Timestamp Special #13: Farewell, Sarah Jane

Farewell, Sarah Jane
(Doctor Who: Lockdown: April 19, 2020)

Timestamp S13 Farewell Sarah Jane

On the ninth anniversary of Elisabeth Sladen’s untimely passing, in the midst of a global pandemic, we were offered a chance to say goodbye.


It was a beautiful and fitting tribute to the character and the woman who brought her to life. Russell T Davies did an amazing job, especially with his bridge between the classic and revival eras. He also put the cap on his vision for The Sarah Jane Adventures which had been considered impossible in 2011.

I, for one, want to experience that adventure with Ace, Sarah Jane, and the Diamond Wolf Clan.

Until then, farewell, Sarah Jane.


UP NEXT – Doctor Who: The Doctor, the Widow and the Wardrobe

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp: Sarah Jane Adventures Series Five Summary

Sarah Jane Adventures: Series Five Summary

Series Five was a strong finale dedicated to the show’s roots.

It’s an odd position to be in with three stories and an unexpected finale, but those three showcased the found family heart of The Sarah Jane Adventures. That’s really what this series and Sarah Jane herself were all about. The Bannerman Road Gang came together under a common cause and ended up becoming a family bound by purpose instead of blood, from Luke and Maria to Clyde, Rani, and Sky.

It’s a philsophy that so many of my friends (who are like family) live every day, and one that so many  more could learn a lesson from.

Series Five comes in at an average of 4.7. That’s the highest rated set for the show, and in comparison to Doctor Who, it would be second place behind the Ninth Series from the classic era.

Sky – 4
The Curse of Clyde Langer – 5
The Man Who Never Was – 5

Sarah Jane Adventures Series Four Average Rating: 4.7/5


Sadly, this ends The Sarah Jane Adventures on television. After decades of watching television, I understand that endings are inevitable. But the premature ending here is tough. The series overall was quite enjoyable and is something that I would readily recommend to Doctor Who fans, especially if they want something lighter than the normal fare.

Series 1 – 4.3
Series 2 – 4.1
Series 3 – 3.3
Series 4 – 4.3
Series 5 – 4.7

The Sarah Jane Adventures Weighted Average Rating: 4.11/5.00

The premature end of this spinoff meant that several story ideas were left behind. In fact, three more stories were planned for Series Five and a set of four Halloween specials were planned after that to bridge the gap leading into Series Six.

The first was Meet Mr. Smith, written by Gareth Roberts and Clayton Hickman. It would have seen Mr. Smith transformed into a human by an alien called the Ozmo. Mr. Smith’s human form would have been played by the supercomputer’s voice actor Alexander Armstrong.

The next story was The Thirteenth Floor, written by Phil Ford. This tale would have finally united Rani and Clyde as a couple after hinting at the relationship over the course of the series. It would have also potentially featured Amy and Rory. The story was repurposed by Phil Ford for Wizards vs Aliens, another show on the CBBC.

The final story of the Series Five set was The Battle of Bannerman Road, which would have returned the Trickster to the series. The plan was to reveal that he had instilled his essence into Sky at the moment of her creation and manipulated events to leave her on Sarah Jane’s doorstep. The Trickster would have used Sky to take over Bannerman Road and the world, but Sky would turn on him and eventually supervise his imprisonment. Jo and Santiago Jones, Professor Rivers, and the Shopkeeper would also return to help.

The first Halloween story was scheduled to be Full Moon, written by Clayton Hickman. The Bannerman Road Gang would have been pitted against the Pagan gods Gog and Magog, escapees from an alien ship.

The second Halloween story was to be The Station, also written by Clayton Hickman, which would have thrown the Bannerman Road Gang back in time to 1911 and 1934.

The third Halloween tale was also penned by Clayton Hickman but was unnamed at the time. It would feature our heroes encountering a Gargoyle-like creature.

Finally, the last Halloween tale was The Night of the Spectre, written by Phil Ford. It would have been an animated story and featured the return of Alan and Maria Jackson. The team would have faced off against an enemy called the Spectre.

The Sarah Jane Adventures also featured ten audiobooks between 2007 and 2011. The first eight – The Glittering Storm, The Thirteenth Stone, The Time Capsule, The Ghost House, The White Wolf, The Shadow People, Deadly Download, and Wraith World – were read by Elisabeth Sladen. The ninth book, Children of Steel, was read by Daniel “Clyde” Anthony. The final book, Judgement Day, was read by Anjli “Rani” Mohindra.

I think it fair to assume that I’ll eventually get to those audio adventures.

The Sarah Jane Adventures finally came to an end in April of 2020 during the global COVID-19 pandemic. During the Doctor Who: Lockdown series on YouTube, Russell T Davies crafted a celebration of Elisabeth Sladen’s life and a capstone for the iconic character of Sarah Jane Smith in his short story Farewell, Sarah Jane.

UP NEXT – Farewell, Sarah Jane

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #SJA28: The Man Who Never Was

Sarah Jane Adventures: The Man Who Never Was
(2 episodes, s05e03, 2011)

Timestamp SJA28 Man Never Was

Slave trades and work simulations.

At Serf Systems, an office cleaner named Adriana Petrescu does her job as an advertisement for the new SerfBoard computer plays on overhead screens. A strange noise draws Adriana to the elevator. When she investigates, she’s pulled inside.

The Bannerman Road Gang is hard at work in the attic as Sky expresses her anxiety about meeting Luke for the first time. Luke notes that his room is no longer his and pops up to the attic for a reunion. He greets Clyde and Rani with the new pet name “Clani”, then has an awkward meeting with Sky. Luke had to leave K9 at the university as the robotic dog is backing up the entire Bodleian library. Mr. Smith is ecstatic at that news.

As the team muses about the SerfBoard launch, Sarah Jane breaks the news that she’s covering it as a journalist. Unfortunately, she only has enough passes for herself, Luke, and Sky. Once there, they meet Lionel Carson, Sarah Jane’s former editor and close friend. As the dress rehearsal begins, Sky tells Luke that she feels a strange buildup of electricity.

Each of the attendees gets a free SerfBoard, a device that sways the normally technophobic Lionel. Sky and Luke also note that Joseph Serf, the president of the company, glitches during his presentation. Luke stays behind after the rehearsal while Sarah Jane and Sky review the footage with Mr. Smith and the gang in the attic. Mr. Smith’s research indicates that, after an accident, Serf became a recluse. Serf also never holds anything.

Mr. Smith commences a deep scan of the SerfBoard while Sarah Jane arranges a rare personal interview with Joseph Serf. Sarah Jane takes Sky along as Clyde and Rani wait for the scan results. The interview is supervised by Mr. Harrison, Serf’s assistant, and Serf refuses to shake hands due to a supposed allergy.

