Culture on My Mind – Disney+ Day 2021

Culture on My Mind
Disney+ Day 2021
November 15, 2020

You get a bonus edition of Culture on My Mind because I’m thinking Disney.

Disney+ Day marks the anniversary of the Mouse House’s streaming service, and the second anniversary was on November 12th. The event served as a teaser for new content and features as well as a premiere day for new titles.

New Arrivals

To celebrate the second anniversary of Disney+, several new titles were added to the service, including:

  • Shang-Chi and the Legend of the Ten Rings
  • Jungle Cruise
  • Home Sweet Home Alone
  • Marvel Assembled: The Making of Shang-Chi and the Legend of the Ten Rings
  • Marvel Studios’ 2021 Disney Plus Special
  • Under the Helmet: The Legacy of Boba Fett
  • The Making of Happier than Ever: A Love Letter to Los Angeles
  • Entrelazados
  • Enchanted (2007)
  • Spin
  • The World According to Jeff Goldblum: Season Two
  • Fancy Nancy: Season Three
  • Olaf Presents (a series of animated shorts)
  • Ciao Alberto (a Luca short)
  • The Simpsons in Plusaversary

The list also included an assorted collection of Walt Disney Animation Studios shorts.

IMAX Enhanced Films

Select Marvel films have been upgraded on the service to include their IMAX presentations. A typical theater presentation is in either the 1.85:1 or 2.35:1 aspect ratio, which means that for every inch tall, a movie is either 1.85 inches or 2.35 inches wide. IMAX uses a 1.90:1 ratio, which offers up to 26 percent more screen space.

The films included in this lauch are:

  • Iron Man (2008)
  • Guardians of the Galaxy (2014)
  • Captain America: Civil War (2016)
  • Doctor Strange (2016)
  • Guardians of the Galaxy Vol. 2 (2017)
  • Thor: Ragnarok (2017)
  • Black Panther (2018)
  • Avengers: Infinity War (2018)
  • Ant-Man and The Wasp (2018)
  • Captain Marvel (2019)
  • Avengers: Endgame (2019)
  • Black Widow (2021)
  • Shang-Chi and the Legend of the Ten Rings (2021)

The IMAX presentations on Disney+ do not include the IMAX Enhanced DTS sound, but there is a possibility of adding it down the road.

Star Wars Teases

Star Wars: Obi-Wan Kenobi (2022) – A teaser is available on Disney+.

Obi-Wan Kenobi Logo

Marvel Teases

  • X-Men ’97, a revival of the beloved 1997 Fox animated series (2023)

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  • Moon Knight, based on the Marvel Comics series. For more information and a peek at the First Look footage, check out the New Rockstars video.
  • She Hulk, based on the 1980s Marvel Comics series created by Stan Lee and John Buscema. For more information and a peek at the First Look footage, check out the New Rockstars video.
  • Ms. Marvel, based on the Marvel Comics series. For more information and a peek at the First Look footage, check out the New Rockstars video.

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  • Spider-Man: Freshman Year (an animated series)
  • I Am Groot (an animated series)
  • Ironheart, an original series based on the Marvel Comics character.

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  • Agatha: House of Harkness, a spinoff from WandaVision

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  • Marvel Zombies, an animated series based on the Marvel Comics series
  • Secret Invasion, an original series based on the Marvel Comics series and presuambly playing off all of the Skrulls that we keep seeing in the MCU. Once again with the breakdown, I present New Rockstars.

New Rockstars also recorded a discussion on all of the titles from the presentation today.

Pixar Teases

  • Cars on the Road (an original series based on the films, coming 2022)
  • Win or Lose (an animated series about baseball in Fall 2023)
  • Behind the scenes feature-length documentaries are also coming in 2022 for Turning Red and Lightyear.

Disney Teases

  • Zootopia+, a short form series based on Zootopia (coming in 2022)
  • Tiana, a new long-form musical series continuing 2009’s The Princess and the Frog (2022)
  • The Ice Age Advenures of Buck Wild (a spinoff of Ice Age, coming January 28, 2022)
  • Baymax! (an original series based on Big Hero Six, coming Summer 2022)
  • Cheaper By the Dozen (a movie presumably based off the 1950 and 2003 films, premiering in March 2022)
  • Disenchanted, the sequel to 2007’s Enchanted (Fall 2022)

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  • Diary of a Wimpy Kid (which is getting yet another revision) (December 3, 2021)
  • Diary of a Wimpy Kid: Rodrick Rules
  • The Beatles: Get Back (November 25, 2021)
  • Chip ‘n Dale: Rescue Rangers (Spring 2022)

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  • Better Nate Than Ever (Spring 2022)
  • Hocus Pocus 2 (Fall 2022)

  • Pinocchio (the next live action reimagining, coming Fall 2022 with Tom Hanks and Robert Zemeckis)
  • Limitless with Chris Hemsworth (from National Geographic, coming 2022)
  • Welcome to Earth (a National Geographic series with Will Smith, coming December 8, 2021)
  • America the Beautiful (from National Geographic, coming 2022)
  • Sneakerella (an original movie, coming February 18, 2021)
  • The Proud Family: Louder and Prouder (February 2022)
  • High School Musical: The Musical: The Series: Season Three (2022)
  • The Spiderwick Chronicles (a new live-action series)
  • Willow, a series following the 1988 film (2022)

We’ll probably get more information at the Disney Investor’s Call, but it’s good to see what’s in the hopper for many of our favorite franchises and properties. Also remember what came from last year’s investor call. All of those things are still on the horizon, including more Marvel and Star Wars content.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Amok! Amok! Amok!

