Culture on My Mind – Toynk Toys Minecraft Box

Culture on My Mind

Culture on My Mind
Toynk Toys Minecraft Box
February 7, 2022

During my daily look on at the Star Wars and Marvel LEGO advent calendars last December on Instagram, Toynk Toys reached out about reviewing a Minecraft-themed box of toys and collectibles. Toynk Toys sent the box to me free of charge and in return I am offering my honest review of the experience.

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The box contained five items ranging from small items geared for kids to items specifically geared for adult collectors. Anything that we did not want to keep will be given away for free to family, friends, or neighbors through our local “no buy” Facebook group.  

The smallest of the items was a blind pack item from the SquishMe line. Series 2 of these palm-sized foam squishables included a red cow, a brown cow, a grass-green sheep, a panda, a sea turtle, and a blue charged-up Creeper. The Creeper is the chase item in the random foil packs, with a 1:24 chance of finding it.

My wife and I are both certified scuba divers. When I mentioned that the blind pack might contain a sea turtle, she was excited. That excitement only increased when she found out that it was the sea turtle!

The coloring and textures are true to the game. The foam has a good soft feel with satisfying spring-back. The toy itself is just as adorable as the game sprites and now has a place in my wife’s office next to her R2-D2s. She’s a big fan of that loyal astromech, and the turtle is in good company.

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The Minecraft SquishMe blind packs are available from Toynk for $9.99 each. The selection is random.

The next item is something I think is definitely for kids, especially if they want to decorate their favorite space. The pack of removable and detailed vinyl stickers contains 19 decals on four different sheets. They claim to be wall safe and easy to reposition. Toynk sells the set for $17.99.

The sticker pack goes hand-in-hand with the Green Creeper Bed Canopy. It goes from floor to ceiling and covers a kid’s bed in a polyester decorative drape. Toynk sells it for $39.99.

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Moving to items for the slightly older fan, the box also contained the Yellow Bee Figural Mood Light. This item came with some notable pros and cons.

On the pro side, this light is sturdy. It matches the shapes of the game sprites pretty well and feels strong to the touch. It is about five inches tall – pictured below with the 3.75″ scale R2-D2 action figure for scale – but is also light and easy to move. It would make a great statue-style display piece for any Minecraft fan.

The light is supposed to have three modes: Off, on, and 15-minute mood timer. Unfortuantely, the light I received in the box did not function as advertised. I tried multiple sets of fresh AA batteries – the light takes three of them – and had no joy in powering on the light.

Since UPS had done a number on the actual shipping box in transit, I contacted Toynk Toys and they sent a replacement straight away, however I had the same exact problem with the second light. After looking on Google for options, it seems that the problem comes up frequently with this product.

Try as I might, I could not get either bee to light.

With that in mind, Toynk does offer a decent return policy for purchases. It is valid for up to 30 days after receipt. They will refund the value of the merchandise in the same manner in which it was paid, however the return shipping cost is the buyer’s responsibility.

Toynk offers this Yellow Bee Mood Light for $35.99.

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The last item in the box was the Grass Block Storage Tote. This 15-inch square fabric tote is collapsible and has a padded lid that helps accentuate its look as one of the grass blocks from the game. It bridges the gap between home decor and novelty collectible. We have a few generic version of these fabric storage boxes around the house, and this will be a nice addition to my studio area once we get it constructed.

Toynk offers the Minecraft Grass Block Storage Tote for $39.99.

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All told, the Minecraft toys and collectibles on the market are pretty cool and capture the essence of the game and the fandom well. Minecraft is an open-world experience and allows players to do pretty much anything that they want. It promotes and rewards creativity in world-building. This box is no exception, offering a slice across the spectrum from simple items to more complex multi-purpose collectibles.

Just make sure, as a buyer, that you do your research ahead of time to make sure you know what you’re getting and how well it will hold up. You money and time are just as important as your passion for the things you love.

Once armed with that information, I think Toynk will be a place that I visit in the future when considering my toy and collectible purchases. In many ways, they seem to fill the void left from ThinkGeek’s departure (read: merging with GameStop’s marketplace).

Once again, Toynk Toys sent the box to me free of charge and in return I am offering my honest review of the experience.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

STEAM Saturday – Day of Remembrance, Spaceflight, and Bomb Cyclones

STEAMSaturday

STEAM Saturday
Day of Remembrance, Spaceflight, and Bomb Cyclones
February 4, 2022

This week, we remember NASA’s fallen heroes, celebrate space travel, and explore the bomb cyclone.

STEAMHeadlines

NASA – NASA Day of Remembrance 2022 (Jan 27, 2022)
Each January NASA pauses to honor members of the NASA family who lost their lives while furthering the cause of exploration and discovery, including the crews of Apollo 1 and space shuttles Challenger and Columbia. In 2022, the Day of Remembrance will be observed on Jan. 27. This year’s NASA Day of Remembrance also marks 55 years since the Apollo 1 tragedy.

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The ESO Network – A Look @ Science: Is 2022 The Year Space Flight Takes Off? (Jan 27, 2022)
Light the candle! Mike, Mike, Dr. Scott Viguie, Chip Johnson, and Michael Falkner launch into a discussion reviewing the recent high profile space flights and what should be included in the next stage. Plus, filmmaker/writer/podcaster Steven Rubin faces a fate even more dangerous than a Bond villain in the Geek Seat. All this along with Angela’s A Geek Girl’s Take, Ashley’s Box Office Buzz, Michelle’s Iconic Rock Moment, the Creative Outlet with Edgar Pasten, and Shout Outs!