The deep scan comes up with nothing special, so Clyde and Rani investigate the SerfBoard with a great deal of humor. What they find is a typical low-spec budget computer.

At Serf Systems, Luke and Sky discover a sub-basement occupied by Jawa-like aliens who are controlling Serf like an automaton. The controllers get overwhelmed by the complexities of the interview, eventually providing an opportunity for Sarah Jane to spot the glitches for herself. The controllers attempt to hypnotize her, but she sees right through it. As Harrison pulls a weapon on Sarah Jane, Luke and Sky are discovered and surrounded by the cyclopean controllers.

Luke and Sky are surprised when the aliens tell them to run. Sky saves Sarah Jane from being shot by manipulating the controls, but Harrison punishes the aliens. He also spots the intruders on the monitors as Sarah Jane is apprehended and has her sonic lipstick confiscated.

Harrison takes Sarah Jane to the sub-basement and punishes Plark, the lead alien. He reveals that the beings are Skullions that he bought on the black market in Central Asia. The Smiths are astonished at the slave trade, uncovering that Harrison’s plan is simply to make as much money as possible on the SerfBoard launch. Sarah Jane is locked in a storage room with Adriana while Luke and Sky are confined elsewhere. Sarah Jane and Adriana become friends and break out in short order.

Luke and Sky try to befriend a Skullion who brings them food and water, but the being is too fearful. We also learn that the Skullions are allergic to water and thrive on citrus juice. Sky devises a plan to use K9’s dog whistle to signal Mr. Smith. Meanwhile, in the attic, Rani comes up with a plan to crash the launch party as journalists. K9’s whistle, in Morse Code, signals Clani to steal Harrison’s pen.

The Smith family is soon reunited and they enter the Skullion control room. Sarah Jane signals Mr. Smith to arrange a rescue mission for the Skullions while Clyde and Rani snag Harrison’s pen. Sarah Jane and Adriana shepherd the Skullions to the roof while Luke and Sky monitor the control room. Unfortunately, Harrison retreives his pen so Luke and Sky have to drive the Serf simulation.

After some humorous Toy Story-infused hijinks, Luke and Sky use the hypnotic power to secure the pen and destroy it. They also tell everyone at the party that the SerfBoard is garbage before ending the simulation. Harrison arrives on the roof just in time for the Skullions to leave. Harrison inadventently jumps into the transmat beam and is taken for an intergalactic ride.

With the day saved (an Adriana referred to UNIT for a job), the Bannerman Road Gang retires to the attic. Luke has decorated Sky’s room with a custom banner, a signal that he fully accept her. Sarah Jane muses about the adventures she and her found family have shared in a farewell montage.

“I’ve seen amazing things out there in space, but strange things can happen wherever you are. I have learned that life on Earth can be an adventure too. In all the universe, I never expected to find a family.”

And the story goes on…. forever.


The story is a good take for a children’s show on slavery and greed and the cruelty associated with both. It also closes the loop on Luke and Sky, bringing the whole family together for one last adventure on Bannerman Road.

The discussion on slavery is not a new one for the franchise and this take still packs a lot of weight. I also really enjoyed the twists of the puppet president and the enslaved Skullions looking out for the Bannerman Road Gang.

The special epilogue was unexpected and brought several tears to my eyes. In its short span, it covered beautiful milestones of Elisabeth Sladen’s journey with Doctor Who, from The Time Warrior to Journey’s End and The End of Time, as well the scope of her wonderful adventures on Bannerman Road.

Rating: 5/5 – “Fantastic!”


UP NEXT – Sarah Jane Adventures: Series Five Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #SJA27: The Curse of Clyde Langer

Sarah Jane Adventures: The Curse of Clyde Langer
(2 episodes, s05e02, 2011)

Timestamp SJA27 Curse Clyde

Where were you on the day of the storm?

Clyde shows Rani the superhero comic he created, The Silver Bullet, and she’s impressed. She’s less enthused about his idea for story starring an adventurer named Susie June Jones. Meanwhile, Sarah Jane and Sky meet with Haresh Chandra about enrolling in the school. They are interrupted by a storm of fish raining from the sky.

The Bannerman Road Gang consults Mr. Smith on the unusual storm. The supercomputer comes up with a possible link to a Native American totem pole on display at the Museum of Culture. Legend says that when the artifact was removed from its hiding place, a storm of fish soon followed.

The team arrive at the museum. After Clyde gives Sky a lesson about homelessness, they inspect the totem pole. Clyde gets a nasty splinter and tries to remove it while Doctor Samantha Madigan, an anthropologist, relates the tale of Hetocumtek. A scan of the totem pole shows no alien activity.

Clyde returns home and has dinner with his mother, after which he finishes his comic book and goes to bed. After he nods off, his name starts to glow on anything that bears it.

The next morning, he visits Sarah Jane to show her his comic. She praises it until Clyde says his name aloud, after which she becomes furious and forces him out of the house. Confused, he crosses the street and consults Rani, but after Haresh says Clyde’s name, the Chandras turn on him as well.

As Clyde retreats, Sarah Jane tears up all of the pictures from Clyde that she can find. Mr. Smith is concerned about Sarah Jane’s attitude, and Sky has a calming effect on her. Sky mentions Clyde and Sarah Jane bans her from seeing him ever again. She orders Mr. Smith to set an alert for Clyde’s presence, Sky seems unaffected by whatever is going on.

Clyde calls Luke only to find that he is affected too. Clyde’s old friend Steve offers to play football until he says Clyde’s name. The footballers turn into an angry mob who smash Clyde’s phone and chase him until Clyde hides.

Clyde notes that his finger still hurts and makes the connection back to the totem pole. He asks Doctor Madigan about Native American curses but he’s soon cut off as Sarah Jane arrives to research the totem pole. He finds out that anyone who mentions his name becomes affected by the curse. That includes his own mother who kicks him out of the house.

Now homeless and begin pursued by the police, Clyde tries to get some money from an ATM, but the screen only fills up with his name. As night falls and a thunderstorm begins, Clyde seeks refuge in a doorway. He breaks down in despair but finds solace as the homeless girl he helped earlier beckons him to join her.

After a bit of sleep in a “cardboard city” under a bridge, the girl introduces herself as Ellie Faber. Clyde, inspired by a discarded pizza container, takes the name of Enrico Box. Ellie’s been on her own for two years after her father died and her mother remarried. She tells him of the “Night Dragon”, a threat that causes homeless people to disappear without telling anyone.

Sky investigates the new hatred of Clyde, but Sarah Jane and Rani aren’t forthcoming. At the museum, an electrical storm surrounds the totem pole, so Doctor Madigan calls Sarah Jane to help. The artifact appears to be alive and teeming with alien energy. Sarah Jane urges the anthropologist to close the exhibit.