Culture on My Mind

Culture on My Mind
Amok! Amok! Amok!
November 12, 2021

It’s been 28 years and the Dragon Con American Sci-Fi Classics Track is celebrating! 

In 1993, Walt Disney Pictures delivered a tale of a curious youngster who moves to Salem, Massachusetts. You know, home of the famous witch trials. He struggles to fit in with his peers and then awakens a trio of diabolical witches that were executed in the 17th century.

The film showcases the over-the-top performances of Bette Midler, Sarah Jessica Parker, and Kathy Najimy as the Sanderson sisters and was a fun and touching tale. It has a lasting legacy and, as of this year, has a sequel in development.

On November 4th, the panel of ToniAnn Marini, Denise Lhamon, Alison Richards, and Elizabeth Jones braved the spooky house to pet Binx, light the Black Flame Candle, and generally run amok on an odd anniversary of a beautifully bizarre experience. After all, Halloween may have already passed, but the Classics Track honors spooky season all year round.

 


These Classic Track Quarantine Panels will be held once every two weeks. If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

The future holds an inquisitive birthday tradition, a potluck dinner, and a feast of franchises. You can find this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp – A Roddenberry Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #231: The Wedding of River Song

Doctor Who: The Wedding of River Song
(1 episode, s06e13, 2011)

Timestamp 231 The Wedding of River Song

A wedding, two funerals, and a question.

Prequel

A digital clock flickers on a computer screen, bouncing between 05:02:57 PM and 05:02:58 PM. Two soldiers patrol the corridors in Area 52, looking into supposedly empty tanks on their rounds. The tanks are not empty, however, but instead each contain a Silent. Behind a barricaded wooden door in a room containing an ancient Egyptian sarcophagus, a familiar woman stands in a black suit. She is River Song, wearing an eyepatch over her right eye. She smiles as the ominous nursery rhyme ushers out the scene.

Tick tock, goes the clock,
Tick tock, goes the clock,
Tick tock, goes the clock…
Doctor, brave and good.
He turned away from violence.
When he understood
The falling of the Silence.

The Wedding of River Song

It’s a weird timeline. Cars are flying on hot air balloons, the War of the Roses enters its second year as London picnickers are warned not to feed the pterodactyls, and Charles Dickens is interviewed on television about his new Christmas ghost special. Holy Roman Emperor Winston Churchill returns to Buckingham Senate on his personal mammoth.

Uh, what?

The Emperor is not pleased about his conference with Cleopatra and he asks his Silurian physician, Malokeh, for the time. It’s 5:02pm on April 22, 2011. Emperor Churchill is troubled by this news, despite the fact that it has always been the same date, so he summons his soothsayer from the Tower. He demands an explanation about what has happened to time. The Doctor raises his head and replies, “A woman.”

Some time before, the Doctor addresses a video receptor in a dark and damaged room.

“Imagine you were dying. Imagine you were afraid and a long way from home and in terrible pain. Just when you thought it couldn’t get worse, you looked up and saw the face of the devil himself… Hello, Dalek.”

The Dalek Supreme is damaged beyond repair, so the Doctor takes it apart and scans its memory banks for any information regarding the Silence.

At a different time, now on the docks of Calisto B, the Doctor arrives at a bar and asks for Father Gideon Vandaleur. He offers the eyestalk from the Dalek Supreme as a calling card. Once he meets Father Vandaleur, once an envoy of the Silence, he uses his sonic screwdriver to reveal the Teselecta. The Father has been dead for six months, and he wants to speak to the shapeshifting ship’s captain. He wants to know about the Silence’s weakest link.

Using that information, he tracks down Gantok and challenges him to a game of live chess. The next move will kill Gantok, but the Doctor is willing to trade the victory for information. He wants to know why he has to die, and apparently Dorium Maldovar has the answer. Dorium was beheaded at Demon’s Run, but the Headless Monks have stored the leftovers in the Seventh Transept.

Dorium’s head is kept in a box, a luxury for the richest victims of the Monks. Gantok tries to kill the Doctor but instead falls into a trap with ravenous skulls. After the Doctor seals the trap, he addresses Dorium. The beheaded head explains that it was easier to create a fixed point in time to ensure that the Doctor would die without fail. If the Doctor lives, then…

“On the fields of Trenzalore, at the fall of the Eleventh, when no living creature can speak falsely or fail to answer, a question will be asked. A question that must be never, ever be answered.”

The Silence must fall when the question is asked. It is the first question, hidden in plain sight, but the Doctor doesn’t know it. Dorium asks if he wants to, and the Doctor nervously agrees. After he hears it, the Doctor takes Dorium’s head to the TARDIS and sets a course.