NASA – NASA Honors Black History Month (Feb 1, 2022)

Scientific American – What Is a Bomb Cyclone? (Jan 28, 2022)
An atmospheric scientist explains in this essay reprinted from The Conversation, an online publication covering the latest research.

Karen Hallion Art – Frances Ellen Watkins Harper: “We Are All Bound Up Together” (Feb 1, 2022)


STEAMSci

The Science & Entertainment Exchange – The Science & Entertainment Exchange is a program of the National Academy of Sciences that provides entertainment industry professionals with access to top scientists and engineers to help bring the reality of cutting-edge science to creative and engaging storylines.

Be Smart – A PBS Digital Studios science show hosted by Dr. Joe Hanson (Ph.D., Cell and Molecular Biology). 

Ask a Mortician – Caitlin Doughty is a mortician, author, blogger, and YouTube personality known for advocating death acceptance and the reform of Western funeral industry practices. You got death questions, she’s got death answers. Ask a Mortician was suggested by Sue Kisenwether.

 


STEAMTech

Brain Craft – Vanessa Hill (Master of Science Communication, Australian National University) talks about psychology, neuroscience, and why we act the way we do. Her series is part of the PBS Digital Studios family, and she has also contributed to research about the disproportionate amount of hateful comments directed towards women on YouTube.

 


STEAMEng

Practical Engineering – Grady Hillhouse is a civil engineer in San Antonio, Texas. His channel aims to increase exposure and interest in the field of engineering by highlighting the connection between the world around us and the energy, passion, and thought that goes into making it a nicer place to live.


STEAMArt

Nick Zammeti – A woodturner and artist based in the United Kingdom, Nick Zammeti thrives in funky and creative projects fueled by a healthy love of pop culture, especially Back to the Future.

Shop Time – Peter Brown is a geek with a full set of power tools, and he uses that knowledge to experiment, craft, and have fun.

The Smugglers Room – Building something out of nothing with a Star Wars flair is the order of the day in the Smugglers Room.

Ben’s Worx – Ben is a maker from Queensland, Australia who has always had an interest in woodworking. He makes all kinds of things from wood, metal, plastics, and epoxy resin, and loves to experiment in the name of entertainment.

 


STEAMMath

If you have a suggestion for a mathematics-themed channel or blog, please leave it in the comments. If I use your suggestion, your name will be credited in future editions of STEAM Saturday.


STEAMMulti

Glen and Friends – Glen and Julie Powell of Toronto host this look into recipes from the Depression Era, including if those recipes still work or can be improved in the modern day. It’s a great look into history and how cooking is both science and art.

 


If you have any suggestions for STEAM Saturday, please leave them below in the comments. If your suggestion is used, your name will be credited.

Thanks for stopping by. I hope that something inspired you to get out there and explore the universe.

 

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STEAM Saturday is a celebration of curiosity and imagination through science, technology, engineering, art, and mathematics, the very building blocks of the universe around us.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #237: A Town Called Mercy

Doctor Who: A Town Called Mercy
(1 episode, s07e03, 2012)

Timestamp 237 A Town Called Mercy

Living in the wild, wild west.

The Making of the Gunslinger

Scientist Kahler-Jex is working in a lab, announcing that “Subject 6”, Kahler-Tek, has been activated. The cyborg raises up his arm weapon and a light emanates from it.

A Town Called Mercy

Against the backdrop of a starry night desert, a narrator with an American western accent narrates a story her great-grandmother told her when she was a girl. It is a story about a man who fell from the stars and was weighed down by the things he had seen.

The Kahler-Tek cyborg shoots down a probe in the desert, then takes aim on an injured man. The man comes from the same place as the cyborg gunslinger. He attempts a last stand and fails, but before he dies, he asks if he is the last one. The cyborg replies that there is one more: “the doctor”.

In the daylight, the Doctor, Amy, and Rory stand outside a perimeter of stones and wood that surrounds the town of Mercy, population 81. They cross the barrier and stroll down the main street. The Doctor notes that the town has electricity, something that is ten years too early for this time. The Doctor is intrigued by the town and heads for the saloon. When he introduces himself, he is promptly measured for a casket by the undertaker.

After he admits to being an alien, he is forcibly removed and thrown over the barrier. The townsfolk all draw their sidearms as the gunslinger approaches the Doctor. As the preacher says the Lord’s Prayer, Isaac, the town marshal, interrupts the festivities and brings the Doctor back across the line.

Turns out that this ain’t the right doctor.

Isaac explains that the gunslinger showed up about three weeks earlier and built the barrier to keep the people of Mercy imprisoned. All he wants is the alien doctor. The Doctor stares at the lights and comes to a conclusion: The marshal’s office is the safest place to be if the townspeople wanted to hand over the doctor.

Sure enough, the right doctor is in the jail cell. His name is Kahler-Jex.

The Doctor is over the moon. The Kahler are one of the most ingenious species in the universe. Jex explains that his ship crashed in the desert and the people of Mercy rescued him. He saved the town from cholera and provided them with electricity, and Isaac defends him since Mercy is a town of second chances. Without Jex, Isaac fears that the town would fall into chaos.

