Culture on My Mind Superman and Lois: It Went By So Fast February 5, 2025
In October 2012, a DC Comics superhero show called Arrow debuted on The CW. It was a down-to-earth vision of the Green Arrow, better known by his secret identity as Oliver Queen. This started a twelve-year run of shows called the Arrowverse, all of which were either connected or tangentially related.
It was a wonderful (if uneven) age of superhero television, and succeeded where Marvel television had failed. We had Arrow, The Flash, Legends of Tomorrow, Supergirl, Black Lightning, and Batwoman in live action, as well as Vixen and Freedom Fighters: The Ray in webseries form. Tangentially, Stargirl, NBC’s Constantine, and Naomi were connected to the Arrowverse, and the entirety of the DC Comics television and movie library over the years was written in during the Crisis on Infinite Earths adaptation.
In Supergirl, a new Superman and Lois Lane were introduced, and they eventually spun off to their own show that was not part of the same continuity/universe. That show was Superman & Lois, and it quickly became my favorite television incarnation of the franchise. Tyler Hoechlin and Elizabeth (Bitsie) Tulloch sold this version, bringing it back from the darkness and cynicism of the Zach Snyder film universe that was running at the same time. Superman & Lois was pure of heart and contained brilliant messaging, being better than it deserved as a CW show.
It ended in 2024 after four seasons, drawing the Arrowverse (and superhero shows on The CW overall) to an end. The finale brought me to tears as it closed the book on these characters and their lives.
On January 20, 2025, the Dragon Con American SF & Fantasy Media track hosted a panel about the show. Track director Kelley Harkins was joined by Kristin Jackson, Marisa Wolf, Michael Bailey, Thomas Parham, and Joe Crowe to discuss the show, its effects on the superhero genre, and the legacy of the Arrowverse.
If you like what you see, the American SF & Fantasy Media Track can be found on Facebook and at Dragon Con over Labor Day weekend in Atlanta, Georgia. The track discusses American-based science fiction and fantasy television and movies from within the last ten years.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
Culture on My Mind Super Follies and Nuclear Power
April 23, 2021
This week, I have nuclear power technology on my mind. While pop culture and public perception get this wrong all the time, I’m looking at the pilot episode of Superman & Lois in particular since it was one of the most recent offenders.
People who know me might be surprised that I’m not harping on the “reactor is critical” trope again. “Give me time. I’ll get back to that,” he said with a wink.
The premiere episode of Superman & Lois – creatively titled “Pilot” in a long-standing television tradition – debuted on February 23, 2021. (Aside: It’s been two months, and that’s long enough that I’m not including a spoiler warning.) After a quick series of flashbacks to tell this version’s origin story, we spring into action as Superman saves the day by stopping a meltdown at a nuclear reactor near Metropolis. Apparently, someone has sabotaged the site by breaching the reactor, so Superman welds the hold and then drops a giant ice block into the cooling tower. The temperatures immediately plummet, everyone cheers, Superman smiles, end scene.
The show nearly lost me at this point. Less than five minutes into the pilot episode.
I have nearly twenty years of experience in nuclear power between the Navy and the civilian industry (both domestic and international). I’m registered with The Science & Entertainment Exchange through the National Academy of Science. Seriously, Hollywood, I’m available to consult for times like this.
I’ll explain why this scene struck me as wrong and why public perception gets it wrong all the time, with the caveat that I’m approaching this from the United States perspective since (a) it comprises the majority of my nuclear experience, and (b) Metropolis is an American city in the Superman & Lois universe.
I’ll also touch on why I think it matters.
The Story
First, let’s highlight the scene. It’s set at night and punctuated by helicopters, spotlights, and alarms. General Sam Lane arrives, has a discussion with someone who looks all Hollywood-nuclear-official in a hard hat and lab coat, and pages Superman to the casualty.
“How long we got before this thing pops its top?”
“A few minutes, tops.”
“The fallout?”
“As far as Metropolis.”
After Superman hears the page and changes course, we get this:
“The heat exchanger’s offline.”
“Where’s the damn water tanker?”
