State of Creative Criticality – November 2023

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State of Creative Criticality
November 2023
November 15, 2023

Where have I been?

It’s a great question, and the answer is pretty simple. My day job has taken up the vast majority of my bandwidth over the last few months with a massive high-visibility project on a tight deadline. Imagine taking a process that should take several years and safely fast-tracking it in far less time while still maintaining the expected quality and making a profit for my employers.

Something had to give. That something was my work here. But as the day gig’s needs start to loosen a bit, I can spare a few more spoons (or spell slots, if you will) at Creative Criticality.

I appreciate your support and your patience as I continue to explore pop culture and the world around us both critically and creatively.

So, where do we go from here?

Timestamps

I placed the Timestamps Project on hiatus during the writers’ and actors’ strikes, but I’m ready to pick up again with Arachnids in the UK, more than likely around the Doctor Who 60th anniversary. There are 26 entries remaining in the Thirteenth Doctor’s era, and by the time this website catches up to the actual show, it will be closer to 30 entries.

After that, the Timestamps Project will become a bit more – ahem – timely as I cover each season/series as it finishes. I still want to keep the slight delay in place to keep the spirit of the project, though.

In the meantime, I’m considering some options for rewatches of other series. I keep toying with the idea of covering Star Trek like this, but I also need a bit of a break from 60-year-old franchises. I’m thinking smaller and something with fewer seasons.

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This semi-regular look at topics that I “just can’t let go of” will continue as well. I’m always on the lookout for good topics to muse about, as well as promoting the good things my friends do in the creative space. This topic ends up being a kind of catch-all for whatever pop culture or real-world topic is on my mind.

Among those topics is Narrative Diversons, the quarterly discussion on what I’ve been watching, reading, and playing. Expect the end-of-the-year edition to include from Autumn 2023 as well as those movies and television items from Summer 2023 that I didn’t discuss due to the strikes.

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This series takes a lot of time to research and prepare, which is why it often falls to the back burner, but it is also important to me because of my history, education, and experience. It’s not going away anytime soon.

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Similarly, this series will continue. It’s another time-consuming one to write, but I love to cook for those I care about. With my schedule running the way it has been this year, my meals have been reduced to a repeating regimen of easy-to-remember and easy-to-cook items. All still healthy, but lacking in experimentation.

Other Items

Before my schedule flew out the window and exploded, I submitted short works to two publications. Those will be coming soon from their respective houses.

2023 Pubs

I contributed a short humorous essay for the tenth-anniversary edition of Outside In, a series published by ATB Publishing. Celebrating 10 years of the book series and 60 years of Doctor Who, this book looks at 163 adventures from the classic era as a celebration of both the television show and the book series inspired by it. It is available for pre-order with a release date of November 23, 2023. You can find the pre-order and more information at ATB Publishing.

I also contributed to Dragon Tales, the charity anthology edited by Michael Gordon. Dragon Tales is a benefit book celebrating Atlanta’s largest multi-media pop culture convention for fans by fans. It contains stories, essays, memories, pro-tips, and more by folks who honor Dragon Con in their heart and try to keep it all the year. I previously mentioned this in September, and a release date is still forthcoming.

Last, but certainly not least, I also have a project that’s been simmering for years and was inspired by friends Bethany Kesler and Gary Mitchel at Wholanta 2018. It’s been a while, obviously, but I really want to pick that up again.


Anyway, I’m not dead (yet) and neither is Creative Criticality. If there was a way to pay the bills by simply keeping the lights on here and talking culture all day, I’d do it, but sometimes the day gig calls and I have to answer.

Thanks again for sticking around. I look forward to picking up the torch once again very soon.


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For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Quest for Sunshine Preservation (Autumn 2023 Edition)

Culture on My Mind

Culture on My Mind
The Quest for Sunshine Preservation
(Autumn 2023 Edition)

November 6, 2023

It’s that time once again.

Daylight saving time is the practice of advancing clocks by one hour in warmer seasons to make darkness fall at a later clock time. It is utilized in several countries around the world and the concept has caused controversy since the earliest proposals. To this day it affects the sleep patterns and productivity of those who practice it.

Many countries and territories abolished the practice after years of practice. The European Union conducted a survey in 2018 and determined that 84 percent of respondents did not want to adjust clocks twice a year. The EU was supposed to stop daylight saving time in 2021 but later asked for a more detailed assessment first.