All of this is the tale that the Doctor tells Emperor Churchill. He talks to the emperor about it as they stroll through the Roman Senate. The emperor produces a revolver, claiming that the Soothsayer is dangerous company. The Doctor, noting a mark on his arm, agrees.

Back to the story, the Doctor continues his farewell tour. However, once he finds out that the Brigadier has died, he finally accepts that his time has come. He produces the invitations in the blue envelopes and asks the Teselecta to deliver them. He’d do it himself, except that it would mean crossing his own timestream.

He goes to Lake Silencio. He meets Amy Pond, Rory Williams, and River Song. They drink a bottle of wine that Napoleon threw at him. The impossible astronaut rises from the lake. He goes to meet it after ordering his companions to stay back. This time we see that River Song is in the suit, unable to fight the plan in motion.

He explains that she won’t remember murdering him, but she will serve time for this crime that she can’t remember and committed against her will. He forgives her unconditionally and closes his eyes as his destiny arrives.

Except that it doesn’t. Instead of three blasts, there are five as River drains the suit’s power. The fixed point in time is subverted, resulting in the time track being derailed. In the future(?), Emperor Churchill and Doctor Soothsayer appear to be defending themselves with the revolver and a spear. While they can’t remember the Silence, they are surrounded by them.

They are saved by Amelia Pond, now wearing an eyepatch and in command of a platoon of soldiers. She shoots the Doctor point-blank. Luckily, it was only a stun bolt, and when the Doctor awakens on a train, he finds that Amy is only playing along. She returns the Doctor’s suit to him and start to plan.

Thanks to the crack in time, Amy has memories of alternate timelines but cannot recall that Captain Williams is really her husband.  Amy wonders if things can stay like they are, but the Doctor tells her that this mess, currently confined to Earth, will spread into the universe until all of reality disintegrates. Through it all, the Doctor continues to age because he is the focal point.

The train arrives at Area 52, housed within the Great Pyramid of Giza. The Doctor is given an eyepatch – an Eye Drive to remember the Silence when spotted – and walk past tanks of Silents that are uncharacteristically fixated on the Doctor. They arrive in the King’s Chamber and meet River Song and a captive Madame Kovarian.

After a bit of taunting, the Doctor grabs River’s arm, forcing time to start moving forward again. They appear back on the shores of Lake Silencio, but it all vanishes again when River pulls away and orders the Doctor to be restrained.

This is the moment when the Silents spring their trap. They’ve been waiting for the Doctor to arrive so they could break free and kill him. Kovarian reveals that the Eye Drives are designed to kill their users, though the Silence turns on her as well. Rory stays to hold off the Silents while River, Amy, and the Doctor ascend the pyramid to see what River has built as a contingency plan. The Silents descend on Rory, taunting him until Amy remembers who he is and destroys the Silents with a machine gun.

Amy then reveals that she remembers what Kovarian did to her and her daughter Melody. She ensures that Kovarian’s Eye Drive is properly affixed, then leaves her to die.

At the top of the pyramid, River reveals a distress beacon that she built with her knowledge as a child of the TARDIS. The message – “The Doctor is dying. Please help.” – is being broadcast to the universe in the past, present, and the future. The universe has been replying, despite the Doctor’s desire to close himself off from all of it, offering to help because he has helped them so many times.

River wants the Doctor to survive more than anything else in the universe. The Doctor, realizing that there is only one way to pacify River, uses his bow tie to marry her in a rushed ceremony. He whispers a secret into his bride’s ear and tells her she must never tell anyone what he has just told her.

As she looks at him in wonder, the Doctor asks for her help. They kiss and time is reset. River shoots the Doctor three times on the shore of Lake Silencio, preventing his regeneration, and the alternate timeline vanishes.

Later, River joins Amy for a bottle of wine. River has just come from the Byzantium mission and Amy is in the relative present. Amy is wracked with guilt and would love to talk to the Doctor about it, but she cannot. River, however, reveals the Doctor’s final secret, which they also tell Rory when he arrives home. They dance with joy until Amy realizes one fundamental truth: She is now the Doctor’s mother-in-law.

In the Seventh Transept, a monk returns Dorium’s head (and box) to its proper pedestal. The monk reveals himself as the Doctor, having hidden himself in the Teselecta. That was the secret he told River. The Doctor realizes that he’s become too big and noisy, so it’s time to step back into the shadows. While River serves her days in Stormcage, the Doctor admits that her nights are between him and her.

Dorium will keep the Doctor’s secrets, but warns that Trenzalore still awaits him. As does the question.

The first question.

The question that must never be answered.

The question that the Doctor has been running from his entire life.

“Doctor who?”


So, it is possible to bypass a fixed point in time because they did it twice here.

I will say, though, that the idea was a clever way to tie all the various pieces together and, like Father’s Day, an avenue to explore the fragility of time. The solution is a literal deus ex machina and a bit of a cheat, exchanging one fixed point subversion for another. The second one is okay though, I guess, because it’s in the screenplay. Or the way things were supposed to roll out?

