Timestamp: Series Six Summary

Doctor Who Series Six Summary

Timestamp Logo Eleventh

Matt Smith’s sophomore series was about the same as the previous round.

The Moffat formula remains intact here, approaching a season-spanning threat while maintaining an adventure-of-the-week format. This version made the threat more personal by focusing on the Doctor’s impending death, the pursuit of Amy and Rory’s child, and revelations about Steven Moffat’s perennial favorite River Song.

One thing I really liked about this season’s approach was how it didn’t constantly remind us of the overarching threat. Series Five kept showing us the crack at various points, almost to the point of defenestrating each adventure. The reminders in Series Six were frequent, but they were also a bit more diffuse, allowing each story to thrive without constantly glancing at the sword dangling above.

I’m still up in the air about the conclusion. The end goal was the death of the Doctor – a fixed point in time – and The Wedding of River Song was pretty clear about what would happen if the Doctor was spared. Yet, he was spared because a machine that looks like the Doctor was shot and destroyed.

So, what happens when the Silence finds out that the Doctor survived? Alternatively, it is possible to subvert other “fixed points” through shenanigans and/or tomfoolery?

Anyway, to the numbers!

Series Six earned a 4.2 average. That leave this group at eighth place overall, tied coincidentally with the classic era’s Eleventh Series. Ahead of it in this ranking are Series One, Series Three, and Series Five (all tied for fifth), David Tennant’s specials, the TV Movie, Series Four, and the classic era’s Ninth Series.

A Christmas Carol – 5
The Impossible Astronaut & Day of the Moon – 4
The Curse of the Black Spot – 3
The Doctor’s Wife – 5
The Rebel Flesh & The Almost People – 5
A Good Man Goes to War – 5
Let’s Kill Hitler – 5
Night Terrors – 2
The Girl Who Waited – 5
The God Complex – 5
Closing Time – 3
The Wedding of River Song
– 4
Space/Time & Night and the Doctor – 3

Series Six Average Rating: 4.2/5


The Timestamps Project is still proceeding in mostly chronological order. Up next is the final series of The Sarah Jane Adventures. After that, we embark on a straight shot through the seventh, eighth, and ninth series of Doctor Who.

UP NEXT – Sarah Jane Adventures: Sky
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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #232: Space/Time & Night and the Doctor

Doctor Who: Space/Time
Doctor Who: Night and the Doctor
(7 episodes, Comic Relief and Home Video Specials, 2011)

Timestamp 232 Night and the Doctor

Wrapping up some loose ends with the time travelers’ dating game run amok!

Space

Set between The Big Bang and The Impossible Astronaut, we begin with our travelers fixing the TARDIS in something called “conceptual space”. Amy unsuccessfully tries to get the Doctor’s attention, but is distracted by Rory installing thermocouples. Banter flies about Amy’s failed driving test and the fact that she was wearing a skirt. In fact, it’s the same skirt that she’s currently wearing, which distracts Rory and forces the TARDIS to execute an emergency landing.

When the Doctor restores power, the team is shocked to find the TARDIS materialized inside the console room. The Doctor presumes that it was the safest place to land, but when he investigates he finds that it is the same TARDIS as the one they are currently occupying.

More than a time loop, it is a space loop. No one can leave the TARDIS again.

That is, until another Amy walks through the doors. This, apparently, is where it gets complicated.

Time

The new Amy is from the future since the exterior shell is running slightly ahead of the console room. After the Doctor makes sure that the timeline stays exactly as it should – and after present Pond flirts with future Pond, much to Rory’s amusement – Amy enters the TARDIS.

Directly after, both Amy and Rory enter the console room. The Doctor sets up a controlled temporal implosion to reset the TARDIS, but since he doesn’t know which lever to pull, the entire TARDIS could explode. He doesn’t know which lever to pull, but a future version of the Doctor rushes in to tell him to use the “wibbly lever”. The Doctor thanks himself, pulls the lever, and enters the TARDIS before it dematerializes.

Everything’s back to normal and there’s no longer any danger of the localized time field imploding. But, just in case, he asks Amy to put on some trousers before they get back to work.

Bad Night

The console room is dark and the phone is ringing. Amy answers the phone, obviously having just been asleep. The voice on the other end, a Prince of Wales, asks for the Doctor as Amy swats a fly. The Doctor rushes in, clad in top hat and tails, and hands Amy a goldfish and bowl while he deals with the nighttime caller.

He assures the prince that his “mother is fine” while chastising Amy for answering the phone. It turns out that the Queen has been transformed into a goldfish at a party, and the warrior chief who did so is trapped in the TARDIS until he reverses it. Unfortunately, that warrior chief was the fly that Amy killed.

Oh, and River Song was at the party as well.

As the Doctor rushes off to solve the problem, Amy asks for his help. She can’t sleep because something is on her mind. Convinced that she’s “having an emotion,” the Doctor calls for Rory to handle it. It seems that they take turns dealing with her emotional needs.

Finally, the Doctor realizes that he has the wrong fish. He also only has three hours to get the right one before the pet shops open and the Commonwealth is potentially destroyed.

Good Night

The Doctor returns from another night with River Song, this time carrying a euphonium. This time, Amy’s waiting up for him, wondering if he does this kind of thing every night. While the Doctor explains his adventures in saving people – he helped a possessed orchestra on the moonbase, prevented two supernovas, wrote the history of the universe in jokes, and worked as physician in Brixton – Amy wonders if the companions’ lives are just brief flickers in his overall life.

She also explains why she can’t sleep. Her life doesn’t make sense because, as a result of The Big Bang, she can remember two versions of her life, one without her parents and one with them. The Doctor comforts her, in the process reminding her of the saddest moment of her life. It was at a fair when she dropped an ice cream, and she suddenly remembers a woman with red hair, dressed in a nightgown, who came to give her a new ice cream. When she finishes the story, the Doctor is by the doors, ready to go with her to the fair.

Time and space will never make sense, including this causality loop, but at least the Doctor gets ice cream and a trip to the fair.

First Night

River Song is in her cell at Stormcage when the Doctor arrives in a white dinner suit. The Ponds are asleep, so he is taking her to Calderon Beta. It’s a boring planet aside from a four hundred foot tall tree growing out of a cliff-top in the middle of the sea, which is where the Doctor wants to show River the starriest night sky in the entire history of the universe.

Which happens to be on September 21, 2360.

This is apparently right after he gave her the TARDIS diary so they can keep their timelines straight. He’s also chosen a dress for her, but there are more in the wardrobe down the corridor if she wants something different. While she runs off to rifle through the racks, the TARDIS lands. Curious about the sound of gunfire outside, he opens the door and finds a different River Song.

This one collapses into his arms, calling him a nostalgic idiot for coming back to this spot.

Last Night

This new River wasn’t injured, but rather holding her breath for dramatic effect. She flirts with the Doctor while explaining that she’s running from some Sontarans. She spots the dress and gets jealous, storming through the TARDIS to find the presumed mistress.

Of course, future River remembers the encounter – it’s the same night! – but not the details, so chaos ensues between the Doctor and the two Rivers. It gets worse when a third River enters the TARDIS, this one actually wearing the gold dress that the Doctor had picked out. This River was expecting to meet the Doctor here, but she questions why the same dress is hanging by the console. The Doctor asks her to step outside to check if the light on top of the TARDIS is working, which she does.

The second River rushes back into the console room and the Doctor sends her back to Stormcage by tweaking her vortex manipulator with his sonic screwdriver. The third River returns to the TARDIS, followed by an older version of the Doctor who tells her that she’s in the wrong blue box. His, after all, is parked around back.

