Culture on My Mind – Degrees of Separation

Culture on My Mind
Degrees of Separation

March 6, 2020

This week’s “can’t let it go” is the confluence of mathematics and pop culture.

While working on the January 3rd edition of The Thing About Today, I came across Danica McKellar’s Erdős and Erdős–Bacon Numbers, and my curiosity was piqued by what these meant.

The Erdős Number is named for Hungarian mathematician Paul Erdős, one of the most prolific mathematical minds of the 20th century. The Erdős Number describes the collaborative distance between Erdős and another person as measured by the authorship of mathematical papers. By definition, Paul Erdős has an Erdős number of zero, a direct collaborator has an Erdős number of one, and anybody else’s Erdős number is defined as k + 1 where k is the lowest Erdős number of any coauthor.

Based on her collaborative work on research papers, Danica McKellar’s Erdős Number is four.

A more familiar separation number is related to the Six Degrees of Kevin Bacon parlor game, which is based on the larger “six degrees of separation” concept which posits that any two people on Earth are six or fewer acquaintances apart. The goal is to find the shortest path between any actor and the prolific Kevin Bacon. For example, Ian McKellan starred in X-Men: Days of Future Past with Michael Fassbender and James McAvoy, who were in X-Men: First Class with Kevin Bacon. Thus, James McAvoy and Michael Fassbender have Bacon Numbers of one and Ian McKellen is a Bacon Number two.

Back to our Danica McKellar example, she has a Bacon Number of two: She was in 21 and a Wake-up with Andre Royo who was in Super with Kevin Bacon.

Smashing those two separation numbers together, we end up with a rare measure of collaborative distance called the Erdős-Bacon Number. It is the sum of a person’s Erdős Number and Bacon Number, and is a rarity since the subject needs to have appeared in a film and co-authored an academic paper.

The lowest Erdős-Bacon Numbers among scientists belong to mathematicians Daniel Kleitman and Bruce Reznick at three. Physicist Richard Feynman, one of my favorites, has an Erdős-Bacon Number of six due to his sum of three and three. Stephen Hawking and Carl Sagan are also at six.

Among actors, Albert M. Chan has an Erdős-Bacon Number of four, Misha Collins and Danica McKellar both have a six, and Natalie Portman, Colin Firth, Mayim Bialik, and Kristen Stewart have sevens.

There are other variations and separation numbers, as well as several academic studies on the depth of social connections. One extension on the numbers presented here is the Erdős-Bacon-Sabbath Number (adding in the collaborative distance to the band Black Sabbath, of which Stephen Hawking has an eight and Natalie Portman has an 11). Another is the 1961 small-world empirical study by Michael Gurevich, which is analogous to the 2003 Columbia University Small World Project.

There is a ton of information at the “six degrees of separation” Wikipedia page, though I do caution that you may fall down a rabbit hole just like I did.
cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Staying Curious

Culture on My Mind
Staying Curious

February 28, 2020

This week’s “can’t let it go” is in memory of NASA mathematician Katherine Johnson.

“You see, if you lose your curiosity, then you stop learning.”

From Reaching for the Moon: The Autobiography of NASA Mathematician Katherine Johnson

Katherine Johnson, NASA

Katherine Johnson slipped the surly bonds of Earth on February 24th at the age of 101. She was critical to the success of manned spaceflight in this country during her 35 years at NASA, including calculations of trajectories, launch windows, and emergency return paths for Project Mercury. She worked on the Apollo Program, the Space Shuttle Program, and plans for a Mars mission. She was also a co-author on 26 scientific papers.

She was awarded the Presidential Medal of Freedom by President Barack Obama in 2015.

You can learn more about her in her autobiography and the 2016 biopic Hidden Figures (based on the non-fiction book of the same name by Margot Lee Shetterly).

Her ethos is one of the reasons that I do what I do. I’m not in it for money or fame. I just want to have fun, stay curious, and keep learning.
cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Tiger Returns

Culture on My Mind
The Tiger Returns

February 21, 2020

This week’s “can’t let it go” is a slice of my childhood.

On February 19, Hasbro announced that they have plans to tap that nostalgia well one more time with the Tiger LCD handheld games.

