Timestamp #TW5: Small Worlds

Torchwood: Small Worlds
(1 episode, s01e05, 2006)

 

How do you stop a threat unbound from time?

A mysterious figure wanders through the midnight wood, sneaking up on a group of fairies playing in a stone circle. The mystic moment turns sour as she snaps a few photos and the fairies morph into something more sinister. Meanwhile, deep in the Hub, Jack wakes up from a nightmare in which a train car is filled with dead soldiers, their mouths filled with rose petals. He finds Ianto working late into the night, tracking strange weather patterns.

The next day, a creepy man watches children leaving school. One girl, Jasmine, catches his eye since her parents are late picking her up. She decides to walk home and he makes his move, but the fairies come to her rescue. Elsewhere, Jack and Gwen attend a small talk on fairies as presented by Estelle Cole, an old friend of Jack’s and the woman from the episode intro. After her presentation, Jack discusses Estelle’s findings and claims that she’s wrong about fairies being good creatures.

At Cardiff Market, the creeper tries to escape from the voices that drove him away before. He stumbles through the market, coughs up mouthfuls of rose petals, and gets arrested. Meanwhile, Jasmine arrives home safely. She goes outside to play and is tempted by the fairies.

Jack and Gwen accompany Estelle home to look at more of her fairy photos. Gwen finds a photo that is the spitting image of Jack, but Captain Harkness tells her that it is his father, and Gwen asks Estelle about Jack’s family. Jack asks Estelle to tell him if she finds more fairies before heading back to the Hub with Gwen. On the way there, he tells Gwen that fairies are creatures from the dawn of time that are not constrained by linear time. Once they return to headquarters, Jack instructs Tosh to monitor weather patterns for clues to find the fairies.

The creeper, Mark Goodson, confesses to being a pedophile, later to be attacked by a fairy. In the woods, Torchwood Three tracks the fairies to the stone circle and then responds to the jail to investigate Goodsen’s death. He was asphyxiated and his airway is filled with rose petals. They return to the Hub and receive a call from Estelle after she was confronted by the fairies. Before they can arrive, she is lured outside and attacked in a severe rainstorm. The team arrives to find her drowned corpse, and Jack reveals to Gwen that he was the man in the photo and the man who loved Estelle.

They met in the Astoria Ballroom when she was seventeen, and Jack tells her about his first encounter with the rose petals on a troop train in Lahore, 1909. Some of his men had mistakenly run over a little girl, and a week later they were killed by the fairies in the train car. The child was a chosen one, destined to live with the fairies – each of them children pulled from different periods in time – just like Jasmine is now.

Speaking of, Jasmine is bullied at school the next day, and the fairies sweep the area with a gale. No one was harmed, but the only person not affected was Jasmine. The fairies also set their sights on Roy, Jasmine’s mother’s boyfriend of five years, who was downright rude to Jasmine earlier. As the family celebrates the five-year anniversary with a party, Jasmine discovers that Roy has fenced off the entrance to the forest. Roy and Jasmine have an altercation, and as the weather picks up, the fairies attack Roy in retribution.

Torchwood arrives to prevent harm to the guests, Roy is killed in the fight and Jasmine follows the fairies into the woods. Jack and Gwen give chase, demanding that Jasmine not be taken away. The fairies warn that if Jasmine does not go with them, they will kill many more. Admitting he has no other choice, Jack requests one promise: Jasmine will not be harmed. The fairies agree, pledging that Jasmine will live forever. Jasmine skips away as her mother arrives, and as the girl disappears, her mother collapses in angry grief, hitting Jack over and over again as he apologizes.

The team is angry with Jack, giving him the silent treatment. As Gwen buttons up the loose threads in the Hub, she examines the photograph from 1917 as it flashes on the screen. One of the fairies is Jasmine, a smile upon her face. As Gwen looks on, a fairy voice whispers The Stolen Child by William Butler Yeats: “Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand.”

 

This was a run of the mill story with a creepy atmosphere and an unstoppable enemy. We get another glimpse into Jack’s mysterious past, which seems to be a common thread in this introductory season. There’s also a great amount of character development as Jack makes the hard choice: Sacrifice one child or countless innocents in an attempt to save her. There was no right answer, and I appreciate Torchwood for going there.

But otherwise, it was a mostly average adventure.

 

Rating: 3/5 – “Reverse the polarity of the neutron flow.”

 

UP NEXT – Torchwood: Countrycide

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #TW4: Cyberwoman

Torchwood: Cyberwoman
(1 episode, s01e04, 2006)

 

The fallout of Canary Wharf.

It’s another normal day at Torchwood Three, and that means multi-level basketball with the pterodactyl and drinks after work. Ianto is left behind, and he orders pizza before welcoming Doctor Tanizaki to the Hub. They head down to a holding cell where Ianto reveals his secret: A partially-converted Cyberman – Lisa, his girlfriend from Torchwood One – and a deep desire to save her from her metallic purgatory.

Doctor Tanizaki is a cybernetics expert from Japan, and he is over the moon about the opportunity to work with Cyberman technology. They take Lisa up to the autopsy lab and let her breathe on her own, but the team returns with news of a UFO sighting. Ianto leaves the doctor to take Lisa back to her cell while Ianto prepares for the team’s arrival. Unfortunately, the Cyberman programming takes hold and the good doctor is queued up for conversion. The power drain is noticed by the team – Ianto covers in a less than convincing manner – and the upgrade procedure fails. Ianto finds the mutilated body, but after he leaves to hide the corpse, Lisa begins to drain more power.

The team identifies the UFO as an Arcan leisure crawler, but the power drain redirects them to the holding cell with guns in hand. Owen and Gwen approach the cell while Jack and Tosh discover the video evidence that Ianto tried to delete.  Owen recognizes the Cyberman conversion unit from Torchwood One and alerts Jack. The Cyberman ambushes Owen and attempts to convert Gwen while Jack runs to the rescue. Jack tries to shoot the Cyberman but Ianto stops him. The conversion circuits have been transferred to a secure circuit, so Jack orders Tosh to cut all power to the base, resulting in a lockdown.