River muses about two Doctors at once, then rushes out, excited about a trip to the Singing Towers of Darillium. The two Doctors are saddened because River visited that site before she died, but the older Doctor refuses to reveal any spoilers before leaving.

The first River returns, catching a glimpse of the future Doctor and developing a liking for the word “spoilers” before joining her Doctor on their night out together. She jokes that him and his secrets will be the death of her.

Up All Night

In a prequel to Closing Time, we find Craig Owens in his home, eating baby food as he protests to his wife Sophie that he can’t be left alone with their baby. He’s terrified that he’ll break Alfie, but Sophie disagrees, puts Alfie in his arms, and tells him he’s amazing. Craig bounces a little as Sophie notices another disappearance in the newspaper.

Craig questions whether or not she should leave the both of them alone all weekend, but Sophie is sure. She says that it is bath time, which Craig protests because it happened just yesterday, but Sophie suggests that it’s not the end of the world.

The kitchen lights flicker as they walk out.


Overall, this collection of shorts was entertaining enough. Space/Time were part of the 2011 Comic Relief special, the first multi-part charity story since the 30th anniversary special Dimensions in Time (“Which is totally canon, right?” he asked with a grin). It’s also the fifth televised story in the forty-eight year (to this point) history of the franchise to be set entirely on the TARDIS.

Meanwhile, the Night and the Doctor collection was a special feature for the Series Six home video release.

With that context, the source of Space/Time‘s humor is understandable since it caters to a lower denominator to drive pledges. It’s also irritating since it reduces a competent companion and woman to an upskirt gag to propel the story. Space/Time is definitely my least favorite part of this set.

Night and the Doctor plays with downtime on the TARDIS, addressing both Amy’s dual timeline crisis that stems from The Big Bang and going slapstick with the divergent linearity of the River/Doctor relationship. The Amy thread does quite well with the Eleventh Doctor’s aloof and detached nature when it comes to relationships, and it is by far my favorite subset of the collection. The dating game falls in the middle of the set by having fun with a lot of confusion.

Up All Night just… exists. That’s about it.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Series 6 Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #231: The Wedding of River Song

Doctor Who: The Wedding of River Song
(1 episode, s06e13, 2011)

Timestamp 231 The Wedding of River Song

A wedding, two funerals, and a question.

Prequel

A digital clock flickers on a computer screen, bouncing between 05:02:57 PM and 05:02:58 PM. Two soldiers patrol the corridors in Area 52, looking into supposedly empty tanks on their rounds. The tanks are not empty, however, but instead each contain a Silent. Behind a barricaded wooden door in a room containing an ancient Egyptian sarcophagus, a familiar woman stands in a black suit. She is River Song, wearing an eyepatch over her right eye. She smiles as the ominous nursery rhyme ushers out the scene.

Tick tock, goes the clock,
Tick tock, goes the clock,
Tick tock, goes the clock…
Doctor, brave and good.
He turned away from violence.
When he understood
The falling of the Silence.

The Wedding of River Song

It’s a weird timeline. Cars are flying on hot air balloons, the War of the Roses enters its second year as London picnickers are warned not to feed the pterodactyls, and Charles Dickens is interviewed on television about his new Christmas ghost special. Holy Roman Emperor Winston Churchill returns to Buckingham Senate on his personal mammoth.

Uh, what?

The Emperor is not pleased about his conference with Cleopatra and he asks his Silurian physician, Malokeh, for the time. It’s 5:02pm on April 22, 2011. Emperor Churchill is troubled by this news, despite the fact that it has always been the same date, so he summons his soothsayer from the Tower. He demands an explanation about what has happened to time. The Doctor raises his head and replies, “A woman.”

Some time before, the Doctor addresses a video receptor in a dark and damaged room.

“Imagine you were dying. Imagine you were afraid and a long way from home and in terrible pain. Just when you thought it couldn’t get worse, you looked up and saw the face of the devil himself… Hello, Dalek.”

The Dalek Supreme is damaged beyond repair, so the Doctor takes it apart and scans its memory banks for any information regarding the Silence.

At a different time, now on the docks of Calisto B, the Doctor arrives at a bar and asks for Father Gideon Vandaleur. He offers the eyestalk from the Dalek Supreme as a calling card. Once he meets Father Vandaleur, once an envoy of the Silence, he uses his sonic screwdriver to reveal the Teselecta. The Father has been dead for six months, and he wants to speak to the shapeshifting ship’s captain. He wants to know about the Silence’s weakest link.

Using that information, he tracks down Gantok and challenges him to a game of live chess. The next move will kill Gantok, but the Doctor is willing to trade the victory for information. He wants to know why he has to die, and apparently Dorium Maldovar has the answer. Dorium was beheaded at Demon’s Run, but the Headless Monks have stored the leftovers in the Seventh Transept.

Dorium’s head is kept in a box, a luxury for the richest victims of the Monks. Gantok tries to kill the Doctor but instead falls into a trap with ravenous skulls. After the Doctor seals the trap, he addresses Dorium. The beheaded head explains that it was easier to create a fixed point in time to ensure that the Doctor would die without fail. If the Doctor lives, then…

“On the fields of Trenzalore, at the fall of the Eleventh, when no living creature can speak falsely or fail to answer, a question will be asked. A question that must be never, ever be answered.”

The Silence must fall when the question is asked. It is the first question, hidden in plain sight, but the Doctor doesn’t know it. Dorium asks if he wants to, and the Doctor nervously agrees. After he hears it, the Doctor takes Dorium’s head to the TARDIS and sets a course.

All of this is the tale that the Doctor tells Emperor Churchill. He talks to the emperor about it as they stroll through the Roman Senate. The emperor produces a revolver, claiming that the Soothsayer is dangerous company. The Doctor, noting a mark on his arm, agrees.

Back to the story, the Doctor continues his farewell tour. However, once he finds out that the Brigadier has died, he finally accepts that his time has come. He produces the invitations in the blue envelopes and asks the Teselecta to deliver them. He’d do it himself, except that it would mean crossing his own timestream.

He goes to Lake Silencio. He meets Amy Pond, Rory Williams, and River Song. They drink a bottle of wine that Napoleon threw at him. The impossible astronaut rises from the lake. He goes to meet it after ordering his companions to stay back. This time we see that River Song is in the suit, unable to fight the plan in motion.

He explains that she won’t remember murdering him, but she will serve time for this crime that she can’t remember and committed against her will. He forgives her unconditionally and closes his eyes as his destiny arrives.

Except that it doesn’t. Instead of three blasts, there are five as River drains the suit’s power. The fixed point in time is subverted, resulting in the time track being derailed. In the future(?), Emperor Churchill and Doctor Soothsayer appear to be defending themselves with the revolver and a spear. While they can’t remember the Silence, they are surrounded by them.

They are saved by Amelia Pond, now wearing an eyepatch and in command of a platoon of soldiers. She shoots the Doctor point-blank. Luckily, it was only a stun bolt, and when the Doctor awakens on a train, he finds that Amy is only playing along. She returns the Doctor’s suit to him and start to plan.

Thanks to the crack in time, Amy has memories of alternate timelines but cannot recall that Captain Williams is really her husband.  Amy wonders if things can stay like they are, but the Doctor tells her that this mess, currently confined to Earth, will spread into the universe until all of reality disintegrates. Through it all, the Doctor continues to age because he is the focal point.

The train arrives at Area 52, housed within the Great Pyramid of Giza. The Doctor is given an eyepatch – an Eye Drive to remember the Silence when spotted – and walk past tanks of Silents that are uncharacteristically fixated on the Doctor. They arrive in the King’s Chamber and meet River Song and a captive Madame Kovarian.

