Culture on My Mind – Narrative Diversions (Autumn and Post-Strike 2023 Edition)

Culture on My Mind

Culture on My Mind
Narrative Diversions
(Autumn and Post-Strike 2023 Edition)

January 19, 2024

Narrative Diversions is a look at the various pop culture things I’ve been watching, reading, and playing over the last few months. This edition will also cover the movies and television that I did not detail in the Summer 2023 edition due to the WGA/SAG-AFTRA strikes.


Movies
Summer 2023

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The Super Mario Bros. Movie (2023) – PG
I will admit that I was skeptical about this movie because the history of video game movies has been so tumultuous. As I mentioned when I looked at the history of Mario’s voice in film, television, and games, it’s only in recent years that video game movies really started to take off.

The thing about this one is that everyone at the helm gets what makes Mario tick. This was a delight from start to finish. It was a pure celebration of the joy in the Mario franchise. The story clips along without being weighed down by the legacy, and it is chock full of easter eggs and references that make me want to watch this again and again.

It also gives me hope for future Nintendo properties at the theater, including The Legend of Zelda and Metroid.

Indiana Jones and the Dial of Destiny (2023) – PG-13
I know that it’s en vogue to dog on Disney and the legacy of Lucasfilm. I don’t do that here. I don’t have a slavish devotion to the brands by any means, but seeing their names on the screen doesn’t turn me into one of those rabid angry fanboys that you find on YouTube.

I’ve been a fan of the franchise since a friend of mine introduced me to Raiders of the Lost Ark in the ’90s. He had it playing in the background while we chatted and I was transfixed by the monkey who stole items. The dialogue still sticks in my mind today when I think of Jacob: “Bad dates.” I caught up on the films and the Young Indiana Jones series later on, and had my first theatrical experience with  Indy while on deployment with Kingdom of the Crystal Skull.

Silver screen-biased memories aside, I still enjoy that film. While fans find the inclusion of mind-reading aliens hiding in El Dorado to be a step too far, I consider it on par with hunting mystical artifacts with religious pasts. If the cult-like fandom surrounding Giorgio A. Tsoukalos has taught us anything, religious devotion comes in all flavors.

That same out-there sense of wonder combined with a healthy suspension of disbelief allowed me to enjoy a time travel tale based around another religious artifact. It also helps that Dial of Destiny is a story about taking care of loved ones in their twilight years. We all get older, be it through years or mileage, and I found this story to be a beautiful swan song for a Gen X action hero.

Dancing Queens (2021) – TV-MA [Netflix]
I won’t be as verbose about this one. It’s the standard dubbed European dancing film, but this time it also plays with drag queens.

(Somewhere in the bowels of Florida, someone just got triggered and that makes me smile.)

It’s the standard Cinderella story with hidden identities, the runaway revelation moment, and a happy ending where everyone wins. But it also made me laugh quite often with its flamboyant charm. It’s worth the 110 minutes.

Plus One at an Amish Wedding (2022) – NR
This was another random find on Netflix, but it comes more from the “faith and family” side of things. Thankfully, it never got preachy. Instead, it’s a squeaky-clean lather-rinse-and-repeat of the bog-standard romantic comedy formula. The characters had chemistry and it was engaging enough to keep my attention for 90 minutes.

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Guardians of the Galaxy Volume 3 (2023) – PG-13
There is a lot of discourse around the idea of “superhero fatigue” these days, but this Guardians installment tells me that people aren’t tired of superhero fare. They just want it to be meaningful and engaging.

Think about it: Marvel’s Phases Four and Five have been bifurcated messes split across the cinema and paywalled streaming-only television series. Meanwhile, DC Comics has thrown a lot of money into CGI-amplified slugfests that were sabotaged by the announcement of an impending reboot. Yet we still have successes with Spider-Man, WandaVision, Loki, What If…?, and others.

People want engaging stories. The fatigue comes from being asked to accept whatever the studios want to throw at us.

(Yes, I know that I didn’t mention anything from DC Comics in my successes category. First, my lists don’t always align with the zeitgeist. In fact, some of my favorites from Marvel’s recent phases would have the internet legions of doom demanding my fandom membership card… if I actually believed in such tripe. Second, I haven’t been really excited about anything from DC/Warner Bros. since Stargirl, Superman and Lois, and 2020’s Birds of Prey.)

I find Guardians of the Galaxy Volume 3 in the successes pile. It finds our heroes at a major inflection point as they all go on personal journeys and end up saving the galaxy one more time. It was a tear-jerker and I didn’t even notice the film’s length because I was so engaged with the story and the journey. I know that this was the last hurrah for a few of the actors in this team, and I will certainly miss this dysfunctional family.

The Guernsey Literary & Potato Peel Pie Society (2018) – TV-14 [Netflix]
It was the name that drew my wife to this one. It was a beautiful romantic drama that took us on a rollercoaster of emotion from tears to laughter as a World War II survivor tries to find herself as an author in London. Fate draws her to the quirky crew of a book club on Guernsey where she unravels a mystery that helps everyone involved heal from their traumas.

The Whale (2022) – R

This is not a feel-good movie. In fact, it doesn’t pull any punches in its raw portrayals of grief, guilt, and mortality. Brendan Fraser’s performance was amazing as the chronically obese Charlie, a college professor who is self-destructive in his contemplation of his faults. Despite being an English teacher, he fails at communication even though that is his path to ultimate redemption with the people that he’s hurt and wronged. I was nearly brought to tears in the moments when his entire support structure eroded beneath him, leaving him bare and alone with his self-destructive nature.

I also need to mention Sadie Sink, who I recognize best from Stranger Things, and her great performance as Charlie’s estranged daughter Ellie. At one point her mother says that Ellie is simply evil, but the truth emerges in the end that she’s just as traumatized as her father.

The Beanie Bubble (2023) – R [Apple TV]

Based on real events and adapted from Zac Bissonnette’s book The Great Beanie Baby Bubble: The Amazing Story of How America Lost Its Mind Over a Plush Toy—and the Eccentric Genius Behind It, this colorful dramatization of Ty Warner and his brand is funny but not stuffy like a historical drama could easily be. In fact, the main players other than Warner are presented under pseudonyms, almost giving the story a fantasy element that accompanies its disjointed nature as it bounces around in time. I’m not a huge fan of Zach Galifianakis, but Elizabeth Banks is a favorite in our household and her energy was infectious. The movie was an entertaining way to spend date night.


Movies
Autumn 2023

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The Little Mermaid (2023) – PG
There was a lot of tempest in the teapot over this live-action remake from a certain sector of the internet, but based on the scores half a year later, it seems that the “anti-woke” campaign fell flat.

Indeed, no version of The Little Mermaid will ever compare to the spectacle of the 1989 animated masterpiece, but this one has heart of its own. Halle Bailey does phenomenal work as Ariel, bringing the character’s wide-eyed innocence to the spotlight with her own unique flair. The other standout performance was Melissa McCarthy as Ursula as she channeled Pat Carroll and Divine while adding her special touch to the character.

It’s a beat-for-beat copy of the original Disney adaptation with some new musical numbers, but the performances and minor changes do enough to set it apart and allow it to breathe. I really enjoyed the movie. I also have to laugh at the detractors who thought that calling back to the source material was enough to justify their stand against a woman of color playing the title role. The original story was first published in 1837 by Danish author Hans Christian Andersen. While the country is diverse today, Denmark is historically noted by fair-skinned people with blue eyes and blonde hair. Of course, a story written by a Danish man for Danish children is going to represent the norms of the culture. The argument that a woman of color can’t play the character today is silly at best.

Note how the detractors didn’t fully embrace the source material, which is quite dark, and offered the little mermaid a chance at a good life in exchange for killing the prince. Spoiler: She refuses and dies, becoming an immortal spirit instead. The spirit element holds true for the historical mythology of Black mermaids as well, as explained by Professor Jalondra Davis.

Also worth noting? Disney has included diverse characters in this franchise since the early ’90s. Most notably, Gabriella was a mute mermaid who communicated by sign language.

As always, the “anti-woke” crowd can go pound sand.

Elemental (2023) – PG
This movie flew under the radar, but it is a wonderful tale about immigration, work, and love. It’s a personal story for director Peter Sohn, and while it meanders a bit, it’s still quite touching and beautiful overall.

John Wick: Chapter 4 (2023) – R
I have a soft spot for this increasingly ridiculous action franchise, but this is a good place to let it rest. As the creative team continued to amp up the threats to super-assassin John Wick, they also increased his seeming invulnerability leading to several points in this movie that challenged my suspension of disbelief. Given the ending of this film (and the negative reviews from my friends of the current spinoffs), I’m happy to leave this story behind and wait for the next creative venture for Keanu Reeves.

Spider-Man: Across the Spider-Verse (2023) – PG
I was highly impressed with this sequel. It improves on the first movie in nearly every way, including the graphics and the characterizations. I also loved the ratcheting tension as the mystery gets unraveled, especially including the massive multiverse chase with all of those Spider-Beings. The cliffhanger that sets up Spider-Man: Beyond the Spider-Verse truly works, and I’m eager to see how they wrap this up.

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Haunted Mansion (2023) – PG-13
It’s a greatest-hits version of the famous Magic Kingdom ride with additional humor and loads of CGI. The villain is a character with very little screen time in the actual ride, but I felt like it worked with this typical Disney joyride. The story does flounder a little bit in the third quarter, but it wraps up just fine with the normal Disney happy ending. It’s kind of shallow but still fun.

A Man Called Otto (2022) – PG-13
Tom Hanks plays the “grumpiest man in America” and the audience grows to realize that there’s always a path to understanding people. This was a hard movie to watch because it doesn’t pull any punches with triggering situations, but it is a fascinating look into grief and love. It had us in tears by the end of the film.