The team works their way back to the control hub, finding the Cyberman along the way. Once they get to safety, Jack orders Gwen and Tosh to find a way into the weapons locker while he deals with Ianto. Ianto explains that Jack doesn’t care about his life, and since Torchwood exists to end alien threats, he couldn’t trust Jack not to kill Lisa instead of curing her. Jack retorts that there is no cure and that the Cybermen are not to be taken lightly. Ianto refuses to give up on Lisa and asks to reason with her before Jack attacks again.

The Cyberman arrives in the Hub and Ianto fails to reach the human within. The Cyberman attacks the team and they run to the conference room. Jack orders Tosh to go to reception so they can open the weapons locker while Gwen and Owen look for alternative weapons in the base. The Cyberman confronts Jack, who is deleted twice much to the astonishment of Gwen and Owen, before chasing Tosh. When Tosh escapes, it targets Gwen and Owen, who hide in a morgue locker.

Jack revives and pulls Ianto out of the water. Meanwhile, Owen and Gwen share a quick kiss before her mobile rings and gives them away. Owen stabs the Cyberman with a scalpel – he also shares a few words with Gwen about his feelings for her – but the automaton doesn’t die. Jack douses it in a lure for the pterodactyl, and the dinosaur attacks while the team escapes via the water tower lift. As Tosh catches up with the team, Ianto confronts Jack. The power is restored within moments, but the pizza delivery arrives and the Cyberman feasts on the delivery girl. Ianto tries to stop the team and Jack tries to negotiate with him at gunpoint. He gives Ianto ten minutes to make the situation right before they come in guns blazing.

Ianto finds the delivery girl with a large cut across her forehead. The Cyberman is dead in the holding cell, but Lisa’s brain is in the delivery girl, and that woman tries to appeal to Ianto as she claims to be human once again. Heartbroken, Ianto holds his love one last time before pulling his gun on her. She isn’t human anymore as she offers to upgrade them together. Ianto turns away as the Torchwood team opens fire, ending the Cyberman threat in their house. Ianto mourns over both bodies.

The next day, Ianto returns for work. Jack and Gwen talk about how Ianto couldn’t bear to live without Lisa. Jack evades the question about whether or not he would actually shoot Ianto and whether or not he’s ever loved anyone to that degree. Together, they watch Ianto silently pick up the Hub.

 

As a Cyberman story, this is not a good one. As a character development story, it is fantastic. While the Captain Jack Harkness mystery remains at its status quo, we get an uneasy yet lustful admission from Owen… and Gwen didn’t seem to protest much at all. But most of all, we got to finally see who Ianto Jones is, and it is both tragic and well done. While quietly picking up empty soda cans and discarded pizza boxes, he was frantically trying to save the woman he loved even though it meant bringing an enemy to Torchwood’s gates. Had he been straightforward and placed all of his cards on the table, maybe the team would have been willing to work with him, but he believed that the team was unworthy of his trust. He’s nothing more than Torchwood waitstaff, and this incident told Jack in no uncertain terms that he had more to offer.

I’m very eager to see how Ianto evolves over the rest of the season.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

 

UP NEXT – Torchwood: Small Worlds

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #TW3: Ghost Machine

Torchwood: Ghost Machine
(1 episode, s01e03, 2006)

 

Visions and vengeance while the show treads water.

Gwen and Owen are running down the street in pursuit of an alien signal that Tosh is tracking, with Jack approaching via the roadways in the SUV. Tosh determines that their suspect is a man in a hoodie and Gwen is able to get close enough to snag the garment before the man escapes. Luckily, the device is in the pocket.

When she investigates it, the device causes the world around her to disappear. In a dream-like state, she sees a young boy carrying his possessions and wearing a tag stating that he is Tom Erasmus Flanagan. The boy says that he’s lost before the image fades, and Gwen tells her comrades that she’s just seen a ghost.

Back in the Hub, Tosh reviews the footage but sees no evidence of Gwen ever leaving the area. Jack orders a battery of database searches for Flanagan, but Owen is one step ahead with a phone book. Gwen and Owen visit the address and meet Eleri and her father. They have an alibi for the previous night, and while Gwen talks to Tom, Owen joins Eleri in the kitchen. Tom was evacuated from the East End in 1941 – he was eight years old – and sent to Cardiff. He was eventually taken in by a nice couple and never returned home.

As they leave the Flanagan home, Rhys calls Gwen and asks if she’ll be home tonight. Gwen is unsure and Rhys is upset. They return to the Hub and continue the investigation, determining (first) that the device is complicated nanotechnology and (second) that the thief is Sean “Bernie” Harris, a petty thief. They track him to Splott and find that Bernie has alienated everyone in the area. Jack tosses the device to Owen and taunts the team into working harder. As the team walks away, Owen is swept into another vision where he watches a woman named Lizzie Lewis in the 1960s. She’s assaulted by a boy named Eddie Morgan, dragged to the wall, raped, and murdered as Owen returns from the vision. He is shaken to his core.

The team returns to the Hub and digs into Lizzie’s history. Jack identifies the device as a quantum transducer, something that converts emotional energy into ghost-like visions similar to déjà vu. Owen wants to pursue Lizzie’s murder (which was never solved) but Jack tasks the team with tracking down Bernie instead. He sends Owen home to recover and takes Gwen to the shooting range.

After some practice with various arms and a somewhat rocky start, Gwen doesn’t do too badly. She checks her watch and decides to go home, wondering where Jack sleeps. He replies that he doesn’t. He also avoids the question of his loneliness. Gwen’s house is empty since Rhys has gone to a friend’s house to play poker, so she experiments with the ghost machine and some happy memories. Rhys comes home and the couple mends their bridges.

Meanwhile, Owen is stewing at home with the case files on Lizzie’s murder and a bottle of liquor. The next morning, he tracks Eddie to his current home on Prysse Avenue, uses a false identity as a gas company employee, and confronts Eddie about the murder. The old man angrily chases him out, and moments later Owen spots Bernie. After a humorous chase through the neighborhood – no one likes Bernie, so they point his pursuer in the right direction – Owen corners Bernie and takes him to a pub where Jack and Gwen catch up later.