The United States cannot abolish daylight saving time without federal approval. The practice was established in 1918 with the Standard Time Act and modified in 1966 with the Uniform Time Act (which itself has been revised several times). The government has attempted to abolish routine time changes several times, most recently with the Sunshine Protection Act. The legislation has been introduced multiple times and has died before being passed each time.

For more information (and some humor to brighten your day), check out this 2011 video from CGP Grey.

 


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Narrative Diversions (Summer 2023 Edition)

Culture on My Mind

Culture on My Mind
Narrative Diversions
(Summer 2023 Edition)

September 8, 2023

Narrative Diversions is a look at the various pop culture things I’ve been watching, reading, and playing over the last few months.


Movies and Television

As I mentioned back in mid-July, I stand with the members of the WGA and SAG-AFTRA as a creative who has seen fellow creators treated like garbage since they weren’t seen as valuable human beings. To that end, I will mention the films and shows that I have taken in during the last few months, but my thoughts on them will have to wait until the strike comes to a satisfying conclusion.

Remember that no one is forcing me to do this. I choose to do it because it is the right thing to do in support of my family and friends in the industry, those who create for themselves, and those who share their art with the world.

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Books

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Star Wars: Heir to the Empire – Timothy Zahn
Star Wars: Dark Force Rising – Timothy Zahn
Star Wars: The Last Command – Timothy Zahn
I originally read this series in 1994. I received them alongside the second edition of the Star Wars trilogy anthology, and I was amazed at the time that they were a continuation of the films. Notably, despite the timeline authorized by Lucasfilm (but not necessarily by George Lucas himself), they were the only books to be deliberately marketed as such in the former Expanded Universe.

The trilogy definitely holds up nearly twenty years later. I enjoy Timothy Zahn’s recent canon trilogies about Grand Admiral Thrawn that accompany the character’s appearances in Star Wars Rebels, and those stories do not detract from this original adventure in the least. Thrawn is still just as menacing and really puts the heroes through their paces. It’s no wonder that he is such a force in the modern era of the franchise.

If you have never read this trilogy and are a fan of Star Wars, give them a shot.

The President’s Club: Inside the World’s Most Exclusive Fraternity – Nancy Gibbs and Michael Duffy
This is a fascinating history book that explores the role of former Presidents of the United States as mentors and guides for sitting Presidents. There was a lot that I didn’t know about how this very exclusive fraternity works and some of the challenges they have collectively tackled.

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Star Trek: Deep Space Nine – Twist of Faith

  • Star Trek: Deep Space Nine – Avatar, Book One – S.D. Perry
  • Star Trek: Deep Space Nine – Avatar, Book Two – S.D. Perry
  • Star Trek: Deep Space Nine – Section 31: Abyss – David Weddle and Jeffrey Lang
  • Star Trek: Deep Space Nine – Gateways: Demons of Air and Darkness – Keith R. A. DeCandido
  • Star Trek: Deep Space Nine – Gateways: What Lay Beyond – “Horn and Ivory” – Keith R. A. DeCandido

It’s no secret that Star Trek: Deep Space Nine is my favorite Star Trek series, and I was excited to find out in 2001 that there were continuation novels. I remember reading and enjoying the two Avatar books by S.D. Perry, but I fell away afterward as my college studies and naval training took up my time. I recently picked up the Twist of Faith omnibus and enjoyed the five collected stories that follow the crew in the aftermath of “What You Leave Behind”. I’m also eager now to read the Gateways series and the rest of the Deep Space Nine series, especially to find out how Ezri and Kira’s lives progress from here.


Stage

ND Summer 2023 8Wicked – Broadway in Atlanta
This is the third time I have seen this musical – once in Memphis and twice in Atlanta – and it’s definitely one that I’ll go see every time I have an opportunity. I really like the extra dimensions that it adds to the classic Wizard of Oz movie while incorporating elements of the books. It’s also far better than the original Wicked novel. I was not a fan of that read at all.


Games

ND Summer 2023 9Legend of Zelda: Tears of the Kingdom – Nintendo Switch
I’m finally to the point when I can dive into the final matchup against Ganondorf. That’s where I left it before finding an Xbox Series X and changing gears a bit. I’m also eagerly awaiting what comes next in the coming months for this experience. Rumor says… maybe a DLC package?