Clyde and Ellie try panhandling but fail, so Ellie decides to find something to eat. They visit a soup kitchen and meet Mystic Mags, a woman who sees things in tea leaves. She warns that the something worse than the Night Dragon is coming and has put its mark on Clyde. He runs to save Ellie, but she pursues calling him her lucky charm.

Sarah Jane tells Mr. Smith that the totem is no longer dormant. Additionally, Sarah Jane, Rani, and Clyde’s mother are aware that they’ve lost something special but can’t quite figure out what. Sky visits Clyde’s mother and notes the glowing name on an envelope. She connects the dots as, back at the museum, one of the totem pole’s faces starts to move.

Once again sheltering from the rain, Clyde decides to light a fire with his Silver Bullet artwork. They discuss the fish storm, signs, and portents. Ellie tells Clyde that she had lost hope of ever reclaiming her life. Clyde has given her hope again.

Sarah Jane and Rani discuss their feelings of loss in the attic while Sky consults Mr. Smith about the splinter and Clyde’s curse. She forces them to be analytical and they realize that Hetocumtek needs Clyde to be isolated in order to gather power and break free. To break the curse, Sky encourages Sarah Jane and Rani to say Clyde’s name aloud. Acting against their instincts, they do so, break the curse, and resolve to get Clyde back.

Clyde shows Ellie a sketch he made of her, offering to draw for money. Ellie kisses him and leaves to get them a coffee. After she departs, the Bannerman Road Gang arrives and reunites with their missing family. Clyde resolves to find Ellie when the crisis is over.

They return to the attic where Mr. Smith transmats the totem pole. It fights as Clyde confronts it, yelling his name into the artifact until it dissolves into dust. The gang celebrates, then Clyde returns home to an emotional reunion with his mother.

Clyde then embarks on a mission to find Ellie, worried that she’ll think that he abandoned her. He finds out that she took the name from a famous singer’s poster. He also spots a truck labeled “Night Dragon Haulage” which works with a shipping company. A nearby homeless man explains that the drivers often take the homeless to different locations, offering a new chance in a new location.

That night, Clyde lies in his own bed and thinks of Ellie. He hopes that she’s found a better life. All he has left of her is the picture that he drew.


This story digs deep on so many levels.

First is that, as a children’s television series, it is legitimately tackling the subject of homelessness. Moreso, it puts a human face on the epidemic, both from a Clyde’s new perspective and Ellie Faber’s long-term view. It’s a subject that I’m keenly aware because of where I live and where I grew up. Atlanta, Georgia has a huge epidemic of homelessness, driven by a lack of affordable housing, unemployment, and poverty, and much of it can be linked back to the strings of financial crises in the United States. The State of Utah put a different spin on it in the 1990s and 2000s with religion and homosexuality, particulary among the teenage population who came out to their Mormon parents and were promptly disowned and disavowed.

It amazes me that this episode exists, especially as one in a children’s television program, and is hardly mentioned in today’s era of (shall we say?) vigorous discourse about political and social justice topics in Doctor Who. It’s also worth noting that one of the executive producers on this show was Russell T Davies, a man who is no stranger to political and social topics in science fiction.

The second level that I admired was the power of names. Across many cultures and time periods on this planet – spanning Muslim, Jewish, Egyptian, Vedic, Hindu, Christian, ancient and primitive, and more – there is a belief that knowing the name of something or someone gives one power over it. I have met people in recent years that weren’t comfortable telling me their full names until we had gotten to know each other because, in their beliefs, I could use that power for evil. It’s a fascinating belief and it is given life here since the curse of Hetocumtek doesn’t fully engage until Clyde signs his comic. After that, the use of his name sparks the senses of dread, anger, and pain, eventually leaving Hetocumtek as the one who controls it.

The third level was Native American curses. In particular, the mention of the Curse of Tippecanoe. It’s also known as Tecumseh’s Curse, the 20-year Curse, and the Zero Curse, but the basic idea is that Presidents of the United States who were elected in years that end with the digit 0 and are divisible by 20 are cursed to die in office. The curse references then-Major General William Henry Harrison’s military expeditions, specifically when defeated Native American tribes led by Tecumseh and Tenskwatawa at the Battle of Tippecanoe on November 7, 1811.

Historians claim that the curse is coincidental, but adherents will point to the presidents who followed the pattern: William Henry Harrison (elected in 1840), Abraham Lincoln (1860), James A. Garfield (1880), William McKinley (1900), Warren G. Harding (1920), Franklin D. Roosevelt (1940) and John F. Kennedy (1960) constitute seven of the eight American Presidents who have died in office. The presidents who meet the criteria and were elected after 1960 – Ronald Reagan (1980), George W. Bush (2000), and Joe Biden (2020, incumbent) – did not (or have not) met the curse’s destiny.

It’s a fascinating piece of Americana.

To wrap this up, the obvious bit of Doctor Who trivia is Pyramids of Mars. After all, it’s not the first time that an alien has posed as a god, is it?

Rating: 5/5 – “Fantastic!”


UP NEXT – Sarah Jane Adventures: The Man Who Never Was

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #SJA26: Sky

Sarah Jane Adventures: Sky
(2 episodes, s05e01, 2011)

Timestamp SJA26 Sky

Welcome back to the attic.

Sarah Jane observes the star-filled sky and reminisces about all of the wonderful things that she’s seen. In that night sky, a meteor crashes into a nearby junkyard, startling a homeless man as a metalloid creature emerges from the wreckage. The newcomer scans the area before cloaking and walking away.

Sarah Jane muses about her found family as the Bannerman Road Gang talks to Luke via video. Sarah Jane misses her son, but finds solace in Rani’s assurance that he’ll be home soon. The next morning brings a doorbell in the early hours. Sarah Jane finds a baby girl abandoned on her doorstep, a baby girl who has the power to blow every light on the street with a cry.

Sarah Jane calls in Rani and Clyde, asking for her help as the Chandras muse about ley lines and electrical disruptions. The teens are hesitant, as is Mr. Smith, but Clyde soon settles the infant with a bottle and a cuddle.

At the Summerwell Nuclear Power Station, an orb of energy appears amidst arcs of electricity around the switchgear – an emergency that the nearby nuclear worker should have called away immediately! – and delivers a mysterious woman onto the plant floor. She is Miss Myers, she is looking for her child, and she enraptures the power plant workers. Miss Myers finds out that the baby is on Bannerman Road.

The Bannerman Road Gang attempt to get away but are intercepted by Gita Chandra. They find out about the meteor strike and inadvertantly name the baby Sky. Rani and Sarah Jane investigate while Clyde remains with Sky at the house. With the help of Professor Rivers, they find the homeless man and an eyewitness account of the metalloid creature.