The Flash (2023) – PG-13
Warner Bros. put Batgirl through the shredder for this steaming hot mess of a film. The Flash doesn’t know what kind of tone it wants to maintain. It bounces from whimsical slapstick (including a hospital rescue with some of the worst CGI I have seen) to serious drama (with the bog standard time travel trope of going mad while trying to make history absolutely perfect).

Ezra Miller started this tale at a disadvantage with me. They have enjoyed considerable clemency from WB regarding their numerous arrests and accusations of grooming and abuse because of the studio investment in this Elseworlds retelling of Man of Steel, and it highlights the differences between Warner’s DC films and Disney/Marvel’s cinematic universe. Miller never recovered from that disadvantage, and I never found a reason to care about this film or its place in the superhero genre. Especially since WB had already announced that their DCEU was coming to an end before this one premiered.

Michael Keaton was fine in this story, though I wonder how his character would have been different/better in Batgirl. The 1990s Batcave was beautiful. I adored the new vision for Supergirl, and it is a shame that Sasha Calle won’t get to don the cape again. The Bat-cameo at the end made me laugh out loud.

Those were the highlights. I can’t find anything redeeming about the rest of this bloated and meandering mess.

Barbie (2023) – PG-13
The polar opposite of The Flash in character development and analysis of the human condition, this film was a hit in our house. It doesn’t pull any punches as a tribute to the legacy of Barbie that explores both good and bad parts of the doll’s history. It also packs a good deal of bold social commentary while taking a meta approach to how role play with the brand intersects with real life. It was well-written and well-directed.

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No Hard Feelings (2023) – R
This Jennifer Lawrence vehicle certainly tried, but it couldn’t shake the ick factor that hung around its neck. The entire premise (which feels like it was ripped from the pages of an ’80s/’90s/’00s teen sex romp) revolves around a 32-year-old woman posing as a twenty-something hired by a 19-year-old high school grad’s parents to help him have sex before going to college. Her payment is a used car, which she can then use to make ends meet.

Yeah, it’s as creepy as it sounds.

There’s a slight bit of redemption in the final act, but Lawrence’s character never comes across as endearing or appealing. There’s even full-frontal nudity meshed with a strange fight scene on the beach. It’s friggin’ weird, man.

The positive is that the cast truly had a ball making this comedy, and it shows in their performances. I just couldn’t get past the ick factor. Watch it if you have an hour and forty-five to kill, but otherwise, just fire up one of your favorite ’80s-’00s high school sex comedies instead.

The Marvels (2023) – PG-13
There are a lot of reasons why this Marvel entry failed at the box office, including the Hollywood strikes that prevented Marvel’s typical publicity blitz and the political backlashes against Disney and female-driven fare. But if you look at the reactions from people who actually went to the film, it’s apparent that quality is not the problem.

I loved this title, from the chemistry among the three lead women to the short, tightly-paced runtime. This film is swimming in personality and joy, and it was able to tell its story without being too saddled with the MCU’s history.

The negativity being dumped on this film comes from the typical ass-end of the internet that hates everything about women in comic books, Brie Larson overall, and anything “woke” (which they have trouble defining beyond buzzwords). If you’re a Marvel fan, I highly recommend this film. Our group had a ball with it, and it ranks among the top of Marvel’s cinematic offerings for 2023. Judge it on what you see, not on what some YouTuber with an agenda (who might not have even seen the film) has to say.

Best. Christmas. Ever! (2023) – TV-PG [Netflix]
No. It’s. Not!

Okay, look: Heather Graham, Brandy Norwood, and Jason Biggs give their all for this movie, but it cannot overcome the schmaltzy script and contrived plot devices. There are moments of humor driven by the child actors, but the rest failed its overall potential.

It’s the very definition of cheesy Christmas movie, but even my cheesy Christmas movie-loving wife had a hard time making it through 82 minutes.

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Family Switch (2023) – PG [Netflix]
The “Freaky Friday” Flip is a well-worn trope, and this iteration combines it with the ever-popular Dysfunctional Family trope to help everyone learn a lesson from Rita Moreno. The actors all do great work, both in their own roles and their swapped roles. The only dodgy combination (for obvious reasons) is the baby-dog swap due to questionable CGI and quite shallow slapstick humor. Otherwise, this Freaky Friday spin is mostly harmless.

The Family Plan (2023) – PG-13 [Apple TV+]
We were pretty entertained by this story about a secret agent hiding in a form of witness protection. It does good work with Mark Wahlberg and Michelle Monaghan carrying the bulk of the film, but the kids shine as well. It was fun to spot some local Atlanta-area locales posing as places across the country. The cheesy and fun plot also resolves well in the end.

Genie (2023) – PG [Peacock]
Completing this trio of fun films, the story of a dysfunctional family driven by a workaholic father who finds a genie fits the bill. It plays with the genie and unexpected consequences tropes quite well, eventually resolving in a happy ending with all the threads tied off. Melissa McCarthy shines as the fish out of water genie, and Paapa Essideu is quite engaging as Bernard. It’s a fairy tale comedy worth the 90 minutes.


Television
Summer 2023

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Resident Alien – Seasons 1 and 2 [Syfy via Peacock]
I love Alan Tudyk and this concept, and the cast of this comedy is pretty amazing. It’s also nice to see a comic book adaptation from Dark Horse Comics. Sadly, I feel like this comedy got a little stale in the sophomore season as the main conceit – the alien outsider sent to destroy the planet learns the value of humanity – got lost in a plot without focus.

It’s still worth the watch for the cast and their antics, but I’m not that excited for the eventual third season.

Shiny Happy People: Duggar Family Secrets [Hulu]
Do you want the definition of cult? Look no further than this family, their beliefs, and how they sold the ideology to the American public through reality television. There is a pile of disgusting and disturbing behavior beneath the surface of the shiny façade, and it shows just how much the “good ol’ boy” privilege network and piles of cash will hide it from the world.

Ted Lasso [Apple TV]
As a soothing balm in contrast to that last title, Ted Lasso is just beautiful. I adored every minute of this show and the stories it told, both about optimism and recovery from trauma. The characters all have room to shine, and the ideals of redemption and potential spoke to me. Loudly. It was tough to set this one down every night.

Like The Good Place, I want a complete Blu-ray set on my shelf so I can watch this over and over again at any time. I’m not a soccer (football) fan, but I am a fan of AFC Richmond. Binge this show. It’s a life-changer.

Bless This Mess [ABC via Hulu]
This is a lesson in getting through the first few episodes because this series is dumb as a bag of hammers, but the writing and production values didn’t engage until the finale of the first six-episode season. I was ready to give up on this mindless mess until “The Estonian Method,” after which everything gelled. The characters became likable and the jokes actually got funnier. Strangely, it hit that mark when it actually embraced the absurdity and dialed it to eleven.

This isn’t spectacular by any means, but if you want to watch some really ignorant city folk try to be farmers by watching YouTube and living in a deathtrap of a house, go for it. Just know that the series ends on a bit of a cliffhanger.

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Secret Invasion [Disney+]
Trainwreck.

Okay, okay, look… I liked the basic conceit of this series, and there are a lot of elements that I liked overall, but the show left way too much potential on the table as it tried to figure out what it was. It literally went through an identity crisis, starting as a sci-fi political thriller but receding into a pile of abandoned plot threads as characters passed the “stupid ball” back and forth. Even Nick Fury, who is supposed to be ten steps ahead of his opponents, ends up on his back foot way to often in this show, and his arc is cut short by yet another CGI slugfest instead of restitution for his sins.

It’s a stepping stone in Marvel’s Phase Five, but it doesn’t provide many answers. In fact, it opens up more holes than anything else, and it leaves the world worse than when the show started. It also fridges main characters whom we have adored for years. The end of the first episode is unforgivable.

I’ll give one bright spot amid this show’s narrative fog: Olivia Colman nailed it.

Otherwise, this was disappointing, and should have spent more time on the drawing board to find cohesion.

Good Omens 2 [Amazon Prime]
I adored this follow-up to the first series. The basic thread of love was a fine exploration, and the ending broke my heart as a result. It’s a great parable about love, religion, and the friction that exists between the two. As someone whose background includes a religion that constantly forces people to choose between faith and love of those who don’t believe, this story spoke to me on a different level.

Of course, the solution’s hand was tipped early in the series and the main story seemed a bit sparse, leading to the tangent tales from the past to amplify things. But overall, I really enjoyed the ride.

How could you not with Michael Sheen and David Tennant?

The Witcher – Season 3 [Netflix]
I put this season on the same level as Season Two, neither of which holds a candle to the first season but are still fun fantasy action dramas. It will be interesting to see how (if at all) the change in lead actors is addressed.

I’ve seen a lot of fans who think that Netflix or the showrunners have done Henry Cavill wrong, but I’m not a Cavill “stan”. It will be interesting to see what Liam Hemsworth does with the role.

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Hijack [Apple TV]
A tense and enjoyable thriller, but there are a lot of characters playing with the stupid ball near the halfway mark. Daniel the detective and the airplane’s pilot, for example. I also wasn’t a fan of some of the dangling plot threads at the end. I did enjoy how they basically played this series in real time, though, airing enough episodes to cover the time of the flight.

Star Trek: Strange New Worlds – Season 2 [Paramount+]
I adore this series because of how willing it is to experiment and explore. Putting Star Trek‘s first musical episode and an animated crossover next to compelling stories about PTSD, war, and relationship stress is a bold move that pays off because it makes me care about these characters. The musical stood out because Trek is no stranger to silliness, and it’s good to see the actors having fun with their roles.

I also don’t worry too much about the dreaded c-word – continuity! – because Star Trek has never (never!) been that concerned about it. Continuity is truly a fan-driven drama and not something that I feel concerned enough about to argue instead of the philosophical meat of the franchise.