The Doctor decides to use the TARDIS to help Jex escape and evacuate the town. To do that, they must engage in a little sleight of hand to get past the Gunslinger. Isaac (dressed as Jex) and Rory run through the desert in one direction while the Doctor borrows a horse — “He’s called Susan, and he wants you to respect his life choices.” — to ride out to the TARDIS. Meanwhile, Amy sits with Jex. The scientist knows that she’s a mother because of the kindness, sorrow, and love in her eyes. He goes on to say that he’s something of a father himself.

On the way to the TARDIS, the Doctor finds the power cables providing electricity from Jex’s ship. Susan reminds the Doctor that they have a mission, but the Doctor is not one to give up on a mystery. Jex notes the power fluctuations in town and Amy laments the Doctor’s failure to follow a basic plan.

The gunslinger catches up to Issac and Rory after using infrared scanning. When the Doctor scans the ship, it sets off an alarm that distracts the cyborg and draws him away. The Doctor overrides the self-destruct system before finding the personal files detailing Kahler-Jex’s brutal experiments. The gunslinger finds the Doctor and explains that he wants justice. He promises to kill the next person who leaves town.

In town, Jex turns on Amy and uses her as a human shield. The gunslinger will refrain from taking innocent lives unless it is necessary. Luckily, he is stopped by Isaac.

The Doctor confronts Jex over the atrocities he witnessed, barely restraining his rage. He explains Jex’s experiments to Isaac and the Ponds. Jex further explains that he saved millions by sacrificing the few as cyborgs. After the war, they were supposed to be decommissioned, but one escaped and took revenge on those who created him. Jex is the last survivor.

Jex also draws a parallel between himself and the Doctor, forcing the raging Doctor to usher the scientist to the edge of town. The Doctor holds Jex at gunpoint as Amy protests his actions. The Doctor wants to honor the victims, including those who died as a result of his mercy, and Amy points out that this is why he cannot travel alone. The Doctor finally agrees that prosecution outweighs vengeance.

The gunslinger finds Jex and nearly kills him, but Isaac takes the fatal shot instead. With his dying breath, he transfers control of the town to the Doctor, who in turn appoints Amy as his deputy after placing Jex into custody.

The gunslinger gives the town of Mercy an ultimatum: Surrender Jex by noon the next day or he kills everyone in town. Later that night, the preacher stops by to invite the Doctor outside, stopping long enough to warn him that he should be armed. A mob of townsfolk want to take Jex to the gunslinger to protect themselves, but the Doctor cannot do that. The Doctor wonders if the mob leader, a man of barely 18 years, has the courage to pull the trigger. Turns out that he doesn’t, and the situation is defused for now.

The Doctor returns to talk with Jex. The scientist suggests that he be turned over to Tek, but the Doctor is firm in his resolve. It would be easier if Jex was only one thing — mad scientist or benevolent doctor — instead of both, and the Doctor reminds him that Jex doesn’t get to decide how his debt is repaid. Jex explains that he fears death. Kahler religion dictates that the dead must climb a mountain, carrying the souls of all those whom they wronged in life. Isaac will be added to Jex’s load, and the the Doctor sympathises.

But, he also has a plan.

Come noon, the Doctor waits for the gunslinger. Instead of a firearm, he wields his sonic screwdriver, producing a high-pitched frequency that shatters glass and disorients the cyborg. The Doctor runs as the gunslinger fires wildly, taking refuge as the townspeople run about Mercy with simlar marks on their faces to Jex’s own.

The gunslinger searches the town, eventually breaking into the church and frightening the women and children. The Doctor urges Jex to run into the desert in order to save the townsfolk. Meanwhile, the gunslinger switches to manual targeting and locates the Doctor.

Jex reaches his ship and pages Tek, sympathizing about their mutual status as monsters. Jex knows that if he runs, he’ll only place another group of people in danger. Instead, he arms the self-destruct and sacrifices himself, completing Tek’s mission and atoning for his own crimes. The gunslinger sees this as honorable.

Because the Gunslinger sees himself as nothing more than a weapon of war, he prepares to self-destruct a safe distance in the desert. The Doctor changes his mind by telling him that while he may have built as a weapon of war, he can now protect the peace instead.

Later on, the Doctor brings the TARDIS to Mercy to collect all of the anachronistic technology. As the Doctor leaves to take Amy and Rory home, the little girl from the church walks into the desert to gaze upon the gunslinger. She’s the narrator from the introduction, and he is now the town marshal, protecting her and everyone who calls Mercy home.


As the first western-themed story since The Gunfighters, this was a good adventure. I enjoyed the redemption story for Jex and the turn from assassin to guardian for Tek. War creates consequences, most times unintended, and here we explore how those propagate, fester, and hurt the innocent.

The Doctor knows this all too well.

As a big Farscape and Stargate fan, I was overjoyed to see Ben Browder join the Doctor Who family. He nails the role of Isaac and I really wish we could have seen more of him in the future. Perhaps he can return in a different role?

Finally, it was fun to see Matt Smith in a Stetson again. That man looks good in the brand.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Doctor Who: The Power of Three

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Yer a Twenty-Year-Old Wizard!

Culture on My Mind

Culture on My Mind
Yer a Twenty-Year-Old Wizard!
January 31, 2022

Can you believe that it’s been twenty years since the film version of Harry Potter and the Sorceror’s Stone premiered? The Dragon Con American Sci-Fi Classics Track celebrated it just last week.

