Culture on My Mind Spooky Golden Radical Marvels May 21, 2021
Over the last three weeks, the fine folks at the Dragon Con American Sci-Fi Classics Track have been playing with the late ’80s and early ’90s.
On April 29th, the track celebrated the 30th anniversary of The Addams Family. Stormy O’Dell, Toni-Ann Marini, Keith DeCandido, and Shaun Rosado stopped by to talk about this 1991 adaptation of the classic 1964 television series. Created in 1938 by cartoonist Charles Addams, the property acts as a satirical interpretation of the stereotypical 20th-century nuclear family. To that end, it’s pretty much an evergreen story.
On May 6th, Stormy O’Dell and I joined the track to discuss the 35th anniversary of The Legend of Zelda. I talked about some of my history with this medieval and mythologically-inspired adventure series a couple of weeks ago, and we barely scratched the surface of this cornerstone Nintendo series.
Finally, Michael Bailey and Keith DeCandido sat down with Gary and Joe to answer a question: What if the Marvel Cinematic Universe happened starting in 1988 instead of in 2008?
Radical.
We’re all caught up for now. Fun times lay ahead, and if you want to play along at home, get thee hence to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
Culture on My Mind The IDIC Podcast Festival
May 14, 2021
This week, I’m promoting a Star Trek-themed podcasting festival helmed by Women at Warp: A Roddenberry Star Trek Podcast.
The Women at Warp crew will be hosting a virtual podcast festival on July 17-18, 2021. The weekend event will honor the Star Trek principle of Infinite Diversity in Infinite Combinations (IDIC) by celebrating and amplifying the diverse voices in Trek fandom through a series of live podcasts.
The general announcement, call for programming and contributors, and important dates leading up to the event can be found on the event page at the Women at Warp website.
The IDIC principle is something that I believe in and the Women at Warp team is a champion of the cause. I’m more than happy to spread the word.
Today’s press release follows.
Women at Warp Launches the IDIC Podcast Festival
Women at Warp: A Roddenberry Star Trek Podcast is pleased to launch our call for applications for the first IDIC Podcast Festival, set to run July 17-18, 2021. This weekend-long virtual event honors the Star Trek principle of Infinite Diversity in Infinite Combinations (IDIC) by celebrating and amplifying the diverse voices of our fandom through a series of live podcasts.
Over the past year, COVID-19 has taken away so many opportunities to connect with diverse creators and audiences in person. At the same time, we’ve seen fans taking to social media to seek out and share podcasts that approach Trek from diverse perspectives. As an intersectional podcast we know that women’s issues are inextricably connected to issues of race and class, LGBTQIAP2S+ issues, disability issues, and more. The transformative period that we are in gives us an opportunity to truly center voices from all these diverse communities in our fandom.
Any podcast that showcases diversity in its hosting lineup is welcome to apply for the IDIC Podcast Festival, whether newly-launched or well-established. We welcome shows that do not exclusively cover Star Trek in their regular episode lineup, but ask that panel submissions for this event be Trek-related.
Admission to this virtual event is free. Podcasts will be streamed live on Women at Warp’s Facebook and YouTube pages and podcasts will be welcome to share recordings in their own feeds after the event.
The deadline for podcasters to submit applications is Friday, June 18. Click here to apply.
Women at Warp is a groundbreaking bi-weekly podcast committed to examining Star Trek from a feminist perspective, exploring Intersectional Diversity in Infinite Combinations with a rotating crew of seven hosts. Tune in for everything from episode and character analysis to history of women behind the scenes and in fan culture to discussion of larger themes and messages throughout the franchise. Women at Warp is part of Roddenberry Podcasts. For more information, please visit womenatwarp.com.
About Roddenberry Podcasts
Roddenberry Podcasts is a network of audio shows that deliver thought-provoking, insightful entertainment wherever you are. Podcasts that dig deep into Star Trek, social commentary, science and critical thinking – all ready to download in one place for you to enjoy on your commute or whenever you need a little lively discussion. For more information, please visit podcasts.roddenberry.com.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
We joined the Nintendo Switch crowd last Christmas and I finally got the chance to dive into the experience of The Legend of Zelda: Breath of the Wild. That game has simply blown me away. Embracing an open-world approach to gameplay, Breath of the Wild tells a grand story that is completely up to the player to structure as they see fit.