If anything, I’d like these seasons to be longer, but that’s purely selfish because I don’t want them to end.

Silo – Season 1 [Apple TV]
This set of episodes did really well with keeping momentum and intrigue as the mystery was unraveled. The ending was shocking and offers a lot of potential for what comes next. I’m also really interested in the book series that inspired the television series.


Television
Autumn 2023

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I am Groot – Season 2 [Disney+]
There’s not much to say about I am Groot except that it is adorable. I love watching little Groot having little adventures in the universe, and I think the only downside is the prevalence of scatological humor in these episodes.

Gaslit [Starz]
This docudrama about the Watergate Scandal is not a feel-good miniseries at all, but it does shine a light on some of the lesser-known greed and darkness surrounding the corruption in the Nixon Administration. This was a series that we could only take an episode every one or two days. Powerful but intense.

Star Wars: Ahsoka – Season 1 [Disney+]
I’m a sucker for all things Ahsoka Tano and this show is no exception. I loved diving into the continued mythology of the Force and Ahsoka’s path concerning it. Hardly a missed beat along the way and I’m eager to see what comes next.

Family Law – Season 2 [CW]
The second season of Family Law redeemed Jewel Staite’s character for me as she continues to grow and evolve. Finally free of her community service, she’s able to challenge her boundaries and stand up for herself without threat of repercussion. There are a lot of strong and relevant stories in this season, and I’m on board for another set from this team, which will apparently debut in the US in mid-January.

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Viper
Sometimes I play catch-up, and this is one of those titles. For reference, I watched this in syndication when I was a teenager, and while I recognized the B-movie plots and cheesy humor, the technological side (both on the show and behind the scenes) kept me engaged. I mean, it was all about a transforming supercar that defied the laws of physics in the same vein as Knight Rider.

It originally ran for four seasons, starting on NBC in 1994 before getting canceled and revived. It ran for three more seasons in syndication between 1996 and 1999 before being axed for good. It ran on my local stations as late-night Saturday programming, and I usually flipped over to it while I did my homework.

It certainly hasn’t aged well, especially considering its dependence on “might makes right” police storylines. Much of what Team Viper did was outside the lines of normal police protocol, and many of their missions wouldn’t stand up in court. In that regard, it’s like the Batman effect: The police are so ineffective at their jobs that a shadowy force has to step up instead. It becomes hand-wavy if you think about it too hard.

On the other hand, I do miss Heather Medway on my television. I enjoyed the balance that she brought to the show, especially after Dawn Stern left.

I might have to write more about this childhood touchstone.

Star Trek: Lower Decks – Season 4 [Paramount+]
Lower Decks is one of my favorite recent Star Trek series, and the fourth season keeps ramping up the quality in both animation and story. The gentle pokes at the legacy of Star Trek are also great fun, and it helps that the show is laughing with fans about those touchstones rather than at the audience. It doesn’t bully fans, and that’s important while parodying some of the franchise’s sillier moments.

The Wheel of Time – Season 2 [Amazon Prime]
I know that this show is a controversial one among Wheel of Time fans, especially since it doesn’t hew to the Robert Jordan novels that inspired it. That said, I really enjoy watching it. The show is a parallel universe for my wife (a fan of the novels) and an easier-to-digest version of the story for me (someone who couldn’t get through the novels). I’m also a big fan of Rosamund Pike, so that helps.

It also motivates me to pick up the novels again. Maybe I’ll do it again one day.

The Morning Show – Season 3 [Apple TV+]
The Morning Show keeps getting wackier. This time, they tackled the Elon Musk mindset and the January 6th insurrection, and there was a lot of great character development as our main characters tried to navigate love and loyalty. It ends in a good place that opens a few doors for Season Four, and I eagerly await what they do next.

Loki – Season 2 [Disney+]
I wondered how the Loki team would top their efforts in Season One. Yeah, they did it, with recursive storylines, the ever-present threat of Kang the Conqueror (who is likely getting a new face in the near future), and some answers to questions that we’ve had about the TVA regulars for quite some time. 

Oh, yeah… and some of that god with glorious purpose stuff. I really liked how this version of Loki ended up, and I’m okay if there are no more seasons left here. This particular version of Loki, spawned from an alternate timeline in Avengers: Endgame, has ended up in a good place. This was easily one of my favorite recent offerings from Marvel Studios.

Upload – Season 3 [Amazon Prime]
I expected this to be the final season, so when the story kind of meandered all over the place, I was worried about how it would wrap everything up in eight episodes. As it turns out, this season ends with a cliffhanger opportunity for a fourth installment. As of this writing, a renewal hasn’t been confirmed, but this series continues to explore some strange territory in a world where life and the soul don’t seem dependent on having a physical body. Combined with some poignant and timely social commentary, this is easily one of my favorite science fiction properties on television.

The Buccaneers – Season 1 [Apple TV+]
My wife loves period dramas, so this remake of a miniseries based on an unfinished novel was quite appealing. The story revolves around a group of young American women who travel to 1870s Britain in search of fortune, titles, and (hopefully) love.

The positives here all revolve around the agency of the women, including the desire to find love overriding the draw of fame and fortune, as well as how to deal with domestic abuse in the very patriarchal nineteenth century. The negatives center on the ever-present period drama trope of miscommunication. It’s frustrating when the conflicted characters don’t sit down and talk. Instead, there are a lot of assumptions and prejudice-driven interpolations where there should be heart-to-hearts between these supposed best friends.

The modern soundtrack is anachronistic but catchy, and I’m admittedly invested in these characters despite my frustrations with their choices. I was also quite happy to see Christina Hendricks on the screen again.

What If…? – Season 2 [Disney+]
What If…? Season One was amazing, and Season Two continues that quality. I loved seeing Captain Carter take a major role, and the zany Die Hard parody for Christmas Eve was hilarious. The crown jewel this season was Kahhori and her episode that was primarily voiced in the Mohawk language of Kanien’kéha and Spanish. I hope to see her in the MCU again.


Books

Star Trek: Deep Space Nine – Mission Gamma: Twilight – David R. George
Star Trek: Deep Space Nine – Mission Gamma: This Gray Spirit – Heather Jarman
Star Trek: Deep Space Nine – Mission Gamma: Cathedral – Michael A. Martin and Andy Mangels
Star Trek: Deep Space Nine – Mission Gamma: Lesser Evil – Robert Simpson
I have been enjoying the Deep Space Nine revival “season”, but the Mission Gamma miniseries was a set of hits and misses for me.

Twilight had the hard job of setting up the miniseries, concluding the Gateways crisis and launching an exploratory mission to the Gamma Quadrant. I mean, truly getting Star Trek back to boldly going! I really like the adventure with the Vahni Vahltupali and the inner conflict for Thirishar ch’Thane and his responsibility to the Andorians. I was also pleased with the circumstances on Deep Space Nine itself, between Kira’s personal faith crisis and the goal of finally admitting Bajor to the Federation.

This Gray Spirit also caught my attention as it carried the story threads forward with a plot concerning a dispute between species that enraptures Shar. The heart-breaking ending for him was hard to get through. Powerful but difficult. Cathedral started to slip a bit for me with a mysterious artifact that enabled the old de-evolution trope. It did have one hell of an ending, though, which drives Lesser Evil on the Alpha Quadrant side. Unfortunately, the Alpha events far outweighed the been-there-done-that Borg story around Prynn and Vaughn that undoes everything they’ve worked so hard to mend. That development was frustrating.

Thankfully, the Sisko elements on Earth helped bolster the last two books.

Star Trek: Deep Space Nine – Rising Son – S.D. Perry
Star Trek: Deep Space Nine – Unity
– S.D. Perry
In general, I liked this pair by S.D. Perry, but I favor the latter over the former. I feel like this “season” of adventures could have spread Jake Sisko’s story throughout the various books rather than compressing it into Rising Son. That said, I did enjoy the spirit of Star Trek that the story embodied by having Jake seeking out new worlds alongside the mystery of former-Kai Opaka. It’s not a spoiler… she’s on the cover.

Unity really tied everything together for me, though, including a plot about the parasite species that were introduced in The Next Generation‘s first season. Benjamin Sisko’s long overdue return was also a great way to end this effective season.

Star Trek – Starfleet: Year One – Michael Jan Friedman
In what is an alternate universe approach after Star Trek: Enterprise, this tale explores the beginnings of Starfleet after the Earth-Romulan War. I enjoyed seeing the dichotomy between the explorer captains and the military captains, and I appreciate how well Michael Jan Friedman wove them together to solve a conflict in the Star Trek manner.

Star Trek: Destiny – Gods of Night – David Mack
Star Trek: Destiny – Mere Mortals
– David Mack
Star Trek: Destiny – Lost Souls – David Mack
I won’t tell you the overarching plot of this trilogy, but the whole thing is chock full of great character development mixed with frustrating and heartbreaking scenarios. I really liked how Erika Hernandez, the captain of the Columbia NX-02 from Star Trek: Enterprise was the central character, and I really appreciate the imagination that set up the origins and explosive conclusion to a major galactic threat that I had really ceased caring about on television.

Oh, and Captain Ezri Dax is pretty badass.

Reads in progress:

  • The Complete Sherlock Holmes by Sir Arthur Conan Doyle (32%)
  • Star Trek: Typhon Pact

Stage

MJ: The Musical – Broadway in Atlanta
It’s a jukebox musical about the life of Michael Jackson as he geared up for the 1992 Dangerous tour. It’s full of history and pop, but because of the time in which it is set, it doesn’t touch on the darker parts of his legacy. The portrayal of Michael Jackson was really good from all of the actors who played him throughout his life. It’s a good story and production, but I preferred Tina more.