After a bit of taunting, the Doctor grabs River’s arm, forcing time to start moving forward again. They appear back on the shores of Lake Silencio, but it all vanishes again when River pulls away and orders the Doctor to be restrained.

This is the moment when the Silents spring their trap. They’ve been waiting for the Doctor to arrive so they could break free and kill him. Kovarian reveals that the Eye Drives are designed to kill their users, though the Silence turns on her as well. Rory stays to hold off the Silents while River, Amy, and the Doctor ascend the pyramid to see what River has built as a contingency plan. The Silents descend on Rory, taunting him until Amy remembers who he is and destroys the Silents with a machine gun.

Amy then reveals that she remembers what Kovarian did to her and her daughter Melody. She ensures that Kovarian’s Eye Drive is properly affixed, then leaves her to die.

At the top of the pyramid, River reveals a distress beacon that she built with her knowledge as a child of the TARDIS. The message – “The Doctor is dying. Please help.” – is being broadcast to the universe in the past, present, and the future. The universe has been replying, despite the Doctor’s desire to close himself off from all of it, offering to help because he has helped them so many times.

River wants the Doctor to survive more than anything else in the universe. The Doctor, realizing that there is only one way to pacify River, uses his bow tie to marry her in a rushed ceremony. He whispers a secret into his bride’s ear and tells her she must never tell anyone what he has just told her.

As she looks at him in wonder, the Doctor asks for her help. They kiss and time is reset. River shoots the Doctor three times on the shore of Lake Silencio, preventing his regeneration, and the alternate timeline vanishes.

Later, River joins Amy for a bottle of wine. River has just come from the Byzantium mission and Amy is in the relative present. Amy is wracked with guilt and would love to talk to the Doctor about it, but she cannot. River, however, reveals the Doctor’s final secret, which they also tell Rory when he arrives home. They dance with joy until Amy realizes one fundamental truth: She is now the Doctor’s mother-in-law.

In the Seventh Transept, a monk returns Dorium’s head (and box) to its proper pedestal. The monk reveals himself as the Doctor, having hidden himself in the Teselecta. That was the secret he told River. The Doctor realizes that he’s become too big and noisy, so it’s time to step back into the shadows. While River serves her days in Stormcage, the Doctor admits that her nights are between him and her.

Dorium will keep the Doctor’s secrets, but warns that Trenzalore still awaits him. As does the question.

The first question.

The question that must never be answered.

The question that the Doctor has been running from his entire life.

“Doctor who?”


So, it is possible to bypass a fixed point in time because they did it twice here.

I will say, though, that the idea was a clever way to tie all the various pieces together and, like Father’s Day, an avenue to explore the fragility of time. The solution is a literal deus ex machina and a bit of a cheat, exchanging one fixed point subversion for another. The second one is okay though, I guess, because it’s in the screenplay. Or the way things were supposed to roll out?

The very nature of this story demands callbacks, many of which have already been mentioned above. As if those weren’t enough, the alternate Amy’s drawings served as a moment of rapid-fire nods from her temporal travels to date. They included the Krafayis, the Weeping Angels, the Saturnyns, the Daleks, the Minotaur, the Cybermen, the Smilers, and a self-portrait of her time in pirate garb. The major callback, of course, Amy’s partial protection from temporal fluctuations based on her long-term exposure to the crack from last season.

The Question is a running gag in the franchise, recently highlighted in Silver Nemesis and The Girl in the Fireplace, and has been in play since An Unearthly Child. I feel like the big gag here defuses a bit of the victory by sticking its tongue out at the audience. Here we are, basking in the glow of a major win that sidestepped the Doctor’s death and the destruction of the universe, and our closing thought is a corny meta joke.

As we’ve seen before, the question works as the occasional gag, but making it a major fixture of the franchise’s mythology feels like a bit of shark-jumping. It’s easily fixed, too. The point is the Doctor’s real name, so instead of “Doctor who?”, how about “Who is the Last of the Time Lords?” or something similar?

One last note on the first funeral of two: The Doctor’s new hair takes some getting used to.

Finally, I really loved the farewell for Alistair Gordon Lethbridge-Stewart and the actor who brought him to life, Nicholas Courtney, who died eight months before this tale originally aired. Part of the episode was set in Cairo, the city of Courtney’s birth. Eyepatches were prevalent all around, referring to a favorite anecdote of his from Inferno. The Doctor was told that the Brigadier died peacefully in his sleep, which was directly from the Seventh Doctor’s prophecy in Battlefield.

That last one was a tearjerker, particularly with the news that the Brig waited patiently for the Doctor’s return with a spare glass of brandy at the ready. They may have sparred quite a bit since the day that they met, but both characters had a deep respect for each other.

Goodbye, Brigadier.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: Night and the Doctor

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp Special #12: Death is the Only Answer

Doctor Who: Death is the Only Answer
(1 episode, Doctor Who Confidential Special, 2011)

Timestamp S12 Death is the Only Answer

The Doctor meets one of the greatest physicists of our time.

The Doctor celebrates the acquisition of a new fez formerly owned by his old friend Albert Einstein. He trips, knocking the fez out of his hands as he trips a lever on the console. A time portal appears and a bewildered Einstein stumbles through it with the fez.

Einstein has been working on the science of time travel, sure that the green liquid in his flask is the key. The Doctor scans the flask and tells Einstein that he is wrong. Unfortunately, the flask bubbles over and splashes its contents on the physicist’s face, transforming him into an Ood. An Ood with a message: “Death is the only answer.”

The Doctor generates an energy field that returns Einstein to normal… except for his hair, which is now standing on end. The Doctor drops Albert back at September 18, 1945, and flies on, unaware that a splash of Einstein’s liquid remains on the console room floor.

The liquid twitches.


This is a short and sweet episode with a fun premise and a great origin story. Doctow Who Confidential and BBC Learning teamed up with a contest that challenged students to write a script for a short episode. The winners were Adam, Daniel, Katie, and Ben, Year Six students from Basingstoke credited collectively as The Children of Oakley Junior School.

The episode itself debuted as part of When Time Froze on Doctor Who Confidential. It pulls from popular elements of the revival era (the fez, in particular) and previous mentions of Albert Einstein in the classic era (Four to Doomsday, The Stones of Blood, and Time and the Rani).

It’s a fun and cute episode, though the dangling thread of the strange liquid is a mean tease. I also appreciated the ominous Ood tie back to the ongoing thread: “Death is the only answer.”

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Wedding of River Song

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #230: Closing Time

Doctor Who: Closing Time
(1 episode, s06e12, 2011)

Timestamp 230 Closing Time

Here to help!

At the Sanderson & Grainger store in Colchester, Kelly and Shona prepare to close up for the night. Kelly is late for a date, so Shona offers to take her duties. Shona is perturbed that a customer is still in the changing rooms and is not amused at the flickering lights throughout the store.

Elsewhere, Craig Owens escorts his wife out the door for a weekend getaway, intent on showing her (and everyone else) that he can handle things on his own while she’s gone. Sophie has called a few people to check in on Craig, but he calls them back and tells them not to worry. He hears a knock at the door and, believing that Sophie has come back, answers it. To his dismay, his guest is none other than the Doctor.

His guest doesn’t like the new decor. Or the inexplicable power surges.

When he investigates, he finds a baby. Sophie and Craig’s baby.

Shona, on the other hand, finds a Cyberman. Surprise!

Craig tells the Doctor that he really can’t handle the baby. Alas, there are no off switches, but the Doctor has a secret weapon: He speaks baby.