In an attempt to break into the portable gaming market, Tiger sold very basic versions of existing video games in a liquid crystal display format powered by two AA batteries. Housing one game per unit, they had basic four-direction controls, limited actions, and simple sounds, but they were still engaging. I spent countless hours playing Double Dragon (hence the vintage commercial above) to master the proper timing to beat all four levels and rescue Marian.

Hasbro intends to launch these retro devices this autumn. The launch titles include The Little MermaidTransformers: Generation 2X-Men Project X, and Sonic the Hedgehog 3. Each game will retail for $14.99, and they’re up for pre-order now at GameStop.
cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Every Storm Runs Out Of Rain

Culture on My Mind
Every Storm Runs Out of Rain

February 14, 2020

This week’s “can’t let it go” is a simple tweet that I recently stumbled across.

As part of Alex Banayan’s book, The Third Door: The Wild Quest to Uncover How the World’s Most Successful People Launched Their Careers, he interviewed the late Dr. Maya Angelou and received a great deal of good advice. Among it was this standout that she wished that she had penned:

I asked what someone should do when they’re searching for rainbows, but all they see are clouds.

“What I know is that it’s going to be better,” she said. “If it’s bad, it might get worse, but I know that it’s going to be better. And you have to know that. There’s a country song out now, which I wish I’d written, that says, ‘Every storm runs out of rain.’ I’d make a sign of that if I were you. Put that on your writing pad. No matter how dull and seemingly unpromising life is right now, it’s going to change. It’s going to be better. But you have to keep working.”

(Source: Maya Angelou’s Most Empowering Lessons)

It’s nothing elaborate, but it’s advice that has special meaning for me of late.

Tangentially, the song that she mentioned is Gary Allan’s “Every Storm (Runs Out Of Rain)” from 2012.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Film Music Podcasts

Culture on My Mind
Film Music Podcasts

February 7, 2020

This week’s “can’t let it go” item is a collection of podcasts about soundtrack music. I’m a big fan of film scores, and I have really fallen for four different podcasts about the history and construction of music.

The Soundtrack Show is billed as “a weekly look at the film scores and soundtracks for some of the most popular movies, TV Shows, Video Games and Theater pieces of all time.” It is hosted by David W. Collins, previously the lead sound designer and voice director at LucasArts. Collins studied theatre and music for both of his advanced degrees before working for LucasArts. While in the industry, he worked on a long list of LucasArts games and voiced roles in Star Wars: The Force Unleashed, Star Wars Battlefront: Renegade Squadron, Star Wars Battlefront: Elite Squadron, and several of the recent Star Wars films. He was also a host at three Star Wars Celebration events.

Using his knowledge of both music and story, Collins has dissected several of the Star Wars films as well as Ennio Morricone’s library, Back to the FutureGhostbustersPsycho, and more.

The Soundtrack Show is part of the iHeartRadio Network and can be found on Twitter and Facebook. David Collins can also be found on Twitter.

Art of the Score is billed as “an in-depth podcast series discussing the world of film scores.” It is hosted by musicians Andrew Pogson, Dan Golding, and Nicholas Buc.

Andrew Pogson is a twenty-year veteran of the music industry and is the Senior Manager of Special Projects for the Melbourne Symphony Orchestra. Dr. Dan Golding is a senior lecturer in Media and Communications at Swinburne University of Technology, host of Screen Sounds and co-host of the What is Music series for the Australian Broadcasting Corporation, composer of several soundtracks, and author of several pop culture books. Nicholas Buc is a composer, conductor, arranger, violinist, and pianist who studied at the University of Melbourne and New York University.

Their discussions get far more technical, discussing chords, meters, and instruments and how the overall music theory works alongside the rest of the film and story process.

Art of the Score can be found on Twitter and Facebook. The hosts can also be found on Twitter: Andrew Pogson, Dan Golding, and Nicholas Buc.

Settling the Score is billed as “an in-depth discussion of a classic film score: what makes it tick, how it serves the movie, and whether it’s, you know, any good. It’s a freewheeling, opinionated conversation with an analytical bent, richly illustrated with musical examples. No expertise required.” It is hosted by Jonathan Dinerstein (a writer for film and television in Hollywood) and Andy Boroson (a pianist and music director) who have been chatting together about movie music for twenty years.