The very nature of this story demands callbacks, many of which have already been mentioned above. As if those weren’t enough, the alternate Amy’s drawings served as a moment of rapid-fire nods from her temporal travels to date. They included the Krafayis, the Weeping Angels, the Saturnyns, the Daleks, the Minotaur, the Cybermen, the Smilers, and a self-portrait of her time in pirate garb. The major callback, of course, Amy’s partial protection from temporal fluctuations based on her long-term exposure to the crack from last season.

The Question is a running gag in the franchise, recently highlighted in Silver Nemesis and The Girl in the Fireplace, and has been in play since An Unearthly Child. I feel like the big gag here defuses a bit of the victory by sticking its tongue out at the audience. Here we are, basking in the glow of a major win that sidestepped the Doctor’s death and the destruction of the universe, and our closing thought is a corny meta joke.

As we’ve seen before, the question works as the occasional gag, but making it a major fixture of the franchise’s mythology feels like a bit of shark-jumping. It’s easily fixed, too. The point is the Doctor’s real name, so instead of “Doctor who?”, how about “Who is the Last of the Time Lords?” or something similar?

One last note on the first funeral of two: The Doctor’s new hair takes some getting used to.

Finally, I really loved the farewell for Alistair Gordon Lethbridge-Stewart and the actor who brought him to life, Nicholas Courtney, who died eight months before this tale originally aired. Part of the episode was set in Cairo, the city of Courtney’s birth. Eyepatches were prevalent all around, referring to a favorite anecdote of his from Inferno. The Doctor was told that the Brigadier died peacefully in his sleep, which was directly from the Seventh Doctor’s prophecy in Battlefield.

That last one was a tearjerker, particularly with the news that the Brig waited patiently for the Doctor’s return with a spare glass of brandy at the ready. They may have sparred quite a bit since the day that they met, but both characters had a deep respect for each other.

Goodbye, Brigadier.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: Night and the Doctor

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – The Spoopy Pages

Culture on My Mind

Culture on My Mind
The Spoopy Pages
November 5, 2021

Halloween may be over, but the fine folks at the Dragon Con American Sci-Fi Classics Track have one more treat to offer. 

On October 21st, the erudite panel of Michael Williams, Toni Ann Marini, and Keith DeCandido joined Joe Crowe to read from their favorite scary movie novelizations. Michael Williams brought a selection from Cabin in the Woods, Toni Ann Marini chose the classic gem Plan 9 from Outer Space, and Keith selected from his own library with Resident Evil: Apocalypse.

Oh, and Joe Crowe? He picked Fangface: A Time Machine Trip on a Pirate Ship, a real novelization of a real episode of Fangface. That was a Scooby-Doo-esque Saturday morning cartoon show produced by Ruby-Spears Productions for ABC. I’m a bit surprised that they made novelizations from a Saturday morning cartoon, but there are also novelizations of James Bond Junior.

 


As I mentioned last go round, these Classic Track Quarantine Panels will be held once every two weeks. If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

The future holds a 28th anniversary special about a movie run amok, an inquisitive birthday tradition, a potluck dinner, and a feast of franchises. You can find this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp – A Roddenberry Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp Special #12: Death is the Only Answer

Doctor Who: Death is the Only Answer
(1 episode, Doctor Who Confidential Special, 2011)

Timestamp S12 Death is the Only Answer

The Doctor meets one of the greatest physicists of our time.

The Doctor celebrates the acquisition of a new fez formerly owned by his old friend Albert Einstein. He trips, knocking the fez out of his hands as he trips a lever on the console. A time portal appears and a bewildered Einstein stumbles through it with the fez.

Einstein has been working on the science of time travel, sure that the green liquid in his flask is the key. The Doctor scans the flask and tells Einstein that he is wrong. Unfortunately, the flask bubbles over and splashes its contents on the physicist’s face, transforming him into an Ood. An Ood with a message: “Death is the only answer.”

The Doctor generates an energy field that returns Einstein to normal… except for his hair, which is now standing on end. The Doctor drops Albert back at September 18, 1945, and flies on, unaware that a splash of Einstein’s liquid remains on the console room floor.

The liquid twitches.


This is a short and sweet episode with a fun premise and a great origin story. Doctow Who Confidential and BBC Learning teamed up with a contest that challenged students to write a script for a short episode. The winners were Adam, Daniel, Katie, and Ben, Year Six students from Basingstoke credited collectively as The Children of Oakley Junior School.

The episode itself debuted as part of When Time Froze on Doctor Who Confidential. It pulls from popular elements of the revival era (the fez, in particular) and previous mentions of Albert Einstein in the classic era (Four to Doomsday, The Stones of Blood, and Time and the Rani).

It’s a fun and cute episode, though the dangling thread of the strange liquid is a mean tease. I also appreciated the ominous Ood tie back to the ongoing thread: “Death is the only answer.”

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Wedding of River Song

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Rabbit Rabbit – November 2021

Rabbit Rabbit
November 2021

Rabbit, rabbit!