By the way, that being is also headed for Bannerman Road.

The conflict reaches Clyde and Sky as the the metalloid being attacks them. They are rescued by Miss Myers and taken to the power plant. Rani and Sarah Jane chase after them with help from Mr. Smith. Miss Myers tells Clyde about the conflict between Metalkind and Fleshkind, but his skepticism forces him to run.

Everyone comes together at the power station. It turns out that Sky is a weapon, and as the baby primes herself, she transforms into a pre-teen. Sky then launches a lightning bolt at the Metalkind but refuses to finish off her oppponent. The girl is frightened and seeks solace in Sarah Jane’s arms.

Miss Myers reveals that she created the girl in a laboratory. Sarah Jane and the Bannerman Road Gang escape with Sky, returning to the attic. There, Mr. Smith determines that Sky – who enters the scene hesitantly, without fanfare, eager to protect his circuits – is a bomb designed to destroy all of Metalkind across the entire universe and end a centuries-long conflict, an act that would kill Sky in the process.

Sky remembers everything from the moment that she met Sarah Jane. She bonds with Rani as she learns about Sarah Jane, Luke, and what it’s like to be a girl. She later learns about her true purpose and returns to the power plant with the Bannerman Road Gang. Miss Myers is the only person who can defuse the bomb.

Sarah Jane confronts Miss Myers alone while Rani and Clyde shelter Sky at the car. Miss Myers has connected the Metalkind being to the station’s electrical systems to act as a beacon drawing the entire species to Earth. This will force Sarah Jane to surrender Sky to fulfill her destiny since the bomb is programmed to detonate upon contact with the Metalkind.

Sky, Rani, and Clyde enter the plant and find Sarah Jane. Sky believes that she must do what she was created to do in order to save Earth. Sky runs off and Sarah Jane gives chase, tasking Rani and Clyde with shutting down the reactor and removing power from the Metalkind beacon.

Rani and Clyde play a video game to operate the plant – which is not how any of it really works, but let’s roll with it… – while Sarah Jane tries to stop Sky. Luckily, they do the thing and shut down the beacon, forcing a blackout in the surrounding area because the UK apparently doesn’t have any other electrical power facilities.

Sky is knocked out from the effort, but she recovers after the energy backlash reprograms her genetic code. She’s no longer a bomb. The galactic politics removes itself from Earth as the Metalkind grabs Miss Myers, opens a portal, and teleports them off the planet.

The nuclear workers are released from their trance. The Bannerman Road Gang leaves without a word.

Returning home, they are greeted by the Chandras. In return, they get a story about a mix-up between two children at the foster agency. Sky Smith will be staying for the foreseeable future. The gang heads to the Attic where they find the Captain and the Shopkeeper, the servants of the universe who left Sky on the doorstep because she would be safest with Sarah Jane Smith. They teleport away leaving Sarah Jane confused.

The adventure ends with Sky’s introduction to pizza.


Doctor Who and its spinoffs are no strangers to nuclear power, spanning at least The Daleks, The Tenth Planet, Doctor Who and the Silurians, The Hand of FearBoom Town, The End of Time, and Exit Wounds. Science fiction, in general, takes a lot of shortcuts with nuclear power and the plants that generate it, and this story is no exception. It hits every trope in the sci-fi writer’s guide, from strolling around plants like a public park and being able to walk right into reactor containment to treating operations and control rooms like video games.

My nuclear operations background was screaming during this story. Electrical arcs would be called away as an emergency, access would be restricted by badge-locked doors, unauthorized personnel would be intercepted almost immediately by security officers wielding military-grade weaponry. Moving control rods is not like playing Super Mario Bros. and the electrical grid is powered from more than one power source.

At least the main gate guards were somewhat on the ball.

All of that to say this: Since the treatment of nuclear power and operations is so far off-base – it’s hardly ever in the same ballpark, really – I roll my eyes at it but don’t let it sour my opinion of a good story.

Thankfully, this story has a lot of heart. The ongoing theme of The Sarah Jane Adventures is found family, and it continues here with a new member in the Bannerman Road Gang. Sky picks up Sarah Jane’s nuturing, particularly compassion for everyone, and lets it shape her early on. Her wide-eyed innocence takes us back to the first series and almost pushes a reset button on the group dynamic. It suits the franchise well.

It was also supposed to bring the Eleventh Doctor back to the title in a story arc for Sky. Since he couldn’t balance this and A Christmas Carol, Matt Smith was replaced by the Captain and the Shopkeeper. Sadly, the story arc will be abandoned by the premature end of the series.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Sarah Jane Adventures: The Curse of Clyde Langer

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp: Series Six Summary

Doctor Who Series Six Summary

Timestamp Logo Eleventh

Matt Smith’s sophomore series was about the same as the previous round.

The Moffat formula remains intact here, approaching a season-spanning threat while maintaining an adventure-of-the-week format. This version made the threat more personal by focusing on the Doctor’s impending death, the pursuit of Amy and Rory’s child, and revelations about Steven Moffat’s perennial favorite River Song.

One thing I really liked about this season’s approach was how it didn’t constantly remind us of the overarching threat. Series Five kept showing us the crack at various points, almost to the point of defenestrating each adventure. The reminders in Series Six were frequent, but they were also a bit more diffuse, allowing each story to thrive without constantly glancing at the sword dangling above.

I’m still up in the air about the conclusion. The end goal was the death of the Doctor – a fixed point in time – and The Wedding of River Song was pretty clear about what would happen if the Doctor was spared. Yet, he was spared because a machine that looks like the Doctor was shot and destroyed.

So, what happens when the Silence finds out that the Doctor survived? Alternatively, it is possible to subvert other “fixed points” through shenanigans and/or tomfoolery?

Anyway, to the numbers!

Series Six earned a 4.2 average. That leave this group at eighth place overall, tied coincidentally with the classic era’s Eleventh Series. Ahead of it in this ranking are Series One, Series Three, and Series Five (all tied for fifth), David Tennant’s specials, the TV Movie, Series Four, and the classic era’s Ninth Series.

A Christmas Carol – 5
The Impossible Astronaut & Day of the Moon – 4
The Curse of the Black Spot – 3
The Doctor’s Wife – 5
The Rebel Flesh & The Almost People – 5
A Good Man Goes to War – 5
Let’s Kill Hitler – 5
Night Terrors – 2
The Girl Who Waited – 5
The God Complex – 5
Closing Time – 3
The Wedding of River Song
– 4
Space/Time & Night and the Doctor – 3

Series Six Average Rating: 4.2/5


The Timestamps Project is still proceeding in mostly chronological order. Up next is the final series of The Sarah Jane Adventures. After that, we embark on a straight shot through the seventh, eighth, and ninth series of Doctor Who.