On January 27th, the panel of ToniAnn Marini (The Geeky Devil), Deanna Toxopeus (RevolutionSF’s Facebook page), Darin Bush (on Amazon, though you should join me in telling him that he really needs a website), Shaun Rosado (pneumaz on Twitter), and me for a discussion on the movies, the books, our memories of the franchise, the legacy, and our acceptance of all Wizarding World fans despite what the franchise’s creator thinks of them.


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be on February 10th. The docket contains a mool-ti-pass anniversary, fictional sports (just in time for that “Superb Owl” football game), battling bands, a famous bloodsucker, and a bonus panel that shall remain hidden for now. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #236: Dinosaurs on a Spaceship

Doctor Who: Dinosaurs on a Spaceship
(1 episode, s07e02, 2012)

Timestamp 236 Dinosaurs on a Spaceship

Sailing the stars Jurassic-style.

The Doctor did a good thing and saved 1334 BC Egypt from a swarm of locusts. On his way back to the TARDIS, he’s intercepted by Queen Nefertiti who wants to thank him properly for his services… if you know what she means.

Her efforts are interrupted by a message on the psychic paper from the Indian Space Agency. He’s forced to take “Nefi” with him because she forces her way onto the TARDIS, and once he arrives in the 24th century, he’s informed of a non-communicative spaceship approaching Earth. If it gets within ten thousand kilometers – the edge of the Earth’s exosphere – the Indian Space Agency will start shooting missiles.

The Doctor decides that he needs some additional help, so he jets off to Africa in 1902 to convince game hunter John Riddell to join the fun. He then travels to 21st century London. There, Rory and his father Brian are changing a lightbulb. Amy finds things amusing until the Doctor arrives, materializing around the three and immediately setting course for the 24th century.

Brian is shell-shocked and the Doctor is confused, but soon enough everything is set in motion as the crew starts exploring amidst the pounding noises around them. When they reach a lift, the doors open to reveal a pair of dinosaurs.

On a spaceship.

*ding* There’s the title!

The group runs for cover from the Ankylosauruses. Riddell claims that he can take one of them alone with his knife, but the Doctor is intrigued by the discovery and wants to preserve them. They find an interactive monitor and the Doctor starts mapping the ship. When he asks for a path to the engines, he, Rory, and Brian are teleported to a foggy beach. Brian loses his mind as he tries to process what’s going on.

The Doctor tastes the air and determines that they are on Earth… sort of. The air is slightly wrong, the ground is humming, and Brian discovers a metal deck under the sand. As Rory calls for the Doctor to show him what they found, a mysterious watcher orders someone to bring the Doctor to him.

Amy, Nefi, and Riddell continue to explore the ship, literally stumbling into a Tyrannosaur nest. Luckily, the tyrant lizard is fast asleep. The trio continues on.

The Doctor finds another monitor and learns that the beach is the engine room. In fact, propulsion and energy are maintained by the waves. The Doctor’s excitement is cut short by the arrival of a flock of pterodactyls. The trio rush for a cave, avoiding the snapping beaks but running right into a pair of stomping robots.

Amy’s team find another monitor and review the ship’s logs. Amy finds out that the ship is Silurian and was a form of ark that was launched when the Silurians feared a cataclysm when the Earth aligned with the Moon. Between the time of launch and now, the population has drastically decreased. Also, the ship has been boarded before.

The Doctor’s team and the accompanying robots run into a triceratops that acts like a puppy, licking Brian’s face and playing fetch with a golf ball. The group is taken to Solomon, a man listening to Fantasia in F minor by Franz Schubert as he tries to recover from a raptor attack. Solomon has mistaken the Time Lord for an actual medical doctor, which isn’t that far from the truth. When the Doctor offers assistance in exchange for information about Solomon’s arrival, the wounded man orders the robots to shoot Brian. The Doctor works on Solomon while Rory tends to his father’s burn, and Brian is surprised that Rory keeps a medical supply pack with him. It’s a family habit to carry tools around, as evidenced by Brian’s convenient trowel.

Amy calls Rory via mobile phone – the TARDIS superphone returns! – to tell him about the Silurians. Meanwhile, the Doctor finds out that Solomon is a trader and is interested in selling the dinosaurs as precious cargo. He is intrigued in how the Doctor doesn’t exist in his database. Solomon explains that the Silurians rescued the trader, and in return he ejected them from their own ship. Unfortunately, Solomon couldn’t control the ship so it automatically set course for Earth.

The Doctor gathers Rory and Brian, set on making sure that Solomon does not control the ark of the Silurians. The trio hops aboard the triceratops – which the Doctor has named Tricey – and they escape from the robots as the dinosaur chases the golf ball down the passageway. When Tricey catches the ball, she bucks her passengers off and sits patiently.

The Indian Space Agency calls the Doctor, warning him that the ship has entered the atmosphere and they have no choice but to open fire. Meanwhile, Amy’s team finds some stun rifles. As Nefi learns that the Doctor is married, Amy watches the Doctor over the security feeds as he tries to figure out how to stop the missiles.

Solomon catches up to the Doctor and makes him an offer: He’ll let everyone go if he surrenders Queen Nefertiti. The Doctor refuses, so Solomon shows that he’s serious by murdering Tricey. Amy’s team uses the teleporter to reach the Doctor, and Nefertiti offers herself willingly. Solomon transports himself, Nefi, and the robots back to his ship.