It turns out that Alfie, the baby boy, prefers to be called Stormageddon, Dark Lord of All. Sophie is “Mum”, Craig is “Not-Mum”, the Doctor is “also-not-Mum”, and everyone else is merely “peasant”.

The Doctor says that Craig’s place is one more stop on his great farewell tour, of which he has spent a considerable amount of time waving at the Ponds through history. He sets out to visit the Alignment of Exodor, trying desperately to not notice the oddities around him. His curiosity gets the best of him, however, and he ends up as a toy salesman at Sanderson & Grainger. Nametag and all.

Craig is surprised to see the Doctor demonstrating a remote control helicopter. The Doctor explains that he’s living in the moment, even introducing Craig to Yappy the robot dog (which is nowhere near as fun as other robot dogs he knows). His attention is drawn to a silver blur, and when Craig asks, the Doctor alludes to several missing people and the ongoing power fluctuations. The Doctor ushers Craig out, but is convinced by Stormie to explain the teleporter. The teleporter in the elevator which soon whisks them away to wherever the Cybermen are hiding. The Doctor reverses it and starts searching, begging Craig to take Alfie and go, but Craig refuses. He believes in the Doctor.

The Doctor, Craig, and Stormie return to the store and investigate. The Doctor gets word of a “silver rat thing” from Val, the perfume saleswoman who thinks that he and Craig are a couple. Craig stalks the women’s department, completely missing the silver blur and getting in trouble with security. Craig gets bailed out by the Doctor (who is absolutely adored by the staff) and they both end up in the changing rooms where Shona was last seen.

Oh, and the silver rat is a Cybermat. Which makes these Mondasian Cybermen, not Cybus Cybermen.

Craig wanders off to change Alfie. In the meantime, the Doctor spots Amy and Rory. Amy has become a bit of a celebrity thanks to her perfume ads, and is surprised that a little girl wants her autograph. The Doctor beams with pride as he avoids being seen.

After closing, the Doctor, Craig, and Stormie go hunting for Cybermats. They find one, teeth and all, then follow screams to security guard George. A Cyberman knocks the Doctor out with an electrical charge and takes George’s body away. The Doctor is confused as to how the Cybermen repaired the teleport so fast.

The team regroups at Craig’s house. The Doctor whips up a science experiment and gives Alfie a pep talk, realizing that it is his old age talking. In the meantime, the Cybermat reactivates and attacks the adorable duo. Unfortunately, the Doctor locks himself and Alfie outside without the sonic screwdriver. The Doctor tries to warn Craig, but the Cybermat wreaks havoc. One broken back door and a recalibration of the sonic later, the Cybermat is disabled.

While dissecting the Cybermat with a normal screwdriver and a loupe, the Doctor laments his position. Tomorrow is the day that the prophecy – “Silence will fall when the question is asked”, even though he has no idea what the question is – descends upon him. Craig falls asleep and the Doctor goes back to the store to hunt with his new friend Bitey the Cybermat.

The Doctor finds what he’s looking for behind a mirror in the changing room, descending down a tunnel into the foundation of the store. Craig follows the Doctor, leaving Alfie with Val, as the Time Lord explores the cyber ship and is captured. The Cybermen don’t find the Doctor to be compatible, but start conversion of Craig into the new Cyber Controller. The Doctor pleads with Craig to think of Alfie as the helmet seals around his face.

Alfie’s cries across an open CCTV channel reawaken Craig’s emotions, breaking him free of the conversion and starting an emotional feedback loop in the Cybermen. Their heads literally explode and the ship blows up as Craig and the Doctor use the teleport to return to the elevator.

Oh, and Bitey? He didn’t make it.

The day saved and the “companion” miscommunication nearly resolved, the Doctor spirits away. He uses the TARDIS to help tidy up Craig’s house. He also reveals that Stormie prefers the name Alfie now, and also refers to Craig as “Dad”. The Doctor borrows some blue stationery and Craig offers him a Stetson.

Sophie returns, Alfie has a first word, and the Doctor moves on. He says hello to some kids, an event that is somehow chronicled in the records at Luna University in the 52nd century. There, River Song encounters Madame Kovarian while doing research. Kovarian and her Silence companions reveal that they have locked out part of her memories, relating the story of an impossible astronaut.

River is sedated against her will and dressed in a spacesuit. She awakens under Lake Silencio.

She’s destined to kill the Doctor.


On the one hand, this is a good dramatic break from the tension developed over the last four episodes. It does a decent job of connecting the dots leading into the finale, making it less of a filler story than its predecessor. On the other hand, the downsides here are pretty big.

First, James Corden isn’t particularly funny here, which acts as an anchor around this story’s neck. Second, and perhaps more damning, is how this story defangs the Cybermen. The Cybermen haven’t been a central figure in a story since the David Tennant era. The last time was The Next Doctor, but the last truly impactful stories were all the way back in Series Two with Army of Ghosts & Doomsday and Rise of the Cybermen & The Age of Steel.

The Cybermen here are, frankly, on the same level as The Next Doctor without the humor, the heart, or even the absurdity. They only serve to assimilate random victims and get blown to kingdom come as a function of the formula. They aren’t menacing, and they certainly don’t march anywhere. They’re nothing more than a prop.

I do appreciate several moments in this story.

  • The Doctor’s telepathy makes a comeback as he quiets people with a simple command.
  • The “I don’t like it” review of redecoration is a fun running gag from The Three DoctorsThe Five Doctors, and Time Crash.
  • The concept of another farewell tour, this one spanning 200 years or so.
  • The acknowledgement that the Doctor always offers a choice to his enemies. In fact, some of the best stories present the enemy failure as their own undoing.

We also see how what Pond life is like without the Doctor. It seems they’re doing well enough. The use of petrichor was a nice touch.

But in the effort to set this series up for a home-stretch sprint, this light-hearted episode stumbles while rounding the curve.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Doctor Who: Death is the Only Answer

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #229: The God Complex

Doctor Who: The God Complex
(1 episode, s06e11, 2011)

Timestamp 229 The God Complex

The Doctor meets The Shining.

Policewoman Lucy Hayward roams the halls of what appears to be a 1980s vintage hotel. Each room she checks holds a manifestation of a fear, and the visitors must wander the halls until they find their specific room. After that, it becomes clear – “Praise him.” – before the fear kills them.

Our traveling trio arrives at the hotel and sees a series of photos with strange captions (which we know correlates to the killing fear) before meeting Rita (a human nurse), Howie (a human computer geek), and Gibbis (a cowardly, mole-like alien from the planet Tivoli). They have all been taken from their normal lives and deposited in this endlessly shifting maze on the planet Ravenscala.

To make matters worse, the TARDIS has vanished.

The three survivors also tell the Doctor about Joe, a delusional man who is tied up in the ballroom with a host of laughing puppets. Joe has “seen the light” and is willing to accept his fate because only “he” matters. Joe explains that everyone has a specific room and asks to be left behind, but the Doctor puts Joe’s chair on a luggage cart and brings him along.

The team decides to look for a way out, pledging not to leave anyone alone at any time. Howie finds a room full of twenty-something girls who mock his nerdiness and stutter, but is saved by the Doctor and Rory. Amy finds Lucy Hayward’s notes, but can’t show the Doctor before the roaring beast approaches and sends the team scattering.

Rita and Joe enter a room to find Rita’s father scolding her about grades. She begins to “praise him” as Amy, Rory, Howie, Gibbis, and the Doctor enter a room to find a pair of Weeping Angels, but the Doctor quickly ascertains that they are not real. The Doctor peeks through the door’s peephole to see the beast. The beast goes after Joe, whose bindings are loosened telekinetically, and hauls the man away before killing him.

