Yappy the robot dog (which is nowhere near as fun as other robot dogs he knows). His attention is drawn to a silver blur, and when Craig asks, the Doctor alludes to several missing people and the ongoing power fluctuations. The Doctor ushers Craig out, but is convinced by Stormie to explain the teleporter. The teleporter in the elevator which soon whisks them away to wherever the Cybermen are hiding. The Doctor reverses it and starts searching, begging Craig to take Alfie and go, but Craig refuses. He believes in the Doctor.

The Doctor, Craig, and Stormie return to the store and investigate. The Doctor gets word of a “silver rat thing” from Val, the perfume saleswoman who thinks that he and Craig are a couple. Craig stalks the women’s department, completely missing the silver blur and getting in trouble with security. Craig gets bailed out by the Doctor (who is absolutely adored by the staff) and they both end up in the changing rooms where Shona was last seen.

Oh, and the silver rat is a Cybermat. Which makes these Mondasian Cybermen, not Cybus Cybermen.

Craig wanders off to change Alfie. In the meantime, the Doctor spots Amy and Rory. Amy has become a bit of a celebrity thanks to her perfume ads, and is surprised that a little girl wants her autograph. The Doctor beams with pride as he avoids being seen.

After closing, the Doctor, Craig, and Stormie go hunting for Cybermats. They find one, teeth and all, then follow screams to security guard George. A Cyberman knocks the Doctor out with an electrical charge and takes George’s body away. The Doctor is confused as to how the Cybermen repaired the teleport so fast.

The team regroups at Craig’s house. The Doctor whips up a science experiment and gives Alfie a pep talk, realizing that it is his old age talking. In the meantime, the Cybermat reactivates and attacks the adorable duo. Unfortunately, the Doctor locks himself and Alfie outside without the sonic screwdriver. The Doctor tries to warn Craig, but the Cybermat wreaks havoc. One broken back door and a recalibration of the sonic later, the Cybermat is disabled.

While dissecting the Cybermat with a normal screwdriver and a loupe, the Doctor laments his position. Tomorrow is the day that the prophecy – “Silence will fall when the question is asked”, even though he has no idea what the question is – descends upon him. Craig falls asleep and the Doctor goes back to the store to hunt with his new friend Bitey the Cybermat.

The Doctor finds what he’s looking for behind a mirror in the changing room, descending down a tunnel into the foundation of the store. Craig follows the Doctor, leaving Alfie with Val, as the Time Lord explores the cyber ship and is captured. The Cybermen don’t find the Doctor to be compatible, but start conversion of Craig into the new Cyber Controller. The Doctor pleads with Craig to think of Alfie as the helmet seals around his face.

Alfie’s cries across an open CCTV channel reawaken Craig’s emotions, breaking him free of the conversion and starting an emotional feedback loop in the Cybermen. Their heads literally explode and the ship blows up as Craig and the Doctor use the teleport to return to the elevator.

Oh, and Bitey? He didn’t make it.

The day saved and the “companion” miscommunication nearly resolved, the Doctor spirits away. He uses the TARDIS to help tidy up Craig’s house. He also reveals that Stormie prefers the name Alfie now, and also refers to Craig as “Dad”. The Doctor borrows some blue stationery and Craig offers him a Stetson.

Sophie returns, Alfie has a first word, and the Doctor moves on. He says hello to some kids, an event that is somehow chronicled in the records at Luna University in the 52nd century. There, River Song encounters Madame Kovarian while doing research. Kovarian and her Silence companions reveal that they have locked out part of her memories, relating the story of an impossible astronaut.

River is sedated against her will and dressed in a spacesuit. She awakens under Lake Silencio.

She’s destined to kill the Doctor.


On the one hand, this is a good dramatic break from the tension developed over the last four episodes. It does a decent job of connecting the dots leading into the finale, making it less of a filler story than its predecessor. On the other hand, the downsides here are pretty big.

First, James Corden isn’t particularly funny here, which acts as an anchor around this story’s neck. Second, and perhaps more damning, is how this story defangs the Cybermen. The Cybermen haven’t been a central figure in a story since the David Tennant era. The last time was The Next Doctor, but the last truly impactful stories were all the way back in Series Two with Army of Ghosts & Doomsday and Rise of the Cybermen & The Age of Steel.

The Cybermen here are, frankly, on the same level as The Next Doctor without the humor, the heart, or even the absurdity. They only serve to assimilate random victims and get blown to kingdom come as a function of the formula. They aren’t menacing, and they certainly don’t march anywhere. They’re nothing more than a prop.

I do appreciate several moments in this story.

  • The Doctor’s telepathy makes a comeback as he quiets people with a simple command.
  • The “I don’t like it” review of redecoration is a fun running gag from The Three DoctorsThe Five Doctors, and Time Crash.
  • The concept of another farewell tour, this one spanning 200 years or so.
  • The acknowledgement that the Doctor always offers a choice to his enemies. In fact, some of the best stories present the enemy failure as their own undoing.

We also see how what Pond life is like without the Doctor. It seems they’re doing well enough. The use of petrichor was a nice touch.

But in the effort to set this series up for a home-stretch sprint, this light-hearted episode stumbles while rounding the curve.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Doctor Who: Death is the Only Answer

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.