The Doctor takes everyone else to the control room, explaining that Solomon couldn’t control the ship because the Silurians designed it to require two pilots who share similar DNA. The Doctor magnetically locks Solomon’s ship to the ark as Brian offers to pilot the ship with Rory. The Doctor explains how to control the ship while Riddell stands guard against the roving velociraptors.

The Doctor works on the wiring, chatting with Amy while he works. Amy expresses her fear that his visits are becoming farther and farther apart. One day, he might never show up. The Doctor comforts Amy by explaining that he’ll always come to see them. As the Doctor teleports to Solomon’s ship, Amy joins Riddell on guard duty and fends off the velociraptors.

The Indian Space Agency notes that the ark has changed course, but they still maintain their missile lock.

The Doctor arrives on Solomon’s ship and disables the robots as Nefertiti disables Solomon. The Doctor leaves a green tracking orb on the ship’s bridge and releases the magnetic lock, teleporting back to the ark as the missiles destroy Solomon’s craft.

With the ark back on course for deep space, the Doctor offers to take everyone on an adventure, but Rory suggests that he take everyone home. Before they do, Brian asks for one favor: As the TARDIS orbits the Earth, he sits on the edge of the doorway and sips coffee while staring at his homeworld.

Riddell returns home, though he is now joined by Nefertiti. The Ponds return home as well, but they keep receiving postcards from Brian. It turns out that Rory’s dad – a man who used to be afraid of traveling – has gone traveling with the Doctor, including to Siluria, the new home of the dinosaurs.


David Bradley does his best evil in this story. I mean, it was deliciously evil. He was previously the voice of Shansheeth in Death of the Doctor, and (spoilers) he’ll eventually follow Colin Baker’s and Peter Capaldi’s lead by playing an incarnation of the Doctor after previously holding a role on the show. His demise did strike me as especially brutal: The Doctor literally set him up to die, which differs from the typical tactic of allowing the foe to set themselves up.

Sometimes this particular incarnation scares me.

Brian Williams is so much fun as well, paving a narrative path for Rory to become the only person to travel in the TARDIS with both a parent and a child (though not at the same time). Brian’s excitement nearly leapt off the screen as he tried to figure out what was going on around him and how best to help. His travels at the end of the story made me smile wide.

This story was a great follow-on from Doctor Who and the Silurians, which previously showed us the relationship between the Silurians and dinosaurs. At that time, the Silurians were using a dinosaur to guard their base. It also echoes back to previous stories about arks (The ArkThe Ark in Space), Invasion of the Dinosaurs (wherein the Third Doctor also prioritized preservation of the dinosaurs), and the literal extinction-level event for the dinosaurs (Earthshock).

How many more times can I say dinosaur? I’ll save the most moving instance – the most traumatic, especially as a dog owner – for last. Tricey’s demise was heartbreaking. It serves as a fantastic testament to the writer and production staff since it solidifies Solomon’s despicable nature and makes me stand in awe because I fell in love with a computer-generated dinosaur in a handful of minutes.

That writer, by the way? Chris Chibnall.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: A Town Called Mercy

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Bel-Air

Culture on My Mind

Culture on My Mind
Bel-Air
January 24, 2022

This week, reboots are back on my mind thanks to the new trailer for Bel-Air.

Bel-Air is a reboot of the ’90s classic sitcom The Fresh Prince of Bel-Air. That sitcom starred Will Smith portraying a fictionalized version of himself, itself loosely based on the story of record executive Benny Medina. 

Medina was born in East Los Angeles, California, into a poor family. After his mother died and his father abandoned the family, he was shuffled through foster homes. He ran away multiple times before he and his siblings were taken in by his aunt. He befriended a wealthy white Beverly Hills teenager whose family allowed him to live in a refurbished garage behind their property. He then attended Beverly Hills High and became a successful student.

That story is the basis for The Fresh Prince of Bel-Air, in which Will Smith’s character moves away from the bullying in West Philadelphia, Pennsylvania, to his aunt and uncle’s home in Bel-Air, a wealthy neighborhood in Los Angeles. The Fresh Prince of Bel-Air ran from 1990 to 1996 for 148 episodes, running the gamut of slapstick humor to social commentary, and it is considered the springboard for Will Smith’s acting career after his modest fame as an ’80s rapper.

The Fresh Prince of Bel-Air wasn’t the first television series (or story, for that matter) to utilize the fish-out-of-water and culture shock for humor tropes, but it was quite successful. A reboot was rumored since about 2015, but a fan-made trailer was released in 2019 that mused about a dramatic reboot of the sitcom. It was spotted by Will Smith who praised it and used it as fuel to drive what eventually became Bel-Air.

This, of course, has raised some questions about reboots. Specifically, some concern has been raised about changing a comedy to a dark and gritty retelling under the umbrella of the original. Something that TV Tropes calls “In Name Only”, citing properties like RiverdaleNancy DrewSabrina, the 2009 version of The Prisoner, and so on.

To an extent, this also applies to the “Snyderverse” of DC Comics films, starting with Man of Steel‘s and Batman v. Superman: Dawn of Justice‘s “grimdark” interpretations of Superman, Batman, and other DC Comics heroes.