After the tutorial phase is completed, the player could easily take Link into the heart of evil and confront Ganon. Such an approach would be foolhardy of course, but the point is that conquering the dungeons is not a requirement this time around. On the other hand, the depth of the story, from the main quests to the various side quests and treasure hunts, is spectacular. There are a ton of stories across the Kingdom of Hyrule, and that’s what has kept me from finishing the game after nearly half a year of playing it.
I mean, yes, I feel bad leaving Princess Zelda in the lurch against the awesome power of Ganon while I gather crickets, buy a house, and broaden my wardrobe of armors, but the rich tableau is just that addictive.
One of the aspects I love is the music. Manaka Kataoka, Yasuaki Iwata, and Hajime Wakai have composed a beautiful score that couples new themes with re-orchestrated tributes to the now 35-year-old history of the franchise. If you’re familiar with Zelda‘s musical history, there’s no finer example than the two Hyrule Castle themes in Breath of the Wild.
Among those tributes, however, was a theme that took me back to my childhood with a just a tiny bit of the nerves.
Welcome back to Death Mountain, it said.
The original Legend of Zelda was a (pun intended) game-changer in 1986 because it offered the possibility of preserving your progress with dedicated save files. Being able to pick up an adventure right where you left off is a standard now, but it was quite the novelty then. Over quite a long period, I fought my way across Hyrule and gathered the eight pieces of the Triforce of Wisdom, but then sat the game down for a while.
During that time, my brother Nick was living in Washington and we wrote each other on a semi-regular basis. I sent him a letter that talked about school and life and my plans to storm Death Mountain. He had told me before about how difficult the dungeon was, but when he wrote back, he included a hand-drawn map of the level.
The map is lost to time now, but it still remains one of my treasured memories. It was photocopied from the original with custom artwork in the corner of Link rushing to the rescue. The maze of rooms and passages was coded by number and provided an easy to follow guide to the endgame. He even provided a suggested path that included the big treasures and simplest road to victory.
The battle itself, of course, was completely up to me.
I remember that it was a Sunday morning when I decided to tackle the level. All through the game, the music had been the same mix of the Overworld and the Dungeon themes, so I really had no idea what to expect in the final dungeon. The first step into the labyrinth brought the dark beats of the Death Mountain theme and I had to take a few minutes before leaving the opening room just to let it sink in.
The theme faded into the atmosphere as I ground my way through the level. I picked up the Red Ring to boost my defenses. I found the Silver Arrow, which is the only weapon that can kill Ganon. I meticulously tracked my progress and ended up at the room before the big battle.
This is where I lost it.
The Legend of Zelda was the first Nintendo game I had ever finished. When I reached that penultimate room, I knew that I was close to that milestone and my nerves hit me hard. Without even pausing the game, I sat the controller down and closed my eyes. While I centered myself, the music kept playing. After a few minutes, I picked up the controller again and walked into Ganon’s chamber.
The room was pitch black. Link held up the Triforce. Ganon snarled in the light. The fight was a blur but I distinctly remember firing the Silver Arrow and turning Ganon into dust, revealing the Triforce of Power.
I knew I had done it. I had beat the game. I entered the last chamber, met Princess Zelda, and watched the credits roll in a state of euphoria. It was amazing.
Looping back to Breath of the Wild, part of the story takes Link to Death Mountain. The game’s tribute to that theme caught me off guard. As I was climbing around the rocks those familiar notes took me right back to that feeling of nervous euphoria. I stopped for a moment and listened, remembering the story I recounted today, before smiling and climbing onward.
The Legend of Zelda: Breath of the Wild could rest as a wonderful capstone to the franchise but we already know that it’s not the end of the line. It could easily be the basis for the oft-requested Zelda live-action or animated adaptation. So much of that is the story and the setting and the music and the artistry, but a big slice of it is personal. It’s my adoration of the mythology and the adventure.
It is the memories of working hard on something and reaching the payoff. It is the connection I share with my brother in a simple map to help me along the way.
It’s probably why The Legend of Zelda is my favorite video game franchise of all time.