Since at least 1909, a superstition has lived in North American and the United Kingdom that if a person says or repeats the word “rabbit” upon waking up on the first day of the month, good luck will follow for the remainder of that month.

Elements of the tradition exist in the United Kingdom, New England, and even in various First Nation cultures.

While I’m not necessarily endorsing the superstition, it provides a way to look in depth at each month of the year, from history and observances to miscellaneous trivia. The topic this month is November.

History

November is the eleventh month of the year, but it used to be the ninth in the old calendar of Romulus. That’s where November got its name, stemming from the Latin novem for “nine”.

Roman observances for November included Ludi Plebeii (November 4–17), Epulum Jovis (November 13), and Brumalia (starting on November 24). These dates do not correspond to the modern Gregorian calendar.

Anglo-Saxons also referred to November as Blōtmōnaþ. This stemmed from the Anglo-Saxon scholar Bede in his treatise De temporum ratione (The Reckoning of Time), in which he stated that “Blod-monath is month of immolations, for it was in this month that the cattle which were to be slaughtered were dedicated to the gods.” An entry in the Menologium seu Calendarium Poeticum, an Anglo-Saxon poem about the months, explains that “this month is called Novembris in Latin, and in our language the month of sacrifice, because our forefathers, when they were heathens, always sacrificed in this month, that is, that they took and devoted to their idols the cattle which they wished to offer.”

In the French Republican Calendar, November fell in the months of Brumaire and Frimaire. Brumaire was the second month of the autumnal quarter (mois d’automne) in that calendar, named after the French word for fog, brume, since it is prevalent during that time. Brumaire spanned October 22-24 to November 20-22. Frimaire was the third month, named for the frimas, the French word for frost. It spanned November 21-23 to December 20-22.

Observances

November is the Month of Holy Souls in Purgatory in the Catholic Church. It also includes Academic Writing Month, Annual Family Reunion Planning Month, Lung Cancer Awareness Month, Movember (the annual growing of mustaches to support men’s health issues), Pancreatic Cancer Awareness Month (in the United Kingdom), Pulmonary Hypertension Awareness Month, and Stomach Cancer Awareness Month.

The United States, specifically, also observes COPD Awareness Month, Epilepsy Awareness Month, Military Family Month, National Adoption Month, National Alzheimer’s Disease Awareness Month, National Blog Posting Month, National Critical Infrastructure Protection Month, National Entrepreneurship Month, National Family Caregivers Month, National Bone Marrow Donor Awareness Month, National Diabetes Month, National Homeless Youth Month, National Hospice Month, National Impaired Driving Prevention Month, National Pomegranate Month, and Prematurity Awareness Month.

Of particular import to my family is Native American Heritage Month. This observance aims to provide a platform for Native people in the United States to share their culture, traditions, music, crafts, dance, and ways and concepts of life. It also provides an opportunity to express to their community, city, county, and state officials their concerns and solutions for building bridges of understanding and friendship in their local area. It was declared by President George H. W. Bush on August 3, 1990.

National Novel Writing Month also occurs throughout November. Commonly known as NaNoWriMo, this month offers writers of all experience levels a challenge to write 50,000 words on a single project. A word count of 40,000 officially makes a novel, but 50,000 is the typical minimum. Most novels span 60,000 to 100,000 words, but the 50,000 target provides a good milestone and challenge, especially for those who are not used to writing so many words consistently.

On the astronomical front, November meteor showers include the Andromedids (September 25 to December 6, with a peak around November 9-14), the Leonids (November 15-20, the Alpha Monocerotids (November 15-25, peaking on November 21-22), the Northern Taurids (October 20 to December 10), the Southern Taurids (September 10 to November 20), the Phoenicids (November 29 to December 9, peaking on December 5-6), and the Orionids (spanning late October into November).

Trivia

  • November’s birthstones are topaz (particularly yellow, which symoblizes friendship) and citrine (a variety of quartz that symbolizes prosperity).
  • The western zodiac signs of November are Scorpio (until November 21) and Sagittarius (November 22 onwards).
  • The month’s birth flower is the chrysanthemum.

Rabbit Rabbit is a project designed to look at each month of the year with respect to history, observances, and more.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #230: Closing Time

Doctor Who: Closing Time
(1 episode, s06e12, 2011)

Timestamp 230 Closing Time

Here to help!

At the Sanderson & Grainger store in Colchester, Kelly and Shona prepare to close up for the night. Kelly is late for a date, so Shona offers to take her duties. Shona is perturbed that a customer is still in the changing rooms and is not amused at the flickering lights throughout the store.

Elsewhere, Craig Owens escorts his wife out the door for a weekend getaway, intent on showing her (and everyone else) that he can handle things on his own while she’s gone. Sophie has called a few people to check in on Craig, but he calls them back and tells them not to worry. He hears a knock at the door and, believing that Sophie has come back, answers it. To his dismay, his guest is none other than the Doctor.

His guest doesn’t like the new decor. Or the inexplicable power surges.

When he investigates, he finds a baby. Sophie and Craig’s baby.

Shona, on the other hand, finds a Cyberman. Surprise!