Star Wars: Jedi Survivor – Xbox Series X
I really loved Star Wars: Jedi Fallen Order, and this sequel is a great improvement on it. The characters have all gone their separate ways and are forced to find each other when a threat from the High Republic era challenges the galaxy. Despite having fewer planets to visit, this game improves by encouraging exploration and questing. It’s fun trying to decide between the main story or the various side missions.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Dragon Tales

Culture on My Mind

Culture on My Mind
Dragon Tales
September 1, 2023

I am honored to be part of a collection of essays, stories, memories, and more about Dragon Con. I will be sure to let you know when this book goes on sale, and all proceeds go to some great causes in memory of some great people.

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Dragon Tales is a benefit book celebrating Atlanta’s largest multi-media pop culture convention for fans by fans. It contains stories, essays, memories, pro-tips, and more by folks who honor Dragon Con in their heart and try to keep it all the year.

Featuring contributions by Jerry Chandler, Joe Crowe, Kevin Eldridge, Michael Falkner, Esther Friesner, Bernadette Johnson, Rob Levy, Bobby Nash, Mary Ogle, James Palmer, Ashley Pauls, Alan Siler, Beth VanDusen, and DJ Spider. Edited by Michael A. Gordon. Cover art by Mary Ogle.

All proceeds of sales will be distributed to two charities in honor of two gentlemen, each of whom loved Dragon Con with all his soul.

Thom Trainor
American Heart Association
https://www.heart.org/

Darren Nowell
Lost-n-Found Youth
https://www.lnfy.org/

Dragon Tales will be available soon on Amazon.com and NewLegendProductions.com. Sadly, there will be no copies on hand for Dragon Con 2023, but please feel free to stop by Comic and Pop Artist Alley Table 624 for more details and promo bookmarks and stickers!


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Dragon Con 2023: Theater and Performing Arts Lovers Schedule

Dragon Con 2023: Theater and Performing Arts Lovers Schedule
Atlanta, GA – September 1 through September 5, 2022

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As you may have noticed, I am a huge supporter of the Dragon Con Theater and Musical Lovers fan community. They were established as an unofficial gathering of Dragon Con attendees who love theater, musicals, and the performing arts. Their goal is to create a community of fellow thespians and fans at the convention.

They have been running discussion panels on their YouTube channel, and they continue the discussion on their Facebook group and Instagram account.

This year, they have coordinated with various tracks across Dragon Con to present discussion panels and meetups for the community. If you get the chance and want to celebrate the vast riches of the performing arts, I recommend visiting with them.

As always, Dragon Con schedules are tentative until the convention ends on Monday. Even then, things are a bit suspect. Be sure to check the Dragon Con app or the Daily Dragon fliers at the information booths for the most up-to-date information.


The Schedule

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5:30p: Group Meetup!
Marriott Marquis, Marquis Level, M103-M105
The Theater Nerds are coming! Learn how you can support the idea of a Theater Track at Dragon Con, meet new friends, play theater adjacent games, win prizes, get your badge ribbon, and a raffle ticket!

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10:00a: The Magic of Disney on Broadway
Virtual Panel – YouTube
Our panel of Disney enthusiasts present a joy-filled exploration of the spellbinding fusion of Disney’s beloved characters and the electrifying energy of Broadway. We discuss how the music, choreography, and stagecraft transport you to Agrabah, the African savannah, and beyond, where we can bask in the pure joy of the extraordinary journeys where dreams come true. Don’t miss the chance to be whisked away on a magical adventure where Disney and Broadway collide in an explosion of wonder!

10:00a: Revolting Children: Matilda’s Musical Magic on Stage & Screen
Marriott Marquis, Atrium Level, A707
Step into a world of enchantment as our panel takes you on a rollicking adventure through the transformation of Matilda from page to stage, and back to the silver screen!. Expect laughter, mischief, and a dash of music in this captivating discussion you won’t want to miss!
Host Track: Young Adult Literature

11:30a: The Beat Goes On: The Rise of TV Musicals
Marriott Marquis, Marquis Level, M302-M303
Uncover the enchanting world of musical TV shows like Zoey, Glee, Galavant, Schmigadoon, and more. How do they revolutionize music and storytelling on TV? Even normal genre shows get into the act! Let’s explore their impact and the genre’s future in our discussion!
Host Track: American Sci-Fi & Fantasy Media

4:00p: Theater & Nerddom: Is Theater Pop Culture?
Marriott Marquis, Marquis Level, M103-M105
Let’s ignite the ultimate debate: Is Theater a bona fide member of Pop Culture? Join our panel of nerds as we unravel the threads of the stage and geekdom. Get ready for a geek-tastic exploration of whether the Bard can meet superheroes, and the footlights can shine as bright as lightsabers!
Host Track: American Sci-Fi Classics