The group returns to the ballroom, presumably the safest place now, and Amy consoles Gibbis. Gibbis notes that if the Weeping Angels were meant for him, then Amy’s room is still out there. Meanwhile, Rita and the Doctor discuss Joe’s death and the situation. She believes that the hotels is Jahannam, the Muslim version of Hell. Amy takes the moment to show Lucy’s notes to the Doctor. When the Doctor mentions the words “praise him”, Howie repeats them and the beast awakens.

Gibbis suggests that the group sacrifices Howie to save everyone, but the Doctor says that all of them are getting out alive. Theorizing that the beast feeds on fear, the Doctor tells the others that they must do whatever they can to fight the fear off in any way they can. Amy wonders about the next move, and the Doctor explains that they’re going to catch the monster.

Using a speaker, the Doctor lures the monster into the hotel spa. Amy, Rory, and Rita block the exits, locking the creature in the spa as the Doctor begins talking with it. The beast is a Minotaur and the hotel is a prison. The Minotaur has lived so long that it has forgotten its own name, but it wants the cycle to stop so it can get some peace.

Unfortunately, Howie (who was being watched by Gibbis) gets free and the Minotaur gives chase. While the team looks for Howie, Amy enters a room and finds her fear. Howie is soon found, dead, and Gibbis begs for forgiveness after losing track of him.

Rory and the Doctor share a moment in front of Howie’s picture. Rory hasn’t found his room yet, and the Doctor interprets that Rory isn’t afraid of anything. Rory replies, “After all the time I spent with you in the TARDIS, what was left to be scared of?” The Doctor is sad that Rory said it in the past tense.

The Doctor talks with Rita, who notes that the Doctor has a God complex. The Doctor watches Amy and realizes that he feels guilty for bringing them to a place with a real danger of killing them. He offers Rita a place on the TARDIS before spotting a security camera and going in search of the security room, missing the fact that Rita has been afflicted by her own fear.

The Doctor finds his own room, Room 11, and faces his fear. The reflection in his eye reveals it as the crack in time, forcing him to smile as the Cloister Bell sounds and remark, “Of course. Who else?” He hangs a Do Not Disturb sign on the door and moves on.

Entering the security room, he watches as Rita navigates the halls. He dials a nearby room and waits for Rita to pick up the phone, discovering that she’s been affected. She wants the Doctor to remember her as she was, and as the Doctor is joined by Amy and Rory, Rita says goodbye and succumbs to the Minotaur.

Devastated, the Doctor hangs up the phone and turns off the camera. In a fit of rage, he later realizes that his theory was wrong. Rita was not afraid of her death, so the fear couldn’t be the driver. Instead, it was faith.

Howie believed in conspiracies, Rita was a devout Muslim, Joe was a gambler who believed in luck, and Gibbis believes in the continued presence of invaders who will tell him what to do. The Doctor laments that his has inadvertently helped the Minotaur by insisting that everyone reject their fear and fall back on their faith.

He tells a confused Rory that the TARDIS was pulled to the hotel – which is, in fact, an alien prison – because of Amy’s faith in the Doctor. Rory has no faith to consume.

Since Amy has seen her fear, she suddenly begins the mantra: “Praise him.”

The team then flee through the hotel as the Minotaur pursues them. They end up in the room with Amy’s fear: Her seven-year-old self waiting for the Doctor. The Time Lord laments stealing her childhood, revealing that he took Amy in the TARDIS because he was vain and wanted to be adored. He tells her to let go of her faith in him, calling her Amy Williams, and suggests that she allow herself to stop waiting for her Doctor. He is, after all, just a madman in a box.

The Minotaur collapses in the hallway and the illusion dissolves, revealing an alien prison is revealed. The automated system kidnaps people with belief systems and feeds the creature. The dying Minotaur passes a message to the Doctor, expressing his pity for “an ancient creature drenched in the blood of the innocent”, because “for such a creature, death would be a gift.” The Minotaur tells the Doctor that he wasn’t speaking of himself, but rather the Time Lord who saved him.

Refusing to tell Amy what he saw in his own room, the Doctor returns Amy and Rory to Earth. He presents them with their own home and Rory’s favorite car, and Amy knows that he is leaving them behind. She asks why and he responds that it’s because they’re still breathing. He doesn’t want to wait to say goodbye until he’s standing over their graves.

After a tearful farewell, the Doctor leaves. Rory watches the TARDIS dematerialize and wonders where he’s gone, but Amy simply says that he is saving them.

Later that night, Amy watches the sky from her bedroom window. The Doctor looks around the empty console room as he prepares to travel alone.


This was quite the ride that brought us full circle from The Vampires of Venice. Recall that, on his first journey in the TARDIS, Rory believed that the Doctor’s companions placed themselves in danger to impress the Time Lord. This adventure confirmed that first impression, and finally brought the Eleventh Doctor’s fears in that regard to a head.

It’s a common thread with writer Toby Whithouse, whose pen graced this story, Vampires, and School Reunion, all of which played with this concept.

The story here, which we first think is an obsession with facing fears, but actually is an obsession with faith, was fun to explore. It was also thought-provoking to find that there was nothing evil behind the scenes. There’s a lot to digest with an automatic system that has a mission to maintain those under its charge, even to the point of killing innocent people, and that its been doing this for such a very long time.

This story had a few franchise ties, including one that linked Amy to Ace with the Doctor saving a companion’s life by forcing her to lose faith in him. The Seventh Doctor tore Ace apart emotionally in The Curse of Fenric, opening the door for a victory. Another was exploring the Doctor’s fears, which we saw in The Mind of Evil and Inferno, and the Doctor seemed unmoved by the revelation of what he feared most at this particular point. Strangely, it didn’t seem to be his own death at Lake Silencio, which has been taking up a lot of his bandwidth since The Impossible Astronaut.

We have seen minotaurs before (The Mind Robber and The Time Monster) and we’ve seen the “distant cousin” in The Horns of Nimon, a story that I called “downright painful”.

From this point forward, we get to find the answer to the question that sprung from The Girl Who Waited: Amy loved being Amy Pond in the TARDIS with Rory Williams, but what happens when they stop traveling with the Doctor?

Obviously, Amy misses it already.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: Closing Time

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #228: The Girl Who Waited

Doctor Who: The Girl Who Waited
(1 episode, s06e10, 2011)

Timestamp 228 The Girl Who Waited

A moral choice reveals the core of Amy and Rory’s relationship.

The Doctor takes Rory and Amy to Apalapucia, a resort planet voted the number two place to visit for an intergalactic traveler. They are there because everyone goes to the number one place, the Planet of the Coffee Shops.

When the team exits the TARDIS, they are presented with a set of doors. Amy returns to the TARDIS for her mobile phone while Rory and the Doctor examine the doors. Presented with two choices — Green Anchor or Red Waterfall — Rory chooses the green one to reveal a stark room with a magnifying glass in the middle. Amy, on the other hand, chooses the red button and ends up in a separate but equally decorated room.

The two rooms are connected by the magnifying glasses. The Doctor and Rory are visited by a Handbot while the Doctor realizes that time is being disrupted. In fact, the two rooms are running at different speeds, and Amy’s in running faster.

The Handbot analyzes Rory. Rory exits the room and tries to enter the Red Waterfall room, but Amy is not there. When he returns, the Handbot informs them that Apalapucia is under quarantine and this space is a “kindness facility” for victims of Chen-7, a one-day plague that affects beings with two hearts. This includes the native Apalapucians and, of course, Time Lords. It’s a one-day plague because victims die within one day of exposure.