I guess, in a way, I owe it to Death Mountain.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
Since at least 1909, a superstition has lived in North American and the United Kingdom that if a person says or repeats the word “rabbit” upon waking up on the first day of the month, good luck will follow for the remainder of that month.
Elements of the tradition exist in the United Kingdom, New England, and even in various First Nation cultures.
While I’m not necessarily endorsing the superstition, it provides a way to look in depth at each month of the year, from history and observances to miscellaneous trivia. The topic this month is May.
History
May was named for the Greek goddess Maia, identified with the Roman goddess of fertility Bona Dea. The festival celebrating the Roman goddess was held in the same month. The late Russian Empire also used the term for a picnic held early in the month. This picnic, mayovka, evolved into an illegal celebration of May 1st (a day of worker revolution).
In the ancient Roman calendar, the month is a big one for festivals. Bona Dea fell on May 1, Argei fell on May 14 or May 15, Agonalia fell on May 21, and Ambarvalia on May 29. Floralia, which began on April 27, carried on until May 3. Lemuria (festival) fell on 9,11, and 13 May under the Julian calendar. The College of Aesculapius and Hygia celebrated two festivals of Rosalia on May 11 and May 22. Rosalia was also celebrated at Pergamon on May 24–26. A military Rosalia festival, Rosaliae signorum, also occurred on May 31.
Ludi Fabarici was celebrated between May 29 and June 1. Mercury would receive a sacrifice on the Ides of May (May 15). Tubilustrium took place on May 23 as well as in March. These dates do not correspond to the modern Gregorian calendar.
May also holds several special devotions to the Blessed Virgin Mary in Catholic circles.
Observances
Further observances are plentiful, including Celiac Awareness Month, Cystic Fibrosis Awareness Month, Ehlers-Danlos Syndrome Awareness month, International Mediterranean Diet Month, the Season of Emancipation (spanning April 14 to August 23 in Barbados), Better Hearing and Speech Month, the Kaamatan harvest festival in Labuan and Sabah, Flores de Mayo in the Philippines, Garden for Wildlife month, New Zealand Music Month, National Pet Month in the United Kingdom, Skin Cancer Awareness Month, National Smile Month in the UK, South Asian Heritage Month, World Trade Month, and Huntington’s Disease Awareness Month.
The United States adds another batch, including Asian Pacific American Heritage Month, National ALS Awareness Month, Bicycle Month, National Brain Tumor Awareness Month, National Burger Month, Community Action Awareness Month (in North Dakota), National Electrical Safety Month, National Foster Care Month, National Golf Month, Jewish American Heritage Month, Haitian Heritage Month, Hepatitis Awareness Month, Mental Health Awareness Month, National Military Appreciation Month, National Moving Month, Older Americans Month, National Osteoporosis Month, National Stroke Awareness Month, and National Water Safety Month.
It makes a lot of sense in the Northern Hemisphere since May is the gateway to the summer months.
Trivia
May’s birthstone is the emerald. It is emblematic of love and success.
The western zodiac signs of May are Taurus (until May 19) and Gemini (May 20 and beyond).
The month’s birth flowers are the Lily of the Valley and the Crataegus monogyna. They are both native the cool and temperate climates of Asia and Europe, as well as the southern Appalachian Mountains in the United States.
Another significant flower is the Mayflower (Epigaea repens), a North American harbinger of the month and the floral emblem of both Nova Scotia and Massachusetts.
Rabbit Rabbit is a project designed to look at each month of the year with respect to history, observances, and more.
Culture on My Mind Sci-Fi Metal of Death and Rock April 30, 2021
It’s time for another round of discussions and mayhem about classic science fiction, brought to you by the fine folks at the Dragon Con American Sci-Fi Classics Track.
On April 15th, Chad Shonk, Jonathan Williams, Jeff Burns, and Amy Splitt stopped by to take your clothes, your boots, and your motorcyle. It has been three decades since T2: Judgment Day graced theater screens, and the classics cast was eager to talk about it.
On April 22nd, a different kind of metal was on the table. Heavy metal music and sci-fi and fantasy are inextricably connected, from album covers to Tolkien references and beyond. Metal experts Mark Finn, Sean Reid, Kevin Cafferty, and Tom Morris took the stage to explain how GWAR, KISS, Steinman, Frazetta, and more influenced the genre was love.