7:00p: Sing-Along – Heading Back to Washington Heights: In the Heights
Courtland Grand, Macon Room
Step into the lively streets and vibrant culture of the neighborhood as we come together to sing, dance, and rediscover the heartwarming and unforgettable melodies that have made this musical a cherished favorite.
Host Track: Alternate & Historical Fiction

8:30p: Science Fiction in the World of Theater
Hyatt, Embassy AB
Science Fiction & Theater, two things as different as they get, right? Wrong! Rocky Horror, Metropolis, and Return to the Forbidden Planet are just a few examples of when scifi and theater merge. We talk about the shows we love, the ones we want to do, and why you should give them a chance.
Host Track: Science Fiction Literature

11:30p: 50 Years of Rocky Horror (The Show! Damnit Janet!)
Marriott Marquis, Marquis Level, M103-M105
Once upon a time, Richard O’Brien had a brainwave: blend B-horror humor, schlocky dialogue, muscle flicks, and 50s rock ‘n’ roll into a musical. Enter Rocky Horror Show! Grab heels, corset, fishnets and channel your inner Transylvanian, while we celebrate 50 years of cult classic show!
Host Track: American Sci-Fi Classics

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10:00a: Shakespearean Comedy: Love, Mistaken Identities, & Social Satire
Virtual Panel – YouTube
Indulge in an enchanting journey into the world of Shakespearean comedy. Join us as we unravel the delightful tapestry of love, mistaken identities, and social satire found in Shakespeare’s comedic masterpieces. From the uproarious antics of mischievous characters to the witty wordplay that fills the air, we’ll explore the timeless shows that have delighted audiences for centuries. Whether you’re a lover of Shakespeare or new to his comedies, this panel promises an engaging exploration of his unparalleled ability to make us laugh and reflect on the follies of human nature. Come and immerse yourself in the mirth and merriment of Shakespearean comedy!

1:00p: When Fandom Meets Footlights: A Theatrical Journey into Geek Culture
Hyatt, Hanover FG
Geeky productions have taken the stage by storm! Beetlejuice, Back to the Future, and Heathers are just a few examples of the biggest named fan fueled shows! And there’s plenty more that operate off-off-Broadway! Lets talk about about the magic, mischief, and musicality of genre-specific theater!
Host Track: Filk Singing

2:30p: The Road To Hadestown: Mythology in a Post-Apocalyptic World
Westin, Chastain FG
Welcome to Hadestown, an award-winning musical that intertwines mythology and a post-apocalyptic world. Two young dreamers live in a world of famine and death. and this story tells of their hell-raising journey to the underworld and back and their struggle to live in a world that is at its end.
Host Track: Apocalypse Rising

2:30p: Thespians of the Final Frontier
Hilton, Galleria 2-3
Some would believe that any crossovers with Star Trek & theater would be highly illogical. Au contraire! From Shakespeare to fandom theater, Klingon Opera & cat poetry, Trekkies and Thespians overlap more than you might think. Resistance is futile, make sure you are there for a panel like no other!
Host Track: Trek Track

5:30p: Sing-Along – 35th Anniversary of Phantom of the Opera
Hilton, Grand Ballroom East
It’s been 35 years since we first heard the music of the night, but the Phantom is a beloved show and a permanent part of the theater world. We’ve been wishing we could hear your voice again so we’ve put together a selection of our favorite songs to sing together before the Phantom takes flight.
Host Track: Alternate & Historical Fiction

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10:00a: Stagecraft Secrets: The Art of Writing for the Theater
Virtual Panel – YouTube
In this captivating panel, dive into the world of playwrights and their craft as we explore the intricate interplay of words, emotions, and imagination that bring stories to life on stage. Whether you’re an aspiring dramatist or a theater enthusiast, this panel offers a unique glimpse into the magic that transforms words into unforgettable theatrical experiences.

10:00a: History & Theater: American History told from the Stage
Courtland Grand, Macon Room
Broadway has never shied away from exploring history. Just look at Hamilton, 1776, Hair, Newsies, Allegiance, Parade, and Ragtime to name a few. We’ll discuss how theater lets modern audiences process historical events and how it addresses, skews, and sometimes, even changes historical perspectives.
Host Track: Alternate & Historical Fiction

3:00p: Photoshoot – Broadway, Musicals, Theater & Performance
Hilton Steps B
RSVP is recommended at the Facebook Event Link.