The magnifying glass syncs the two time streams, allowing loved ones to watch the victims grow old in a single day rather than sitting by a deathbed. The Doctor removes the magnifying glass and uses it to lock on to Amy, but this also sounds an alarm in the facility. He tells Amy to go through the facility beyond, and while she’s immune to the plague, any intervention by the Handbots may kill her. The Doctor then gives Rory a set of glasses that act as a camera and uses the TARDIS to try breaking through to Amy’s temporal location.

Amy checks in to the Two Streams center and meets the Interface, her guide through within the facility. After reviewing the entertainment options at her disposal, she meets a Handbot that tries to rid her of the unauthorized bacteria in her body by injecting her with medicine. She refuses, then dodges the syringe projectiles before running from the squad of Handbots. She finally hides in a cage which blocks the Handbot sensors.

The TARDIS lands in the Red Waterfall area and Rory ventures out to find Amy. Meanwhile, Amy finds the entertainment hub and chooses the garden simulation, a perfect replica of the Shill Governor’s mansion on Shallana. She finds out that she was hiding in a vent for the temporal engines. When ambushed by two Handbots, she sets out to find the engines and leaves the Doctor a note.

Rory and the Doctor figure out that room houses thousands of overlapping time streams. As Rory marvels, he is surprised by a sword-wielding Amy. Sadly, she’s aged considerably, revealing that the Doctor landed 36 years too far forward in her time stream. In that time, she’s been dodging and defeating Handbots while she’s been waiting. She also built her own “sonic probe” from scratch.

She also hates the Doctor for abandoning her.

She leads Rory to her hiding place, complete with a literally-disarmed Handbot that she’s named “Rory”. She waits for the right time, then takes Rory to the garden. Via speakerphone, the Doctor figures out where the temporal engine’s regulator is located while Amy and Rory get reacquainted over a laugh. The Doctor tells her that there’s still time to fix everything.

Rory wanders off and encounters a Handbot, but Amy saves him before Rory can be inoculated. When the Doctor offers to rescue Amy, she refuses and returns to the engineering section. She doesn’t want to die by ceasing to exist. She offers to come in past-Amy’s place, but Rory and the Doctor refuse.

Frustrated, Rory says that he no longer wants to travel with the Doctor. When he throws the glasses, the Doctor detects past-Amy, and Rory uses that to allow future-Amy and past-Amy to talk through the magnifying glass.

As the the Amys talk, future-Amy remembers the real reason she was never rescued. It wasn’t because Rory and the Doctor left her behind, but because her future self refused to help them when it mattered. They discuss Rory and their mutual love of him, realizing that Amy needs to be saved for him. Future-Amy agrees to help her past self, but only if she gets to travel in the TARDIS alongside herself.

The reunion between Amy and Rory is touching.

The Doctor admits that the TARDIS could possibly sustain the paradox of the two Amys. To make this possible, the Amys need to share a thought so powerful that it can rip through time. While Rory makes the appropriate mechanical changes, the Amys think about their first kiss with Rory while they were dancing the Macarena. The gamble works and the new trio is formed, but the TARDIS doesn’t like the paradox at all and the link via the glasses is severed.

The trio battle a legion of Handbots before taking the long way around to the TARDIS. Unfortunately, past-Amy is stunned by one of the Handbots, forcing Rory to carry her while future-Amy covers them. Once past-Amy and Rory enter the TARDIS, the Doctor seals the door behind them to prevent future-Amy from entering.

The Doctor reveals that he lied. The paradox cannot be sustained, and Rory must choose which Amy to save. Rory is devastated, but future-Amy tells him through the door that, if he loves her, he shouldn’t let her in. Seeing Rory carry the younger Amy to the TARDIS made her realize just how much he truly loves her. She loved being Amy Pond in the TARDIS with Rory Williams.

Rory secures the door and apologizes. The choice tears him apart.

Future-Amy turns around to find herself surrounded by Handbots. She asks the Interface to show her a hologram of Earth. She remembers Rory as she is stunned and injected. The sound of the TARDIS engines comforts her as she disappears from existence.

Rory asks the Doctor if he always knew that the paradox wouldn’t work. The Doctor only replies that he promised to save her, which he did. When Amy wakes up, she asks about her future self. The Doctor leaves the Ponds to talk.


Here we have a mix of several different tropes from this era: Amy experiences versions of herself from different times (The Hungry EarthCold BloodThe Big Bang); is separated from Rory for what should be an unnaturally long period of time (The Big BangThe Doctor’s Wife); and (flipping the script from Amy’s Choice) is the target of a life/death choice between two versions.

We also see an element of the classic era here, namely The Massacre. Steven Taylor had an attachment to Anne Chaplet, a woman who was going to die unavoidably but whom he desperately wished to save. The First Doctor could not alter history, but lied to Steven to make them think it was possible. Steven was eventually finally forced to abandon Anne to her fate and was angry with the Doctor.

Finally, the scene between Rory and future-Amy through the TARDIS door reminded me of the tear-jerking farewell between the Tenth Doctor and Rose in Doomsday. I have no doubt that the parallel was intentional.

This kind of mind-bending temporal story is like catnip to me, and it was especially engaging because the Amys were able to reconcile their differences and fight together for survival. The question of how this became a real event if future-Amy never existed, however, is an exercise best left to the wibbly-wobbly nature of Doctor Who continuity: It just works.

A different question is raised here, which may be something to consider in the future: Amy claims to love Rory because of how much he loves her. She also says that she loved being Amy Pond in the TARDIS with Rory Williams.

So what happens to them if they stop traveling with the Doctor?

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: The God Complex

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp: Torchwood Series Four Summary

Torchwood: Miracle Day (Series Four) Summary

Timestamp Torchwood Miracle Day Logo

Torchwood‘s fourth series was a train wreck.

The concept was pretty interesting – a supernatural event that eliminates death, driven by shadow elements and political conspiracies, and an exploration of how it affects the world – but the execution cut the concept’s hamstrings.

One thread that ran throughout the discussions of these episodes was padding (or bloating). The series lacks a sense of forward motion, even in moments of action, which is something that the BBC knew how to do while balancing the drama that we’re used to in this property. Torchwood can be slow, but even those slow moments in previous series kept the audience ready for more. Miracle Day felt like it was chained to the deck.

Another thread that wove throughout the series centered on disturbing tropes. The first episode contains the Black Dude Dies First trope – which also extends in poorly-written media to pretty much any minority because of outdated assumptions that audiences wanted/needed white straight male protagonists to win the day – and only subverts it because of the Miracle. Then Rex experiences another terrible trope twice as the series progresses: Stuffed into the Fridge.

I pointed this out in The Blood Line, but it bears some further exploration in a series-wide analysis. Two major character deaths served to motivate Rex in the ten-episode arc. First was Vera Juarez in The Categories of Life, and while her death wasn’t motivated in universe as a strike against Rex – she was murdered by the manager of a death camp to keep things quiet – it did serve narratively as a motivator because Rex was present and filming as she was burned alive.

The second was far more obvious. Esther’s death in The Blood Line was purely intended to drive Rex’s actions, and it transformed her from a character that was timid and unsure at the start of the series to a bold woman who saved Jack’s magic blood and told Rex that she was (in no uncertain terms) accompanying him to the Blessing.