Superman arrives at the site and dives into the cooling tower. He lands on a walkway which visibly buckles it so it cannot be used until it is fixed. Hopefully it wasn’t important. The heat is noticeable in the wavering air and flying embers reminiscent of last decade’s movie posters as Kal-El surveys the damage. He spots a crack in a large circular component. Inside, something glows orange with heat.
“His cold breath isn’t gonna fix it.”
“We need water back in the reactor vessel, or we’re gonna have a meltdown the size of Fukushima.”
“It’s out of water!”
“Tanks!”
Superman seals the rupture with his heat vision, then rockets off. As he flies toward the nearby body of water, we get a view down the cooling tower. Under a blossom of catwalks, it is glowing like a pool of magma. Superman uses his cold breath to freeze a giant chunk of ice, hoists it up, and drops it into the cooling tower. The temperature drops and the reactor is safe.
Later, we get some dialogue that points to a crack in the cooling tower as the main problem.
That’s the foundation of the story. Now, let’s take a look at the foundation of reality.
Nuclear Plant Design
In general, there are two types of nuclear reactors in the United States: Pressurized Water Reactors (PWRs) and Boiling Water Reactors (BWRs). The operating principles are effectively the same in both types and can be differentiated by when water changes into steam.
Fission of fuel generates heat. That heat is transferred into the reactor coolant, which is water with a specific chemical makeup. That water eventually generates steam – In a BWR, the coolant boils in the reactor vessel, but in a PWR, the coolant transfers its energy to another system in the steam generator – which spins a turbine before being cooled, condensed, and returned to its starting point. The spinning turbine generates electricity which is transmitted to the electric grid.
PWR Diagram – Tennessee Valley Authority (Public Domain)
The advantage of the PWR is that the steam does not come into contact with the reactor coolant, which is potentially contaminated by fission products. The BWR exchanges this advantage by being more simple.
Regardless, the reactor core – fissionable fuel wrapped in metal sheets (cladding) and arranged into assemblies where the reaction is controlled by the reactor coolant and control rods – is separate from the turbines and the cooling towers.
The cooling towers deal with the steam it spins the turbine. To condense the steam, it is passed over tubes containing cool water. The heat is transferred from the steam to the water, which is then sent out to the cooling towers to transmit that energy to the atmosphere.
The trope and public perception are that the large hyperboloid towers immediately indicate the existence of a nuclear plant. That’s simply not true. In fact, Duke Energy noted in 2013 that there are 250 cooling towers on plants across the United States, and fewer than 100 of those belong to nuclear stations. For context, there are 94 commercial reactor units in the United States. That comprises 63 PWRs and 31 BWRs, and approximately 20% of the country’s electrical generating capacity. Some sites have multiple reactors.
Some towers are the hyperboloid style (which rely on natural draft to reject the excess heat) and some are forced air style (relying on fans to push air across the water to extract the excess heat).
Not all sites use cooling towers, either. Some pull the cooling water directly from nearby water sources and return it with a slight increase in temperature. Extensive studies are performed to ensure that the temperature increase does not negatively impact the environment, including wildlife. In order to protect the aquatic life in the water source, the use of cooling towers for new power plants larger than 100 megawatts (MW) was mandated by the Clean Water Act of 1972.
Since these heat sinks, be they cooling towers or bodies of water, are separated from the reactor coolant by several layers of metal, the probability of contaminating those heat sinks with fission products is very small.
Arkansas Nuclear One (ANO) – NRC File Photo (non-copyrighted)
Hyperboloid Cooling Towers
Focusing on the hyperboloid towers, their operation is pretty simple. The distinctive shape comes from rotating a hyperbola – a graph that looks like two infinite bows reflected on each other, reminiscent of an hourglass – around an axis. This shape presents high structural strength, minimum usage of material, and efficient upward convective air flow.
The heated water travels into the cooling tower and is sprayed from a set of nozzles. The hot mist drifts downward, giving up heat to air that is pulled in naturally through large vents at the bottom of the tower. The cooled water pools in a collection reservoir to be pumped back into the plant while the hot, moist air rises out through the top of the tower as a plume of steam.
