Culture on My Mind – Super Follies and Nuclear Power

Culture on My Mind

Culture on My Mind
Super Follies and Nuclear Power

April 23, 2021

This week, I have nuclear power technology on my mind. While pop culture and public perception get this wrong all the time, I’m looking at the pilot episode of Superman & Lois in particular since it was one of the most recent offenders.

People who know me might be surprised that I’m not harping on the “reactor is critical” trope again. “Give me time. I’ll get back to that,” he said with a wink.

The premiere episode of Superman & Lois – creatively titled “Pilot” in a long-standing television tradition – debuted on February 23, 2021. (Aside: It’s been two months, and that’s long enough that I’m not including a spoiler warning.) After a quick series of flashbacks to tell this version’s origin story, we spring into action as Superman saves the day by stopping a meltdown at a nuclear reactor near Metropolis. Apparently, someone has sabotaged the site by breaching the reactor, so Superman welds the hold and then drops a giant ice block into the cooling tower. The temperatures immediately plummet, everyone cheers, Superman smiles, end scene.

The show nearly lost me at this point. Less than five minutes into the pilot episode.

I have nearly twenty years of experience in nuclear power between the Navy and the civilian industry (both domestic and international). I’m registered with The Science & Entertainment Exchange through the National Academy of Science. Seriously, Hollywood, I’m available to consult for times like this.

I’ll explain why this scene struck me as wrong and why public perception gets it wrong all the time, with the caveat that I’m approaching this from the United States perspective since (a) it comprises the majority of my nuclear experience, and (b) Metropolis is an American city in the Superman & Lois universe.

I’ll also touch on why I think it matters.

The Story

First, let’s highlight the scene. It’s set at night and punctuated by helicopters, spotlights, and alarms. General Sam Lane arrives, has a discussion with someone who looks all Hollywood-nuclear-official in a hard hat and lab coat, and pages Superman to the casualty.

“How long we got before this thing pops its top?”

“A few minutes, tops.”

“The fallout?”

“As far as Metropolis.”

After Superman hears the page and changes course, we get this:

“The heat exchanger’s offline.”

“Where’s the damn water tanker?”

Superman arrives at the site and dives into the cooling tower. He lands on a walkway which visibly buckles it so it cannot be used until it is fixed. Hopefully it wasn’t important. The heat is noticeable in the wavering air and flying embers reminiscent of last decade’s movie posters as Kal-El surveys the damage. He spots a crack in a large circular component. Inside, something glows orange with heat.

“His cold breath isn’t gonna fix it.”

“We need water back in the reactor vessel, or we’re gonna have a meltdown the size of Fukushima.”

“It’s out of water!”

“Tanks!”

Superman seals the rupture with his heat vision, then rockets off. As he flies toward the nearby body of water, we get a view down the cooling tower. Under a blossom of catwalks, it is glowing like a pool of magma. Superman uses his cold breath to freeze a giant chunk of ice, hoists it up, and drops it into the cooling tower. The temperature drops and the reactor is safe.

Later, we get some dialogue that points to a crack in the cooling tower as the main problem.

That’s the foundation of the story. Now, let’s take a look at the foundation of reality.

Nuclear Plant Design

In general, there are two types of nuclear reactors in the United States: Pressurized Water Reactors (PWRs) and Boiling Water Reactors (BWRs). The operating principles are effectively the same in both types and can be differentiated by when water changes into steam.

Fission of fuel generates heat. That heat is transferred into the reactor coolant, which is water with a specific chemical makeup. That water eventually generates steam – In a BWR, the coolant boils in the reactor vessel, but in a PWR, the coolant transfers its energy to another system in the steam generator – which spins a turbine before being cooled, condensed, and returned to its starting point. The spinning turbine generates electricity which is transmitted to the electric grid.

PWR
PWR Diagram – Tennessee Valley Authority (Public Domain)

The advantage of the PWR is that the steam does not come into contact with the reactor coolant, which is potentially contaminated by fission products. The BWR exchanges this advantage by being more simple.

Regardless, the reactor core – fissionable fuel wrapped in metal sheets (cladding) and arranged into assemblies where the reaction is controlled by the reactor coolant and control rods – is separate from the turbines and the cooling towers.

The cooling towers deal with the steam it spins the turbine. To condense the steam, it is passed over tubes containing cool water. The heat is transferred from the steam to the water, which is then sent out to the cooling towers to transmit that energy to the atmosphere.