Craig tells the Doctor that he really can’t handle the baby. Alas, there are no off switches, but the Doctor has a secret weapon: He speaks baby.

It turns out that Alfie, the baby boy, prefers to be called Stormageddon, Dark Lord of All. Sophie is “Mum”, Craig is “Not-Mum”, the Doctor is “also-not-Mum”, and everyone else is merely “peasant”.

The Doctor says that Craig’s place is one more stop on his great farewell tour, of which he has spent a considerable amount of time waving at the Ponds through history. He sets out to visit the Alignment of Exodor, trying desperately to not notice the oddities around him. His curiosity gets the best of him, however, and he ends up as a toy salesman at Sanderson & Grainger. Nametag and all.

Craig is surprised to see the Doctor demonstrating a remote control helicopter. The Doctor explains that he’s living in the moment, even introducing Craig to Yappy the robot dog (which is nowhere near as fun as other robot dogs he knows). His attention is drawn to a silver blur, and when Craig asks, the Doctor alludes to several missing people and the ongoing power fluctuations. The Doctor ushers Craig out, but is convinced by Stormie to explain the teleporter. The teleporter in the elevator which soon whisks them away to wherever the Cybermen are hiding. The Doctor reverses it and starts searching, begging Craig to take Alfie and go, but Craig refuses. He believes in the Doctor.

The Doctor, Craig, and Stormie return to the store and investigate. The Doctor gets word of a “silver rat thing” from Val, the perfume saleswoman who thinks that he and Craig are a couple. Craig stalks the women’s department, completely missing the silver blur and getting in trouble with security. Craig gets bailed out by the Doctor (who is absolutely adored by the staff) and they both end up in the changing rooms where Shona was last seen.

Oh, and the silver rat is a Cybermat. Which makes these Mondasian Cybermen, not Cybus Cybermen.

Craig wanders off to change Alfie. In the meantime, the Doctor spots Amy and Rory. Amy has become a bit of a celebrity thanks to her perfume ads, and is surprised that a little girl wants her autograph. The Doctor beams with pride as he avoids being seen.

After closing, the Doctor, Craig, and Stormie go hunting for Cybermats. They find one, teeth and all, then follow screams to security guard George. A Cyberman knocks the Doctor out with an electrical charge and takes George’s body away. The Doctor is confused as to how the Cybermen repaired the teleport so fast.

The team regroups at Craig’s house. The Doctor whips up a science experiment and gives Alfie a pep talk, realizing that it is his old age talking. In the meantime, the Cybermat reactivates and attacks the adorable duo. Unfortunately, the Doctor locks himself and Alfie outside without the sonic screwdriver. The Doctor tries to warn Craig, but the Cybermat wreaks havoc. One broken back door and a recalibration of the sonic later, the Cybermat is disabled.

While dissecting the Cybermat with a normal screwdriver and a loupe, the Doctor laments his position. Tomorrow is the day that the prophecy – “Silence will fall when the question is asked”, even though he has no idea what the question is – descends upon him. Craig falls asleep and the Doctor goes back to the store to hunt with his new friend Bitey the Cybermat.

The Doctor finds what he’s looking for behind a mirror in the changing room, descending down a tunnel into the foundation of the store. Craig follows the Doctor, leaving Alfie with Val, as the Time Lord explores the cyber ship and is captured. The Cybermen don’t find the Doctor to be compatible, but start conversion of Craig into the new Cyber Controller. The Doctor pleads with Craig to think of Alfie as the helmet seals around his face.

Alfie’s cries across an open CCTV channel reawaken Craig’s emotions, breaking him free of the conversion and starting an emotional feedback loop in the Cybermen. Their heads literally explode and the ship blows up as Craig and the Doctor use the teleport to return to the elevator.

Oh, and Bitey? He didn’t make it.

The day saved and the “companion” miscommunication nearly resolved, the Doctor spirits away. He uses the TARDIS to help tidy up Craig’s house. He also reveals that Stormie prefers the name Alfie now, and also refers to Craig as “Dad”. The Doctor borrows some blue stationery and Craig offers him a Stetson.

Sophie returns, Alfie has a first word, and the Doctor moves on. He says hello to some kids, an event that is somehow chronicled in the records at Luna University in the 52nd century. There, River Song encounters Madame Kovarian while doing research. Kovarian and her Silence companions reveal that they have locked out part of her memories, relating the story of an impossible astronaut.

River is sedated against her will and dressed in a spacesuit. She awakens under Lake Silencio.

She’s destined to kill the Doctor.


On the one hand, this is a good dramatic break from the tension developed over the last four episodes. It does a decent job of connecting the dots leading into the finale, making it less of a filler story than its predecessor. On the other hand, the downsides here are pretty big.

First, James Corden isn’t particularly funny here, which acts as an anchor around this story’s neck. Second, and perhaps more damning, is how this story defangs the Cybermen. The Cybermen haven’t been a central figure in a story since the David Tennant era. The last time was The Next Doctor, but the last truly impactful stories were all the way back in Series Two with Army of Ghosts & Doomsday and Rise of the Cybermen & The Age of Steel.