The Wiz – Broadway in Atlanta
I haven’t seen the 1978 film – the ironic timing with this production following after MJ: The Musical is not lost on me – but this revival of the 1974 production that inspired the film was fun. It was a great interpretation of The Wizard of Oz, and I was tapping my toes along with the music more than once.

Annie – Broadway in Atlanta
Speaking of musicals and their related films, this was another fun experience. The lead in our production was a pitch-perfect match for the orphan character, and the pup playing Sandy was having a blast. Story-wise, this one did fall apart a bit with the dispatching of the villains, but otherwise, it was a good time.


Games

ND Spring 2023 13Legend of Zelda: Tears of the Kingdom – Nintendo Switch
I haven’t invested a lot of time on the gaming front as 2023 wound down, but what time I did spend was devoted to Hyrule. I left everything with a save point right before the final battle, so all I need to do now is work up my armor and supplies before saving the world.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #291: It Takes You Away

Ribbit… or is it tibbir?

The TARDIS lands in a Nordic forest. The companions enjoy the views while the Doctor confirms the time and place by tasting the grass, then everyone jumps when the Doctor spots a sheep. She determines that they are in 2018, leaving 193 years before the great Woolly Rebellion, an event that forced a renegotiation of the entire human-sheep relationship on Earth.

Weird.

The team sets their sights on a distant cabin, and the Doctor wonders why there’s no evidence of smoke from the chimney despite it being the middle of winter. The cabin is boarded up but Ryan catches a bit of movement through the window. The Doctor uses her sonic screwdriver to unlock the three locks on the front door and the team investigates. Ryan finds a girl hiding in the upstairs wardrobe, but she refuses to move when the Doctor asks. Once Graham offers up his emergency sandwich(!), the girl joins the team in the kitchen.

The girl’s name is Hanne and she’s afraid of the thing from which her father was defending the house. She can’t explain what the thing looks like because she’s blind, but she knows that her father disappeared four days ago. She asks the Doctor for help.

Ryan’s not great with kids, but Yaz immediately bonds with Hanne over a t-shirt for the Arctic Monkeys band. Hanne knows that her father didn’t simply leave her because the boat is still tied up nearby. Hanne gets nervous when her watch beeps, signaling the daily hunting time for the beast. As Yaz and Ryan scout around, they find animal traps and hear a loud roar. The team convenes outside but can’t find a beast to accompany the roar, so the Doctor orders everyone to secure the house.

Upstairs, Graham sees a mirror that doesn’t reflect his image. Ryan wonders if they are vampires before the mirror bleeds strange energy and the Doctor arrives. The mirror changes to normal for a moment before shifting again, but the Doctor is able to lock it in phase and take a look inside. The mirror is a portal to another dimension, and the Doctor decides to take another look but wants to leave Ryan behind to look after Hanne. She writes “Assume her dad is dead. Keep her safe. Find out who else can take care of her.” on the wall, telling Hanne that it’s a map of the house for Ryan’s benefit. Then the Doctor, Graham, and Yaz enter the mirror in search of Hanne’s father, Erik.

What lies beyond is a foggy and narrow cave. After leaving a trail of string to find their way home, they follow a light to a strange being named Ribbons. Ribbons offers his lantern in exchange for the sonic screwdriver (which looks pretty), and the Doctor promises payment upon delivery if Ribbons can show them the way to Erik.

As they progress, the team is introduced to killer flesh moths which Ribbons lures away with dead rats. He then cuts the thread while the team is distracted and betrays the team. As flesh moths descend, Ribbons mentions that this place is an anti-zone, a buffer that appears wherever the fabric of spacetime is threatened. The flesh moths extinguish the lantern and Ribbons tries to run after snatching the sonic screwdriver, but Graham stops him. The Doctor warns the team to stand still, but Ribbons tries to grab the sonic and is consumed by the moths. While the moths are busy, the team runs to a nearby portal and escapes, but they’re on the other side of the mirror.

Back in normal space, Hanne calls Ryan’s bluff about the map. Hanne is upset about Ryan’s attitude, but they team up when the roars come closer.  Ryan finds a wire and follows it to a speaker, discovering that the roars are a recording. Ryan runs back to tell Hanne, but she knocks him out and goes through the mirror. When he comes to, Ryan pursues.

In the mirror world, the team finds a beautiful and tidy cabin. They also find Erik, wearing a Slayer t-shirt with a backward logo, and a revelation: The monster is a recording. Erik tried to keep Hanne safe while he was gone because Trine (Hanne’s mother) is in the mirror zone. Or rather, her mirror universe version exists here, but cannot travel through the mirror. The team is also introduced to another traveler.

Grace is here.

Both of the women have memories of their lives before death. Graham tells Grace all about his adventures with the Doctor, but he’s unsure if he can trust Grace until she explains her passion for frogs. Meanwhile, the Doctor tells Yaz about the Solitract, a story that her fifth grandmother shared when the Doctor was a child. It existed at the start of the universe along with all of the other elements, but it couldn’t exist in the universe so it was exiled to another plane so it could exist naturally. The Solitract isn’t malevolent. It’s just lonely. But because of its nature, nothing from this universe cannot enter N-Space.

Graham and Erik have to choose between life here with their loved ones or their real lives in the normal universe.

As this detail is made clear, Ryan and Hanne navigate the anti-zone. Ryan sends Hanne ahead while he distracts the flesh moths. Hanne is overjoyed to find Erik but is not convinced that Trine is her mother. The world around them is falling apart since it is full of incompatible N-Space energy, but the Solitract wants to keep them as a cure for its loneliness. When the travelers reject the Solitract, they are knocked back into the anti-zone, and the Doctor offers herself in exchange for the others. She will stay behind since she’s seen the universe that the Solitract misses. The Solitract rejects Erik to save its universe.

Then the mirror universe goes white.

When it resolves again, the Doctor is faced with a skeleton of the cabin’s attic and a frog sitting on a chair. It speaks to the Doctor in Grace’s voice, taking an avatar that once delighted Grace. The Doctor begins to vibrate as the universe continues to destabilize, and the Doctor makes the case that the Solitract cannot survive if it holds on to what it cannot have. The Doctor tells the Solitract that they will remain friends even in her absence, and the Solitract sends her back into the anti-zone.

Everyone runs back to N-Space as the anti-zone collapses. The Doctor seals the portal behind them as the survivors come to terms with their losses. Erik and Hanne plan to move back to Oslo and start again, and Hanne is proud of her father for coming to terms with Trine’s death. Ryan and Graham talk about how Grace would react to this adventure, and Ryan finally calls him granddad. Together, they join their TARDIS family and set course for a new time and space.


I’m going to avoid a Calgon joke.

This is a beautiful story without a true villain. Instead, the Solitract is lonely, and to make connections, it offers companionship to those who grieve. Erik and Graham both get to heal a bit from their grief, and they extend this to their dependents. Graham specifically makes a deeper connection with Ryan through their shared trauma.

Now, I understand the Solitract taking a frog’s form in honor of Grace, but I think it would have had a better impact if it had taken a form that would tempt the Doctor to stay. Sure, the Doctor is tempted by this Time Lord fairy tale, but the whole point of the Solitract’s game was to bait companions with someone they miss. The perfect avatar would have been Susan, extending some goodwill with the return of Carole Ann Ford.

After all, “one day, I will come back”… yet the Doctor never really has on television, have they?  Instead, we get another fast ending and more questions about things we’ll likely never see again.

The casting was great with Eleanor Wallwork, the first blind actor in Doctor Who to play a blind character. That degree of authenticity was wonderful, as was the general low-budget horror atmosphere of this kinda spooky tale.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Battle of Ranskoor Av Kolos

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #290: The Witchfinders

If a Time Lord weighs the same as a duck…

The Doctor wants to take her companions to see the coronation of Elizabeth I, but the TARDIS has stubbornly dragged them to the early 17th century and a village where a party rapidly changes into a somber trial of an accused witch. The Doctor cautions her companions to not interfere in historical events, but she breaks those rules almost immediately as Becka Savage condemns Mother Twiston to a test by the dunking chair. The test itself is flawed: If Twiston survives the test, she’s obviously a witch and will be executed accordingly, but if she drowns, then she’s innocent.

Either way, the accused will not find justice. Twiston doesn’t survive, but because the Doctor interfered, Savage must now treat the corpse as if the woman was a witch. Savage is furious, but the Doctor uses her psychic paper to pose as a Witchfinder General with her special team. Savage’s demeanor changes as she asks the Doctor to join her, and the Doctor places a condition on the meeting: Savage will leave Twiston’s granddaughter Willa alone.

Savage is the owner of the village lands, which she inherited after her husband died, and in her quest to eliminate satanic influences, she shot all of the horses. Yaz meets with Willa as the team listens to Savage’s story. It turns out that she’s trying to uphold the newly published King James Bible – “Thou shalt not suffer a witch to live” – which the Doctor counters with a twist from the sequel – “Love thy neighbor.” – which actually originated in the Book of Leviticus.

As if on cue, a man in a plague doctor mask opens the door. He is King James I, traveling incognito to hear of Savage’s crusade and offer his assistance. He reads the psychic paper as the Doctor being an assistant to Graham – a woman cannot outrank a man – then sets his sights on Willa.

No one in the village is safe from the crusaders.

Yaz finds Willa saying farewell at her grandmother’s grave. The young woman is nearly attacked by tentacle-like roots and then runs off after Yaz stops them. Yaz finds the rest of the team in Savage’s room. The Doctor scans the mud splatters but finds nothing of interest. The Doctor and Yaz set off to find Willa while Graham and Ryan keep King James occupied.

King James and his entourage inspect a box of witch-hunting artifacts before the king sets them on his quest to burn out the witches. Graham tries to understand Savage’s motivations while Ryan and the king compare traumas. The king believes that his god will protect him as he performs holy works.