Bernie stole the device from a storage unit and saw a vision of his own. His ghosts showed him a woman dumping a dead baby in the water, and he realized that he recognized the woman, but she gave him money to leave her alone. The team starts to leave before Bernie offers them the other half of the device, which Tosh assembles without much effort. They also take the money and the strange rocks that accompanied the device in the storage unit, but Gwen stops when Bernie tells her that the device showed him his death.

Gwen catches up with the team, eager to share the new revelation, but activates the device and sees a vision of the future: She’s holding a knife and covered in blood, Owen is dead, and she couldn’t stop it. Jack consoles her later in the Hub by telling her that it’s only a possible future.

Later that night, Tosh and Owen share a drink later and discuss Eddie Morgan. Eddie hasn’t left his house for years due to severe agoraphobia, and the team realizes that Bernie must have tried to blackmail Eddie. Meanwhile, Eddie calls Bernie, Gwen visits Bernie to console him about the vision of his death, and Owen reveals his earlier visit to Eddie’s house. The team converges on Bernie’s home.

Eddie overcomes his phobia and visits Bernie’s home, knife in hand. Gwen tries to calm Eddie down, but the man only spins up faster and blames women for making him turn bad. Jack and Owen wrestle Eddie down, and Owen threatens Eddie with the knife. Gwen talks him down and Owen hands her the knife, but Eddie rushes her and impales himself on the blade, committing suicide and fulfilling Gwen’s vision.

The team debriefs the situation at the Hub: Owen is glad that he didn’t kill Eddie. Gwen is shocked and feels guilty, and Jack gives Ianto the device for storage in the secure lockers. Jack takes Gwen topside to watch the sunrise as he helps her deal with her grief.

 

It was a pretty lackluster story with a paint-by-numbers pseudo-supernatural twist. Owen got some character development as a (sort of) white knight who tries to make people think that he doesn’t care, and Gwen continues to evolve in her new role as rookie, but not much else happens here. Any forward momentum they had after the last two episodes has pretty much stalled out with this tale.

 

 

Rating: 2/5 – “Mm? What’s that, my boy?”

 

UP NEXT – Torchwood: Cyberwoman

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #TW2: Day One

Torchwood: Day One
(1 episode, s01e02, 2006)

 

The birds, the bees, and the glowing purple cloud of post-watershed fun.

Gwen and Rhys have a night out with dinner, bowling, and a movie. Her first day at Torchwood is the next day, and she covers with a lie that she’s going to be working on keeping files straight. Their night out is interrupted by a meteor that blazes overhead and crashes nearby. Just like that, Gwen’s on duty.

Torchwood Three dispatches in a teched-out SUV, but they’re not fast enough to beat the police and military. After a brief conflict with the local authorities, Gwen and the team gain access to the meteor and start taking readings and samples. While sparring with Owen about the size of his chisel, she inadvertently breaks the meteor’s shell and releases a gas that flows through the air and inhabits a woman named Carys in the alley behind a dance club. She enters the club, finds a target, and takes him to the ladies room where they have sex. At the moment of orgasm, the man vaporizes and is absorbed, leaving only a pile of dust behind.

The Torchwood team returns to the Hub, and Gwen profusely apologizes. Jack and Tosh are fine with it since everyone makes mistakes, but Owen is Owen about it. Ianto brings news of the death at the club and the team rushes to investigate. They find the pile of dust, and thanks to a lecherous bouncer, video of the event.

Video? In the restroom? This is a super shady place.

Jack arranges for a body to be taken out of storage to stage Dusty’s death as a suicide. He also traces the energy signatures and finds footage of the cloud taking over Carys. While the team sort through the data over sunrise, Carys dozes through a lecture from her father over breakfast. Unfortunately for her, she remembers what happened the night before. In the Hub, Gwen’s having problems parsing the fact that Torchwood has access to information about everyone in the UK, a violation of privacy and social protections. She’s also still bristling at Owen being Owen.

Meanwhile, Carys tries to feed again, this time on a postal worker. Torchwood breaks in just in time and eventually captures her with the help of a portable prison that shouldn’t have left headquarters. Back at the Hub, Gwen interrogates Carys. The cloud inside recognizes Gwen and rejects the notion that it is here to invade. It just wants to feed on orgasmic energy, and Earth apparently has some of the best in the universe. Carys tricks Gwen into opening the cell and seduces her but, in the end, rejects Gwen because her target has to be a man.

Is this a preference thing for the alien being? I mean, all things considered, orgasms are a fairly universal occurrence.

Gwen leaves the cell with a promise to help Carys, takes a call from Rhys and vaguely deflects, and then returns to the Hub. Oh, and confronts Owen for being a lecherous git. Good for her.

Over a dinner of Chinese takeout, the team discusses Jack in his absence. Owen thinks he’s gay, Tosh can’t find any information in the databases, and Ianto thinks he’s CIA. They’re interrupted by Carys as she weeps over the monitor, and while Gwen confronts them about their humanity, Jack reveals that the computers are running a battery of tests. Jack challenges Gwen to show him what humanity means in the twenty-first century.

She does by developing a complete investigative profile of Carys’s life and showing Jack the woman behind the purple cloud. Jack is impressed, and Tosh reveals that Carys is producing a cloud of pheromones, which makes her a walking aphrodisiac. They realize that no man should go near her, realize that Owen is missing, and find him naked in an otherwise empty cell. Carys stole his swipe card and clothes before making a break for it.

Jack corners Carys and they battle with a table of weapons. Carys takes the mysterious hand hostage and escapes, but Jack follows via a secondary exit. Jack tells Ianto to let Carys go, and she distracts Jack by breaking the jar before running. Tosh and Gwen are unable to find her, and Gwen berates Jack for caring more about a severed hand than Carys.

If Gwen only knew to whom that hand belonged.

A now-clothed Owen demonstrates his findings: The gas will literally make its host explode – Rat Jam! – if it stays too long in one body. The team brainstorms, Owen says that he’d shag Gwen if he were infected, and Tosh gets an idea. Meanwhile, Carys walks to her ex-boyfriend’s apartment and dusts him. They follow her to her workplace, a fertility clinic that is brimming with orgasmic energy thanks to sperm donors. As Carys makes her way through the clientele, Torchwood arrives and finds her too weak to fight the alien any longer. Jack donates part of his life-force to bolster Carys’s defenses, and Gwen offers her body as a new vessel for the alien cloud.