UP NEXT – Sarah Jane Adventures: Sky
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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #232: Space/Time & Night and the Doctor

Doctor Who: Space/Time
Doctor Who: Night and the Doctor
(7 episodes, Comic Relief and Home Video Specials, 2011)

Timestamp 232 Night and the Doctor

Wrapping up some loose ends with the time travelers’ dating game run amok!

Space

Set between The Big Bang and The Impossible Astronaut, we begin with our travelers fixing the TARDIS in something called “conceptual space”. Amy unsuccessfully tries to get the Doctor’s attention, but is distracted by Rory installing thermocouples. Banter flies about Amy’s failed driving test and the fact that she was wearing a skirt. In fact, it’s the same skirt that she’s currently wearing, which distracts Rory and forces the TARDIS to execute an emergency landing.

When the Doctor restores power, the team is shocked to find the TARDIS materialized inside the console room. The Doctor presumes that it was the safest place to land, but when he investigates he finds that it is the same TARDIS as the one they are currently occupying.

More than a time loop, it is a space loop. No one can leave the TARDIS again.

That is, until another Amy walks through the doors. This, apparently, is where it gets complicated.

Time

The new Amy is from the future since the exterior shell is running slightly ahead of the console room. After the Doctor makes sure that the timeline stays exactly as it should – and after present Pond flirts with future Pond, much to Rory’s amusement – Amy enters the TARDIS.

Directly after, both Amy and Rory enter the console room. The Doctor sets up a controlled temporal implosion to reset the TARDIS, but since he doesn’t know which lever to pull, the entire TARDIS could explode. He doesn’t know which lever to pull, but a future version of the Doctor rushes in to tell him to use the “wibbly lever”. The Doctor thanks himself, pulls the lever, and enters the TARDIS before it dematerializes.

Everything’s back to normal and there’s no longer any danger of the localized time field imploding. But, just in case, he asks Amy to put on some trousers before they get back to work.

Bad Night

The console room is dark and the phone is ringing. Amy answers the phone, obviously having just been asleep. The voice on the other end, a Prince of Wales, asks for the Doctor as Amy swats a fly. The Doctor rushes in, clad in top hat and tails, and hands Amy a goldfish and bowl while he deals with the nighttime caller.

He assures the prince that his “mother is fine” while chastising Amy for answering the phone. It turns out that the Queen has been transformed into a goldfish at a party, and the warrior chief who did so is trapped in the TARDIS until he reverses it. Unfortunately, that warrior chief was the fly that Amy killed.

Oh, and River Song was at the party as well.

As the Doctor rushes off to solve the problem, Amy asks for his help. She can’t sleep because something is on her mind. Convinced that she’s “having an emotion,” the Doctor calls for Rory to handle it. It seems that they take turns dealing with her emotional needs.

Finally, the Doctor realizes that he has the wrong fish. He also only has three hours to get the right one before the pet shops open and the Commonwealth is potentially destroyed.

Good Night

The Doctor returns from another night with River Song, this time carrying a euphonium. This time, Amy’s waiting up for him, wondering if he does this kind of thing every night. While the Doctor explains his adventures in saving people – he helped a possessed orchestra on the moonbase, prevented two supernovas, wrote the history of the universe in jokes, and worked as physician in Brixton – Amy wonders if the companions’ lives are just brief flickers in his overall life.

She also explains why she can’t sleep. Her life doesn’t make sense because, as a result of The Big Bang, she can remember two versions of her life, one without her parents and one with them. The Doctor comforts her, in the process reminding her of the saddest moment of her life. It was at a fair when she dropped an ice cream, and she suddenly remembers a woman with red hair, dressed in a nightgown, who came to give her a new ice cream. When she finishes the story, the Doctor is by the doors, ready to go with her to the fair.

Time and space will never make sense, including this causality loop, but at least the Doctor gets ice cream and a trip to the fair.

First Night

River Song is in her cell at Stormcage when the Doctor arrives in a white dinner suit. The Ponds are asleep, so he is taking her to Calderon Beta. It’s a boring planet aside from a four hundred foot tall tree growing out of a cliff-top in the middle of the sea, which is where the Doctor wants to show River the starriest night sky in the entire history of the universe.

Which happens to be on September 21, 2360.

This is apparently right after he gave her the TARDIS diary so they can keep their timelines straight. He’s also chosen a dress for her, but there are more in the wardrobe down the corridor if she wants something different. While she runs off to rifle through the racks, the TARDIS lands. Curious about the sound of gunfire outside, he opens the door and finds a different River Song.

This one collapses into his arms, calling him a nostalgic idiot for coming back to this spot.

Last Night

This new River wasn’t injured, but rather holding her breath for dramatic effect. She flirts with the Doctor while explaining that she’s running from some Sontarans. She spots the dress and gets jealous, storming through the TARDIS to find the presumed mistress.

Of course, future River remembers the encounter – it’s the same night! – but not the details, so chaos ensues between the Doctor and the two Rivers. It gets worse when a third River enters the TARDIS, this one actually wearing the gold dress that the Doctor had picked out. This River was expecting to meet the Doctor here, but she questions why the same dress is hanging by the console. The Doctor asks her to step outside to check if the light on top of the TARDIS is working, which she does.

The second River rushes back into the console room and the Doctor sends her back to Stormcage by tweaking her vortex manipulator with his sonic screwdriver. The third River returns to the TARDIS, followed by an older version of the Doctor who tells her that she’s in the wrong blue box. His, after all, is parked around back.

River muses about two Doctors at once, then rushes out, excited about a trip to the Singing Towers of Darillium. The two Doctors are saddened because River visited that site before she died, but the older Doctor refuses to reveal any spoilers before leaving.

The first River returns, catching a glimpse of the future Doctor and developing a liking for the word “spoilers” before joining her Doctor on their night out together. She jokes that him and his secrets will be the death of her.

Up All Night

In a prequel to Closing Time, we find Craig Owens in his home, eating baby food as he protests to his wife Sophie that he can’t be left alone with their baby. He’s terrified that he’ll break Alfie, but Sophie disagrees, puts Alfie in his arms, and tells him he’s amazing. Craig bounces a little as Sophie notices another disappearance in the newspaper.

Craig questions whether or not she should leave the both of them alone all weekend, but Sophie is sure. She says that it is bath time, which Craig protests because it happened just yesterday, but Sophie suggests that it’s not the end of the world.

The kitchen lights flicker as they walk out.