We’re all caught up for now. Fun times lay ahead, and if you want to play along at home, get thee hence to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
Culture on My Mind Super Follies and Nuclear Power
April 23, 2021
This week, I have nuclear power technology on my mind. While pop culture and public perception get this wrong all the time, I’m looking at the pilot episode of Superman & Lois in particular since it was one of the most recent offenders.
People who know me might be surprised that I’m not harping on the “reactor is critical” trope again. “Give me time. I’ll get back to that,” he said with a wink.
The premiere episode of Superman & Lois – creatively titled “Pilot” in a long-standing television tradition – debuted on February 23, 2021. (Aside: It’s been two months, and that’s long enough that I’m not including a spoiler warning.) After a quick series of flashbacks to tell this version’s origin story, we spring into action as Superman saves the day by stopping a meltdown at a nuclear reactor near Metropolis. Apparently, someone has sabotaged the site by breaching the reactor, so Superman welds the hold and then drops a giant ice block into the cooling tower. The temperatures immediately plummet, everyone cheers, Superman smiles, end scene.
The show nearly lost me at this point. Less than five minutes into the pilot episode.
I have nearly twenty years of experience in nuclear power between the Navy and the civilian industry (both domestic and international). I’m registered with The Science & Entertainment Exchange through the National Academy of Science. Seriously, Hollywood, I’m available to consult for times like this.
I’ll explain why this scene struck me as wrong and why public perception gets it wrong all the time, with the caveat that I’m approaching this from the United States perspective since (a) it comprises the majority of my nuclear experience, and (b) Metropolis is an American city in the Superman & Lois universe.
I’ll also touch on why I think it matters.
The Story
First, let’s highlight the scene. It’s set at night and punctuated by helicopters, spotlights, and alarms. General Sam Lane arrives, has a discussion with someone who looks all Hollywood-nuclear-official in a hard hat and lab coat, and pages Superman to the casualty.
“How long we got before this thing pops its top?”
“A few minutes, tops.”
“The fallout?”
“As far as Metropolis.”
After Superman hears the page and changes course, we get this:
“The heat exchanger’s offline.”
“Where’s the damn water tanker?”
Superman arrives at the site and dives into the cooling tower. He lands on a walkway which visibly buckles it so it cannot be used until it is fixed. Hopefully it wasn’t important. The heat is noticeable in the wavering air and flying embers reminiscent of last decade’s movie posters as Kal-El surveys the damage. He spots a crack in a large circular component. Inside, something glows orange with heat.
“His cold breath isn’t gonna fix it.”
“We need water back in the reactor vessel, or we’re gonna have a meltdown the size of Fukushima.”
“It’s out of water!”
“Tanks!”
Superman seals the rupture with his heat vision, then rockets off. As he flies toward the nearby body of water, we get a view down the cooling tower. Under a blossom of catwalks, it is glowing like a pool of magma. Superman uses his cold breath to freeze a giant chunk of ice, hoists it up, and drops it into the cooling tower. The temperature drops and the reactor is safe.
Later, we get some dialogue that points to a crack in the cooling tower as the main problem.
That’s the foundation of the story. Now, let’s take a look at the foundation of reality.
Nuclear Plant Design
In general, there are two types of nuclear reactors in the United States: Pressurized Water Reactors (PWRs) and Boiling Water Reactors (BWRs). The operating principles are effectively the same in both types and can be differentiated by when water changes into steam.
Fission of fuel generates heat. That heat is transferred into the reactor coolant, which is water with a specific chemical makeup. That water eventually generates steam – In a BWR, the coolant boils in the reactor vessel, but in a PWR, the coolant transfers its energy to another system in the steam generator – which spins a turbine before being cooled, condensed, and returned to its starting point. The spinning turbine generates electricity which is transmitted to the electric grid.
PWR Diagram – Tennessee Valley Authority (Public Domain)
The advantage of the PWR is that the steam does not come into contact with the reactor coolant, which is potentially contaminated by fission products. The BWR exchanges this advantage by being more simple.
Regardless, the reactor core – fissionable fuel wrapped in metal sheets (cladding) and arranged into assemblies where the reaction is controlled by the reactor coolant and control rods – is separate from the turbines and the cooling towers.