When the cloud leaves Carys, Jack deploys the same alien containment device that Owen used to trap Carys earlier. While inside, the creature dies and leaves a pile of dust. Gwen kisses Jack, thanking him for saving her life and leaving Jack to pause and consider things.

Gwen and Jack take Carys home to her father. As they clean up the remaining pieces in the Hub, Jack warns Gwen to not let the job consume her. Gwen challenges Jack to come clean, but Jack says that the answers won’t make her feel any better. Gwen goes home to be normal, has dinner with Rhys, and goes to bed.

 

Torchwood certainly made the most out of their post-watershed status with this story, and it showed that they were willing to experiment with more mature speculative fiction. They also get to break some of the more conservative norms of the Doctor Who universe, particularly in frank discussions about sex. Jack’s omnisexuality is a big part of that, and I’m glad that the show was allowed to explore these characters.

The character development is a big plus in this second episode. When a product makes me actively despise a character – I’m looking at you, Owen – I know that it’s doing a great job building three-dimensional characters.

Overall, this episode had a well-built story with good human interactions. I really enjoyed it.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

 

UP NEXT – Torchwood: Ghost Machine

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #TW1: Everything Changes

Torchwood: Everything Changes
(1 episode, s01e01, 2006)

 

Evolving from Excalibur, a science-fiction crime drama idea from Russell T. Davies, Torchwood was developed as a post-watershed (mature/adult audience) companion to Doctor Who. It was the first spin-off for the franchise since K9 and Company twenty-five years earlier.

The series (and this story) begins with murder. PC Gwen Cooper and her fellow officers are investigating the crime scene, but are quickly escorted away as Torchwood arrives. Led by Captain Jack Harkness, the team of Doctor Owen Harper, Suzie Costello, and Doctor Toshiko Sato get to work. Gwen, meanwhile, moves to higher ground in a parking garage to get a better view.

We’ve seen two of these characters before: Captain Jack last appeared in The Parting of the Ways, and Tosh chased a modified pig-alien around a morgue with the Ninth Doctor in Aliens of London.

Jack waxes about contraceptives in the rain as Suzie puts a metal gauntlet on her hand and examines the corpse. The gauntlet shocks the corpse back to life for two minutes, during which time the team interrogates the dead man for clues. The victim didn’t see who stabbed him, and Jack’s questions about death also prove fruitless. The team is frustrated and Gwen is startled when Jack asks her for advice. Gwen responds by running away.

Gwen arrives home later and joins her boyfriend, Rhys Williams, in front of a television drama as they catch up on the day. They go to bed, but Gwen spends the night sleepless. The next day, she asks Yvonne to look up Jack Harkness before taking coffee to the detectives investigating the murder. She and her partner respond to a bar brawl and suffers a blow to the head. At the hospital, she notes a familiar figure in a blue coat racing up the stairs and gives chase, but she stops at the top floor because it is sealed in plastic. She asks a porter about the seal, but he’s no help, so she breaks it and investigates.

She finds what she assumes to be a man wearing a mask – a standard Doctor Who alien, yeah? – and asks about the man in the coat. The porter returns to update Gwen and is soon eaten by the creature. The Torchwood team springs into action as Jack escorts Gwen from the room. When Gwen goes back outside, the Torchwood team drives away so she gives chase in her patrol car.

Her partner is left behind at the hospital.

She runs the license plates as Yvonne gives her an update on Jack Harkness and his history. The chase ends at Wales Millennium Center, but Gwen loses the team when she looks away. Control has no record of the license plate, and Gwen and her partner – he walked all the way there – can find no evidence of where the team went. Also, there are no missing porters at the hospital. Dismayed, Gwen goes home where she lies to Rhys and continues her investigation of the Millennium Center.

She follows a hunch and visits Jubilee Pizza where she learns that they frequently deliver to Torchwood. She orders a pizza and hand delivers it to the address on file. Ianto Jones points her down a secret passage and Gwen arrives at the Hub in Torchwood Three, home to the Cardiff team. She spots a water feature in the center of the room, a severed hand bubbling away in a container, and the team who are all apparently ignoring her as a joke.

They tell her that they have been watching her stalking them for the last three hours. They also explain how they erased the evidence of the porter’s murder. As a pterodactyl squawks overhead, Jack offers to show her the murderer. It’s the creature from the hospital, commonly referred to as a Weevil by the team, which is part of a group living in the sewers.

Returning to the Hub, Jack makes introductions to the team despite Gwen’s protestations that Torchwood is classified. Jack hands out job assignments before escorting Gwen out via the scenic route. They rise up on a platform into Millennium Center, shrouded in a perception filter. Jack presumes that it’s because “there was once a dimensionally transcendental chameleon circuit placed right on this spot, which welded its perception properties to a spatial-temporal rift” – we call it Boom Town – but otherwise it’s just cool. They head to a local bar where Jack challenges Gwen’s lack of belief with the undeniable evidence of the Christmas Invasion and the Battle of Canary Wharf. After a little back and forth, including Jack’s revelation that Torchwood scavenges alien technology to prepare for a future invasion, Jack dissuades Gwen of the idea that Torchwood is trying to solve the stabbing murders. They’re just trying to figure out the gauntlet, and the more violent the murder, the better for the device.

Jack gives her a little trivia: Torchwood One was Canary Wharf in London, Torchwood Two is in Glasgow, Torchwood Three is this team in Cardiff, and Torchwood Four has vanished. Jack also reveals that he drugged Gwen’s drink in order to erase her memory and maintain the team’s secrecy. She races home to jot down as much information as possible before she collapses. Ianto hacks into her computer and erases the file.

Oh, and the idea that all that alien technology is supposed to stay in the base? Tosh, Owen, and Susie have all ignored that mandate. Tosh scans a copy of A Tale of Two Cities with one touch and uploads it to her computer. Owen tries to pick up a girl (and ends up in a threesome) with an alien pheromone spray. Suzie uses the gauntlet to resurrect a dead fly.

Owen’s a bit of a git, honestly.