Overall, this collection of shorts was entertaining enough. Space/Time were part of the 2011 Comic Relief special, the first multi-part charity story since the 30th anniversary special Dimensions in Time (“Which is totally canon, right?” he asked with a grin). It’s also the fifth televised story in the forty-eight year (to this point) history of the franchise to be set entirely on the TARDIS.

Meanwhile, the Night and the Doctor collection was a special feature for the Series Six home video release.

With that context, the source of Space/Time‘s humor is understandable since it caters to a lower denominator to drive pledges. It’s also irritating since it reduces a competent companion and woman to an upskirt gag to propel the story. Space/Time is definitely my least favorite part of this set.

Night and the Doctor plays with downtime on the TARDIS, addressing both Amy’s dual timeline crisis that stems from The Big Bang and going slapstick with the divergent linearity of the River/Doctor relationship. The Amy thread does quite well with the Eleventh Doctor’s aloof and detached nature when it comes to relationships, and it is by far my favorite subset of the collection. The dating game falls in the middle of the set by having fun with a lot of confusion.

Up All Night just… exists. That’s about it.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Series 6 Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #231: The Wedding of River Song

Doctor Who: The Wedding of River Song
(1 episode, s06e13, 2011)

Timestamp 231 The Wedding of River Song

A wedding, two funerals, and a question.

Prequel

A digital clock flickers on a computer screen, bouncing between 05:02:57 PM and 05:02:58 PM. Two soldiers patrol the corridors in Area 52, looking into supposedly empty tanks on their rounds. The tanks are not empty, however, but instead each contain a Silent. Behind a barricaded wooden door in a room containing an ancient Egyptian sarcophagus, a familiar woman stands in a black suit. She is River Song, wearing an eyepatch over her right eye. She smiles as the ominous nursery rhyme ushers out the scene.

Tick tock, goes the clock,
Tick tock, goes the clock,
Tick tock, goes the clock…
Doctor, brave and good.
He turned away from violence.
When he understood
The falling of the Silence.

The Wedding of River Song

It’s a weird timeline. Cars are flying on hot air balloons, the War of the Roses enters its second year as London picnickers are warned not to feed the pterodactyls, and Charles Dickens is interviewed on television about his new Christmas ghost special. Holy Roman Emperor Winston Churchill returns to Buckingham Senate on his personal mammoth.

Uh, what?

The Emperor is not pleased about his conference with Cleopatra and he asks his Silurian physician, Malokeh, for the time. It’s 5:02pm on April 22, 2011. Emperor Churchill is troubled by this news, despite the fact that it has always been the same date, so he summons his soothsayer from the Tower. He demands an explanation about what has happened to time. The Doctor raises his head and replies, “A woman.”

Some time before, the Doctor addresses a video receptor in a dark and damaged room.

“Imagine you were dying. Imagine you were afraid and a long way from home and in terrible pain. Just when you thought it couldn’t get worse, you looked up and saw the face of the devil himself… Hello, Dalek.”

The Dalek Supreme is damaged beyond repair, so the Doctor takes it apart and scans its memory banks for any information regarding the Silence.

At a different time, now on the docks of Calisto B, the Doctor arrives at a bar and asks for Father Gideon Vandaleur. He offers the eyestalk from the Dalek Supreme as a calling card. Once he meets Father Vandaleur, once an envoy of the Silence, he uses his sonic screwdriver to reveal the Teselecta. The Father has been dead for six months, and he wants to speak to the shapeshifting ship’s captain. He wants to know about the Silence’s weakest link.

Using that information, he tracks down Gantok and challenges him to a game of live chess. The next move will kill Gantok, but the Doctor is willing to trade the victory for information. He wants to know why he has to die, and apparently Dorium Maldovar has the answer. Dorium was beheaded at Demon’s Run, but the Headless Monks have stored the leftovers in the Seventh Transept.

Dorium’s head is kept in a box, a luxury for the richest victims of the Monks. Gantok tries to kill the Doctor but instead falls into a trap with ravenous skulls. After the Doctor seals the trap, he addresses Dorium. The beheaded head explains that it was easier to create a fixed point in time to ensure that the Doctor would die without fail. If the Doctor lives, then…

“On the fields of Trenzalore, at the fall of the Eleventh, when no living creature can speak falsely or fail to answer, a question will be asked. A question that must be never, ever be answered.”

The Silence must fall when the question is asked. It is the first question, hidden in plain sight, but the Doctor doesn’t know it. Dorium asks if he wants to, and the Doctor nervously agrees. After he hears it, the Doctor takes Dorium’s head to the TARDIS and sets a course.

All of this is the tale that the Doctor tells Emperor Churchill. He talks to the emperor about it as they stroll through the Roman Senate. The emperor produces a revolver, claiming that the Soothsayer is dangerous company. The Doctor, noting a mark on his arm, agrees.

Back to the story, the Doctor continues his farewell tour. However, once he finds out that the Brigadier has died, he finally accepts that his time has come. He produces the invitations in the blue envelopes and asks the Teselecta to deliver them. He’d do it himself, except that it would mean crossing his own timestream.

He goes to Lake Silencio. He meets Amy Pond, Rory Williams, and River Song. They drink a bottle of wine that Napoleon threw at him. The impossible astronaut rises from the lake. He goes to meet it after ordering his companions to stay back. This time we see that River Song is in the suit, unable to fight the plan in motion.

He explains that she won’t remember murdering him, but she will serve time for this crime that she can’t remember and committed against her will. He forgives her unconditionally and closes his eyes as his destiny arrives.

Except that it doesn’t. Instead of three blasts, there are five as River drains the suit’s power. The fixed point in time is subverted, resulting in the time track being derailed. In the future(?), Emperor Churchill and Doctor Soothsayer appear to be defending themselves with the revolver and a spear. While they can’t remember the Silence, they are surrounded by them.

They are saved by Amelia Pond, now wearing an eyepatch and in command of a platoon of soldiers. She shoots the Doctor point-blank. Luckily, it was only a stun bolt, and when the Doctor awakens on a train, he finds that Amy is only playing along. She returns the Doctor’s suit to him and start to plan.

Thanks to the crack in time, Amy has memories of alternate timelines but cannot recall that Captain Williams is really her husband.  Amy wonders if things can stay like they are, but the Doctor tells her that this mess, currently confined to Earth, will spread into the universe until all of reality disintegrates. Through it all, the Doctor continues to age because he is the focal point.

The train arrives at Area 52, housed within the Great Pyramid of Giza. The Doctor is given an eyepatch – an Eye Drive to remember the Silence when spotted – and walk past tanks of Silents that are uncharacteristically fixated on the Doctor. They arrive in the King’s Chamber and meet River Song and a captive Madame Kovarian.