5:30p: Cross-Casting: Breaking the Walls of Gender & Race in Theater
Hyatt, Hanover AB
From Hamilton, 1776, to Six and beyond, gender and racial blind casting become more and more normal in todays theater world. Lets talk about this trend & how it helps make the theater world more dynamic and inclusive.
Host Track: Diversity in Speculative Fiction & Literature Fandom

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10:00a: Willkommen to the Kit Kat Club: Celebrating the Legacy of Cabaret
Virtual Panel – YouTube
Step into the enchanting world of Cabaret as we celebrate the theatrical brilliance of John Kander’s iconic musical and its transition to the silver screen in the 1972 movie adaptation. Join us for a captivating discussion that delves into the history, cultural impact, and enduring allure of this unforgettable production. From its electrifying beginnings on stage to its transformation into a cinematic masterpiece, we’ll explore the essence of Cabaret and its profound influence on the world of performing arts.

11:30a: Behind the Mask: The History, Myths and Legends of the Phantom of the Opera
Courtland Grand, Macon Room
The longest-running show in Broadway history, and a global sensation, the story of The Phantom of the Opera was built on actual history. Our Phantom enthusiasts will discuss the real events, the legends, and stories from the show that have inspired pop culture for half a century.
Host Track: Alternate & Historical Fiction

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Culture on My Mind – Not Just Musicals: Stand Up and Magic

Culture on My Mind

Culture on My Mind
Not Just Musicals: Stand Up and Magic
August 11, 2023

This week, I’m playing catch-up with the Theater and Musical Lovers YouTube Channel.

The channel and its associated Facebook group were established as an unofficial gathering of Dragon Con attendees who love theater, musicals, and the performing arts. Their goal is to create a community of fellow thespians and fans at the convention.

About a month ago, the thespians continued their exploration of the stagecraft that wasn’t musicals. This time, Sarah was joined by Jon Armstrong and Primetime Steve to discuss the craft of stand up and magic, the highs and lows of live performances, and why what they do is included in the theater genre.

Note: Depending on security settings, you may have to click below to see the video directly on YouTube. You should definitely subscribe to their channel for more updates.


The Theater and Musical Lovers Group will be hosting more of these panels. If you’re interested in participating or have some topic ideas in mind, head over to the group on Facebook and drop them a line. You can also find them on Instagram and coming soon on TikTok.

You can find Gary and Sarah on the socials: On Twitter, they are Gary_Mitchel, SarahRose_KPK, and Daisuki_Suu; on Instagram, they are Gary_Mitchel and Daisuki_Suu; and Gary’s horror-themed podcast that he hosts with Erin McGourn is A Podcask of Amontillado. Of course, the Theater & Musical Lovers channel can be found on YouTube.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Dragon Con 2023

Dragon Con 2023
Atlanta, GA – August 31 through September 4, 2023

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Dragon Con!

It’s typically an annual tradition for me, but it won’t be this year. I’m taking this year off for personal and family reasons, but I’d still like to support the convention where possible.

The convention app is available now – look for Dragon Con by Core-apps in the Apple App Store and the Google Play Store – and will have the schedule of events soon. The list of confirmed guests, performers, artists, and attending professionals is available on the official Dragon Con site. That list and the events surrounding it will obviously be subject to the ongoing WGA/SAG-AFTRA strike.

Dragon Con itself takes place in downtown Atlanta spanning five hotels (Sheraton Atlanta Courtland Grand, Hilton Atlanta, Atlanta Marriott Marquis, Hyatt Regency Atlanta, and Westin Peachtree Plaza) and the AmericasMart Atlanta exhibition center. The convention draws approximately 70,000 to 80,000 attendees (or more) annually and showcases one of the city’s most popular parades on Saturday morning at 10am. This year, the attendance numbers will be lower with an attendance cap between the reported 85,000 in 2019 and 65,000 in 2022.

Dragon Con prides itself on contributions to charity and the community. You can find more information about those efforts on their webpage. Each year, the convention partners with a local charity organization and this year’s partner is CURE Childhood Cancer. CURE’s mission is to conquer childhood cancer through funding targeted research while supporting patients and their families. Donations can be made at various locations around the convention, including donation buckets in each track room and contributions from the annual charity auctions. Dragon Con will match every donation up to $125,000.

The convention has previously hosted the Dragon Con Hustle, a virtual 5K conducted on the honor system. The registration fee is donated to the annual charity and each participant gets a physical medal two weeks after the convention ends. As of this writing, I haven’t seen a post about the event this year, but keep an eye out if you’re interested. You can run, walk, roll, or even skip your way to the goal, and all Dragon Con asks is for a progress update on social media with the #DragonConHustle hashtag.