Yaz and the Doctor find Willa and enter the Twiston home, finding a room of bottles and herbs to make medicines. Willa doesn’t feel well because of the hatred and mistrust of the village against her, something with which Yaz can empathize. She also reveals that Savage is her cousin, but she’s willing to help figure out what’s going on with the tendrils and the mud. The Doctor finds a sample near the grave that is very active in a sample jar. The women are interrupted by Mother Twiston’s reanimated corpse which is eager to absorb the sample. They are soon surrounded by a large group of reanimated corpses.

A scream summons the king’s group, and after the reanimated kill the king’s assistant Alfonso, the Doctor orders everyone to run. The Doctor wants to return and examine the reanimated, but she soon narrows her focus to Savage. The landlord flips the accusations back on the Doctor, accusing her of witchcraft and inspiring King James to action. Under pressure, Willa turns on the Doctor and the Time Lord is taken into custody.

As the companions follow the mud creatures to Savage’s home, the king interrogates the Doctor. King James holds the sonic screwdriver – the Doctor’s magic wand – so the Doctor resorts to psychological warfare, including the secrets of the king’s mother and how she was scapegoated in his father’s murder. If the king wants to understand the secrets of existence, he must understand the mysteries of the human heart.

Unconvinced, the king summons his guards and orders the Doctor to the dunking chair. As she’s strapped in, the Doctor notes a spark as Savage touches the chair. Savage starts her speech as mud trickles from her eyes, then dunks the Doctor as the companions arrive and plead with the king to end the trial. When the chair is raised, the Doctor has vanished – having studied under Harry Houdini – and swam upstream.

Savage calls for the Doctor’s execution but the mud creatures arrive in pursuit of the landlord. Some time prior, Savage had cut down a tree because it spoiled her view of a hill, but the tree infected her with the mud. She had Mother Twiston executed because the woman was too weak to heal Savage, using the cut parts of the tree as the dunking chair. After this confession, Savage transforms into a creature and reveals that the hill is a prison for war criminals named the Morax, reduced to their basic DNA and stored in the ground. Savage knocks everyone out and leaves to free her people.

The Doctor cuts the dunking chair apart and creates weapons from the wood. The team is joined by Willa as they march on the hill as Savage tries to infect the king with Morax DNA. The Doctor and Willa face off against Savage, eventually restoring the prison and returning the Morax to the mud. King James strikes the final blow and Savage is destroyed.

Disgusted with the king, the Doctor returns to the TARDIS. Willa decides to take up her grandmother’s title as healer – Doctor – and Ryan turns down the king’s offer to stand as his protector. The team boards the TARDIS and departs, leaving the king and Willa astonished by the magic.


After eight on-screen adventures, the Thirteenth Doctor finally faces challenges due to her gender in this third pseudo-historical story. This is a good use of gender swapping in drama and really wasn’t exercised enough during this era of the show. This happens in a story written and directed by women – Joy Wilkinson and Sallie Aprahamian, respectively – which marks the first such combination in the revival era and the second in Doctor Who overall after Enlightenment.

In that drama, the tension of twisting conspiracies is well used, as is the battle between compassion and fear. The latter battle is an exercise of the show’s very ethos and adds a lot of power to this adventure. The atmosphere and the tension make this story work. Also doing phenomenal work here are Alan Cumming (chewing on every piece of scenery he can find) and Siobhan Finneran (whom I know best as Miss O’Brien from Downton Abbey).

All of those elements combined make the magic of one of the best episodes in the series so far.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: It Takes You Away

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #289: Kerblam!

Prime shipping is killer!

The TARDIS is flying wildly due to the Doctor’s attempts to evade something pursuing them. She finally recognizes it as a teleport pulse and is excited when the pulse materializes in the console room as a Kerb!am Man, a delivery employee with a package for the Doctor. The box contains a fez and a call for help, and the companions urge the Doctor to investigate.

They materialize at Kerb!am’s headquarters on a moon of Kandoka. Ryan inspires the Doctor to have the team go undercover as new hires at the warehouse. They go through indoctrination and orientation with Judy, the Head of People, and learn that the robots around the facility supervise the ten percent organic workforce. They get scanned and tagged with ankle bracelets so they can be tracked, and then sorted into their respective departments. Ryan and Graham are assigned to packaging while Yaz works fulfillment. The Doctor uses her sonic to swap places with Graham, which moves him to maintenance.

The Doctor and Ryan meet Kira Arlo. Ryan is a natural since he used to do this work back on Earth. The Doctor asks Kira about the environment at Kerb!am, learning that the ten percent organic worker standard is a law to prevent full automation.

Yaz asks similar questions of her teammate Dan, who warns her that the robotic managers can hear everything. Dan is a superstar at work, becoming a literal poster child for the company. His daughter works upstairs but he only sees her twice a year. Their discussion is interrupted by a robotic manager who demands that they increase their efficiency. When Yaz gets a fulfillment request for the Triple Nine sector, Dan swaps places with her.

As periodic power drains plague the facility, the packaging team meets Kira’s boss, Jarva Slade, who is pretty abusive toward his subordinates. When the Doctor asks him if anyone needs help, he becomes unnerved and leaves in a rush. Meanwhile, Dan is ambushed by a robot in the Triple Nine sector. Yaz goes to find him and hears his screams, but she only finds his scanner and the necklace from his daughter. She evades the robots and ducks through a door.

Graham meets his teammate Charlie in maintenance. They are startled by an emergency break period, and the TARDIS team meets up in a nice park area for the period. Charlie meets Kira after she spills her lunch, and the Doctor takes the news of Dan’s disappearance to the head office while Graham makes a map of the facility. Judy and Jarva promise to look into it.

The Doctor, Ryan, and Yaz hide in a nearby alcove to wait until the managers leave the office. The Doctor regales her friends with stories of wasps and Agatha Christie. Meanwhile, Graham and Charlie build a relationship as the former works his way into building a map of the building. Charlie introduces Graham to the museum area where a map is kept. The Doctor, Ryan, and Yaz are shocked by a list of missing employees, but they are surprised by Judy (who is also shocked by the list). Charlie and Graham arrive with the map as the building goes into lockdown. They are all ambushed by a robot which is disabled by the Doctor. A scan of the robot’s memory shows that the overall system is acting up.

The employees on the list are shown as alive in the system, meaning that the system may be compromised. The Doctor finds the original delivery robot code in the museum and uses it to reset the computers. Elsewhere, Kira is abducted by two robots, prompting the team to go after her in the Dispatch areas. To do so, Ryan, Yaz, and Charlie dive into the chutes and ride them down into a vast maze of conveyor belts and sorting machines.

Kira is led to a concrete bunker. Upstairs, Judy, Graham, and the Doctor convince the 1.0 robot to scan the system and look for anomalies. They discover that the Kerb!am system is who summoned the Doctor for help. The rest of the team is summoned to Dispatch where Ryan, Yaz, and Charlie are dodging decontamination protocols. When they teleport downstairs, they are ambushed by Slade with a gun. The Doctor disables him with Venusian aikido before he reveals that he’s investigating the disappearances. They discover the liquified remains of the missing workers near an army of delivery robots, each holding a package.

Kira receives a gift, presumably for her stellar performance, as Ryan, Yaz, and Charlie try to break her out. The box contains only bubble wrap, and she is instantly vaporized when she pops one of the bubbles. Ryan and Yaz note that Charlie knew what was going to happen. Meanwhile, the Doctor discovers that the bubble wrap in every package is a collection of bombs.

The pieces come together when Charlie is revealed as the villain. He wanted to frame the Kerb!am artificial intelligence for the murder of millions of customers so the ten percent rule would be lifted. He’s fighting for organics, but the AI asked for help to stop the plan. The Doctor tries to reason with him, pointing out that the systems aren’t the problem. The people who exploit the systems for personal gain are the problem.

Charlie activates his army and destroys the controller. As Charlie escapes into the robotic ranks, the Doctor uses the 1.0 interface to reroute the delivery addresses, forcing the army to materialize in the hangar and detonate their bombs. The Doctor offers Charlie one last chance to survive, but he refuses and the team teleports back to the lobby.

The workers are given two weeks of paid leave as Judy and Jarva decide to transition Kerb!am to a company led by organic personnel. Yaz asks the Doctor if she can return Dan’s necklace to his daughter, and as the Doctor agrees, Ryan and Graham ponder the bubble wrap that accompanied the fez as the adventure started.


This story deals with the constant modernization of workplaces and retail environments, as well as the backlash that working environments that aren’t focused on the worker may face. It remains relevant in many ways today, both in labor actions like strikes and the popularity of self-checkouts in big box retail stores.

But this story also flips the script midstream by leading us to believe that a worker has asked the Doctor for help before revealing that the Kerb!am system is really the petitioner. Does that mean that the Doctor stood up for the corporation over the people? No, and this is the part that really made me think about this adventure, because helping the system led to systemic change for the organic workers. It’s a really neat twist with someone in power on the inside forcing a positive change from within.

I rather liked the idea of the Kerb!am Man being able to deliver directly to the TARDIS, as we previously saw in The Greatest Show in the Galaxy and The Doctor’s Wife. I mean, sure, the ship is virtually indestructible and has shields to prevent intrusion but how often has this show ignored the TARDIS’s physical security for the sake of plot? Quite often, really. It’s science fiction/fantasy, not reality. Roll with it.

Finally, I loved the concept of taking something we all do – popping bubble wrap – and making it questionable or nefarious. It’s a very Doctor Who thing to do.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Witchfinders

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #288: Demons of the Punjab

Bearing witness.