After a bit of taunting, the Doctor grabs River’s arm, forcing time to start moving forward again. They appear back on the shores of Lake Silencio, but it all vanishes again when River pulls away and orders the Doctor to be restrained.

This is the moment when the Silents spring their trap. They’ve been waiting for the Doctor to arrive so they could break free and kill him. Kovarian reveals that the Eye Drives are designed to kill their users, though the Silence turns on her as well. Rory stays to hold off the Silents while River, Amy, and the Doctor ascend the pyramid to see what River has built as a contingency plan. The Silents descend on Rory, taunting him until Amy remembers who he is and destroys the Silents with a machine gun.

Amy then reveals that she remembers what Kovarian did to her and her daughter Melody. She ensures that Kovarian’s Eye Drive is properly affixed, then leaves her to die.

At the top of the pyramid, River reveals a distress beacon that she built with her knowledge as a child of the TARDIS. The message – “The Doctor is dying. Please help.” – is being broadcast to the universe in the past, present, and the future. The universe has been replying, despite the Doctor’s desire to close himself off from all of it, offering to help because he has helped them so many times.

River wants the Doctor to survive more than anything else in the universe. The Doctor, realizing that there is only one way to pacify River, uses his bow tie to marry her in a rushed ceremony. He whispers a secret into his bride’s ear and tells her she must never tell anyone what he has just told her.

As she looks at him in wonder, the Doctor asks for her help. They kiss and time is reset. River shoots the Doctor three times on the shore of Lake Silencio, preventing his regeneration, and the alternate timeline vanishes.

Later, River joins Amy for a bottle of wine. River has just come from the Byzantium mission and Amy is in the relative present. Amy is wracked with guilt and would love to talk to the Doctor about it, but she cannot. River, however, reveals the Doctor’s final secret, which they also tell Rory when he arrives home. They dance with joy until Amy realizes one fundamental truth: She is now the Doctor’s mother-in-law.

In the Seventh Transept, a monk returns Dorium’s head (and box) to its proper pedestal. The monk reveals himself as the Doctor, having hidden himself in the Teselecta. That was the secret he told River. The Doctor realizes that he’s become too big and noisy, so it’s time to step back into the shadows. While River serves her days in Stormcage, the Doctor admits that her nights are between him and her.

Dorium will keep the Doctor’s secrets, but warns that Trenzalore still awaits him. As does the question.

The first question.

The question that must never be answered.

The question that the Doctor has been running from his entire life.

“Doctor who?”


So, it is possible to bypass a fixed point in time because they did it twice here.

I will say, though, that the idea was a clever way to tie all the various pieces together and, like Father’s Day, an avenue to explore the fragility of time. The solution is a literal deus ex machina and a bit of a cheat, exchanging one fixed point subversion for another. The second one is okay though, I guess, because it’s in the screenplay. Or the way things were supposed to roll out?

The very nature of this story demands callbacks, many of which have already been mentioned above. As if those weren’t enough, the alternate Amy’s drawings served as a moment of rapid-fire nods from her temporal travels to date. They included the Krafayis, the Weeping Angels, the Saturnyns, the Daleks, the Minotaur, the Cybermen, the Smilers, and a self-portrait of her time in pirate garb. The major callback, of course, Amy’s partial protection from temporal fluctuations based on her long-term exposure to the crack from last season.

The Question is a running gag in the franchise, recently highlighted in Silver Nemesis and The Girl in the Fireplace, and has been in play since An Unearthly Child. I feel like the big gag here defuses a bit of the victory by sticking its tongue out at the audience. Here we are, basking in the glow of a major win that sidestepped the Doctor’s death and the destruction of the universe, and our closing thought is a corny meta joke.

As we’ve seen before, the question works as the occasional gag, but making it a major fixture of the franchise’s mythology feels like a bit of shark-jumping. It’s easily fixed, too. The point is the Doctor’s real name, so instead of “Doctor who?”, how about “Who is the Last of the Time Lords?” or something similar?

One last note on the first funeral of two: The Doctor’s new hair takes some getting used to.

Finally, I really loved the farewell for Alistair Gordon Lethbridge-Stewart and the actor who brought him to life, Nicholas Courtney, who died eight months before this tale originally aired. Part of the episode was set in Cairo, the city of Courtney’s birth. Eyepatches were prevalent all around, referring to a favorite anecdote of his from Inferno. The Doctor was told that the Brigadier died peacefully in his sleep, which was directly from the Seventh Doctor’s prophecy in Battlefield.

That last one was a tearjerker, particularly with the news that the Brig waited patiently for the Doctor’s return with a spare glass of brandy at the ready. They may have sparred quite a bit since the day that they met, but both characters had a deep respect for each other.

Goodbye, Brigadier.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: Night and the Doctor

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp Special #12: Death is the Only Answer

Doctor Who: Death is the Only Answer
(1 episode, Doctor Who Confidential Special, 2011)

Timestamp S12 Death is the Only Answer

The Doctor meets one of the greatest physicists of our time.

The Doctor celebrates the acquisition of a new fez formerly owned by his old friend Albert Einstein. He trips, knocking the fez out of his hands as he trips a lever on the console. A time portal appears and a bewildered Einstein stumbles through it with the fez.

Einstein has been working on the science of time travel, sure that the green liquid in his flask is the key. The Doctor scans the flask and tells Einstein that he is wrong. Unfortunately, the flask bubbles over and splashes its contents on the physicist’s face, transforming him into an Ood. An Ood with a message: “Death is the only answer.”

The Doctor generates an energy field that returns Einstein to normal… except for his hair, which is now standing on end. The Doctor drops Albert back at September 18, 1945, and flies on, unaware that a splash of Einstein’s liquid remains on the console room floor.

The liquid twitches.


This is a short and sweet episode with a fun premise and a great origin story. Doctow Who Confidential and BBC Learning teamed up with a contest that challenged students to write a script for a short episode. The winners were Adam, Daniel, Katie, and Ben, Year Six students from Basingstoke credited collectively as The Children of Oakley Junior School.

The episode itself debuted as part of When Time Froze on Doctor Who Confidential. It pulls from popular elements of the revival era (the fez, in particular) and previous mentions of Albert Einstein in the classic era (Four to Doomsday, The Stones of Blood, and Time and the Rani).

It’s a fun and cute episode, though the dangling thread of the strange liquid is a mean tease. I also appreciated the ominous Ood tie back to the ongoing thread: “Death is the only answer.”

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Wedding of River Song

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #230: Closing Time

Doctor Who: Closing Time
(1 episode, s06e12, 2011)

Timestamp 230 Closing Time

Here to help!

At the Sanderson & Grainger store in Colchester, Kelly and Shona prepare to close up for the night. Kelly is late for a date, so Shona offers to take her duties. Shona is perturbed that a customer is still in the changing rooms and is not amused at the flickering lights throughout the store.