Dragon Con also hosts one of the most successful blood drives with the donations going to the non-profit Lifesouth Community Blood Centers. Lifesouth serves 125 hospitals in Alabama, Georgia, and Florida, and the Dragon Con blood drives routinely outperform those held at that big West Coast corporate convention. In exchange for your donation, you get a custom exclusive t-shirt.

If you’re new to the convention, consider visiting the Dragon Con Newbies group on Facebook. It is run by Kevin Bachelder, Sue Kisenwether, Kim McGibony, and me, and is an in-depth community resource for information about this massive (and sometimes overwhelming) event. Memberships (tickets) for this year’s convention are available, however memberships are limited.

Note: All Dragon Con schedules are tentative until the convention ends on Monday. Even then, things are a bit suspect.

I will miss you all this year. Please be safe and have a wonderful long weekend, and (fate willing) I’ll see you all again in 2024.

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Culture on My Mind – SUBSAFE

Culture on My Mind

Culture on My Mind
SUBSAFE
July 24, 2023

On June 18, 2023, the submersible Titan imploded during an excursion to the wreck of the Titanic in the Atlantic Ocean. The submersible was owned and operated by OceanGate CEO Stockton Rush, and the incident claimed the lives of Rush, French deep-sea explorer and Titanic expert Paul-Henri Nargeolet, British billionaire Hamish Harding, Pakistani-British billionaire Shahzada Dawood, and Dawood’s son Suleman.

I watched as the internet exploded in memes and mockery over this event. I get the reasoning behind it: According to the 2022 Global Wealth Report from Credit Suisse, nearly half of the world’s wealth – 47.8%, or 221.7 trillion in US dollars – is controlled by 1.2% of the world’s population. Over half of the world’s population has a wealth of less than $10,000, and one-third of the population lives in the $10,000-$100,000 range. 

This year, Forbes reported that there are 2,640 billionaires on the planet. They are collectively worth $12.2 trillion. That’s 2.6% of the world’s wealth controlled by a tiny fraction of the world’s population, and they are concentrated in the United States, China, India, and Germany.

I’m not here today to adjudicate that. It’s merely the motive behind the reaction of the masses as one billionaire’s hubris killed four other people. And while it’s possible that those four passengers may have known about the submersible’s shortcomings, it’s not likely in my opinion.

I look at skydiving, scuba diving, bungee jumping, rollercoasters, and other such thrill-seeking experiences that people enjoy. Most of them are taken with the assumption that some higher authority has oversight… that the attraction has a safety record and someone would have shut them down if it wasn’t safe to an acceptable degree of risk.

OceanGate has been transporting paying customers on submersible trips since 2010, including several trips to other shipwrecks. On its face, 13 years without significant incidents is a pretty good track record. Most people in search of a thrill-seeking experience would stop looking for problems at that point and sign the requisite waivers.

I don’t engage in the internet’s mockery of the Titan implosion because I can reasonably assume that those four passengers made the same risk calculations. But what came out after the Titan implosion is what really bothered me as a former submariner. 

In a 2019 Smithsonian Magazine article, Rush was referred to as a “daredevil inventor” who believed that the U.S. Passenger Vessel Safety Act of 1993 “needlessly prioritized passenger safety over commercial innovation”. He later admitted that he broke rules with “logic and good engineering” behind those decisions. He described safety as a “pure waste” and suggested that people should do nothing in life if they want to remain safe.

The OceanGate submersible had multiple engineering issues which Rush ignored based on faulty assumptions and questionable engineering experience. Rush also ignored dissenting opinions from David Lochridge and Rob McCallum, even to the point of firing dissenters and pursuing legal action against them.

But, most importantly to what I want to discuss here, he openly stated in a now deleted video meeting with Teledyne Marine that he bucked the trend of hiring submarine veterans – “50-year-old white guys” – because he wanted his team to be younger and more inspirational.

The thing is that the talent that he kicked aside because he wanted to “make expeditions to the Titanic more enjoyable for his customers” could have potentially saved those customers on June 18, 2023. Submarine veterans (like me) know about the history of the USS Thresher and the quality assurance program that was developed as a result.