The Cybermen here are, frankly, on the same level as The Next Doctor without the humor, the heart, or even the absurdity. They only serve to assimilate random victims and get blown to kingdom come as a function of the formula. They aren’t menacing, and they certainly don’t march anywhere. They’re nothing more than a prop.

I do appreciate several moments in this story.

  • The Doctor’s telepathy makes a comeback as he quiets people with a simple command.
  • The “I don’t like it” review of redecoration is a fun running gag from The Three DoctorsThe Five Doctors, and Time Crash.
  • The concept of another farewell tour, this one spanning 200 years or so.
  • The acknowledgement that the Doctor always offers a choice to his enemies. In fact, some of the best stories present the enemy failure as their own undoing.

We also see how what Pond life is like without the Doctor. It seems they’re doing well enough. The use of petrichor was a nice touch.

But in the effort to set this series up for a home-stretch sprint, this light-hearted episode stumbles while rounding the curve.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Doctor Who: Death is the Only Answer

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Hobbes in Bloom County

Culture on My Mind

Culture on My Mind
Hobbes in Bloom County
June 25, 2021

Growing up, I loved reading the comics pages in my local newspaper, the Standard-Examiner. It’s the third largest newspaper in Utah, coming in behind The Salt Lake Tribune and Deseret News, and while the funnies fluctuated over the years, one of my staples was Calvin and Hobbes during its 1985 to 1995 syndicated run.

There was something magical about a boy and his imagination just having fun. 

So, you can only imagine that I was amused to see Berkeley Breathed pay tribute to Bill Watterson’s creation and legacy in Bloom County. Bloom County ran from 1980 to 1989 and examined cultural and political events through the viewpoint of a fanciful small Middle American town. The children think and speak like adults and the talking animals often act as satirical foils. To be honest, it was a bit above my level in the ’80s, but it became particularly poignant when it was revived by Breathed in 2015 on Facebook. 

That’s where this tribute to Bill Watterson, Calvin and Hobbes, and the power of imagination was presented earlier this year. I hope it touches your soul like it did mine.

 


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #229: The God Complex

Doctor Who: The God Complex
(1 episode, s06e11, 2011)

Timestamp 229 The God Complex

The Doctor meets The Shining.

Policewoman Lucy Hayward roams the halls of what appears to be a 1980s vintage hotel. Each room she checks holds a manifestation of a fear, and the visitors must wander the halls until they find their specific room. After that, it becomes clear – “Praise him.” – before the fear kills them.

Our traveling trio arrives at the hotel and sees a series of photos with strange captions (which we know correlates to the killing fear) before meeting Rita (a human nurse), Howie (a human computer geek), and Gibbis (a cowardly, mole-like alien from the planet Tivoli). They have all been taken from their normal lives and deposited in this endlessly shifting maze on the planet Ravenscala.

To make matters worse, the TARDIS has vanished.

The three survivors also tell the Doctor about Joe, a delusional man who is tied up in the ballroom with a host of laughing puppets. Joe has “seen the light” and is willing to accept his fate because only “he” matters. Joe explains that everyone has a specific room and asks to be left behind, but the Doctor puts Joe’s chair on a luggage cart and brings him along.

The team decides to look for a way out, pledging not to leave anyone alone at any time. Howie finds a room full of twenty-something girls who mock his nerdiness and stutter, but is saved by the Doctor and Rory. Amy finds Lucy Hayward’s notes, but can’t show the Doctor before the roaring beast approaches and sends the team scattering.

Rita and Joe enter a room to find Rita’s father scolding her about grades. She begins to “praise him” as Amy, Rory, Howie, Gibbis, and the Doctor enter a room to find a pair of Weeping Angels, but the Doctor quickly ascertains that they are not real. The Doctor peeks through the door’s peephole to see the beast. The beast goes after Joe, whose bindings are loosened telekinetically, and hauls the man away before killing him.

The group returns to the ballroom, presumably the safest place now, and Amy consoles Gibbis. Gibbis notes that if the Weeping Angels were meant for him, then Amy’s room is still out there. Meanwhile, Rita and the Doctor discuss Joe’s death and the situation. She believes that the hotels is Jahannam, the Muslim version of Hell. Amy takes the moment to show Lucy’s notes to the Doctor. When the Doctor mentions the words “praise him”, Howie repeats them and the beast awakens.

Gibbis suggests that the group sacrifices Howie to save everyone, but the Doctor says that all of them are getting out alive. Theorizing that the beast feeds on fear, the Doctor tells the others that they must do whatever they can to fight the fear off in any way they can. Amy wonders about the next move, and the Doctor explains that they’re going to catch the monster.

Using a speaker, the Doctor lures the monster into the hotel spa. Amy, Rory, and Rita block the exits, locking the creature in the spa as the Doctor begins talking with it. The beast is a Minotaur and the hotel is a prison. The Minotaur has lived so long that it has forgotten its own name, but it wants the cycle to stop so it can get some peace.