The cooling towers deal with the steam it spins the turbine. To condense the steam, it is passed over tubes containing cool water. The heat is transferred from the steam to the water, which is then sent out to the cooling towers to transmit that energy to the atmosphere.
The trope and public perception are that the large hyperboloid towers immediately indicate the existence of a nuclear plant. That’s simply not true. In fact, Duke Energy noted in 2013 that there are 250 cooling towers on plants across the United States, and fewer than 100 of those belong to nuclear stations. For context, there are 94 commercial reactor units in the United States. That comprises 63 PWRs and 31 BWRs, and approximately 20% of the country’s electrical generating capacity. Some sites have multiple reactors.
Some towers are the hyperboloid style (which rely on natural draft to reject the excess heat) and some are forced air style (relying on fans to push air across the water to extract the excess heat).
Not all sites use cooling towers, either. Some pull the cooling water directly from nearby water sources and return it with a slight increase in temperature. Extensive studies are performed to ensure that the temperature increase does not negatively impact the environment, including wildlife. In order to protect the aquatic life in the water source, the use of cooling towers for new power plants larger than 100 megawatts (MW) was mandated by the Clean Water Act of 1972.
Since these heat sinks, be they cooling towers or bodies of water, are separated from the reactor coolant by several layers of metal, the probability of contaminating those heat sinks with fission products is very small.
Arkansas Nuclear One (ANO) – NRC File Photo (non-copyrighted)
Hyperboloid Cooling Towers
Focusing on the hyperboloid towers, their operation is pretty simple. The distinctive shape comes from rotating a hyperbola – a graph that looks like two infinite bows reflected on each other, reminiscent of an hourglass – around an axis. This shape presents high structural strength, minimum usage of material, and efficient upward convective air flow.
The heated water travels into the cooling tower and is sprayed from a set of nozzles. The hot mist drifts downward, giving up heat to air that is pulled in naturally through large vents at the bottom of the tower. The cooled water pools in a collection reservoir to be pumped back into the plant while the hot, moist air rises out through the top of the tower as a plume of steam.
Despite claims to the contrary, the exhaust is not smoke, does not carry fission products, and does not alter the weather (no matter what weathermen in large markets claim on Twitter).
Any losses to water inventory can be made up from external sources such as reservoirs, lakes, or local make up tanks.
The Science of Superman
The first thing that Superman & Lois got wrong was placing the reactor inside the cooling tower.
The reactor vessels in these light-water thermoelectric power plants are kept inside containment buildings with layers of protection between the public and the nuclear fuel. That’s a lot of metal and concrete designed to keep the public safe. The Superman & Lois power plant appears to have a single layer of metal between the fuel and the atmosphere, and at the bottom of the tower, any release of fission products would vent right out through the top. Right into the communities nearby.
Also consider that hyperboloid towers can be up to 200 meters (660 feet) tall and 100 meters (330 feet) in diameter. With the reactor we see on screen in mind, any bad actor has a nice size target to bomb.
The second thing that Superman & Lois got wrong has to do with Fukushima.
The dialogue clearly shows that the Fukushima Daiichi nuclear disaster happened in this fictional universe. In our reality, the 2011 Tōhoku earthquake and the ensuing tsunami led to a partial nuclear meltdown. The active reactors automatically shut down (as designed) upon detecting the earthquake. Because of the shutdowns and electrical grid supply problems, the emergency diesel generators automatically started (again, as designed) to keep circulating the coolant through the cores.
The reason to keep the coolant circulating after shutdown is residual decay heat. Even after fission has ceased, the fission products will continue to naturally decay and produce heat for several hours. In these reactors, that decay heat needs to be removed before it boils the coolant away. Water cools better than steam and air, and overheated fuel can melt the cladding, resulting in a meltdown.
Although the term is not officially defined International Atomic Energy Agency (IAEA) or by the United States Nuclear Regulatory Commission (NRC), that’s all a meltdown really is: At least one nuclear fuel element exceeds its melting point.
The Fukushima plant was designed to withstand earthquakes and tsunamis based on historic events. The 2011 earthquake and tsunami exceeded this design basis. It was the most powerful earthquake ever recorded in Japan, and the fourth most powerful earthquake in the world since modern record-keeping began in 1900. The waves swept over the seawall and the flooding caused the failure of the emergency generators and loss of power to the circulating pumps. The loss of decay heat removal led to three nuclear meltdowns, three hydrogen explosions, and the release of radioactive contamination.