Yaz is home celebrating her Nani Umbreen’s birthday. Each of the women gets an heirloom gift – Najia gets a stack of handwritten letters, Sonya gets a photo of her grandfather and a pressed flower, and Yaz gets a broken watch that must never be repaired – and Yaz has a burning desire to travel back in time to learn more about her grandmother.

The Doctor is skeptical about taking personal trips, but Graham quips that this team is no stranger to risk. The Doctor apologizes for that run-in with the Death-Eye Turtle Army before setting course for Pakistan, 1947. Shortly after arriving, the Doctor gets a telepathic shock before meeting a man named Prem and his ox-cart. The Doctor is shaken but accepts a ride to escape the troubles on the road ahead. As the cart pulls away, they are watched by an armored being.

The team arrives at a small home where they meet Umbreen as a young woman. Yaz stumbles over herself as they learn about Umbreen’s upcoming wedding to Prem, but Yaz is confused because Prem is not her grandfather. They also note that Prem is wearing the watch that Yaz was given in the future.

Against the Doctor’s better judgment, the team decides to stay. They learn that they are watching the Partition of India in action. The Muslims are forced into Pakistan, the Hindus get India, and tensions rise across the region because of how the British handled the situation. Additionally, Umbreen is Muslim and Prem is Hindu. The tense moment is exacerbated as two supposed demons appear, sparking another telepathic shock for the Doctor as they lead everyone to a dead Hindu holy man named Bhakti. They warn the Doctor not to interfere before Prem shoots at them. Prem explains that he’s seen the demons before and questions the Doctor’s team about their true intentions.

They watch as a purple powder vanishes from the corpse. The Doctor scans the area while Yaz and Graham lay the body to rest. The Doctor, Ryan, and Prem find a transmat doorway in the forest and are teleported into an underground ship. The Doctor determines that the demons are Thijarians, an ancient species that evolved into the deadliest assassins in the universe. Prem last saw them in the midst of World War II when his older brother Kunal was killed. The trio is forced to leave the hive ship when the Thijarians return, and Ryan and Prem are separated from the Doctor because of miniature transmat devices scattered through the forest. The Doctor confiscates the devices and a canister of the purple powder as she runs.

Back at the family farm, Umbreen continues to argue in favor of her upcoming marriage despite the family’s insistence that it be canceled. Yaz struggles with the history she’s seeing because it doesn’t align with the reality she knows. Graham consoles her and asks that she live in this moment and watch as history gets sorted out. As the Doctor, Ryan, and Prem return, everyone is gathered in the barn. The Thijarians follow and threaten everyone with death, but the Doctor uses the transmat devices to lock them out so she can formulate a plan. The Doctor asks for oil, tree bark, saucepans, nine containers, ox spit, a biscuit, and chicken poo to create a “demon repellent” to analyze the powder. She also tries to scan the powder but the substance overloads the sonic screwdriver.

The women and men are separated for pre-nuptial rituals. Umbreen asks the Doctor – a woman with a respectable title – to officiate the ceremony. The men play cards as Prem argues with Manish, a Partition sympathizer. Later on, the Doctor discovers that the powder is a dense amalgam of genetic material before the Thijarians break the transmat lock and take the Doctor back to their ship.

The Thijarians explain that they are no longer assassins. Their world was destroyed – the remnants are left in the powder jar – and they have become witnesses to honor the living in their moments of death. The millions who will die in the wake of Partition will be forgotten in history, and they have come to bear witness to their sacrifices. They reveal that Prem will die next and there’s nothing they can do to stop it. They also explain what happened to Bhakti.

The Doctor returns to the barn and reveals what happens to Prem on the day of his wedding. Despite the coming pain, Yaz and the team decide to stay and celebrate with her family. As Ryan and Graham see to Prem’s final preparations, Prem mourns for those around him who have lost their minds – Muslims, Hindus, and Sikhs who lived in harmony are now divided in a frenzy – and Graham comforts him with the knowledge that the best they can be is good men.

The ceremony takes place on the new border, making Umbreen the first woman married in Pakistan. The Doctor uses her sonic screwdriver to drop the rope border, speaking of the certainty Prem and Umbreen have in each other despite the uncertainty in the world around them. The certainty of love and hope. Umbreen uses the border rope to bind her hands to Prem’s, formalizing the ceremony.

Later on, Umbreen offers Manish reconciliation, but Manish rejects it. Prem offers Umbreen his watch but it falls to the ground, which Umbreen declares as their moment in time. The Doctor follows Manish as he grabs a rifle, asking if it was what he used to kill the holy man to stop him from marrying Umbreen and Prem. It is interrupted as men arrive on horseback to take the land by force. The Doctor warns the newlyweds to run and Prem asks Umbreen to gather some essentials. Yaz discovers a map of the world with Sheffield marked as a place where Umbreen wants to visit.

Prem offers to stay behind and distract the raiders while Umbreen and her mother escape. As the Doctor and the companions watch from the distance, Prem stands in defense of the land and confronts his brother Manish. A fellow soldier named Kanon draws a rifle on Prem as the Thijarians arrive to watch over the proceedings. A shot rings out as the travelers walk back to the TARDIS.

In the TARDIS, the Doctor confirms that Umbreen survived and reached Sheffield. When she returns home, Yaz and Umbreen talk about family history. Umbreen is happy about her life and where it has taken her, and she offers to talk about the watch. Yaz asks her to tell the story another time.


This powerful historical story is centered on the hidden and forgotten parts of our individual histories. I love the stories where the “bad guys” aren’t what they seem, and just like in Twice Upon a Time, the mistaken identity of those who honor the fallen and forgotten is beautiful. The episode also puts the audience in the same position as the Thijarians. We cannot interfere, but instead, we can only watch as this family goes through the turmoil.

It’s also really nice to see a British television series pay tribute to a time when the Empire really screwed up the geopolitical landscape with arbitrary lines on a map. This story takes place in 1947, and even now – 76 years later – the politics of the region are still a source of contention (to say the least). Leave it to a show about compassion and being the best of humanity to show the personal devastation associated with the Partition.

It’s touching that the episode premiered on Remembrance Sunday (November 11) and the centenary of the armistice that ended World War I.

I really liked the end credits version of the Doctor Who theme. This version was inspired by Indian music and performed by Shahid Abbas Khan, who was also featured throughout this episode’s soundtrack.

We get another nod here to adventures not seen on the television screen. The name Death-Eye Turtle Army alone makes me want to know what happened there.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: Kerblam!

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #287: The Tsuranga Conundrum

Stitch, Roy Kent, and a safe sacrifice.

Our heroes are hanging out in a junk galaxy. On Seffilun 27, one of the planets in this refuse-filled wasteland, the travelers are hunting for spare parts to patch up the TARDIS. As they dig, the Doctor uncovers an active sonic mine. When it detonates, everyone is knocked out and awakens in a hospital. The nurse, Astos, mentions that scavenger bots brought them to Tsuranga, which sets the Doctor off and motivates her to find the TARDIS.

As they search for the exit, the travelers meet Eve Cicero – over whom the Doctor fangirls – her brother Durkas, and her android consort Ronan. Eve is a fan of the Doctor, recognizing her name in the Book of Celebrants. The travelers move on and find a pregnant man named Yoss Inkl – a Giftan, a species of which both genders can give birth, but only to their own gender – before the Doctor succumbs to her injuries and collapses.

Also, the Tsuranga isn’t a building. It’s a rescue starship.

The Doctor picks herself up and tries to find the control room. Unfortunately, the ship is completely automated, crewed by nurses Astos and Mabli. Overriding the automatic systems would be seen as an act of hostility, and the Doctor finally relents when she realizes that she’s in the wrong.

Astos reveals that the ship is in an asteroid field close to Constant Division, a disputed territory, and both of them are startled by an alarm warning of a fast-approaching object and a subsequent hull breach. They track something moving around inside the shields, and Astos provides the Doctor with a communication unit as they investigate. Meanwhile, Ronan asks Mabli for some adrenaline blockers while Durkas attempts to hack into Eve’s medical records. Graham finds Durkas and they discuss how loved ones can sometimes hide bad news, which Graham attributes to keeping people from pain. Durkas says that Eve is being treated for Corden Fever, but her distance makes him think there’s more to the story than an easily treated disease.

As Astos and the Doctor track the disturbance, they find that the port escape pod has been jettisoned. Astos investigates the starboard escape pod but is trapped inside when it engages. He says a cryptic farewell to Mabli over the comms before the pod explodes. When the Doctor arrives at the pod door, she finds a small, angry creature snacking on various metal components. As Mabli, Yaz, Ryan, and Graham join the party, the Doctor tries to scan the creature but it bites the sonic screwdriver, spits it out, and dives into a nearby hole.

Everyone regroups in the ship’s control hub. Mabli mourns Astos’s death as she digs into the computer databanks. They soon find out that the creature is a Pting, a highly dangerous, toxic-to-touch, very hard-to-kill eating machine.

Fun.

The Doctor tasks her companions with gathering everyone in the assessment area while she and Mabli develop an attack plan. Ryan and Yaz have a touching discussion with Yoss that stirs up childhood memories for Ryan, including how he found his mother dead from a heart attack when he was thirteen. Meanwhile, the ship detects the Pting and activates a sequence to prevent the creature from reaching Resus One, the Tsuranga‘s home port. The Doctor can postpone the sequence three times, but after that, the ship will self-destruct to save the station.

The Doctor briefs everyone in the assessment area on the situation. The ship’s main power goes out, leaving them on backups as heat and oxygen become premiums. Ryan and Graham end up acting as Yoss’s doulas as he goes into labor, and Mabli suggests that the Doctor scan Eve for more information on her condition. Eve has experience with a Pting – it decimated an entire fleet – and coordinates with the Doctor, Durka, and Ronan as they work on the antimatter drive. Yaz and Ronan stand guard duty over the drive as the Doctor, Eve, and Durka work on the computer.