On April 10, 1963, the USS Thresher (SSN-593) was lost at sea with all hands. She was a Permit-class nuclear submarine, the fastest and quietest of the day, and designed to hunt and kill Soviet submarines during the Cold War. Thresher was launched in 1960 and conducted her sea trials over the next couple of years to thoroughly evaluate her new and complex technological systems. After a series of operations, she entered Portsmouth Shipyard in July 1962 for a post-shakedown availability to examine and repair systems, and as typical for first-of-class boats, the availability took longer than expected. Thresher was finally certified for sea and undocked on April 8, 1963.

The crew began post-overhaul sea trials the next day, and everything seemed to be okay until the deep-dive tests on April 10th. Thresher slowly dove deeper while making circles under her surface support ship, Skylark, pausing every 100 feet of depth to perform a shipwide integrity check. As the submarine neared test depth, Skylark received a garbled communication indicating “…minor difficulties, have positive up angle, attempting to blow”.

That “blow” would be an emergency blow of the main ballast tanks, which means rapidly filling the large tanks with high-pressure air and making the ship overwhelmingly positively buoyant. You’ve probably seen the stock footage in movies and television, particularly during The Hunt for Red October.

There was one more even more garbled message from the deep and Skylark‘s crew knew that something was wrong. An extensive search was conducted and Thresher‘s families were notified that night. Chief of Naval Operations Admiral George W. Anderson Jr. held a press conference to announce that the submarine was lost with all hands.

After an investigation, the root cause of the disaster was determined to be a failure of the saltwater piping system. Specifically, there was a joint that relied on silver brazing instead of welding, and that failure would have potentially shorted out an electrical panel, shut down the reactor, and caused a loss of propulsion. There was also some concern over excessive moisture in the high-pressure air system which would have frozen during an emergency blow and plugged up the piping. The Navy made several modifications to systems to prevent these failures in the future. 

They also instituted the Submarine Safety Program, better known as SUBSAFE, which is a quality assurance program specifically designed to provide maximum reasonable assurance that submarine hulls will remain watertight and can recover from unanticipated flooding. The program’s scope includes every system exposed to sea pressure or critical to recovery during a flood. Any work on those systems is tightly controlled to ensure that materials, assembly, maintenance, and testing are perfect, including certifications with traceable quality evidence from point of manufacture to point of installation.

The track record speaks for itself: From 1915 to 1963, the United States Navy lost 16 submarines through non-combat-related causes. After SUBSAFE was introduced in 1963, the only submarine lost in similar causes was the USS Scorpion (SSN-589), and she was not SUBSAFE certified.

It’s an expensive program, but the cost of failure is much higher, and it’s a program that could have prevented the Titan disaster had some “50-year-old white guys” been consulted. SUBSAFE is embedded in the DNA of pretty much anyone who has earned a set of submarine dolphins. The regulations are written in blood.

The story of Stockton Rush and the Titan should serve as a cautionary tale. Safety and engineering may not be sexy and edgy, but it is a necessary part of pushing the limits of knowledge and understanding. The ocean’s depths are perhaps the largest unexplored frontier on Earth, and while I personally think that we should leave the Titanic graveyard alone, we should definitely continue to research the sea. 

But we should never willingly throw away experience and wisdom in the process, otherwise, we invite hubris, ignorance, and ultimately disaster.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Schedule Update: The Timestamps Project (WGA/SAG-AFTRA Strike Edition)

Schedule Update: The Timestamps Project
WGA/SAG-AFTRA Strike Edition

Timestamps

The Timestamps Project is on hiatus in solidarity with the Writers Guild of America.

I recognize that Doctor Who is guided primarily by Equity UK, formerly known as the British Actors’ Equity Association, but the show also holds a production number with the Screen Actors Guild because they pay pension and healthcare contributions for any SAG members of the cast. Technically, Doctor Who is a SAG signatory. But that’s not important to this discussion.

I stand with the WGA and SAG-AFTRA because I am a writer and creative. I come from a family of creatives. Many members of my close-knit geek family are creatives, some of whom make their livings in film and television because of their passion for telling stories that mean something to all of us. Creativity lives in us, and it deserves to thrive with us.

I’m not being asked to do this. In fact, the strike rules don’t apply to me because I’m not a member of the unions and Creative Criticality falls more under the journalism rules than anything else. I am choosing this action because I feel that strongly about it.

The WGA strike started on May 2, 2023, and is based on the evolution of the streaming environment. The WGA has minimums for writers, but unlike the normal American worker who is nominally employed on a permanent basis, a writer works 35-40 weeks a year on a standard network show and 20-24 weeks a year in the streaming environment (where seasons are far shorter). In a city like Los Angeles, writers are fighting with the incredibly high cost of living and inflation. To compete against that, writers need a raise of about 10 percent.