In response to the Fukushima accident, the NRC issued order EA-12-049, requiring nuclear facilities to implement mitigation strategies (known in the industry as FLEX) for a beyond-design-basis external event using a three-phase approach. The first phase relies on installed equipment and resources to maintain or restore cooling capabilities. The second phase uses portable on-site equipment and consumables kept in storage for this purpose, and the third phase relies on off-site resources that are trucked or flown in to sustain those functions indefinitely.
Back to Superman & Lois, while a meltdown (and fission product release) was inferred by all the glowing orange magma, the operators clearly failed to implement the FLEX strategies to contain it. I can forgive the first phase since they mentioned that heat exchangers were “offline”, so obviously the installed equipment had failed. However, the second phase equipment is hooked up during the emergency and patches in around failed components. Unless the emergency equipment was sabotaged in some manner, it should have been able to supply water directly from the nearby lake/ocean to keep the core cooled.
Aside: It should also be noted that heat exchangers are passive components, so they can’t go offline. The pumps that supply water to the heat exchangers can go offline since they are powered active components. There is a fundamental difference. Further, there are a ton of heat exchangers in a nuclear power plant, so specificity matters in an emergency.
The third thing that Superman & Lois got wrong was thermodynamics.
Normal water freezes at 32°F (0°C) and salt water freezes at about 28.4°F (−2°C). Interior temperatures of the largest known iceberg in the North Atlantic were estimated between 5°F and −4°F (−15°C and −20°C), and that was for the equivalent of a 55-story building.
During a meltdown, the fuel assembly cladding deforms between 1,292°F and 1,652°F (700°C and 900°C). The cladding melts at 3,270°F (1,800°C) and the uranium oxide fuel melts between 4,890°F and 5,070°F (2,700°C and 2,800°C).
I know, that’s a lot of numbers. But, the point is that a 300-foot wide ice cube would likely have melted long before dropping those kind of temperatures to a reasonable level. In fact, it would have probably created an explosive steam cloud that would carry the already exposed fission products into the atmosphere.
There’s an even larger danger, however. In the event of a meltdown, a lava-like mass of fuel-containing material colloquially called corium is formed. Adding water to this mass, either by flooding or dropping it into a pool, can result in damage to containment and a spread of fission products. The reaction would cause a temperature spike and the production of a large amount of hydrogen. That immediate gas formation can result in a pressure spike inside the containment, and the steam explosion that I mentioned earlier could send projectiles and shrapnel flying. The same gas could also combust causing further pressure spikes.
Simply put, I don’t think Superman’s solution would have worked. In fact, it would have only made the problem worse.
Screencap from Superman & Lois: “Pilot” – The CW Television Network
Wrap-Up
I’ve been around science-fiction and fantasy long enough to understand creative license and suspension of disbelief. I also understand that the general television watching public is not going to dive into this level of detail about a program based on a comic book hero. It’s supposed to be fun escapism, right?
In the twenty-first century, there should be no excuse for scientifically lazy storytelling in this genre, particularly when the bar has been set so high by Marvel Studios in superhero entertainment and by other properties like Star Trek, Stargate, Battlestar Galactica, and The Expanse.
The problem could have been solved in so many other ways that would have maintained at least the illusion of technical integrity. Really, the crux of the matter is having a scientific advisor or consultant available. If IMDb is any indication, Superman & Lois hasn’t used that expertise. At a minimum, they haven’t credited their consultants.
It’s 2021. Geeks are smart. We’ve seen the potential in sharply written entertainment that doesn’t patronize us or insult our intellects. We’ve also seen the power of science and the rise of STEM education opportunities.
By tapping proven science-in-entertainment experts – André Bormanis, Dr. Erin Macdonald, Mika McKinnon, Dr. Kevin Grazier, Dr. Naren Shankar, and Dr. David Saltzberg come to mind right away – or other technical experts through a resource like The Science & Entertainment Exchange, producers and writers can avoid making scientific mistakes and fans worldwide can get smarter stories for their time and money.