Rhys wakes Gwen the next morning with coffee and a kiss, concerned that she was drinking after a head wound. Later at work, Yvonne reminds her about Captain Jack Harkness. Gwen goes up to the detective offices and spots the mock-up of the murder weapon, an image that haunts her all day as images of her lost trip to the Hub flit through her subconscious. In her home office, she spots a brochure for Millennium Center with a note scrawled on it: “Remember”.

Gwen returns to Millennium Center and finds Suzie, who produces the murder weapon with the hope of breaking Gwen’s amnesia. Suzie pulls a gun, remarks that only Gwen can make the link, and reveals that although she loves her job it is driving her mad. She killed three people in order to get practice with the gauntlet. During her confession, Jack comes up the lift, presumably hidden by the perception filter. Suzie can see through it and shoot Jack in the head before turning the gun on Gwen, but Jack rises up behind her to stop the threat.

Suzie decides her own fate by committing suicide.

Gwen remembers, Ianto puts the gauntlet in storage, the rest of the team surrenders their illicit tech, Suzie goes into the Torchwood morgue, and Jack is immortal. Jack was made immortal by Bad Wolf, and he’s in search of the right kind of Doctor to help explain it. He asks Gwen to keep it quiet before asking her to join Torchwood.

She accepts as the pterodactyl flies overhead.

 

As pilots go, this was a great one. It’s dark and moody, establishing the direction and atmosphere for the series to come. We get to catch up with Captain Jack again, though the mystery of where and when he’s been since he encountered Bad Wolf is still a mystery. I also enjoy how we are in Gwen’s shoes for this story, uncovering the mystery as she does.

Since this is a spin-off and not primarily set in the Doctor’s timeline, there will not be a regeneration handicap. Not that it needs one at any rate.

 

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

 

UP NEXT – Torchwood: Day One

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #171: Bad Wolf & The Parting of the Ways

Doctor Who: Bad Wolf
Doctor Who: The Parting of the Ways
(2 episodes, s01e12-13, 2005)

 

Going out in a blaze of glory.

Following on a century after the adventure on Satellite Five, the Doctor finds himself falling out of a transmat and into a house. Specifically, the Big Brother house on Channel 44000. The Doctor is not amused. Elsewhere, Rose wakes up in a dark studio and is helped to her feet just in time to compete on The Weakest Link. Finally, Captain Jack wakes up on a table where two androids give him a wardrobe makeover in the vein of What Not to Wear.

The Doctor starts looking for a way out of the house, making friends with a fellow resident named Lynda. He remembers that they had just left Raxacoricofallapatorius and then visited Kyoto, Japan in 1336. Their transit was intercepted by a transmat beam, but no ordinary transmat could penetrate the the TARDIS. The Doctor faces the camera and vows to get out, find his companions, and then find those responsible.

Rose plays The Weakest Link – we get a reference to something called Torchwood – and is observed by the engineers in the control room. She realizes that they’re not playing a game when Fitch, the weakest link in the round, is disintegrated. Another player tries to run, but the rules are “play or die,” so the runner is vaporized. A similar fate plays out in the Big Brother house as one of the housemates is evicted by disintegration. The Doctor is immediately motivated by this twist and disables the camera.

Oh, and Jack? He avoids a literal face change by producing a blaster (from where, you don’t want to know) and destroying the androids.

Rose finds out that the company running the games is the Bad Wolf Corporation, and she connects the dots over her adventures with the Doctor: Gwyneth told her about it in Cardiff 1869; it was the call sign for Henry van Statten‘s helicopter; it was the nuclear power plant project on the Cardiff Rift; it was tagged on the TARDIS in 2006; and it was a news channel on Satellite Five in the 2001st century.

Meanwhile, the Doctor forces his eviction from the house, but the disintegration is overridden. He uses his sonic screwdriver to open the door and rescues Lynda from her captivity. He discovers that they are back on Satellite Five, and as he and Lynda look for a way out, she reveals who is in charge. The Bad Wolf logo gives the Doctor pause. He gets it too.

The programmers reveal the security problem to a woman hardwired to the system, but the Controller dismisses them before alerting them to an incoming solar flare.

Jack builds a gun out of the robots and their defabricator beam and goes in search of the Doctor. The Doctor, to his horror, realizes that when he shut down the satellite before, the human race stopped instead of building the Fourth Great and Bountiful Human Empire. Jack reunites with the Doctor as Rose fights for her life in the last round of the game. As Rose loses the game and faces disintegration, the Doctor breaks in, but he is too late to stop Rose from being vaporized. The enraged Doctor, Lynda, and Jack are arrested by station security, but quickly escape and make their way to Floor 500 with a lot of firepower.

Jack seals the doors as the Doctor interrogates the programmers (after tossing them his gun). The TARDIS is located nearby, and Jack finds something startling within. The Controller calls for the Doctor, revealing that the solar flare is blocking her masters from reading her mind. The masters have been hiding in the shadows and shaping the Earth for centuries. They also fear the Doctor.

The flare passes, the Controller resumes her trance, and Jack reveals that the disintegrator beam is really a transmat. The Controller is transmatted away, landing in the same place as Rose. Rose is chased by a familiar visage and the Controller is exterminated. The Doctor traces the signal to a fleet of saucers.

The masters are the Daleks. There are half a million in the fleet, and they have survived the Time War.

The Daleks open a channel to the Doctor, demanding his surrender in exchange for Rose’s life. The Doctor defiantly counters: Without a plan, he promises to save Rose Tyler and eliminate the Daleks. The Daleks respond by declaring war on the Doctor.

And here we go.

The Daleks demand that Rose predict the Doctor’s actions, but she refuses. They open fire on the TARDIS but the Doctor materializes it around Rose and her Dalek guard. Jack makes short work of the Dalek and the Doctor sets to analyzing the remains. He explains the Time War to Jack – “I thought that was a legend!” – and then confronts the Daleks under the protection of a force field. He discovers that the Daleks survived thanks to the Emperor Dalek and a crippled starship that tumbled through time in the war’s aftermath. The Daleks know the Doctor as The Oncoming Storm, and they fear him, but the Emperor Dalek explains how he rebuilt the Daleks out of the corpses of humanity. These Daleks are of mixed DNA, but the Emperor considers them pure.