Their friendship is reflected in the podcast discussion. They easily mix the technical elements with the view of two fans sharing opinions over beer or coffee. It is certainly a freeform analytical discussion with a low entry bar for the casual fan.

Settling the Score can be found on Twitter.

Score: The Podcast is an extension of 2016’s Score: A Film Music Documentary. It is hosted by Robert Kraft and Kenny Holmes along with the original film’s director Matt Schrader.

Robert Kraft is a songwriter, film composer, recording artist, and record producer who served as the President of Fox Music from 1994 to 2012. During that time, he supervised the music for over 300 films and dozens of television shows. Kenny Holmes is the award-winning producer, cinematographer, and editor who produced the original documentary. Matt Schrader is an Emmy Award-winning producer and the creator of the Blockbuster serialized podcast.

The focus of Score: The Podcast is interviewing film composers to understand their methods and inspirations. It does less with the technical side and more with the people involved in the craft.

Score: The Podcast can be found on Twitter and Facebook. The hosts can also be found on Twitter: Robert Kraft, Kenny Holmes, and Matt Schrader.

Also, if you haven’t listened to Blockbuster – the story of Steven Spielberg, George Lucas, and John Williams surrounding the birth of the 1970s blockbuster movie scene – you really should.

All of these podcasts can also be found on podcatcher services such as Apple, Google, and so on.
cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Star Wars: The Clone Wars

Culture on My Mind
Star Wars: The Clone Wars

January 31, 2020

This week, Star Wars: The Clone Wars is on my mind.

Star Wars: The Clone Wars fills in the gap between the last two installments of the prequel trilogy. I had a few issues with both Attack of the Clones and Revenge of the Sith, but this series helped to smooth things a bit. It doesn’t make those two films perfect by any means, but it helps. It also gave me Ahsoka Tano, one of my favorite complex characters in the Star Wars mythos.

The show started with a theatrical release of the first few episodes in August 2008. On its own, that movie isn’t particularly good, but the series was phenomenal. It ran from 2008 to 2013 on Cartoon Network, then had a limited revival in 2014 on Netflix. Series supervising director Dave Filoni worked with George Lucas to understand the heart and soul of Star Wars, making this series one of the purest expressions of the franchise in the period between the prequel and sequel trilogies.

If you haven’t had the chance yet, I wholeheartedly recommend the series. If anything, start with the first season, then watch the theatrical movie before proceeding into the rest.

The show finally wraps up with the seventh season, which premieres on Disney+ on February 21, 2020.
cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – New Voyagers

Culture on My Mind
New Voyagers

January 24, 2020

This week, the thing that I can’t let go of are NASA’s latest astronaut graduates. On January 10, 2020, NASA held a ceremony for thirteen graduates, including six women and seven men chosen from 18,000 applicants. Two of the graduates are from the Canadian Space Agency.

Image credit: NASA

The new graduates may potentially be assigned on missions to the International Space Station, the Moon as part of the Artemis program, and eventually Mars in the mid-2030s. Including this class, NASA has 48 astronauts in their corps.

I have a soft spot for astronauts because of my love of science fiction and STEAM disciplines. As a kid, much like many from my generation, I wanted to be an astronaut. I have a lot of respect for anyone who makes it through and serves with honor.

The NASA press release listed the graduates and links to their official biographies. From that press release:

  • Kayla Barron, a U.S. Navy lieutenant, originally is from Richland, Washington. She graduated from the U.S. Naval Academy with a bachelor’s degree in systems engineering. A Gates Cambridge Scholar, Barron earned a master’s degree in nuclear engineering from the University of Cambridge in the United Kingdom. As a submarine warfare officer, Barron served aboard the USS Maine (SSBN 741), completing three strategic deterrent patrols. She came to NASA from the U.S. Naval Academy, where she was serving as the flag aide to the superintendent.
  • Zena Cardman calls Williamsburg, Virginia, home. She completed a bachelor’s degree in biology and a master’s degree in marine sciences at The University of North Carolina, Chapel Hill. Cardman was a National Science Foundation Graduate Research Fellow, working at The Pennsylvania State University. Her research focused on microorganisms in subsurface environments, ranging from caves to deep sea sediments. Her field experience includes multiple Antarctic expeditions, work aboard research vessels as both a scientist and crew member, and NASA analog missions in British Columbia, Idaho and Hawaii.
  • Raja Chari, a U.S. Air Force colonel, hails from Cedar Falls, Iowa. He graduated from the U.S. Air Force Academy with bachelor’s degrees in astronautical engineering and engineering science. He continued on to earn a master’s degree in aeronautics and astronautics from Massachusetts Institute of Technology (MIT) and graduated from the U.S. Naval Test Pilot School in Patuxent River, Maryland. Chari served as the commander of the 461st Flight Test Squadron and the director of the F-35 Integrated Test Force at Edwards Air Force Base (AFB) in California.
  • Matthew Dominick, a U.S. Navy lieutenant commander, was born and grew up in Wheat Ridge, Colorado. He earned a bachelor’s degree in electrical engineering from the University of San Diego and a master’s degree in systems engineering from the Naval Postgraduate School in Monterey, California. He also graduated from the U.S. Naval Test Pilot School. Dominick served on the USS Ronald Reagan as department head for Strike Fighter Squadron 115.
  • Bob Hines, a U.S. Air Force lieutenant colonel, attended high school in Mountaintop, Pennsylvania, but considers Harrisburg, Pennsylvania, his hometown. He has a bachelor’s degree in aerospace engineering from Boston University and a master’s degree in flight test engineering from the U.S. Air Force Test Pilot School at Edwards AFB. Hines served as a developmental test pilot on all models of the F-15 while earning a master’s in aerospace engineering from the University of Alabama. He has deployed in support of Operations Enduring Freedom and Iraqi Freedom. Prior to being selected as an astronaut, he was a Federal Aviation Administration flight test pilot and a NASA research pilot at Johnson.
  • Warren Hoburg originally is from Pittsburgh. He earned a bachelor’s degree in aeronautics and astronautics from MIT, and a doctorate in electrical engineering and computer science from the University of California, Berkeley. He is a commercial pilot, and spent several seasons serving on the Bay Area Mountain Rescue Unit and Yosemite Search and Rescue. Hoburg came to NASA from MIT, where he led a research group as an assistant professor of aeronautics and astronautics.
  • Dr. Jonny Kim, a U.S. Navy lieutenant, was born and grew up in Los Angeles. He enlisted in the U.S. Navy, then trained and operated as a Navy SEAL, completing more than 100 combat operations and earning a Silver Star and Bronze Star with Combat V. Afterward, he went on to complete a degree in mathematics at the University of San Diego and a doctorate of medicine at Harvard Medical School. Kim was a resident physician in emergency medicine at Massachusetts General Hospital in Boston.
  • Jasmin Moghbeli, a U.S. Marine Corps major, considers Baldwin, New York, her hometown. She earned a bachelor’s degree in aerospace engineering with information technology at MIT and a master’s degree in aerospace engineering from the Naval Postgraduate School. She also is a distinguished graduate of the U.S. Naval Test Pilot School. Moghbeli came to NASA from Yuma, Arizona, where she tested H-1 helicopters and served as the quality assurance and avionics officer for Marine Operational Test and Evaluation Squadron 1.
  • Loral O’Hara was born in Houston. She earned a bachelor’s degree in Aerospace Engineering at the University of Kansas and a master’s degree in Aeronautics and Astronautics from Purdue University. Prior to joining NASA, O’Hara was a Research Engineer at Woods Hole Oceanographic Institution in Woods Hole, Massachusetts, where she worked on the engineering, test, and operations of deep-ocean research submersibles and robots.
  • Dr. Francisco “Frank” Rubio, a U.S. Army lieutenant colonel, originally is from Miami. He earned a bachelor’s degree in international relations at the U.S. Military Academy at West Point, New York, and a doctorate of medicine from the Uniformed Services University of the Health Sciences in Bethesda, Maryland. Rubio has accumulated more than 1,100 hours as a Blackhawk helicopter pilot, including 600 hours of combat and imminent danger time. He was serving as a surgeon for the 3rd Battalion of the Army’s 10th Special Forces Group at Fort Carson, Colorado, before coming to NASA.
  • Jessica Watkins hails from Lafayette, Colorado. She graduated from Stanford University in Palo Alto, California, with a bachelor’s degree in geological and environmental sciences, then went on to earn a doctorate in geology from the University of California, Los Angeles. Watkins has worked at NASA’s Ames Research Center in Silicon Valley, California, and Jet Propulsion Laboratory in Pasadena, California, and was a postdoctoral fellow at the California Institute of Technology, where she collaborated on NASA’s Mars Science Laboratory rover, Curiosity.
  • Joshua Kutryka Royal Canadian Air Force lieutenant colonel, is from Beauvallon, Alberta. He has a bachelor’s degree in mechanical engineering, as well as master’s degrees in space studies, flight test engineering, and defense studies. Prior to joining CSA, Kutryk worked as an experimental test pilot and a fighter pilot in Cold Lake, Alberta, where he led the unit responsible for the operational flight-testing of fighter aircraft in Canada.
  • Jennifer Sidey-Gibbons hails from Calgary, Alberta. She holds an honors bachelor’s degree in mechanical engineering from McGill University in Montreal and a doctorate in engineering from the University of Cambridge. While at McGill, she conducted research on flame propagation in microgravity, in collaboration with CSA and the National Research Council Flight Research Laboratory. Prior to joining CSA, Sidey-Gibbons worked as an assistant professor in combustion in the Department of Engineering at Cambridge.