The trope and public perception are that the large hyperboloid towers immediately indicate the existence of a nuclear plant. That’s simply not true. In fact, Duke Energy noted in 2013 that there are 250 cooling towers on plants across the United States, and fewer than 100 of those belong to nuclear stations. For context, there are 94 commercial reactor units in the United States. That comprises 63 PWRs and 31 BWRs, and approximately 20% of the country’s electrical generating capacity. Some sites have multiple reactors.

Some towers are the hyperboloid style (which rely on natural draft to reject the excess heat) and some are forced air style (relying on fans to push air across the water to extract the excess heat).

Not all sites use cooling towers, either. Some pull the cooling water directly from nearby water sources and return it with a slight increase in temperature. Extensive studies are performed to ensure that the temperature increase does not negatively impact the environment, including wildlife. In order to protect the aquatic life in the water source, the use of cooling towers for new power plants larger than 100 megawatts (MW) was mandated by the Clean Water Act of 1972.

Since these heat sinks, be they cooling towers or bodies of water, are separated from the reactor coolant by several layers of metal, the probability of contaminating those heat sinks with fission products is very small.

ANO
Arkansas Nuclear One (ANO) – NRC File Photo (non-copyrighted)

Hyperboloid Cooling Towers

Focusing on the hyperboloid towers, their operation is pretty simple. The distinctive shape comes from rotating a hyperbola – a graph that looks like two infinite bows reflected on each other, reminiscent of an hourglass – around an axis. This shape presents high structural strength, minimum usage of material, and efficient upward convective air flow.

The heated water travels into the cooling tower and is sprayed from a set of nozzles. The hot mist drifts downward, giving up heat to air that is pulled in naturally through large vents at the bottom of the tower. The cooled water pools in a collection reservoir to be pumped back into the plant while the hot, moist air rises out through the top of the tower as a plume of steam.

Despite claims to the contrary, the exhaust is not smoke, does not carry fission products, and does not alter the weather (no matter what weathermen in large markets claim on Twitter).

Any losses to water inventory can be made up from external sources such as reservoirs, lakes, or local make up tanks.

The Science of Superman

The first thing that Superman & Lois got wrong was placing the reactor inside the cooling tower.

The reactor vessels in these light-water thermoelectric power plants are kept inside containment buildings with layers of protection between the public and the nuclear fuel. That’s a lot of metal and concrete designed to keep the public safe. The Superman & Lois power plant appears to have a single layer of metal between the fuel and the atmosphere, and at the bottom of the tower, any release of fission products would vent right out through the top. Right into the communities nearby.

Also consider that hyperboloid towers can be up to 200 meters (660 feet) tall and 100 meters (330 feet) in diameter. With the reactor we see on screen in mind, any bad actor has a nice size target to bomb.

The second thing that Superman & Lois got wrong has to do with Fukushima.

The dialogue clearly shows that the Fukushima Daiichi nuclear disaster happened in this fictional universe. In our reality, the 2011 Tōhoku earthquake and the ensuing tsunami led to a partial nuclear meltdown. The active reactors automatically shut down (as designed) upon detecting the earthquake. Because of the shutdowns and electrical grid supply problems, the emergency diesel generators automatically started (again, as designed) to keep circulating the coolant through the cores.

The reason to keep the coolant circulating after shutdown is residual decay heat. Even after fission has ceased, the fission products will continue to naturally decay and produce heat for several hours. In these reactors, that decay heat needs to be removed before it boils the coolant away. Water cools better than steam and air, and overheated fuel can melt the cladding, resulting in a meltdown.

Although the term is not officially defined International Atomic Energy Agency (IAEA) or by the United States Nuclear Regulatory Commission (NRC), that’s all a meltdown really is: At least one nuclear fuel element exceeds its melting point.

The Fukushima plant was designed to withstand earthquakes and tsunamis based on historic events. The 2011 earthquake and tsunami exceeded this design basis. It was the most powerful earthquake ever recorded in Japan, and the fourth most powerful earthquake in the world since modern record-keeping began in 1900. The waves swept over the seawall and the flooding caused the failure of the emergency generators and loss of power to the circulating pumps. The loss of decay heat removal led to three nuclear meltdowns, three hydrogen explosions, and the release of radioactive contamination.

In response to the Fukushima accident, the NRC issued order EA-12-049, requiring nuclear facilities to implement mitigation strategies (known in the industry as FLEX) for a beyond-design-basis external event using a three-phase approach. The first phase relies on installed equipment and resources to maintain or restore cooling capabilities. The second phase uses portable on-site equipment and consumables kept in storage for this purpose, and the third phase relies on off-site resources that are trucked or flown in to sustain those functions indefinitely.