These Daleks are more of a cult than an empire, driven mad by their own flesh. The stink of their humanity. The hate of their own existence.

The travelers retreat to the TARDIS and the Doctor takes them back to the satellite. Once there, he begins his defense of the planet below. As the fleet advances on Earth, the Doctor begins to rewire the satellite – a giant transmitter – so he can broadcast a delta wave. You know, something that tends to barbecue any brains in its way. That would normally take three days, but he has to get it done in twenty-two minutes.

As Rose helps the Doctor, Jack rallies the remaining programmers and citizens to defend the satellite. A select few join the captain’s cause while the rest are warned to stay quiet and remain below Floor 494. Rose and the Doctor also have a fantastic discussion on the morality and the nature of time travel, one that inspires the Doctor to cross his own timeline in order to speed up the process. It ends up being a trick though, as the Doctor remotely sends the TARDIS and Rose away to protect her.

A holographic message informs her that he’s fulfilling his promise to keep her safe. It will take her home and then die on a street corner. Before the message fades, it tells her to have a fantastic life. The TARDIS lands and Mickey finds Rose, wrapping her in his arms in consolation.

The Doctor continues to work, but the Emperor reveals that the delta wave cannot be refined in time to prevent it from killing everything in Earth’s orbit. The Doctor has the weight of the world on his shoulders. He confronts the Emperor about the Bad Wolf message, but the Dalek knows nothing about it. Something else is driving events.

Back in her century, Rose doesn’t know how to go on, even with Mickey and Jackie trying to console her. Near the TARDIS, she finds the words Bad Wolf written everywhere, and she assumes that it’s a link back to the Doctor. She and Mickey enter the time capsule and Rose decides to communicate with the heart of the TARDIS. Her efforts to open the console fail, and Jackie tries to help her move on, but Rose reveals the truth about her father’s death. The revelation spurs Jackie to borrow a tow truck to provide enough force.

In the future, the Daleks arrive at Earth and begin their assault on the satellite. The defenders make a valiant effort, including using the Anne Droid from The Weakest Link, but the Daleks make short work of them. They massacre the gathered citizens in the floors below the defenders, and they decimate the Earth’s surface. Jack’s last line of defense makes some headway, but the Daleks find Lynda from her position as defense coordinator. Soon enough, Jack is the last man standing between the Daleks and the Doctor, but then he is exterminated as well.

The tow truck gambit works and Rose is exposed to the heart of the TARDIS. The time capsule propels itself forward in time as Rose absorbs the energy in the console. On the satellite, the Doctor finishes his work, but he cannot push the button despite his bluster. He cannot commit another mass genocide. As he faces his execution, the TARDIS materializes and reveals a super-powered Rose.

She looked into the TARDIS. The TARDIS looked into her. She is the Bad Wolf. She created her own message throughout time and space. She can see all of it at once.

With her power, she turns the Daleks to dust. All of them. Once the threat is removed, she restores Jack to life, but refuses the Doctor’s request to relinquish her powers. When the pain becomes too much, the Doctor kisses her and absorbs the power. The Doctor returns the energy to the TARDIS before leaving with Rose, stranding Jack on the satellite.

As the TARDIS flies through the vortex, the Doctor watches his hand glow and laments the adventures he meant to experience with Rose. Unfortunately, he doesn’t have time. He explains that this life is at an end. He is about to regenerate, but he won’t be the same afterward. He tells Rose that she was fantastic.

You know what? So was he.

And then he regenerates.

 

This is the big culmination of everything we have learned since Rose. The opening was deliberately confusing and a great introduction to the building tension leading to the big reveal at the end of Bad Wolf. The second half, Time War Round Two, was an impressive balance of the Ninth Doctor’s redemptive arc and the Tyler family drama.

This finale doesn’t let up for a second, but it still finds time for the character moments. At the risk of overplaying the meme, it was absolutely fantastic.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Series One and Ninth Doctor Summary

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #170: Boom Town

Doctor Who: Boom Town
(1 episode, s01e11, 2005)

 

Second chances all around.

Six months after the attempted Slitheen invasion, a scientist is pleading with Mayor Margaret Blaine to stop construction of a nuclear power plant lest it destroy the city. With a little bit of gassy rumbling we know who she really is, and she shows the scientist moments later as she unzips her head and devours him.

Mickey arrives in Cardiff by train and finds the TARDIS. He meets Jack and then reunites with Rose to deliver her passport. Rose explains that they are using the Cardiff Rift to recharge the TARDIS. One lesson about the chameleon circuit and the history of the TARDIS later, they head into the city for a little fun.

Mayor Blaine introduces the nuclear power plant – the Blaidd Drwg project – at a press conference. Afterward, she encounters a reporter named Cathy Salt who challenges the mayor about random deaths and the dangers of the plant. Cathy is nearly killed by the mayor in the ladies room, but the revelation that the reporter is pregnant stays the Slitheen’s hand. While at lunch, the Doctor spots a newspaper with the mayor’s photo on the front page. His day is ruined by the news that the Slitheen still lives. The team converges on City Hall with a divide-and-conquer strategy. The Doctor flushes the mayor out and the team corners her. While on the run, she assembles a transmat device from her jewelry, but the Doctor uses his sonic screwdriver to negate the effect.

The travelers and Mayor Blaine look over the model of the plant, revealing that it is hiding a tribophysical waveform macro-kinetic extrapolator – a pan-dimensional surfboard, of sorts – to escape the explosion that will destroy the planet. The Doctor finally connects the dots on the Bad Wolf label (Blaidd Drwg in Welsh) that is following them through time. That’s a mystery for another day, since he also learns that if he takes Blaine – better known as Blon Fel-Fotch Passameer-Day Slitheen – back to Raxacoricofallapatorius, she will be executed. She uses that to her psychological advantage as they wait for the TARDIS to recharge.

Mickey and Rose use the interlude to catch up, especially considering that Rose didn’t really call him to bring a passport. They leave for a night on the town while the Doctor and Jack have a conversation with Blon. The Slitheen makes a last request: A final meal at her favorite restaurant. Jack offers a pair of bracelets that will shock her if she tries to escape, so while he tries to wire the extrapolator to the TARDIS console, the Doctor and Blon dine. She tries to kill the Doctor multiple times, but he deflects each attempt. She details her pending execution in attempt to dissuade him, but the Doctor notes that if he shows her mercy then she’ll just start again. She decries him as a vengeful god – we’re back to the literal deus ex machina theme – and then the night goes sideways.