In general, the concerns are valid. We’ve seen several properties with stories told under a familiar name, often used to generate buzz and attract attention for profit. But that reminds us that intent truly matters.

The example that I point to is the Battlestar Galactica reboot, which paid full honors to the short-lived 1978-1980 series of the same name while using the same story under a different light. The Battlestar Galactica of the early 2000s restored the brand to relevance with a post-9/11 inspired story in a post-9/11 world, fulfilling the role of speculative fiction by offering a view of humanity through the lens of metaphor.

It’s something that modern toxic fan critics call “being woke” and “pillaging our childhoods”.

What I see in this brief look at Bel-Air are the same tropes and story beats as the original Fresh Prince, but it sheds the light-hearted slapstick romp in lieu of a story about our current world of racial, economic, and social disparity.

I’m pretty sure that’s why they called it Bel-Air instead of something Fresh Prince related. It seems to be shot at making something different and original with a tip of the hat to one of the most popular interpretations of popular storytelling tropes.

It also has plenty of support, including Will Smith as a creator and producer. Peacock, NBC’s streaming service which is hosting this as an original series, has also given the show a two-season order straight out of the gate.

It’s not something that I plan on watching right away, but I feel like the message it appears to carry is important in our current culture. It feels like less of a cash grab and more of an attempt at relevant storytelling in the 2020s.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

STEAM Saturday – Pig Heart Spacetime

STEAMSaturday

STEAM Saturday
Pig Heart Spacetime
January 22, 2022

This time, STEAM Saturday looks at animal-to-human organ transplants, the curvature of spacetime, and a potential turning point in the battle against multiple sclerosis.

STEAMHeadlines

New York Times – In a First, Man Receives a Heart From a Genetically Altered Pig (Jan 10, 2022)
The breakthrough may lead one day to new supplies of animal organs for transplant into human patients.

Scientific American – In a First, an ‘Atomic Fountain’ Has Measured the Curvature of Spacetime [via Space.com] (Jan 17, 2022)
The atom interferometry technique uses the effects of time dilation to reveal subtle changes in gravity’s strength

Scientific American – Epstein-Barr Virus Found to Trigger Multiple Sclerosis (Jan 13, 2022)
The research could mark a turning point in the fight against MS


STEAMSci

It’s Okay to Be Smart – A PBS Digital Studios science show hosted by Dr. Joe Hanson (Ph.D., Cell and Molecular Biology). 

Today I Found Out – Today I Found Out is a place to learn something new and interesting every day, brought to the internet by a host of various scientific contributors.


STEAMTech

WIRED – Wired is a monthly American magazine, published in print and online editions, that focuses on how emerging technologies affect culture, the economy, and politics.

Cheddar – Cheddar News feeds curiosity about what’s next with the latest in business news, culture, media, technology and innovation shaping our world tomorrow.


STEAMEng

Practical Engineering – Grady Hillhouse is a civil engineer in San Antonio, Texas. His channel aims to increase exposure and interest in the field of engineering by highlighting the connection between the world around us and the energy, passion, and thought that goes into making it a nicer place to live.

Megaprojects – Megaprojects is a YouTube channel which goes into detail on the history about all of humanities greatest achievements and structures.


STEAMArt

Insider – Insider is a global news publication that tells the stories you want to know.

Nick Zammeti – A woodturner and artist based in the United Kingdom, Nick Zammeti thrives in funky and creative projects fueled by a healthy love of pop culture, especially Back to the Future.

DIY Montreal – Marie is a DIY enthusiast and a self-taught amatuer woodworker who works out of her small garage shop in Montreal, Canada.


STEAMMath

Smarter Every Day – Mechanical engineer and aerospace engineer Destin Sandlin explores the world using science in this series. He was one of three YouTube personalities chosen to conduct a one-on-one interview with President Barack Obama after his final State of the Union address. His secondary channel provides additional details and interviews to supplement his primary channel’s videos.


STEAMMulti

I Like To Make Stuff – Bob Clagett likes to make stuff, whether it be home renovations, fixing up a vintage car, or building an astromech droid.

Wendover Productions – Wendover Productions, run by filmmaker Sam Denby, is all about explaining how our world works. From travel, to economics, to geography, to marketing, and more, every video will leave you with a little better understanding of our world.


If you have any suggestions for STEAM Saturday, please leave them below in the comments. Thanks for stopping by. I hope that something inspired you to get out there and explore the universe.

 

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STEAM Saturday is a celebration of curiosity and imagination through science, technology, engineering, art, and mathematics, the very building blocks of the universe around us.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Fly You Fools! (The Second Breakfast)

Culture on My Mind

Culture on My Mind
Fly You Fools! (The Second Breakfast)
January 21, 2022

If you know The Lord of the Rings, you know that there is a lot to talk about. As a result, the Dragon Con American Sci-Fi Classics Track celebrated twenty years of assembling the Fellowship… twice! 

The first panel on this was held on January 13th and discussed here.

On January 20th, the panel of Darin Bush (on Amazon, though you should join me in telling him that he really needs a website), Kevin Cafferty (Gleaming the Tube), Sherman Burris (NerdBurger358 on Twitter), and Beth Van Dusen (Execute Chapter 66, available where all fine podcasts are fed) joined Joe Crowe for one more round of hot Middle-Earth action.