Back to Superman & Lois, while a meltdown (and fission product release) was inferred by all the glowing orange magma, the operators clearly failed to implement the FLEX strategies to contain it. I can forgive the first phase since they mentioned that heat exchangers were “offline”, so obviously the installed equipment had failed. However, the second phase equipment is hooked up during the emergency and patches in around failed components. Unless the emergency equipment was sabotaged in some manner, it should have been able to supply water directly from the nearby lake/ocean to keep the core cooled.

Aside: It should also be noted that heat exchangers are passive components, so they can’t go offline. The pumps that supply water to the heat exchangers can go offline since they are powered active components. There is a fundamental difference. Further, there are a ton of heat exchangers in a nuclear power plant, so specificity matters in an emergency.

The third thing that Superman & Lois got wrong was thermodynamics.

Normal water freezes at 32°F (0°C) and salt water freezes at about 28.4°F (−2°C). Interior temperatures of the largest known iceberg in the North Atlantic were estimated between 5°F and −4°F (−15°C and −20°C), and that was for the equivalent of a 55-story building.

During a meltdown, the fuel assembly cladding deforms between 1,292°F and 1,652°F (700°C and 900°C). The cladding melts at 3,270°F (1,800°C) and the uranium oxide fuel melts between 4,890°F and 5,070°F (2,700°C and 2,800°C).

I know, that’s a lot of numbers. But, the point is that a 300-foot wide ice cube would likely have melted long before dropping those kind of temperatures to a reasonable level. In fact, it would have probably created an explosive steam cloud that would carry the already exposed fission products into the atmosphere.

There’s an even larger danger, however. In the event of a meltdown, a lava-like mass of fuel-containing material colloquially called corium is formed. Adding water to this mass, either by flooding or dropping it into a pool, can result in damage to containment and a spread of fission products. The reaction would cause a temperature spike and the production of a large amount of hydrogen. That immediate gas formation can result in a pressure spike inside the containment, and the steam explosion that I mentioned earlier could send projectiles and shrapnel flying. The same gas could also combust causing further pressure spikes.

Simply put, I don’t think Superman’s solution would have worked. In fact, it would have only made the problem worse.

CW-SPL-101
Screencap from Superman & Lois: “Pilot” – The CW Television Network

Wrap-Up

I’ve been around science-fiction and fantasy long enough to understand creative license and suspension of disbelief. I also understand that the general television watching public is not going to dive into this level of detail about a program based on a comic book hero. It’s supposed to be fun escapism, right?

In the twenty-first century, there should be no excuse for scientifically lazy storytelling in this genre, particularly when the bar has been set so high by Marvel Studios in superhero entertainment and by other properties like Star Trek, Stargate, Battlestar Galactica, and The Expanse.

The problem could have been solved in so many other ways that would have maintained at least the illusion of technical integrity. Really, the crux of the matter is having a scientific advisor or consultant available. If IMDb is any indication, Superman & Lois hasn’t used that expertise. At a minimum, they haven’t credited their consultants.

It’s 2021. Geeks are smart. We’ve seen the potential in sharply written entertainment that doesn’t patronize us or insult our intellects. We’ve also seen the power of science and the rise of STEM education opportunities.

By tapping proven science-in-entertainment experts – André Bormanis, Dr. Erin Macdonald, Mika McKinnon, Dr. Kevin Grazier, Dr. Naren Shankar, and Dr. David Saltzberg come to mind right away – or other technical experts through a resource like The Science & Entertainment Exchange, producers and writers can avoid making scientific mistakes and fans worldwide can get smarter stories for their time and money.

It’s a return on investment in which everyone wins.


This post was inspired by Michael Bailey, Bethany Kesler, and Alison Richards, the hosts of The Superman & Lois Tapes, a weekly podcast about The CW’s television series Superman & Lois. Thanks to you, BAM Crew, for the spark and the read-through.

You can find their show and all things Superman on The Fortress of Baileytude Podcasting Network.

Special thanks also go to Gary Mitchel for his keen eye and advice in proofing this work.

This group of awesome people made sure that I didn’t get too technical for the average reader. Nuclear power can be complex, but the science and engineering concepts behind it are simple. One of my goals is to make all of it easier to understand.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Brawn, Bands, and Bunnies… Oh, My!

Culture on My Mind
April 16, 2021

It’s time for another round of discussions and mayhem about classic science fiction, brought to you by the fine folks at the Dragon Con American Sci-Fi Classics Track.