Bravo Zulu, astronauts.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – My Two Cents

Culture on My Mind
My Two Cents

January 17, 2020

This week, the thing that I can’t let go of is a little lesson from RetroBlasting’s recent donation drive to combat the Australian wildfires. The RetroBlasting community did a good thing here. Michael mentioned that, while their effort is literally pennies in comparison to celebrity donations – Chris Hemsworth donated $1 million, Kylie Minogue donated $500k, and several others are chipping in – he referenced the lesson of the Widow’s Offering.

We have an idiom here in the United States: “My two cents.” Derived from the English version, it boils down to the speaker offering a personal opinion. The aim is to depreciate the opinion – it’s only worth two pennies, after all – in order to display politeness and humility while lessening any impacts.

In this day and age, there is often no politeness or humility involved. It’s on the same playing field as “southern hospitality.”

What I didn’t know if how this idiom had evolved from the writings of the Bible, specifically from the Synoptic Gospels.

The tellings from both Mark 12:41-44 and Luke 21:1-4 are similar: In 20-30 AD, around the time that Jesus was teaching in Judea, the smallest and least valuable coin in circulation was the lepton, worth about six minutes of an average daily wage. Crowds were donating money to the offering box, and while the rich were doling out large sums of cash, a poor widow walked up and donated two lepta. The observation was that the poor widow put in more than all of the other contributors since she donated her entire livelihood rather than remaining comfortable in her charity.

In the era of the King James translation, a small coin was called a mite, thus leading to the colloquial update to the “Lesson of the Widow’s Mite.”

Historically, the temple that was the setting of this parable was destroyed in 70 AD. This has led to the cynical view that the gift was for nothing, but I believe that charity is the most important part. Donations of time and money – whether they be a single meal, a pouch for a displaced joey, or a grand million-dollar statement – all make an impact on those who receive them. Donations that come from the figurative widows, such as those from RetroBlasting’s community or the recent #TeamTrees campaign, mean a lot because of the sacrifice involved.

Never underestimate the power of grassroots organizing. Never underestimate your impact on the world. Even two pence means something to someone.

If you want to help Australia in this time of need, there are several ways to do so. PBS NewsHour has a list of places to start, and a Google search revealed several other links. There’s also the Rescue Craft Co on Facebook which has been making soft goods for displaced wildlife, although monetary donations are probably more versatile.

As always, be cautious and do your research when sending money to unknown entities.

My gratitude goes out to Michael French and the RetroBlasting community, not only for their contribution to our friends down under, but also for inadvertently teaching me something new in the process.
cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Hans Zimmer Has No Time to Die

Culture on My Mind
Hans Zimmer Has No Time to Die

January 10, 2020

This week, the thing that I can’t let go of is Hans Zimmer joining No Time to Die, the twenty-fifth James Bond film.

No Time to Die, Daniel Craig’s fifth (and final?) outing as secret agent 007 is due to theaters on April 10th. Surprisingly, according to Variety, the production team has replaced composer Dan Romer (Beasts of No Nation) with Hans Zimmer. The ever-popular Hollywood chestnut of “creative differences” was cited as the reason for the divorce.