Along with increased minimum compensation across all media, writers are also looking for increased residuals (which have been notoriously tough with streamers), appropriate compensations for writing television series across all stages of production, larger contributions to pension and health plans, the strengthening of professional standards and the overall protections for writers, and other terms.

Writers have talked about toxic environments in production, and it’s pretty obvious from the plans by studio execs to wait out the strike until writers “go broke“. These studio execs are on display as embodiments of late-stage capitalism: Success being defined by how much wealth can be banked while paying those who create the actual products as little as possible. They’d rather see crews destitute on the street rather than pay more in fair compensation and cut into their million- and billion-dollar comforts. It’s despicable, and it’s part of a pattern in corporate America of continually undervaluing the creative class.

It’s also pretty obvious on the SAG-AFTRA front. Consider the proposal that background actors – the lowest paid in the industry – get scanned for a single day’s pay with the intent of using their likenesses for any project at any time in perpetuity. It’s actually funny when you look at the Hollywood anti-piracy efforts over the last couple of decades that focused on how wrong it was to pay for something, transform it from the original format, and then share it over and over without due compensation.

As a producer friend of mine told me, this action would eliminate most working actors, the ones who never “make it” but still pay the bills just fine. It would domino across the industry: Current rules dictate one assistant director per every 100 background actors, so as background actor jobs diminish, jobs for ADs are eliminated. That cascades by eliminating jobs among all of the guilds.

All of it so that studio executives can pocket more cash as the industry burns around them.

During my lifetime, I have watched time and again as creatives have been treated like garbage. They’re treated like they don’t have real jobs or that their work is in the public domain because it exists in the internet era. Creatives aren’t valued until they don’t produce, and then they are replaced as if they were ultimately disposable.

Creatives are the lifeblood of the entertainment industry and the history of human storytelling, from film and television to books, video games, comics, art, podcasts, and beyond. Without creatives, we have nothing for actors, directors, producers, and publishers to translate to their chosen media. In turn, the studio executives have nothing without the hard work of all those people.

I stand with creatives. I stand against the continued devaluing of creatives and hard-working individuals. It’s not because I’m some sort of influencer (though, wouldn’t it be nice to have that many eyes on my work?), but because it’s the right thing to do when creators more powerful than me are fighting for what they believe in.

The Timestamps Project will remain on hiatus until the strike has ended. I hope you understand.

WGA-SAG-AFTRA-2023

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – The Queer Revolution: Breaking the Broadway Mold

Culture on My Mind

Culture on My Mind
The Queer Revolution: Breaking the Broadway Mold
July 17, 2023

This week, I’m playing catch-up with the Theater and Musical Lovers YouTube Channel.

The channel and its associated Facebook group were established as an unofficial gathering of Dragon Con attendees who love theater, musicals, and the performing arts. Their goal is to create a community of fellow thespians and fans at the convention.

About a month ago, the thespians explored the impact that LGBTQIA+ artists, writers, and performers have had on Broadway. From the groundbreaking work of Hedwig & the Angry Inch to the Tony-winning productions, Rent and Kinky Boots, queer voices have been instrumental in shaping modern theater. Having experienced Rent live, I understand the power that it holds. I still get a little misty when I hear “Seasons of Love”.

Panelists Christi Chalmers, Courtney, and Vulva Va-Voom joined Sarah and Gary to discuss their favorite queer characters and stories on stage, the icons that helped shape their identities, and how LGBTQIA+ narratives have helped to bring visibility and acceptance to the theater community and the world.

It was a celebration of the queer revolution on Broadway and the power of representation in the arts!

Note: Depending on security settings, you may have to click below to see the video directly on YouTube. You should definitely subscribe to their channel for more updates.


The Theater and Musical Lovers Group will be hosting more of these panels. If you’re interested in participating or have some topic ideas in mind, head over to the group on Facebook and drop them a line. You can also find them on Instagram and coming soon on TikTok.

You can find Gary and Sarah on the socials: On Twitter, they are Gary_Mitchel, SarahRose_KPK, and Daisuki_Suu; on Instagram, they are Gary_Mitchel and Daisuki_Suu; and Gary’s horror-themed podcast that he hosts with Erin McGourn is A Podcask of Amontillado. Of course, the Theater & Musical Lovers channel can be found on YouTube.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.