Elsewhere, Craig Owens escorts his wife out the door for a weekend getaway, intent on showing her (and everyone else) that he can handle things on his own while she’s gone. Sophie has called a few people to check in on Craig, but he calls them back and tells them not to worry. He hears a knock at the door and, believing that Sophie has come back, answers it. To his dismay, his guest is none other than the Doctor.

His guest doesn’t like the new decor. Or the inexplicable power surges.

When he investigates, he finds a baby. Sophie and Craig’s baby.

Shona, on the other hand, finds a Cyberman. Surprise!

Craig tells the Doctor that he really can’t handle the baby. Alas, there are no off switches, but the Doctor has a secret weapon: He speaks baby.

It turns out that Alfie, the baby boy, prefers to be called Stormageddon, Dark Lord of All. Sophie is “Mum”, Craig is “Not-Mum”, the Doctor is “also-not-Mum”, and everyone else is merely “peasant”.

The Doctor says that Craig’s place is one more stop on his great farewell tour, of which he has spent a considerable amount of time waving at the Ponds through history. He sets out to visit the Alignment of Exodor, trying desperately to not notice the oddities around him. His curiosity gets the best of him, however, and he ends up as a toy salesman at Sanderson & Grainger. Nametag and all.

Craig is surprised to see the Doctor demonstrating a remote control helicopter. The Doctor explains that he’s living in the moment, even introducing Craig to Yappy the robot dog (which is nowhere near as fun as other robot dogs he knows). His attention is drawn to a silver blur, and when Craig asks, the Doctor alludes to several missing people and the ongoing power fluctuations. The Doctor ushers Craig out, but is convinced by Stormie to explain the teleporter. The teleporter in the elevator which soon whisks them away to wherever the Cybermen are hiding. The Doctor reverses it and starts searching, begging Craig to take Alfie and go, but Craig refuses. He believes in the Doctor.

The Doctor, Craig, and Stormie return to the store and investigate. The Doctor gets word of a “silver rat thing” from Val, the perfume saleswoman who thinks that he and Craig are a couple. Craig stalks the women’s department, completely missing the silver blur and getting in trouble with security. Craig gets bailed out by the Doctor (who is absolutely adored by the staff) and they both end up in the changing rooms where Shona was last seen.

Oh, and the silver rat is a Cybermat. Which makes these Mondasian Cybermen, not Cybus Cybermen.

Craig wanders off to change Alfie. In the meantime, the Doctor spots Amy and Rory. Amy has become a bit of a celebrity thanks to her perfume ads, and is surprised that a little girl wants her autograph. The Doctor beams with pride as he avoids being seen.

After closing, the Doctor, Craig, and Stormie go hunting for Cybermats. They find one, teeth and all, then follow screams to security guard George. A Cyberman knocks the Doctor out with an electrical charge and takes George’s body away. The Doctor is confused as to how the Cybermen repaired the teleport so fast.

The team regroups at Craig’s house. The Doctor whips up a science experiment and gives Alfie a pep talk, realizing that it is his old age talking. In the meantime, the Cybermat reactivates and attacks the adorable duo. Unfortunately, the Doctor locks himself and Alfie outside without the sonic screwdriver. The Doctor tries to warn Craig, but the Cybermat wreaks havoc. One broken back door and a recalibration of the sonic later, the Cybermat is disabled.

While dissecting the Cybermat with a normal screwdriver and a loupe, the Doctor laments his position. Tomorrow is the day that the prophecy – “Silence will fall when the question is asked”, even though he has no idea what the question is – descends upon him. Craig falls asleep and the Doctor goes back to the store to hunt with his new friend Bitey the Cybermat.

The Doctor finds what he’s looking for behind a mirror in the changing room, descending down a tunnel into the foundation of the store. Craig follows the Doctor, leaving Alfie with Val, as the Time Lord explores the cyber ship and is captured. The Cybermen don’t find the Doctor to be compatible, but start conversion of Craig into the new Cyber Controller. The Doctor pleads with Craig to think of Alfie as the helmet seals around his face.

Alfie’s cries across an open CCTV channel reawaken Craig’s emotions, breaking him free of the conversion and starting an emotional feedback loop in the Cybermen. Their heads literally explode and the ship blows up as Craig and the Doctor use the teleport to return to the elevator.

Oh, and Bitey? He didn’t make it.

The day saved and the “companion” miscommunication nearly resolved, the Doctor spirits away. He uses the TARDIS to help tidy up Craig’s house. He also reveals that Stormie prefers the name Alfie now, and also refers to Craig as “Dad”. The Doctor borrows some blue stationery and Craig offers him a Stetson.

Sophie returns, Alfie has a first word, and the Doctor moves on. He says hello to some kids, an event that is somehow chronicled in the records at Luna University in the 52nd century. There, River Song encounters Madame Kovarian while doing research. Kovarian and her Silence companions reveal that they have locked out part of her memories, relating the story of an impossible astronaut.

River is sedated against her will and dressed in a spacesuit. She awakens under Lake Silencio.

She’s destined to kill the Doctor.


On the one hand, this is a good dramatic break from the tension developed over the last four episodes. It does a decent job of connecting the dots leading into the finale, making it less of a filler story than its predecessor. On the other hand, the downsides here are pretty big.

First, James Corden isn’t particularly funny here, which acts as an anchor around this story’s neck. Second, and perhaps more damning, is how this story defangs the Cybermen. The Cybermen haven’t been a central figure in a story since the David Tennant era. The last time was The Next Doctor, but the last truly impactful stories were all the way back in Series Two with Army of Ghosts & Doomsday and Rise of the Cybermen & The Age of Steel.

The Cybermen here are, frankly, on the same level as The Next Doctor without the humor, the heart, or even the absurdity. They only serve to assimilate random victims and get blown to kingdom come as a function of the formula. They aren’t menacing, and they certainly don’t march anywhere. They’re nothing more than a prop.

I do appreciate several moments in this story.

  • The Doctor’s telepathy makes a comeback as he quiets people with a simple command.
  • The “I don’t like it” review of redecoration is a fun running gag from The Three DoctorsThe Five Doctors, and Time Crash.
  • The concept of another farewell tour, this one spanning 200 years or so.
  • The acknowledgement that the Doctor always offers a choice to his enemies. In fact, some of the best stories present the enemy failure as their own undoing.

We also see how what Pond life is like without the Doctor. It seems they’re doing well enough. The use of petrichor was a nice touch.

But in the effort to set this series up for a home-stretch sprint, this light-hearted episode stumbles while rounding the curve.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Doctor Who: Death is the Only Answer

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.