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

Since this was a special event, the next panel will be on January 27th when we celebrate another 20th anniversary. You can find this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #235: Asylum of the Daleks

Doctor Who: Asylum of the Daleks
(1 episode, s07e01, 2012)

Timestamp 235 Asylum of the Daleks

Eggs… Eggs… Eggs…

Prequel

The Doctor is enjoying an afternoon tea with scones, cream, and jam when he interrupted by a mysterious hooded figure staring at him. When he looks away, the figure is suddenly sitting at his table.

The hooded figure says that a woman wants to meet him, and when the Doctor tries to brush the figure off, he waves his hand and makes the tea room empty. Everyone is gone.

The Doctor is intrigued, but he can’t get much more from the mysterious figure than a name: Darla von Karlsen. The Doctor says he never heard of her and stands to leave, but he’s instantly in a dark room. The message is a psychic projection. The room is familiar, forcing the Doctor to try waking up. He ends up in a chair on a beach, but the figure tells him that it’s still a dream.

They end up in space. The figure gives him space-time coordinates and explains that Darla wants help saving her daughter. The Doctor is visibly shaken by the coordinates, but refuses to say the name associated with them. The figure pushes until the Doctor wakes up in the console room of the TARDIS. There he whispers the name…

Skaro.

Asylum of the Daleks

On Skaro, the Doctor meets with Darla von Karlsen in the eye of a giant Dalek statue. Darla doesn’t say who told her of the Doctor. She’s also cagey about how she escaped a Dalek prison camp because no one escapes from Dalek prison camps. She’s cold to the touch and the Doctor knows that this is a trap. Sure enough, an eyestalk emerges from Darla’s forehead and a gunstick from her palm. She blasts the Doctor and a Dalek saucer swoops into to take him prisoner.

We then see Amy Pond, supermodel, who refuses a call from her husband because she “no longer has one.” Rory has brought divorce papers to her dressing area and she signs them, only expressing regret when he leaves without a word.

In short order, both Amy and Rory are taken prisoner by the Daleks. They awaken in a cell with a view of Dalek saucers and are soon greeted by the Doctor and his Dalek escorts. Together, they are all taken to a vast circular auditorium filled with Daleks. This is the Parliament of the Daleks.

In view of the captured TARDIS, the Doctor spreads his arms wide, ready to be exterminated. It is Christmas for the Daleks… their greatest wish come true. Except they stun their prisoners with two simple words.

“Save us.”

After a new title sequence, we meet Oswin Oswald. It’s Day 363 of her confinement in a mysterious place besieged by Daleks and she’s having trouble with soufflés.

Back in the Parliament, the Doctor assesses the Daleks and the Ponds and Amy narrates his thought process. When they arrive at the destination, a Dalek in a transparent tube asks the Doctor about the Dalek Asylum. It is a place where outcast Daleks – the insane, the battle-scarred, and the uncontrollable – are exiled. They aren’t killed because the destruction of “Divine Hatred” is offensive to the Daleks, so the outcasts are sent to this automated planet surrounded by an impenetrable shield.

But the Daleks have detected a signal of unknown origin on the planet. Of course, they never considered tracing it to the source, but the signal is “L’amour est un oiseau rebelle” – an aria from Carmen in which the Doctor played the triangle – and it is coming from Oswin’s tiny apartment. Which, in reality, is the remnants of the crashed starliner Alaska upon which she served.

The Daleks plan to send their predator, the Doctor, to the surface to deactivate the planetary shield (which, conveniently, can only be done from the surface) so they can destroy the Oswin’s signal at the source. They send him and his companions on a gravity beam where they are promptly separated.

Amy awakens on a snowy mountainside next to a man named Harvey. She runs off in search of the Doctor and Rory. The Doctor comes to next to a Dalek eye stalk which is linked to Oswin (“soufflé girl”) because she found it easy to hack. Amy and Harvey find the Doctor and search for Rory, leading them to a giant hole in the ground. Rory wakes up inside that hole surrounded by dormant Dalek shells.

Harvey leads the Doctor and Amy to one of the Alaska‘s escape pods. Harvey claims that he’s been on planet for days, but that doesn’t mesh with Oswin’s story. In fact, all of Harvey’s crewmates are long dead. Harvey then remembers that he died out in the snow and that the planet’s nano-cloud transformed him into one of the Dalek puppets like the ones that trapped the Doctor and the Ponds.

The only thing stopping the travelers from transforming is the bracelets that the Daleks provided them.

Unfortunately, the cloud also transforms the dead so now we have Dalek zombies. Joy.

The Doctor and Amy take refuge from the Dalek puppets in the escape pod’s cockpit. Oswin engineers an escape path for them while the Doctor starts working on Amy’s marital problems. Before they descend into the mountain, they realize that the zombies have stolen Amy’s wristband so she’s now vulnerable to the nano particles.

Underground, Rory inadvertantly awakens the dormant Daleks who immediately focus on exterminating the intruder. Oswin opens a door for him and, after he escapes, makes introductions by flirting.

As the Doctor and Amy descend, he explains that the nanocloud will slowly reprogram Amy’s mind. In fact, it’s already started since they’ve repeated the same discussion four times. He encourages her to embrace her fear of what’s happening because Daleks don’t feel fear. Oswin coordinates with the Doctor to reunite him with Rory, but that means leaving Amy for a moment. That presents a moment for Amy to interact with what she things are people but are really the Daleks that Rory faced. Thankfully, they’re decayed enough that they cannot give chase for long. Unfortunately, they can still activate self-destruct.