In The Blood Line‘s analysis, I stated that the wrong agent had died and suggested that Esther should have lived while Rex died. I said that with full understanding of the Black Dude Dies First trope, and my thought process regarding it is pretty clear: Miracle Day tried that trope and subverted it, and then the writers spent nine more episodes building Esther while keeping Rex exactly where he was at the start. I didn’t want Rex to die because he’s a minority, but rather because he wasn’t developed in the course of the story. If he had grown, that analysis would be different, but the writers chose to transform Esther into an object after investing so heavily into her as a character. They undid all of that good will with a single narrative choice.

And in a series of episodes like this, the writers and producers needed to preserve as much good will as possible.

Enough soap-boxing: It’s time to look at the numbers. We’ve been through this thrice now, so we’re familiar with the drill: We can’t make a direct comparison between Torchwood and Doctor Who, but we can look at the scores so far to get an idea of how it fits within the Timestamps Project’s scope.

Torchwood Series Four earned a 3.1 average. That’s way down in last place among Torchwood, and is equivalent to the classic Third, Nineteenth, and Twenty-First seasons. Out of thirty-three seasons of Doctor Who so far in the Timestamps Project, that’s a three-way tie for 28th place.

The New World – 5
Rendition – 4
Dead of Night – 4
Escape to L.A. – 2
The Categories of Life – 4
The Middle Men – 3
Immortal Sins – 3
End of the Road – 3
The Gathering – 2
The Blood Line – 2
Web of Lies – 2

Torchwood Series Four Average Rating: 3.1/5


Thus ends Torchwood. It’s the first of the spinoff series to end, so it’s the first opportunity to provide a whole series rating. Keep in mind that if Torchwood should return to screens, then this will change.

Series 1 – 3.8
Series 2 – 4.0
Children of Earth – 4.8
Miracle Day – 3.1

Torchwood Weighted Average Rating: 3.79/5.00

Would I recommend Torchwood as something to watch in the Doctor Who mythos? Absolutely, but the obvious caveat is that Miracle Day does not hold up to the series. As we’ve seen, it’s also darker, gritter, and far more adult than anything else in the overall franchise, so if the light and hopeful of the main series is more your style, this might be best avoided.


The Timestamps Project is proceeding in mostly chronological order. As such, the next block of episodes will cover what remains of Doctor Who‘s sixth series. After that, the final series of The Sarah Jane Adventures is on the docket before a straight shot through the seventh, eighth, and ninth series of Doctor Who takes us well into next year.

UP NEXT – Doctor Who: The Girl Who Waited
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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #TW42: Web of Lies

Torchwood: Web of Lies
(Motion Comic Special, 2011)

Timestamp TW42 Web of Lies

Just because you’re paranoid, it doesn’t mean they’re not out to get you.

Missing Day – 2007: The setting is Cardiff as Jack and Gwen chase a shadowy figure across the rooftops of the city. Gwen loses site of Jack for a moment, after which all that remains is a green gas. Jack is missing.

Miracle Day – 2011: In Los Angeles, Miles Mokri breaks a promise to his sister Holly that they’d celebrate her cancer remission. As Holly goes to a club without him, Miles is nearly abducted. He escapes, but ends up getting shot. When Holly leaves the club, she finds his abandoned cell phone and the paramedics. Luckily for the Mokris, the Miracle has begun. No one dies.

Miles had started to write about a conspiracy surrounding Miracle Day. Oddly, he started it one week ago.

Missing Day – 2007: Gwen storms into a nearby convenience store and plugs her computer into the power outlet. She starts tracking Jack and notes that he is moving incredibly fast around the world.

Miracle Day – 2011: The hospital is chaos. They need more room for all of the non-dying people, so Miles is sent home. Holly starts looking into the footage on her brother’s phone and discovers that there were three gunshots but only two wounds. She figures out that Miles knew his shooter, finds a mysterious phone number hidden in a sudoku puzzle, and makes arrangements to meet the shooter at the Ambassador Hotel High School.

Surrounded by the Soulless, Holly and Nick (Miles’s best friend) discuss how death is not the worst part of dying. Rather, that the pain and suffering before it far outweighs it. They are met at gunpoint my the mysterious shooter and taken to a nearby van. It turns out that the man is Joe Bradley, an FBI agent who was working with Miles after he presented evidence that the Miracle was being planned.

Agent Bradley didn’t shoot Miles, but instead caught him when he fell.

Missing Day – 2007: Gwen tracks Jack’s flight over Russia. As she pursues him, Jack wakes up to the muzzle of a gun. Jack quips about whether the gunman is trying to either intimidate or seduce him. The gunman takes aim, casting aside concerns that the bullets would puncture the hull because he’s working with practice range rounds. They won’t leave Jack’s body after he’s shot.

Miracle Day – 2011: Holly, Joe, and Nick are chased down by the men who tried to abduct Miles. During the ensuing car chase, Holly hacks Miles’s laptop and discovers information implicating Phi-Corp in the Miracle.

Missing Day – 2007: The kidnapper witnesses Jack’s resurrection in amazement, then decides to see just how much punishment Jack can take. He pushes Jack out of the plane, watching him fall 30,000 feet the the ground in Chernobyl. After recovering what parts of Jack’s body could be found, the kidnapper is impressed that Jack can survive pretty much anything.

Miracle Day – 2011: Holly finds out that Miles’s computer has an anti-hacking feature that allows access for only 15 seconds at a time. After three attempts, the hard drive will self-destruct. She finds information on Phi-Corp, documents about a flight form the United States to Kiev, an “Iron Wheel”, and satellite photos and plans for medical overflow camps and industrial ovens.

She also finds four photographs with coded letters for each person: S is Jack, complete with the word Torchwood on his photo; R is a red haired woman; Z is Jack’s kidnapper; and M is an executive in a suit. Another coded message from reveals that “Only S can die” and that the secret to the Miracle can be found on Coney Island.

On the way to Coney Island, Holly realizes that the third “gunshot” might have been a flash from a speed camera. Checking the footage, Holly finds that Nick himself fired the shots from a moving car.

Missing Day – 2007: At Chernobyl, Jack’s kidnapper has been taking X-ray images with an old MRI machine. He sees that Jack retains the shrapnel from each death but doesn’t suffer any pain from the remnants.

Miracle Day – 2011: The team arrives at Coney Island. After restoring power to the park, Holly reveals to Joe that she knows that Nick is the real shooter. Nick reveals that he has backup and Joe’s sidearm.

Missing Day – 2007: Gwen tracks Jack to Chernobyl but the kidnapper gets the upper hand with the MRI magnets and disarms Gwen. Jack reaches for an abandoned scalpel to free himself.

Miracle Day – 2011: Nick reveals that Miles had the key to the Miracle and Nick shot him so that Holly would solve the case. Nick also tells her that the Miracle has cured cancer, but stopping it might kill her. An automatic message from Miles to Holly reveals that the Miracle “begun under Vatican control.” She solves the clue about the “iron wheel” and leads everyone to the nearby Ferris wheel. As they ride it, Holly realizes that the map points to a specific location in the amusement park. She eventually escapes and follows the clues to a giant vat of blood. Nick catches up to her and explains that the blood belongs to an immortal man, one that is the only mortal being in the era of the Miracle.

Missing Day – 2007: Gwen is thrown into a van filled with packs of Jack’s blood. The kidnapper returns to stop Jack from reaching the scalpel, but Jack turns the tables by reaching the MRI switch. The magnet tears all of the shrapnel from Jack’s body and fires them through the kidnapper, killing the man.

Miracle Day – 2011: Holly decodes Miles’s “Vatican” clue, finding a gun under the vat. Holly shoots the bad guys, then reveals that Miles couldn’t make the choice to destroy the key or not. He left a laptop computer linked to the vat’s destruct mechanism, and Holly makes a tough choice. Even though it may kill Miles and her cancer may return, she needs to destroy the blood. Nick tries to stop her, but she shoots him one more time and he dies in the explosion.