Meanwhile, Rose and Mickey walk around the bay, and Mickey reveals that he’s tried to move on. Rose tries to deal with the news, but ends up confronting Mickey over it. Mickey is distraught because Rose is gone all the time, and even though it will tear him apart, he promises to wait for her. Rose, rightly, is chagrined.

That’s one thing that I have really enjoyed about this series of episodes: It has addressed those who are left behind.

But, let’s get back to the sideways: The night is shaken apart by an earthquake.

The energy from the extrapolator is using the energy from the TARDIS to tear open the Cardiff Rift. Everyone returns to the TARDIS and Blon takes Rose hostage. The Slitheen reveals that this was her plan, relying on an advanced technology to find the extrapolator and destroy the planet through the Rift. Unfortunately for her, the heart of the TARDIS is opened beneath the console. Blon is transfixed by the beauty within the living machine, and with heartfelt thanks, she disappears. After the TARDIS is shut down and the crisis is averted, the Doctor finds an egg inside the skin suit. The TARDIS telepathically communicated with Blon and granted her a second chance by helping her revert to her youngest form.

Rose tries to say goodbye to Mickey, but he sees her and leaves before she finds him. With that, the travelers set course for a hatchery on Raxacoricofallapatorius.

 

The mythological ties are strong in this one, reaching all the way back to 1963. Between the discussion of how the TARDIS ended up stuck as a police box and the concept of the Heart of the TARDIS – alluded to in the third story, The Edge of Destruction, physically seen in Terminus, and discussed in the television movie – it’s apparent that writer and producer Russell T. Davies did his homework for this episode.

This story also continues the series thread of redemption for the Doctor. He wants to do the right thing in taking a serious criminal home to answer for their atrocities, but knowing that she faces execution is a huge wrinkle. This is a Doctor who has a lot of blood on his hands, and it’s apparent that he doesn’t want any more. After all, he was overjoyed last week that “just this once” everybody got to survive an encounter with him.

As previously mentioned, this series has also been simply fantastic at exploring the lives of those left behind, especially Jackie and Mickey. Doctor Who usually focuses on the adventure in the TARDIS, but if the companions leave family behind when the Doctor throws the switch, there is plenty of drama to explore. It makes the scenarios that much more humanly believable.

Finally, the Bad Wolf is coming to a head. The Doctor and Rose have been seeing the meme following them from place to place – notably, all of which have been on Earth this series (except for the off-screen adventures that Rose effuses about, breaking the guideline of “show, don’t tell“) – but the Doctor sets the idea aside for another day. It’s the bigger issue at hand, but not the most pressing in the face of Earth’s pending doom.

Something tells me that we’ll learn more during the next adventure.

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

 

UP NEXT – Doctor Who: Bad Wolf and Doctor Who: The Parting of the Ways

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #169: The Empty Child & The Doctor Dances

Doctor Who: The Empty Child
Doctor Who: The Doctor Dances
(2 episodes, s01e09-10, 2005)

 

“You’ve never been bored? Never had a long night? Never had a lot of cabinets to put up?”

Rose and the Doctor are chasing a metal cylinder through space and time – they’re under mauve alert, which is apparently misunderstood by humans to be closer to red, complete with “all that dancing and misunderstanding” – before landing in London, 1941. They’re a couple of months behind the crash landing of the cylinder, and as the Doctor jimmies the lock on a door, Rose chases a kid in a gas mask who is calling for his mother.

The Doctor finds himself in a makeshift cabaret, and after the singer finishes her number – It Had to Be You – the Doctor uses the microphone to ask if anything has fallen from the sky recently. All he gets in return is laughter and an air raid siren. It is World War II after all, right in the middle of the London Blitz. Speaking of, Rose finds herself dangling from a rope under a barrage balloon, witness to a flight of bombers coming straight at her.

The Doctor returns to the TARDIS, comically telling a stray cat that one day he’ll find a companion who won’t run away. The phone in the TARDIS door rings, an event that shouldn’t happen because that phone has never worked, and he’s warned by a strange woman not to answer it. When he does, a boy’s voice asks if anyone has seen his mommy. He hangs up and pursues the woman, who he finds raiding a kitchen after the occupants have run for their bomb shelter.

On a balcony, an RAF officer named Jack uses a futuristic set of binoculars to spot Rose as she drifts through the skies of London. He notes her remarkable posterior, flirts with another soldier, and humorously rescues her with a light beam. In the house, the woman invites a group of homeless children to join her for an abandoned but warm dinner. They’re joined by the Doctor who deduces that they are homeless, however they should have been evacuated some time ago. The woman is Nancy, and she finds them food since they were all returned to London under various circumstances. The Doctor remarks that it’s either “Marxism in action or a West End musical.” When he asks about the cylinder, their dinner is interrupted by the creepy child in a gas mask looking for his mommy. Nancy tells him that the child is empty, and anyone he touches ends up just as empty. The voice – “Are you my mommy?” – penetrates the house, and the Doctor notes a scar on the boy’s hand before opening the door to reveal an empty stoop.

Rose awakens to meet Captain Jack Harkness, an American volunteer with the Number 133 Squadron RAF who also has psychic paper, nanogenes to heal Rose’s rope burn, and a cloaked ship. He believes that Rose is a fellow Time Agent and invites her for a drink and Moonlight Serenade on the top of the ship. He offers something that the Time Agency might want to buy if she has the ability to negotiate, and she suggests that they should talk to her “companion.” The item is a fully equipped Chula warship, the last of its kind, but it will be destroyed in two hours by a German bomb. Jack scans for alien tech in order to locate Rose’s companion.

The Doctor pursues Nancy to her hideout and surprises her as she unloads the tins of food she stole from the house. He makes the connection between the cylinder and the empty child: A bomb that wasn’t a bomb landed near Limehouse Green station a month before, and in order for them to bypass the soldiers guarding it, they need to go see “the doctor.” They end up near Albion Hospital, and the Doctor discovers that Nancy’s brother Jamie died in an air raid, driving her to take care of those unable to defend themselves.