It’s a return on investment in which everyone wins.
This post was inspired by Michael Bailey, Bethany Kesler, and Alison Richards, the hosts of The Superman & Lois Tapes, a weekly podcast about The CW’s television series Superman & Lois. Thanks to you, BAM Crew, for the spark and the read-through.
Special thanks also go to Gary Mitchel for his keen eye and advice in proofing this work.
This group of awesome people made sure that I didn’t get too technical for the average reader. Nuclear power can be complex, but the science and engineering concepts behind it are simple. One of my goals is to make all of it easier to understand.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
It’s time for another round of discussions and mayhem about classic science fiction, brought to you by the fine folks at the Dragon Con American Sci-Fi Classics Track.
On March 25th, the pah-nelists went to bah-tle over which Ah-nold was the best. That’s right, it’s an Arnold Schwarzen-Off. Featuring commandos Jeff Burns, Denise Lhamon, and Darin Bush, this panel won’t give you a raw deal. Getch-yo-ass to YouTube!
On April 1st – no foolin’! – it was time for the championship round of the Battle of the (Fictional) Bands!
So, here’s the story: The winners of the previous three encounters – The Soggy Bottom Boys, Buckaroo Banzai and the Hong Kong Cavaliers, and DethKlok – were joined by a fourth competitor determined by a tournament of 16 non-winners from the previous rounds. The final three non-winners in the other rounds got automatic second chances, consisting of Spinal Tap, The Archies, Wyld Stallyns, Larry Underwood from The Stand, Mouse Rat, The Oneders, The Blues Brothers, Hedwig and the Angry Inch, and The Misfits.
The remaining entrants were chosen from a pool of bands that didn’t make it to the finals, and the whole lot was judged by Kevin Cafferty, Chris Cummins, Shaun Rosado, Leigh Tyberg, ToniAnn Marini, Keith DeCandido, and Wrenn Simms.
On April 8th, the track celebrated the rabbit-themed holiday with a discussion of bunnies in pop culture. Kevin Eldridge joins the mayhem as some things lepus in sci-fi, fantasy, and horror were celebrated.
We’re all caught up for now. Fun times lay ahead, including a couple of anniversary celebrations. If you want to play along at home, get thee hence to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
Since at least 1909, a superstition has lived in North American and the United Kingdom that if a person says or repeats the word “rabbit” upon waking up on the first day of the month, good luck will follow for the remainder of that month.
Elements of the tradition exist in the United Kingdom, New England, and even in various First Nation cultures.
While I’m not necessarily endorsing the superstition, it provides a way to look in depth at each month of the year, from history and observances to miscellaneous trivia. The topic this month is April.
History
April started as a Roman month with the Latin name Aprilis. The origin of the name is uncertain, but the Romans believed that it derived from the verbs aperio, aperire, and/or apertus, which each mean “to open”. In modern day, that’s where we get the word aperture. The the famous grammarian Verrius Flaccus expanded on these thoughts, writing that “fruits and flowers and animals and seas and lands do open” in this season.
Ironically, my sinuses close up as the pollen starts flying.
Since the Romans had a tradition of tying months to honor of divinities, and since April was sacred to the goddess Venus – her Veneralia festival was held on the first day – some have suggested that Aprilis was originally the goddess’s month of Aphrilis, stemming from her equivalent Greek goddess name Aphrodite of the Etruscan equivalent Apru.
April was originally the second month of the earliest Roman calendar, but the addition of Ianuarius and Februarius by King Numa Pompilius circa 700 BC knocked it to third. It became the fourth month of the calendar year during the time of the decemvirs circa 450 BC. Julius Caesar gave the month 30 days during his reforms in the 40s BC.
The Anglo-Saxons called April ēastre-monaþ, which led the Venerable Bede to conclude in The Reckoning of Time that the month was the root of the word Easter. He also believed that the month was named after a goddess Eostre, a Western Germanic spring goddess whose feast was in that month.
In China, the third month brought the symbolic ploughing of the earth by the emperor and princes of the blood, and that month frequently corresponds to April. In Finnish, April is huhtikuu, meaning slash-and-burn moon, when gymnosperms (seed-producing plants) for beat and burn clearing of farmland were felled. Equivalently in Slovene, the most established traditional name is mali traven, meaning the month when plants start growing.