The Doctor discovers that Eve has Pilot’s Heart, a condition among neuro-pilots that causes heart failure when adrenaline spikes. Durkas finds out as he tells the women that he’s rigged a primitive holographic interface to pilot the ship, and Eve decides that she will be the one to use it.

The Pting breaks through to the drive room. Ronan stuns it and Yaz wraps it in a medical blanket and punts it down the corridor. Meanwhile, as Eve is hooked up to the interface, the Doctor realizes that the Pting is hungry for energy, not for killing people, and races for Yaz and Ronan after postponing the ship’s autodestruct for the last time.

The Doctor’s sonic screwdriver reboots in time to help find the bomb built into the antimatter drive. She extracts the bomb and leaves Ronan to stand guard over the drive. Yaz accompanies the Doctor to the airlock and lures the Pting to them by speeding up the timer. The Pting takes the bait and the Doctor ejects it into space as the bomb explodes. The creature absorbs the entire blast and contently drifts into the asteroid field.

Eve pilots the ship out of danger and expresses her love for Durkas before she dies. Durkas takes control of the ship and pilots it to Resus One.

During all of this, Ryan and Graham bond over Yoss’s labor and delivery. Ryan channels his anger and grief into counseling for Yoss. Yoss doesn’t have to be perfect… he just has to be there for his new son. Yoss names his son Avocado after the legendary Earth hero Avocado Pear, which is a humorous misreading of Earth history.

When all is said and done, Mabli has arranged for the Doctor and her team to be taken back to the TARDIS. The collected survivors are buoyed by hope and their shared grief, and they all say farewell to Eve in a traditional ceremony.


This episode presents another case of interesting ideas being bogged down by questionable writing. The idea of the Pting is the typical no-win scenario trope found throughout science fiction, especially when coupled with a medical emergency that would drive urgency in a typical by-the-numbers script. But the urgency isn’t present because the medical expertise exists to deliver a baby without fancy technology. Humans have been doing it successfully for 200,000 years or so, and one can assume that Gifftans have done so as well.

So, instead of a medical emergency driving the urgency, we get an automated system that inexplicably allows three chances to override it. Instead of transmitting the data to the station and permitting the on-board medical attendants to explain the situation, a system is used to wipe out the problem without context. It becomes a sterile logic problem: A threat exists, eliminate the threat. Black and white, ignoring shades of gray.

I can get on board with this, but this time it comes with a major problem. We’ve seen systems like this before in Doctor Who, but we also take the time to discuss them and paint the allegorical picture for audiences to explain why they don’t work. There’s none of that here. The questionable writing is evident in a lack of follow-through. The plot ideas are seeded but are then promptly forgotten, which is a problem that plagues Chris Chibnall’s work on this show.

It also shows with the Doctor’s injuries, which nearly crippled her at the beginning of the story. They are virtually non-existent once the Pting arrives except for a bit of lip service paid in one or two exchanges, but she’s miraculously cured when the credits roll.

That said, we have a lot of excellent character development for Ryan and Graham as they grow closer. The rift isn’t quite sealed yet, but it’s getting there. The treatment of anti-matter is also well-researched.

It’s hard to not draw a connection between this story and Flesh and Stone, which also traps the Doctor, the companions, and the dangerous creatures in the same dramatic bottle. In that story, the energy was used to defeat the Weeping Angels, but here it merely gives the Pting a snack as it is removed from the ship to go kill bother someone else.

It’s also not hard to draw the connection between Pting and Disney’s Stitch. Cute, small, and dangerous? This is the second time that I have seen the episode and I can’t not make the comparison.

Finally, there’s the Ted Lasso connection. The show about footballers wasn’t around in 2018, but I nearly leaped off my seat this time when Roy (F’in) Kent appeared as a nurse. It was quite the surprise and was nice to see him in a somewhat more lighthearted role.

To sum up, this episode is merely okay. The drama of the threat fails because the hand is tipped well before the final round. Eve and Astos have to die because the story demands heroic sacrifices, but everyone else is safe and happy in the end.

That’s exactly what this story is. It’s just safe science fiction.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Doctor Who: Demons of the Punjab

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #286: Arachnids in the UK

An unhappy ending for an unfocused story.

In an empty hotel on a golf resort, American businessman Jack Robertson is upset with his personal assistant, Frankie Ellish. Robertson wants to throw money at the problem, especially in light of his potential political run in 2020, but Ellish says the problem is too complex. He fires a woman who stumbles upon their conversation, then gives Ellish one hour to solve the problem.

Meanwhile, the TARDIS navigates through the temporal vortex and arrives in Sheffield a mere half-hour after the fam originally departed. The Doctor is prepared to say goodbye to the team, but Yaz invites everyone to her place for tea. Graham has something else to take care of, so he passes on the offer. On the way up, the Doctor spots a woman in need of help, but the woman tells her that everything is fine.

The group meets Yaz’s family and the Doctor tries to figure out small talk. She engages Yaz’s father about the garbage that he’s collecting, eager to learn more about the conspiracy. Yaz gets a call from her mother, the woman whom Robertson fired, and goes to pick her up. After Yaz leaves, the Doctor offers to deliver a parcel meant for the next-door neighbor who hasn’t been seen for days.

The Doctor and Ryan enter the neighbor’s flat with the woman from before. The place is without power and filled with spider webs. They find the flat’s occupant Anna wrapped in spiderwebs like a trapped insect, and they find the spider responsible hiding under the bed. They trap it in the bedroom and the Doctor finds vinegar and garlic to keep it away. The spider goes around via the ceiling, and the Doctor asks it to stay in the apartment until she can solve the mystery.

Graham returns home. The place seems empty, but he imagines Grace standing with him as he thinks about everything he wants to tell her. He sits with one of her coats until he hears a noise from upstairs. He investigates and finds a shed spider carapace. He returns to the Doctor and tells the team what he found.

The woman, Jade, tells the group that these aren’t the first incidents. Something is happening to the spiders in the city. They follow Jade to her lab where she works as a zoologist specializing in arachnids.

At the hotel, Ellish descends into the lower levels while recording a statement for the authorities. She’s soon consumed by the spiders living there. Yaz arrives moments later to retrieve her mother, Najia, and Robertson confronts the women as trespassers and his bodyguard Kevin holds them at gunpoint. Robertson cites the room conditions as the reason for firing her.

Jade explains that her work is about extending spider lifespans. Apparently, spiders can keep growing throughout their lives. The spider population has exploded in Sheffield lately. The Doctor sees a pattern in the data and points them toward the golf resort.

Robertson shows the Khan women a guest room filled with spiderwebs. He leaves for a scheduled bathroom break and the Khan’s listen to a crawling sound in the walls. The Doctor calls and asks if they can let her in.

Robertson, meanwhile, is attacked in the bathroom by a giant spider that breaks through a bathtub. Kevin tries to defend his boss, but Robertson locks him in the bathroom. The ensuing gunshots bring everyone to the guest room as the spider drags Kevin away. Everyone but the Doctor and the Khans are a bit starstruck, and they investigate the carnage. The Doctor takes a look below the tub and comes face to face with the spider. They all run to the lobby but find the entrance blocked by a literal wall of webbing, so they retreat to the kitchen.

Robertson is beside himself that the Doctor doesn’t recognize him. When she asks if he’s Ed Sheeran, Robertson goes off her while flaunting his portfolio. He’s also running for President of the United States in 2020 because he hates Trump (and hates the name even more). The Doctor hatches a plan that involves catching a spider, sending Ryan and Graham to execute it. The plan, not the spider. They trap one before running away from an entire group of them.

The Khans discuss how Yaz knows the Doctor as the Time Lord digs into the hotel’s history. It seems that the resort was built on an abandoned coal mine. Against Robertson’s wishes, the team goes into the depths, finds Kevin and Ellish wrapped in webbing cocoons, and uncovers the blustering businessman’s secret: His waste disposal company used the mine to store massive amounts of toxic waste. With nowhere to go, the waste is being concentrated and has affected the spider population, including the dead spiders from Jade’s lab.

While Graham and Ryan search for another spider specimen, they discuss the letter that Ryan’s father wrote to him. Ryan’s father wants to be his “proper” family, but Ryan’s not interested. They find a massive spider in the ballroom and trap it before returning to the others. The Doctor concludes that the large spider is the mother and the others are returning home. She remembers that Robertson has a panic room and asks for a tour. Robertson wants to shoot them all, but the Doctor decides to trap them in the panic room for a humane death.

That doesn’t sit right.

Ryan lures the entire population to the panic room with “Know Me From” by Stormzy. With the spiders locked away, the Doctor develops a plan to herd the mother outside, but Jade notices that it has grown too large and is literally suffocating under its own mass. Robertson storms into the ballroom and shoots the mother spider, claiming it as a mercy killing that will secure his place in the White House. The Doctor is angry but can do nothing as Robertson leaves the room.

Later, the companions make their way back to the TARDIS, deciding that life with the Doctor is better than what they have in their homes. Graham needs to heal his grief, Ryan doesn’t want to go back to the warehouse, and Yaz wants more than the insanity that her family offers. They want to travel with the Doctor.

The Doctor warns them of the dangers. When they’re sure, this new Team TARDIS pulls the lever together and embarks on a new adventure.


This story had a lot of potential, but it was squandered with a meandering and unfocused plot. As such, the ending is way too quick and doesn’t resolve anything. The toxic waste problem remains, Jack Robertson doesn’t face any consequences, and the spiders are left behind to die of starvation in a panic room.

I’m not a fan of spiders, but the fate of these spiders really bothers me. The Eleventh Doctor once remarked that in 900 years of time and space, he had never met anyone who wasn’t important. Leaving the spiders to die a long and painful death for something that they didn’t have any influence on seems out of character. I wonder what a better writer could have done in consideration of Planet of the Spiders and Metebilius III.