The Doctor enters the hospital and finds the wards filled with people in gas masks. The doctor in question, Doctor Constantine, shows the Doctor that each victim has identical injuries to their skulls and chest cavities, and the gas masks are fused to their faces. They all have identical scars, as does Constantine, and they all came from touching the single victim of the bombing. They also are not dead, as Constantine demonstrates by rapping his cane on a pail, causing all of the bodies to sit up for a moment. Constantine offers the Doctor advice: The army plans to destroy the hospital to stop the tide of the infection, and he directs the Doctor to Room 802 before evolving into one of the masked undead.

Ye gods, that was downright creepy. Points to you, Doctor Who.

The Doctor meets Rose and Jack as they arrive at the hospital, and the Doctor finds out that Jack in conning them: He threw the cylinder at them, pursued them to London, and tried to convince them that it was valuable. Quite the cheeky and scurrilous cad, no?

Nancy returns to the abandoned house but is ambushed by the masked child, who is actually her brother Jamie. When he discovers Nancy and advances on her, the bodies in the ward also awaken and converge on the time travelers. The Doctor steps up and scolds the lot, telling them crossly to go to their rooms. He’s surprised when they retreat, glad that they weren’t his last words.

The Doctor talks to Jack about the con, which Jack remarks is a great scam for a time and place like the London Blitz or Pompeii. The Doctor notes that cylinder, which Jack claims was a burned-out medical transport, is the source of this virus. They proceed upstairs to Room 802 – Jack opens the door with his 51st-century sonic blaster, and the site of the factory where it was built is now a banana grove – to find what’s left from the first victim, Jamie.

At the all-clear signal, Nancy is captured by the family who own the house, but she talks her way out of the charges by noting how much food they have in a period of rationing, and demands wire cutters, a torch, food, and a visit to the bathroom before she leaves. She returns to her hideout to find the assembled children. They want to stay with her because she keeps them safe, but she points out that the empty child is coming after her, not them. Nancy leaves them and heads to the bombsite.

As Jamie returns to Room 802, the time traveling trio run from a horde of masked people – the banana and sonic device jokes are a hoot – before ending up in a storeroom. As the Doctor looks for a way out, Jack vanishes. He calls them from his ship using Om-Com technology, a transmission that can communicate over any speaker. The infected also use this technology and jump into the transmission, but Jack jams with Glenn Miller’s Moonlight Serenade. The Doctor starts to work on breaking them out, asking why Rose trusts Jack so much. Rose says that Jack reminds her of the Doctor, but with more “dating and dancing.” The Doctor is offended at the notion that he doesn’t dance, and when Rose offers him the chance, he notes that her hands have been healed. They start to dance when they are transmatted to Jack’s ship, which the Doctor recognizes as a Chula spacecraft. The nanogenes heal his hand, which was burned when the TARDIS console sparked, and he asks to go to the bombsite. Jack reveals that he was once a Time Agent, but he left the Agency when they stole two years of his memories.

The bombsite’s commander, Algy, apprehends Nancy when she infiltrates the area. They lock her up next to an officer named Jenkins, who has been infected, and after they leave Nancy watches in horror as the man painfully transforms. As the time traveling trio approach the site, Jack recognizes Algy and shoots down Rose’s plan to distract the commander since she’s “not his type.” Unfortunately, Algy is in the middle of transformation, and the Doctor recognizes that the virus has gone airborne. They find Nancy, who is singing lullabies to the transformed Jenkins to keep him docile, and free her before examining the cylinder.

Jack tries to open the cylinder but trips an alarm instead. As the masked horde descend on the bombsite, the Doctor sends Rose to reassemble the barbed wire with his sonic screwdriver. Rose comforts Nancy by explaining time travel and the bright future ahead when the Allies win the war. The return as Jack opens the cylinder, and the Doctor reveals that it contained nanogenes. Programmed to heal any wound, the first thing they found was a dead child wearing a gas mask, so they used that as the template to heal everyone they could find. All of them are now hysterical four-year-olds turned powerful Chula warriors awaiting orders, ready to tear the world apart to save their mommys. Jack is suitably chagrined.

The Doctor discovers that Nancy is not Jamie’s brother, but is instead his mother. That’s the reason that he keeps chasing her, and the Doctor implores her to reveal the truth to the boy. She embraces the boy and tells him the truth, and the nanogenes use the moment to analyze her DNA and restore Jamie to his former self.

In the interim, Jack as transmatted to his ship and returns just in time to stop the incoming bomb, the Schlechter Wolf, before rocketing away. After Jack departs, the Doctor forces the nanogenes to fix everyone – “Everybody lives, Rose! Just this once, everybody lives!” – and pins the results on Doctor Constantine’s expert medical knowledge. After everyone leaves the bombsite, he sets the cylinder to self-destruct, and they return to the TARDIS. Sadly, Rose learns the truth about Jack’s fate.

As Jack races through space, he is unable to jettison the bomb before it explodes, so he settles in with a martini to meet his death. He turns to see the open doors of the TARDIS and he scrambles aboard. The Doctor welcomes him aboard, and as the TARDIS head to the next adventure, the Doctor and Rose dance through the cosmos.

 

This story marks the return of Steven Moffat to the franchise and his trademark pace and tropes are on full display, from the romantic angle between the main characters to his fourth-quarter twists in the story. His script was delightfully creepy and scary, and the direction and production only helped to amplify it. The twist at the end – Nancy is the mother, not the sister – is quite touching.

Captain Jack Harkness is a fan favorite, especially in our household. We’ve seen so much of John Barrowman over the years at Dragon Con – take that as you will, knowing his convention performances – so dialing back a decade or so to his first Doctor Who appearance was fun.

Finally, I simply adore how the Ninth Doctor has evolved. He wants to be analytical about this mystery, and the action pace sets him back on his heels. He virtually explodes as all the pieces come together, and his joy at being able to save everyone is both palpable and exhilarating.

 


Rating: 5/5 – “Fantastic!”

 

UP NEXT – Doctor Who: Boom Town

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.