(1 episode, s01e11, 2006)
The first rule of Weevil Fight Club…
This adventure starts with Jack pursuing a weevil. It evades him, apparently immune to the weevil spray, and runs past where Gwen and Rhys are having a tense dinner. Rhys has none of it, but Gwen leaves with Jack after he curses at her. The pair track the weevil to a parking deck, but the being is apprehended by masked strangers in a white van.
The next morning, the team analyzes a wave of weevil attacks. There has been a surge of injuries at the local hospital and Tosh can’t track the van from the night before. Meanwhile, Owen is drowning his sorrows over Diane at the bar. He gets in a fight with the bartender’s jealous boyfriend – a man whom he easily bests – in between bouts of ignoring calls from work.
Tosh confides in Gwen about Owen’s relationship with Diane: Tosh is upset and Gwen is oblivious. In the holding cells, Jack and Ianto watch as a weevil howls. They are supposedly somewhat telepathic, and something is inducing psychic pain in this one. Tosh finds the van on CCTV, prompting Jack and Tosh to investigate the docks. They find a male corpse, presumably attacked by a weevil, and a call on his cell to stay out matters that they don’t understand.
Owen finally rolls back in and conducts the autopsy. The victim was attacked by humans before the weevil attack. Ianto also has no luck tracing the victim’s cell records. Gwen and Owen go out to notify the next of kin, and they have a heart-to-heart about their affair that doesn’t end well. Owen walks back to the Hub just in time to receive orders for an undercover assignment. He meets with real estate agent Mark Lynch as a businessman looking for space at the docks. He places a sniffer device on Lynch’s computer so Tosh can download the hard drive. After Owen leaves, Lynch does a web search on Owen and his jellied eel business. He ends up confident that Owen is the real deal.
Jack sends Gwen home to patch things up with Rhys. As soon as she gets there, Rhys heads out with his friends to the bar. Gwen is left home alone.
Jack and Ianto interview a weevil victim at the hospital, but the victim doesn’t want to discuss the matter. He’s afraid that someone will kill him if he talks, so Jack decides to release the captive weevil – he’s nicknamed it Janet – with a tracker to monitor its movements. Janet gets snatched by the white van moments later, and the team finds the tracker on a fence.
Owen and Lynch meet up for drinks. Unfortunately, it’s the same bar with the jealous beau. Fortunately, Lynch helps Owen defeat the thugs. The duo return to Lynch’s place. After the fight, Lynch is aware the Owen isn’t who he claims, but he still confides in Owen that something is coming. Owen later sneaks into a locked room and comes face-to-face with a chained-up weevil. Lynch catches up with Owen, uses the creature as a punching bag, and eventually shows Owen the entire operation.
Rhys returns home and shares a drink with Gwen. Gwen confesses her affair, an act that devastates Rhys but one that he won’t remember since Gwen spiked his drink with Retcon. Gwen begs him for forgiveness, but Rhys slips under the drug’s spell before offering it. She takes pizza to the Hub, but everyone else is out. She’s alone once again, but luckily she’s around as the corpse’s phone rings with a text message: “CF10 6BY.” She quickly figures out that it is a location and passes it on to Jack.
That location? It’s the same place where Lynch and Owen are. It’s a weevil fight club.
The person who stays in the cage with the weevil longest wins and the warm-up is men fighting with each other. The corpse in the Hub refused to leave the cage and ended up mauled to death. Lynch forces Owen into the cage with Janet – let’s be fair, Owen is more than willing to jump in regardless of Lynch’s threats – and Janet recognizes him. Owen tells Janet to attack just Torchwood Three arrives. They tend to Owen’s wounds and disperse the crowd as Lynch locks himself in the cage with Janet. The weevil tears Lynch to shreds.
Jack visits Owen in the hospital with a bag of grapes. Owen tells Jack that he didn’t want to be saved. Jack tells him to be back at work the next day. When he reports in, Owen has a moment alone with Janet and the other weevil. They hiss and growl, but Owen musters a sinister snarl that sends the weevils cowering into the corner.
Owen leaves with a satisfied smirk.
There is a lot to unpack here. I mean, okay, sure… they did Fight Club with weevils. But going deeper, there’s so much more with our main characters here. Owen and Gwen are two sides of the same coin, explaining why they ended up having an affair together, and they’re both torn apart by their respective loneliness. Owen takes it to one extreme by attempting suicide by weevil, and Gwen takes it to another extreme by drugging her boyfriend in a twisted attempt at forgiveness.
And this is the point where I lost a ton of respect for Gwen. Sure, she’s in a tight place with no good solution, but her move here was pure selfishness and vanity. Instead of coming clean and healing the rift in her relationship with him, Gwen continues to what’s best for her instead of what’s best for them.
I don’t know that she deserves forgiveness at this point. As an outside watcher, I’m having trouble seeing how to forgive the character myself.
The other big character moment here is how Jack handles each subordinate’s crisis. In Owen’s case, Jack effectively tells him to “man up” and get back to work. In Gwen’s case, he gives her time off and forces her to pursue reconciliation. It’s inconsistent in approach but says a lot about how Jack sees each of his employees.
Since this era of Doctor Who is rife with spinoffs, the Timestamps Project is proceeding in airdate order (for the most part). As such, we’re headed back to the Tenth Doctor for a Christmas Special before coming back to close out Torchwood‘s first series.
Rating: 3/5 – “Reverse the polarity of the neutron flow.”
UP NEXT – Doctor Who: The Runaway Bride
The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.