Missing Day – 2007: Gwen frees Jack, but as she does, the mysterious green gas returns. Jack says that they must try and remember what happened here, but Gwen says whatever happens they’ll deal with it together. As they finally succumb to the gas, three men arrive to take them and the blood in the truck away. Back on the rooftop in Cardiff, Jack states that he feels like they’ve forgotten something very important. In a voice-over, Gwen reveals that they never did remember what happened on that “Missing Day”.

Miracle Day – 2011: In the aftermath of the Miracle’s end, Holly pours a glass of wine for Miles. Holly says that as the Miracle gave him time to heal, she felt like it was about time. As they banter back and forth, a pack of blood can be spotted at the back of the fridge. Could it belong to Jack?


We find out some interesting bits here, including that the Three Families had access to Retcon in 2007 (correlating to the time between Series One and Series Two). This series also suggests that other people may have been able to piece together the plan, but only when they brought it public did the Three Families move to silence them.

Other than that, this was an average side story with little to no consequence for Torchwood or Miracle Day overall. The only big thing would be that pack of Jack’s blood, and depending on Holly’s skills, that would last either 42 days or up to ten years if properly treated and frozen.

Regardless, it was good to see (or rather, hear) Eliza Dushku again. I’ve been a fan since her BuI’d like to see her in Doctor Who at some point.

Rating: 2/5 – “Mm? What’s that, my boy?”


UP NEXT – Torchwood: Miracle Day (Series Four) Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #TW41: The Blood Line

Torchwood: The Blood Line
(1 episode, s04e10, 2011)

Timestamp TW41 The Blood Line

Everything changes… back.

Gwen stares out the window and relates a story about the day that her father was accused of thievery. Young Gwen offered to help pay back the money, but her dad taught her a lesson about impressions and honesty. He couldn’t stand being known as a dishonest man when he wasn’t. Gwen saw him as the nicest man in the world.

Today is the day that she kills him.

The two Torchwood teams prepare for the coming confrontation. Rex and Esther contact Director Shapiro for CIA assistance while keeping Jack, Gwen, and Oswald’s presence in Shanghai a secret. Unfortunately, that includes Charlotte, the mole in the agency. Meanwhile, The Mother plans to bomb the sites of The Blessing to keep it safe.

In Shanghai, Gwen locates the site but retreats to contact Jack when she gets whammied by the emotions surrounding it. Before they rendezvous with Gwen, Jack and Oswald have a heart-to-heart. Gwen takes a moment to call Rhys, who is working with Andy Davidson to gain access to the Cowbridge Overflow Camp so he can say a proper goodbye to Gwen’s father.

Across the planet, the CIA coordinates with the Argentinian army. Captain Federico Santos arrives with a detachment of soldiers, but a Three Families agent inside the detachment bombs the truck. The soldiers are all Category 1, the supply of Jack’s blood is destroyed, and Rex and Esther are presumed dead. Director Shapiro demands that they find the CIA mole immediately. Charlotte sets a bomb and leaves just as the trace is completed. The bomb makes everyone in the command center Category 1.

The two teams infiltrate their respective sites. Oswald objects to leaving a trail of Category 1 bodies and Gwen gets notification that Rhys has arrived at her father’s side. He only has ten minutes before the Category 1s are taken to the ovens. As Rhys comforts Gwen’s father, Andy comforts an unknown 15-year-old girl.

Jack, Gwen, and Oswald descend to the Blessing and are met by Jilly, The Mother, and three armed guards. Unfortunately for them, Jack has rigged Oswald with a suicide vest. Unfortunately for Torchwood, Rex and Esther have been captured and are being held at gunpoint by the Three Families. The standoff is stalemated when Jack presents his blood to the Blessing. He warns The Mother to be very, very careful with him.

Oswald, exposed to his very soul before the Blessing, almost loses himself in the reflection of his sin. Jack brings him back before he and Gwen muse about the origins of the Blessing. Jack muses about the Doctor, Silurians, the Racnoss, and huon energy before admitting that he has no idea where it came from. It projects a morphic field in symbiosis with the human race, but the Families fed Jack’s blood to the anomaly. The Blessing transformed the blood’s pattern into a gift for all humankind and the Families took advantage of the worldwide disruption in a form of eugenics.

In order to secure the plan, the Families drew Jack out of hiding and attempted to kill him. Jack threatens to bleed into it and reset the planet’s mortality, but the Families remind him that it has to be introduced from both sides simultaneously. As the standoff intensifies, Rex reveals that Esther transfused Jack’s blood into him. The destroyed blood was a ruse.

To stop the salvation of the world, the Families mortally wound Esther. As Rex descends into sorrow, Gwen talks him back off the ledge. Together, Rex and Jack drain themselves into the Blessing.

Death returns to the world in a single breath as every Category 1 says goodbye.

Both ends of the Blessing begin to tear themselves apart. Jack returns to life as his immortality is restored while Oswald and Rex eliminate the Families representatives and Gwen knocks Jilly out. Rex and Esther, both on the edge of death, are retrieved by Captain Santos. Jilly disappears into the explosion at Shanghai.

Several months later, Jilly is found by her contact in the Families and offered a place to restart her life in charge of Plan B. Elsewhere, the Torchwood team joins Charlotte and Rex at Esther’s funeral. Charlotte offers her condolences to Rex before leaving. Rex gets an update about the trace program that Shapiro was running and finds out that Charlotte was the mole. She shoots Rex and is gunned down by the other agents in attendance. Rex is declared dead.

And then comes back to life. His wounds, including the Miracle Day wound, all heal. He is now immortal.

Everyone is surprised, but none more so than Rex.


The production team killed the wrong person.

No, seriously. In terms of character growth over the ten episodes of Miracle Day, Esther moved leaps and bounds over Rex. By killing her off, they not only wasted that character development, they also committed the narrative sin of fridging her in order to motivate Rex.

That trope originates from the comics, specifically Green Lantern. In that story, the villain Major Force left the corpse of then-Green Lantern Kyle Rayner’s girlfriend, Alexandra DeWitt, literally stuffed into a refrigerator. The idea is to spur the hero into action by brutalizing someone that they care about. It was later named and shamed by comic book writer Gail Simone.

In this case, Esther was fridged in order to motivate Rex. It’s lazy writing that immediately devalues Esther as a character. No matter what happened with her to this point, her final intrinsic narrative value is a plot device to motivate a stereotypical action hero.

It’s also sad, because the story and characters could have been better served. Keep Rex as the vessel for Jack’s blood, an idea that came from Esther to begin with, and transfer the Gwen-shooting-Jack action to Esther instead. Let Rex die for the world and Esther come out with a completed growth arc that we watched happen over ten episodes of television. She could also end up with immortality, for all the good that it does Torchwood after this point, as a reward of sorts.

Other than that rather large elephant in the room, the finale was entertaining enough, if not a bit bloated (as was the rest of the Miracle Day season). The return of death to the world was emotionally stirring. Oswald was finally useful.

The cliffhanger itself is rather disappointing in the end given that this marks the end of Torchwood on television. In fact, Rex Matheson hasn’t appeared on television again to date. He’s been in two novels, one of which is a prequel, and an audio drama, but his parts in the post-Miracle Day universe appear to be sparse.

How disappointing.

It should have been Esther who survived the Miracle.

Rating: 2/5 – “Mm? What’s that, my boy?”


UP NEXT – Torchwood: Web of Lies

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.