The Doctor is able to override a Dalek’s motivators and send it back into the chamber with the others. The self-destruct eliminates all of them and the travelers are reunited. The Doctor has a brief conversation with Oswin, musing about how she was able to survive a year alone and where she gets milk for her soufflés.

The Doctor lays out four goals: Neutralize all of the Daleks in the Asylum, rescue Oswin, escape from the planet, and fix the Pond marriage. Luckily they are standing on a teleport pad, so they need to lower the planetary shield and beam out very rapidly. Oswin sends a map of her location to the Doctor, so the Doctor tasks Amy and Rory with keeping Amy from becoming a Dalek while he’s gone.

Rory assumes that he can give Amy his wristband because the transformation will be slower for him. Since the nanocloud transforms love into hate, he would last longer because he always loved her more than she loved him. After all, he spent 2000 years protecting her inside the Pandorica as an Auton. They argue, uncovering that the focal point of their conflict is children. The conflict at Demons Run left Amy sterile: Rory thought Amy kicked him out after deciding she didn’t love him, but she knew that he had always wanted children so she “gave him up” to give him a chance with someone else.

They then realize the Doctor put his bracelet on Amy while she was sleeping. Amy muses that he probably doesn’t need it and he used it to trick them into working out their relationship problems.

The Doctor reaches the Intensive Care area, the home for Daleks defeated in particular battles, all of which occurred during the Doctor’s first, second, and third incarnations. Once he realizes this, the Daleks revive and corner him. Oswin hacks into the Dalek Pathweb and erases all data on him, effectively making them forget the Doctor. The deranged Daleks quietly go back to their cells.

Oswin opens the door and invites the Doctor in, but he hesitates when he sees Oswin’s true form. She dreamed up her situation because the reality was too terrible. She was in the cockpit of the escape pod and climbed down the same ladder that the Doctor and Amy used. The Daleks need her genius, so they converted her in full.

Oswin Oswald is now a full Dalek.

The truth is indeed too much to bear. She asks why the Daleks hate the Doctor. He tells her that he beats them everytime. She says that the Daleks grow stronger in spite of him… because of their fear of him. She tells him to run – “Run, you clever boy, and remember.” – and lowers the planetary shield, ready to die as a human at heart.

The Doctor reaches the Ponds and teleports them to the Dalek Parliament ship just as the Daleks destroy the Asylum. Unfortunately for the Daleks, the Doctor has really good aim with a teleporter. Fortunately, for the Doctor, the Daleks have no idea who he is, so he escapes in the TARDIS as the Daleks scream “Doctor WHO!?” over and over again.

The Doctor drops the Ponds at their doorstep, leaving Rory overjoyed that Amy has welcomed him home. The Doctor flies on, reveling in his new anonymity, as he looks forward to the next adventure.


This story presents a good payoff for the previous season’s shenanigans, offering the “what happens next” scenario for the traumas that our main characters faced with the Silence. It also pays off Pond Life to a degree, answering the question of the rift in the Pond household.

Of course, Amy’s relationship problems still center on a lack of communication and unilateral decision making. It’s been a common theme for her: Despite loving Rory, of which I have no doubt, she still treats him poorly and doesn’t communicate with him until she’s forced to.

I did enjoy the visuals on the Asylum, particularly how the construction was much like the city from The Daleks. The Intensive Care Unit also offers a few nods to history, including SpiridonKembelAridiusVulcan, and Exxilon. The Daleks have asked for help before, leading us back to The Evil of the Daleks.

I’d also be remiss if I didn’t mention the Parliament of the Daleks, which offered a smorgasbord of Dalek history, including:

Really, all we’re missing are the Imperial Daleks from Revelation of the Daleks and/or Resurrection of the Daleks, the disc-backed units in silver-and-black-striped livery from The Dalek Invasion of Earth, the gold-ringed versions from The Chase, the gold units from Day of the Daleks and Frontier in Space, the Supreme Council Dalek from Planet of the Daleks, the “Skittles” units from Victory of the Daleks, the Supreme Red from The Stolen Earth, and (why not?) the variety of unofficial models from both Dr. Who and the Daleks and Daleks’ Invasion Earth: 2150 A.D.

That bit of fun aside, this story also ends on quite the question for the Daleks to ask. It’s a great place to leave everything as the Doctor’s biggest enemy can’t even remember their supreme rival’s name.

Rating: 5/5 – “Fantastic!”


UP NEXT – Doctor Who: Dinosaurs on a Spaceship

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Fly You Fools!

Culture on My Mind

Culture on My Mind
Fly You Fools!
January 17, 2022

One thing that the Dragon Con American Sci-Fi Classics Track does well is anniversaries. Last Thursday, they celebrated twenty years of assembling the Fellowship. 

On January 13th, they talked about hobbits and Gandalf and Tolkien galore as they looked back on two decades of The Lord of the Rings: The Fellowship of the Ring. The live-action movie, not the book. Because the book is much older. Joe Crowe was joined by Shaun Rosado (pneumaz on Twitter), ToniAnn Marini (jersey_devil86 on Twitter), Nathan Laws (host of The 42Cast), and David Wright (Galahad’s Doom).


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The future of the Classic Track’s YouTube channel holds another 20-year anniversary celebration. You can find this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.