Observances
In Ancient Rome, the festival of Cerealia was held for seven days from mid-to-late April, but exact dates are uncertain. Feriae Latinae was also held in April with the varying dates. The Romans also observed Veneralia (April 1), Megalesia (April 10–16), Fordicidia (April 15), Parilia (April 21), and Vinalia Urbana, Robigalia, and Serapia, which were celebrated on April 25. Floralia was held April 27 during the Republican era, or April 28 on the Julian calendar, and lasted until May 3. However, these dates do not correspond to the modern Gregorian calendar.
The Lyrids meteor shower appears on April 16 – April 26 each year, with the peak generally occurring on April 22. The Eta Aquariids meteor shower also appears in April, typically between April 21 and May 20 each year with peak activity on or around May 6. The Pi Puppids appear on April 23, but only in years around the parent comet’s perihelion date. The Virginids also shower at various dates in April.
In Catholic, Protestant and Orthodox traditions, April is the Month of the Resurrection of the Lord. April and March are the months in which is celebrated the moveable feast of Easter Sunday. In the Jewish faith, Passover tends to fall around the same time.
In the United Kingdom, April is National Pet Month. The United States once again takes the lion’s share of observances, including Arab American Heritage Month, Autism Awareness Month, Cancer Control Month, Community College Awareness Month, Donate Life Month (which boosts awareness for organ donation), Financial Literacy Month, Jazz Appreciation Month, Mathematics and Statistics Awareness Month, National Poetry Month, National Poetry Writing Month, Occupational Therapy Month, National Prevent Child Abuse Month, National Volunteer Month, Parkinson’s Disease Awareness Month, and Sexual Assault Awareness Month.
Considering food, April is also Fresh Florida Tomato Month, National Food Month, National Grilled Cheese Month, National Pecan Month, National Soft Pretzel Month, and National Soyfoods Month.
It sounds like a great month for a grilled cheese and tomato soup combo.
Trivia
April’s birthstone is the diamond, which comes with a boatload of mythology, symbolism, and lore.
The western zodiac signs of April are Aries (until April 19) and Taurus (April 20 and beyond).
The month’s birth flowers are the daisy and the sweet pea.
Rabbit Rabbit is a project designed to look at each month of the year with respect to history, observances, and more.
It’s time for this week’s second helping of science fiction classics, and this time we’re going to rock.
On March 4th, the first round began as Kevin Cafferty, Chris Cummins, Shaun Rosado, and Leigh Tyberg considered sixteen performers from the depths of classic sci-fi.
On March 11th, Round Two began with the jury of Toni Ann Marini, Kevin Cafferty, Chris Cummins, Shaun Rosado, and Leigh Tyberg.
On March 18th, this classic trilogy of musical mayhem converged with the illustrious panel of Keith DeCandido and Wrenn Simms (sharing one screen and, allegedly, one vote), Kevin Cafferty, Chris Cummins, Shaun Rosado, and Leigh Tyberg.
If you want to experience each of the competitors, you can do so through these convenient YouTube playlists:
We’re all caught up now with the exception of the March 25th panel. Rumor says that it involves another battle, but this time it’s all about AH-nold. After all, if it bleeds, Schwarzenegger can kill it.
There are also rumors that the March musical madness is not the end of the battle of the bands. There’s still time for King Thunder!
Gary and Joe have a lot more fun discussions planned. If you want to play along at home, get thee hence to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
It is time to catch up on another batch of American Sci-Fi Classics discussions.
On February 18th, Price Horn and Jessa Phillips went to test depth to talk about what happens when science fiction gets wet.
On February 25th, a few members of the Council of Mikes participated in the ultimate Michael tournament. Mike Faber, Michael Gordon, Michael Bailey, and Michael G. Williams duked it out. I was unable to attend due to a work trip.
I’ve said it before and I’ll say it again (and again): Gary and Joe have a lot more fun discussions planned, so you should stay tuned to the YouTube channel and the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.
Later this week, I’ll take a look at the fun that they had in the first three weeks of March. Those panels were all about the Battle of the Bands. I’m rooting for King Thunder from Quantum Leap because “Fate’s Wide Wheel” keeps on turning.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.