Jack Robertson’s character also bothers me as an example of the “ugly American” stereotype, though it’s understandable given the time in which this episode was made. I recall watching this one when it first premiered and rolling my eyes at the stereotype. This time around, it makes me wonder if Chris Chibnall even knew what he wanted from the character since Robertson embodies the very man that he despises so much. Chris Noth reinforced this by loosely basing his portrayal on the real-life reality star. The character isn’t very clear-cut, and that further confuses an already muddy story.

I did like meeting Yaz’s family and adding more depth to her character. I was also impressed with the reimagined temporal vortex. But this story overall? Not a keeper.

Rating: 2/5 – “Mm? What’s that, my boy?”


UP NEXT – Doctor Who: The Tsuranga Conundrum

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

State of Creative Criticality – November 2023

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State of Creative Criticality
November 2023
November 15, 2023

Where have I been?

It’s a great question, and the answer is pretty simple. My day job has taken up the vast majority of my bandwidth over the last few months with a massive high-visibility project on a tight deadline. Imagine taking a process that should take several years and safely fast-tracking it in far less time while still maintaining the expected quality and making a profit for my employers.

Something had to give. That something was my work here. But as the day gig’s needs start to loosen a bit, I can spare a few more spoons (or spell slots, if you will) at Creative Criticality.

I appreciate your support and your patience as I continue to explore pop culture and the world around us both critically and creatively.

So, where do we go from here?

Timestamps

I placed the Timestamps Project on hiatus during the writers’ and actors’ strikes, but I’m ready to pick up again with Arachnids in the UK, more than likely around the Doctor Who 60th anniversary. There are 26 entries remaining in the Thirteenth Doctor’s era, and by the time this website catches up to the actual show, it will be closer to 30 entries.

After that, the Timestamps Project will become a bit more – ahem – timely as I cover each season/series as it finishes. I still want to keep the slight delay in place to keep the spirit of the project, though.

In the meantime, I’m considering some options for rewatches of other series. I keep toying with the idea of covering Star Trek like this, but I also need a bit of a break from 60-year-old franchises. I’m thinking smaller and something with fewer seasons.

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This semi-regular look at topics that I “just can’t let go of” will continue as well. I’m always on the lookout for good topics to muse about, as well as promoting the good things my friends do in the creative space. This topic ends up being a kind of catch-all for whatever pop culture or real-world topic is on my mind.

Among those topics is Narrative Diversons, the quarterly discussion on what I’ve been watching, reading, and playing. Expect the end-of-the-year edition to include from Autumn 2023 as well as those movies and television items from Summer 2023 that I didn’t discuss due to the strikes.

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This series takes a lot of time to research and prepare, which is why it often falls to the back burner, but it is also important to me because of my history, education, and experience. It’s not going away anytime soon.

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Similarly, this series will continue. It’s another time-consuming one to write, but I love to cook for those I care about. With my schedule running the way it has been this year, my meals have been reduced to a repeating regimen of easy-to-remember and easy-to-cook items. All still healthy, but lacking in experimentation.

Other Items

Before my schedule flew out the window and exploded, I submitted short works to two publications. Those will be coming soon from their respective houses.

2023 Pubs

I contributed a short humorous essay for the tenth-anniversary edition of Outside In, a series published by ATB Publishing. Celebrating 10 years of the book series and 60 years of Doctor Who, this book looks at 163 adventures from the classic era as a celebration of both the television show and the book series inspired by it. It is available for pre-order with a release date of November 23, 2023. You can find the pre-order and more information at ATB Publishing.

I also contributed to Dragon Tales, the charity anthology edited by Michael Gordon. Dragon Tales is a benefit book celebrating Atlanta’s largest multi-media pop culture convention for fans by fans. It contains stories, essays, memories, pro-tips, and more by folks who honor Dragon Con in their heart and try to keep it all the year. I previously mentioned this in September, and a release date is still forthcoming.

Last, but certainly not least, I also have a project that’s been simmering for years and was inspired by friends Bethany Kesler and Gary Mitchel at Wholanta 2018. It’s been a while, obviously, but I really want to pick that up again.


Anyway, I’m not dead (yet) and neither is Creative Criticality. If there was a way to pay the bills by simply keeping the lights on here and talking culture all day, I’d do it, but sometimes the day gig calls and I have to answer.

Thanks again for sticking around. I look forward to picking up the torch once again very soon.


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For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Quest for Sunshine Preservation (Autumn 2023 Edition)

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Culture on My Mind
The Quest for Sunshine Preservation
(Autumn 2023 Edition)

November 6, 2023

It’s that time once again.

Daylight saving time is the practice of advancing clocks by one hour in warmer seasons to make darkness fall at a later clock time. It is utilized in several countries around the world and the concept has caused controversy since the earliest proposals. To this day it affects the sleep patterns and productivity of those who practice it.

Many countries and territories abolished the practice after years of practice. The European Union conducted a survey in 2018 and determined that 84 percent of respondents did not want to adjust clocks twice a year. The EU was supposed to stop daylight saving time in 2021 but later asked for a more detailed assessment first.

The United States cannot abolish daylight saving time without federal approval. The practice was established in 1918 with the Standard Time Act and modified in 1966 with the Uniform Time Act (which itself has been revised several times). The government has attempted to abolish routine time changes several times, most recently with the Sunshine Protection Act. The legislation has been introduced multiple times and has died before being passed each time.

For more information (and some humor to brighten your day), check out this 2011 video from CGP Grey.

 


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Narrative Diversions (Summer 2023 Edition)

Culture on My Mind

Culture on My Mind
Narrative Diversions
(Summer 2023 Edition)

September 8, 2023

Narrative Diversions is a look at the various pop culture things I’ve been watching, reading, and playing over the last few months.


Movies and Television

As I mentioned back in mid-July, I stand with the members of the WGA and SAG-AFTRA as a creative who has seen fellow creators treated like garbage since they weren’t seen as valuable human beings. To that end, I will mention the films and shows that I have taken in during the last few months, but my thoughts on them will have to wait until the strike comes to a satisfying conclusion.

Remember that no one is forcing me to do this. I choose to do it because it is the right thing to do in support of my family and friends in the industry, those who create for themselves, and those who share their art with the world.

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Books

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Star Wars: Heir to the Empire – Timothy Zahn
Star Wars: Dark Force Rising – Timothy Zahn
Star Wars: The Last Command – Timothy Zahn
I originally read this series in 1994. I received them alongside the second edition of the Star Wars trilogy anthology, and I was amazed at the time that they were a continuation of the films. Notably, despite the timeline authorized by Lucasfilm (but not necessarily by George Lucas himself), they were the only books to be deliberately marketed as such in the former Expanded Universe.

The trilogy definitely holds up nearly twenty years later. I enjoy Timothy Zahn’s recent canon trilogies about Grand Admiral Thrawn that accompany the character’s appearances in Star Wars Rebels, and those stories do not detract from this original adventure in the least. Thrawn is still just as menacing and really puts the heroes through their paces. It’s no wonder that he is such a force in the modern era of the franchise.

If you have never read this trilogy and are a fan of Star Wars, give them a shot.

The President’s Club: Inside the World’s Most Exclusive Fraternity – Nancy Gibbs and Michael Duffy
This is a fascinating history book that explores the role of former Presidents of the United States as mentors and guides for sitting Presidents. There was a lot that I didn’t know about how this very exclusive fraternity works and some of the challenges they have collectively tackled.

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Star Trek: Deep Space Nine – Twist of Faith

  • Star Trek: Deep Space Nine – Avatar, Book One – S.D. Perry
  • Star Trek: Deep Space Nine – Avatar, Book Two – S.D. Perry
  • Star Trek: Deep Space Nine – Section 31: Abyss – David Weddle and Jeffrey Lang
  • Star Trek: Deep Space Nine – Gateways: Demons of Air and Darkness – Keith R. A. DeCandido
  • Star Trek: Deep Space Nine – Gateways: What Lay Beyond – “Horn and Ivory” – Keith R. A. DeCandido

It’s no secret that Star Trek: Deep Space Nine is my favorite Star Trek series, and I was excited to find out in 2001 that there were continuation novels. I remember reading and enjoying the two Avatar books by S.D. Perry, but I fell away afterward as my college studies and naval training took up my time. I recently picked up the Twist of Faith omnibus and enjoyed the five collected stories that follow the crew in the aftermath of “What You Leave Behind”. I’m also eager now to read the Gateways series and the rest of the Deep Space Nine series, especially to find out how Ezri and Kira’s lives progress from here.


Stage

ND Summer 2023 8Wicked – Broadway in Atlanta
This is the third time I have seen this musical – once in Memphis and twice in Atlanta – and it’s definitely one that I’ll go see every time I have an opportunity. I really like the extra dimensions that it adds to the classic Wizard of Oz movie while incorporating elements of the books. It’s also far better than the original Wicked novel. I was not a fan of that read at all.


Games

ND Summer 2023 9Legend of Zelda: Tears of the Kingdom – Nintendo Switch
I’m finally to the point when I can dive into the final matchup against Ganondorf. That’s where I left it before finding an Xbox Series X and changing gears a bit. I’m also eagerly awaiting what comes next in the coming months for this experience. Rumor says… maybe a DLC package?

Star Wars: Jedi Survivor – Xbox Series X
I really loved Star Wars: Jedi Fallen Order, and this sequel is a great improvement on it. The characters have all gone their separate ways and are forced to find each other when a threat from the High Republic era challenges the galaxy. Despite having fewer planets to visit, this game improves by encouraging exploration and questing. It’s fun trying to decide between the main story or the various side missions.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.