According to the Variety piece, Zimmer has a full plate at the moment, including Wonder Woman 1984, Top Gun: Maverick, and Dune. That means that he might need help, to get No Time to Die done before mid-February to meet production deadlines, possibly from collaborators like Benjamin Wallfisch or Lorne Balfe.

I don’t see Hans Zimmer as the typical Bond composer. While I enjoy his work, it usually strikes me as synthy (Broken Arrow, The Rock), percussion-heavy (the Pirates of the Caribbean series, Gladiator, Crimson Tide, The Dark Knight Trilogy), or downright experimental (Inception, Interstellar). In fact, The Lion King (both versions), Hidden Figures, and A League of Their Own stand out among his more “traditional” scores, and none of those is really on pace with something like a James Bond film.

No, I’m not forgetting his work in the DC Comics Snyderverse films.

When I think of Bond, my mind goes to David Arnold (who got very synth-heavy at times) and the late John Barry (who scored eleven Bond films). Thomas Newman did well with his two outings, but his scores weren’t my favorites.

Understandably, the shoes of a Bond composer are hard to fill after 58 years of action. If I were driving the Aston Martin, I would have sided with Michael Giacchino, John Powell, Alan Silvestri, Christopher Lennertz, or Rachel Portman.

Portman stands out, especially since the industry needs more female film composers.

Hey, you know, even if Lorne Balfe gets the job from Zimmer, his work on Mission: Impossible – Fallout was solid enough for me. In the end, Hans Zimmer wouldn’t have been my first choice, but April 2020 will be a good opportunity to see if he does right by the 007 legacy.

At least it’s not Goldeneye all over again, right?
cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Call of the Wild

Culture on My Mind
The Call of the Wild

January 3, 2020

In this edition of Culture on My Mind, the thing that I can’t let go of is the late November 2019 trailer release for The Call of the Wild.

The Call of the Wild is a 1903 novel written by Jack London. Set in Yukon, Canada during the 1890s Klondike Gold Rush, the story is centered on a dog named Buck. Buck is a large and powerful St. Bernard-Scotch Collie mix, and he is stolen from his California home and sold into service as a sled dog. He becomes more and more feral in the harsh Yukon environment and is forced to fight to survive. By the end of his journey, Buck emerges as a leader in the wild and becomes a legend in his own right.

The novel has been adapted to film and television at least eight times, and a big-budget version directed by Chris Sanders (the creator and voice of Stitch, and the director of How to Train Your Dragon) and starring Harrison Ford, Dan Stevens, Omar Sy, Karen Gillan, and Bradley Whitford should look amazing.

Unfortunately, I’m too distracted by Buck.

Instead of using a live dog in the role supplemented by CGI special effects for dangerous stunts, 20th Century Fox and the creative team decided to use a totally computer-generated dog with cartoonish responses as the story’s lead. It’s particularly disappointing given the long history of family films that include trained animal actors in starring roles. Disney alone has at least 70 titles that fit the bill, including the Homeward Bound/Incredible Journey films, Old YellerWhite FangEight Below, 101 Dalmatians, and Benji the Hunted. Most recently, they released Togo for Disney+ and that film bridged CG and live-action quite nicely.

Even if Fox didn’t want to include Disney’s expertise – The Call of the Wild began development in 2017 and starting principal photography in late-September 2018, right in the middle of the negotiations for the Disney acquisition of 21st Century Fox – the talent and knowledge exists in the industry to make this film work with a live animal actor. Universal did it with two Babe films and three adaptations of W. Bruce Cameron’s work (A Dog’s PurposeA Dog’s Journey, and A Dog’s Way Home). Columbia Pictures (now part of Sony) brought us The Adventures of Milo and Otis. Warner Bros made Free Willy. Paramount did Charlotte’s Web.

Not to mention the entire Benji franchise, of which only one title was touched by Disney.

Frankly, a story like The Call of the Wild deserves better than being undermined by cartoonish CGI effects. It’s possible that the effects weren’t finalized by the November trailer release, but several scenes certainly played like the cartoon responses were part of the joke. I just expected more of a White Fang than something like this.

The Call of the Wild hits theaters on February 21, 2020.
cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.