On March 25th, the pah-nelists went to bah-tle over which Ah-nold was the best. That’s right, it’s an Arnold Schwarzen-Off. Featuring commandos Jeff Burns, Denise Lhamon, and Darin Bush, this panel won’t give you a raw deal. Getch-yo-ass to YouTube!

On April 1st – no foolin’! – it was time for the championship round of the Battle of the (Fictional) Bands!

So, here’s the story: The winners of the previous three encounters – The Soggy Bottom Boys, Buckaroo Banzai and the Hong Kong Cavaliers, and DethKlok – were joined by a fourth competitor determined by a tournament of 16 non-winners from the previous rounds. The final three non-winners in the other rounds got automatic second chances, consisting of Spinal Tap, The Archies, Wyld Stallyns, Larry Underwood from The Stand, Mouse Rat, The Oneders, The Blues Brothers, Hedwig and the Angry Inch, and The Misfits.

The remaining entrants were chosen from a pool of bands that didn’t make it to the finals, and the whole lot was judged by Kevin Cafferty, Chris Cummins, Shaun Rosado, Leigh Tyberg, ToniAnn Marini, Keith DeCandido, and Wrenn Simms.

On April 8th, the track celebrated the rabbit-themed holiday with a discussion of bunnies in pop culture. Kevin Eldridge joins the mayhem as some things lepus in sci-fi, fantasy, and horror were celebrated. 


We’re all caught up for now. Fun times lay ahead, including a couple of anniversary celebrations. If you want to play along at home, get thee hence to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp – A Roddenberry Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Battle of the Bands

Culture on My Mind
March 26, 2021

It’s time for this week’s second helping of science fiction classics, and this time we’re going to rock.

On March 4th, the first round began as Kevin Cafferty, Chris Cummins, Shaun Rosado, and Leigh Tyberg considered sixteen performers from the depths of classic sci-fi.

On March 11th, Round Two began with the jury of Toni Ann Marini, Kevin Cafferty, Chris Cummins, Shaun Rosado, and Leigh Tyberg.

On March 18th, this classic trilogy of musical mayhem converged with the illustrious panel of Keith DeCandido and Wrenn Simms (sharing one screen and, allegedly, one vote), Kevin Cafferty, Chris Cummins, Shaun Rosado, and Leigh Tyberg.

If you want to experience each of the competitors, you can do so through these convenient YouTube playlists:


We’re all caught up now with the exception of the March 25th panel. Rumor says that it involves another battle, but this time it’s all about AH-nold. After all, if it bleeds, Schwarzenegger can kill it.

There are also rumors that the March musical madness is not the end of the battle of the bands. There’s still time for King Thunder!

Gary and Joe have a lot more fun discussions planned. If you want to play along at home, get thee hence to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – February’s Classical End

Culture on My Mind
March 23, 2021

It is time to catch up on another batch of American Sci-Fi Classics discussions.

On February 18th, Price Horn and Jessa Phillips went to test depth to talk about what happens when science fiction gets wet.

On February 25th, a few members of the Council of Mikes participated in the ultimate Michael tournament. Mike Faber, Michael Gordon, Michael Bailey, and Michael G. Williams duked it out. I was unable to attend due to a work trip.


I’ve said it before and I’ll say it again (and again): Gary and Joe have a lot more fun discussions planned, so you should stay tuned to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

Later this week, I’ll take a look at the fun that they had in the first three weeks of March. Those panels were all about the Battle of the Bands. I’m rooting for King Thunder from Quantum Leap because “Fate’s Wide Wheel” keeps on turning.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Color of Our Food

Culture on My Mind
February 26, 2021

This week, I have food on my mind. In particular, a video from Cheddar about the history and current use of dyes in our food.

It is fascinating to me that Americans invest so much into food appearance, even to the point of tasting something that isn’t really there to begin with. I already knew that we waste about $218 billion dollars of food every year, including the destruction of otherwise perfectly good produce at the grocery store due to cosmetic blemishes, but the psychology is laid bare in this simple eye-opening presentation.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Early Year Classics

Culture on My Mind
February 19, 2021

It is time for another batch of American Sci-Fi Classics discussions.

On January 7th, Keith DeCandido, Denise Lhamon, and Michael Bailey stopped by to discuss the 30th anniversary of Dick Tracy.

On January 14th, Sue Kisenwether, Deanna Toxopeus, Darin Bush, and Lola Lariscy asked the question “But is she a Mary Sue?”

On January 21st, Sue Kisenwether, Denise Lhamon, Deanna Toxopeus, Kevin Eldridge, Sherman Burris, and newcomer Maree Jones talked about the purrrfect organism. Yep, it’s all about cats in science fiction.