Unfortunately, Howie (who was being watched by Gibbis) gets free and the Minotaur gives chase. While the team looks for Howie, Amy enters a room and finds her fear. Howie is soon found, dead, and Gibbis begs for forgiveness after losing track of him.

Rory and the Doctor share a moment in front of Howie’s picture. Rory hasn’t found his room yet, and the Doctor interprets that Rory isn’t afraid of anything. Rory replies, “After all the time I spent with you in the TARDIS, what was left to be scared of?” The Doctor is sad that Rory said it in the past tense.

The Doctor talks with Rita, who notes that the Doctor has a God complex. The Doctor watches Amy and realizes that he feels guilty for bringing them to a place with a real danger of killing them. He offers Rita a place on the TARDIS before spotting a security camera and going in search of the security room, missing the fact that Rita has been afflicted by her own fear.

The Doctor finds his own room, Room 11, and faces his fear. The reflection in his eye reveals it as the crack in time, forcing him to smile as the Cloister Bell sounds and remark, “Of course. Who else?” He hangs a Do Not Disturb sign on the door and moves on.

Entering the security room, he watches as Rita navigates the halls. He dials a nearby room and waits for Rita to pick up the phone, discovering that she’s been affected. She wants the Doctor to remember her as she was, and as the Doctor is joined by Amy and Rory, Rita says goodbye and succumbs to the Minotaur.

Devastated, the Doctor hangs up the phone and turns off the camera. In a fit of rage, he later realizes that his theory was wrong. Rita was not afraid of her death, so the fear couldn’t be the driver. Instead, it was faith.

Howie believed in conspiracies, Rita was a devout Muslim, Joe was a gambler who believed in luck, and Gibbis believes in the continued presence of invaders who will tell him what to do. The Doctor laments that his has inadvertently helped the Minotaur by insisting that everyone reject their fear and fall back on their faith.

He tells a confused Rory that the TARDIS was pulled to the hotel – which is, in fact, an alien prison – because of Amy’s faith in the Doctor. Rory has no faith to consume.

Since Amy has seen her fear, she suddenly begins the mantra: “Praise him.”

The team then flee through the hotel as the Minotaur pursues them. They end up in the room with Amy’s fear: Her seven-year-old self waiting for the Doctor. The Time Lord laments stealing her childhood, revealing that he took Amy in the TARDIS because he was vain and wanted to be adored. He tells her to let go of her faith in him, calling her Amy Williams, and suggests that she allow herself to stop waiting for her Doctor. He is, after all, just a madman in a box.

The Minotaur collapses in the hallway and the illusion dissolves, revealing an alien prison is revealed. The automated system kidnaps people with belief systems and feeds the creature. The dying Minotaur passes a message to the Doctor, expressing his pity for “an ancient creature drenched in the blood of the innocent”, because “for such a creature, death would be a gift.” The Minotaur tells the Doctor that he wasn’t speaking of himself, but rather the Time Lord who saved him.

Refusing to tell Amy what he saw in his own room, the Doctor returns Amy and Rory to Earth. He presents them with their own home and Rory’s favorite car, and Amy knows that he is leaving them behind. She asks why and he responds that it’s because they’re still breathing. He doesn’t want to wait to say goodbye until he’s standing over their graves.

After a tearful farewell, the Doctor leaves. Rory watches the TARDIS dematerialize and wonders where he’s gone, but Amy simply says that he is saving them.

Later that night, Amy watches the sky from her bedroom window. The Doctor looks around the empty console room as he prepares to travel alone.


This was quite the ride that brought us full circle from The Vampires of Venice. Recall that, on his first journey in the TARDIS, Rory believed that the Doctor’s companions placed themselves in danger to impress the Time Lord. This adventure confirmed that first impression, and finally brought the Eleventh Doctor’s fears in that regard to a head.

It’s a common thread with writer Toby Whithouse, whose pen graced this story, Vampires, and School Reunion, all of which played with this concept.

The story here, which we first think is an obsession with facing fears, but actually is an obsession with faith, was fun to explore. It was also thought-provoking to find that there was nothing evil behind the scenes. There’s a lot to digest with an automatic system that has a mission to maintain those under its charge, even to the point of killing innocent people, and that its been doing this for such a very long time.

This story had a few franchise ties, including one that linked Amy to Ace with the Doctor saving a companion’s life by forcing her to lose faith in him. The Seventh Doctor tore Ace apart emotionally in The Curse of Fenric, opening the door for a victory. Another was exploring the Doctor’s fears, which we saw in The Mind of Evil and Inferno, and the Doctor seemed unmoved by the revelation of what he feared most at this particular point. Strangely, it didn’t seem to be his own death at Lake Silencio, which has been taking up a lot of his bandwidth since The Impossible Astronaut.

We have seen minotaurs before (The Mind Robber and The Time Monster) and we’ve seen the “distant cousin” in The Horns of Nimon, a story that I called “downright painful”.

From this point forward, we get to find the answer to the question that sprung from The Girl Who Waited: Amy loved being Amy Pond in the TARDIS with Rory Williams, but what happens when they stop traveling with the Doctor?

Obviously, Amy misses it already.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: Closing Time

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.