On January 28th, newcomer Kornflake of The Flopcast podcast joined Denise Lhamon, Sherman Burris, and Shaun Rosado in a deep dive of animated fantasy from the 1970s.

On February 4th, Felicity Kuzinitz, Nathan Laws, Tom Morris, Charlie Morris, Shaun Rosado, and Michael Williams signed up for electroshock treatments as they looked back on the 35th anniversary of Return to Oz.

Finally, to celebrate the season of love, February 11th brought newcomer Jeff Burns, Elizabeth Jones, Kevin Cafferty, Deanna Toxopeus, Lola Lariscy, and Jessa Phillips to the virtual love boat to talk all about the best genre romances.


I’ve said it before and I’ll say it again (and again): Gary and Joe have a lot more fun discussions planned, so you should stay tuned to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Life Cycle of a Cup of Coffee

Culture on My Mind
January 15, 2021

This week, I have coffee in my mind. In particular, a TED-Ed presentation on how the cherries in the field end up in your morning cuppa.

The TED series of educational presentations has been around for quite some time. I really enjoy losing myself in some of the talks, and the “lessons worth sharing” are no example. I love to learn, and this is just one more way to do that every day.

So this week, I’m sharing this less from A.J. Jacobs that dives into the round-the-world journey of coffee, from plant to brew, the complex infrastructure, and the people who make it happen.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Post-Christmas Classics

Culture on My Mind
January 8, 2021

I know that we’re officially outside the holiday season and firmly into the new year, but the American Sci-Fi Classics crowd knows no temporal bounds. Join me this week for one last taste of the holiday season.

On December 24th, Kevin Eldridge, Chris Cummins, Jonathan Williams, and Kevin from Gleaming the Tube took a look at weird Christmas things, from E.T. replacing Santa Claus to Emmet Otter, the He-Man and She-Ra Christmas special where Skeletor turns out to be nice, and Nestor the Long-Eared Christmas Donkey!

On December 31st, Gary and Joe waged a battle to escape the grasp of 2020 by discussing time travel movies with Gary Lindros, Shaun Rosado, and… Doctor Victor von Doom? There was also a side-battle between Mitchel and Lindros to determine who is the Ultimate Gary.


I’ve said it before and I’ll say it again (and again): Gary and Joe have a lot more fun discussions planned, so you should stay tuned to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The 2020 LEGO Star Wars Advent Calendar

Culture on My Mind
The 2020 LEGO Star Wars Advent Calendar
December 25, 2020

Promotional image via The LEGO Group

One of the holiday season traditions in my household is the LEGO Star Wars Advent Calendar. These annual boxes contain twenty-four unique small builds, many of which are abstract, along with exclusive mini-figures and whimsical winter-themed spins on Star Wars staples. We’ve seen a winter Chewbacca, a rebel pilot snowman, a Santa Porg, a “gonk” power droid decorated like a present, and the AT-AT and R2-D2 pair with reindeer antlers.

It’s whimsical and it’s fun. It makes us laugh.

This year’s box was tied to the LEGO Star Wars Holiday Special, which was so much fun to watch (but was definitely not canon). This year’s box also included The Rise of Skywalker in the mix of Star Wars favorites. A couple of my favorite builds this year were Vader’s Castle (for the ingenuity) and D-O (for the cute factor).

As you can see, the day-to-day images are posted on my Instagram account. Feel free to follow me there for whimsical observations, tons of pictures of my dogs, and this annual tradition. I compiled last year’s photos into a single blog post.

I hope this holiday season finds you and yours well. Stay warm, stay safe, and I’ll see you next year.

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Disney Investor’s Call 2020: Addendum

Culture on My Mind
Disney Investor’s Call 2020: Addendum

December 21, 2020

Since it was just announced, I have one addendum to my post about the Disney Investor’s Call: The Book of Boba Fett.

The news was dropped at the end of The Mandalorian‘s season finale, and it was formally announced on December 21st.

Now, among things that shouldn’t need saying with the actual words being right there in the tweet and Facebook post, this is a new series, not the third season of The Mandalorian. A new series that Disney couldn’t talk about at the investor’s call because it would spoil the back half of a currently airing production.

Nevertheless, certain geek websites and YouTube talking heads insist that Temuera Morrison and Boba Fett are replacing Pedro Pascal and Din Djarin because of behind the scenes “drama” or some bantha poodoo.

Don’t give them the oxygen or the credit. They’re lying to you.

Star Wars: The Book of Boba Fett is coming in December 2021. The Mandalorian is slated to return for a third season soon after that.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.