Despite claims to the contrary, the exhaust is not smoke, does not carry fission products, and does not alter the weather (no matter what weathermen in large markets claim on Twitter).
Any losses to water inventory can be made up from external sources such as reservoirs, lakes, or local make up tanks.
The Science of Superman
The first thing that Superman & Lois got wrong was placing the reactor inside the cooling tower.
The reactor vessels in these light-water thermoelectric power plants are kept inside containment buildings with layers of protection between the public and the nuclear fuel. That’s a lot of metal and concrete designed to keep the public safe. The Superman & Lois power plant appears to have a single layer of metal between the fuel and the atmosphere, and at the bottom of the tower, any release of fission products would vent right out through the top. Right into the communities nearby.
Also consider that hyperboloid towers can be up to 200 meters (660 feet) tall and 100 meters (330 feet) in diameter. With the reactor we see on screen in mind, any bad actor has a nice size target to bomb.
The second thing that Superman & Lois got wrong has to do with Fukushima.
The dialogue clearly shows that the Fukushima Daiichi nuclear disaster happened in this fictional universe. In our reality, the 2011 Tōhoku earthquake and the ensuing tsunami led to a partial nuclear meltdown. The active reactors automatically shut down (as designed) upon detecting the earthquake. Because of the shutdowns and electrical grid supply problems, the emergency diesel generators automatically started (again, as designed) to keep circulating the coolant through the cores.
The reason to keep the coolant circulating after shutdown is residual decay heat. Even after fission has ceased, the fission products will continue to naturally decay and produce heat for several hours. In these reactors, that decay heat needs to be removed before it boils the coolant away. Water cools better than steam and air, and overheated fuel can melt the cladding, resulting in a meltdown.
Although the term is not officially defined International Atomic Energy Agency (IAEA) or by the United States Nuclear Regulatory Commission (NRC), that’s all a meltdown really is: At least one nuclear fuel element exceeds its melting point.
The Fukushima plant was designed to withstand earthquakes and tsunamis based on historic events. The 2011 earthquake and tsunami exceeded this design basis. It was the most powerful earthquake ever recorded in Japan, and the fourth most powerful earthquake in the world since modern record-keeping began in 1900. The waves swept over the seawall and the flooding caused the failure of the emergency generators and loss of power to the circulating pumps. The loss of decay heat removal led to three nuclear meltdowns, three hydrogen explosions, and the release of radioactive contamination.
In response to the Fukushima accident, the NRC issued order EA-12-049, requiring nuclear facilities to implement mitigation strategies (known in the industry as FLEX) for a beyond-design-basis external event using a three-phase approach. The first phase relies on installed equipment and resources to maintain or restore cooling capabilities. The second phase uses portable on-site equipment and consumables kept in storage for this purpose, and the third phase relies on off-site resources that are trucked or flown in to sustain those functions indefinitely.
Back to Superman & Lois, while a meltdown (and fission product release) was inferred by all the glowing orange magma, the operators clearly failed to implement the FLEX strategies to contain it. I can forgive the first phase since they mentioned that heat exchangers were “offline”, so obviously the installed equipment had failed. However, the second phase equipment is hooked up during the emergency and patches in around failed components. Unless the emergency equipment was sabotaged in some manner, it should have been able to supply water directly from the nearby lake/ocean to keep the core cooled.
Aside: It should also be noted that heat exchangers are passive components, so they can’t go offline. The pumps that supply water to the heat exchangers can go offline since they are powered active components. There is a fundamental difference. Further, there are a ton of heat exchangers in a nuclear power plant, so specificity matters in an emergency.
The third thing that Superman & Lois got wrong was thermodynamics.
Normal water freezes at 32°F (0°C) and salt water freezes at about 28.4°F (−2°C). Interior temperatures of the largest known iceberg in the North Atlantic were estimated between 5°F and −4°F (−15°C and −20°C), and that was for the equivalent of a 55-story building.
During a meltdown, the fuel assembly cladding deforms between 1,292°F and 1,652°F (700°C and 900°C). The cladding melts at 3,270°F (1,800°C) and the uranium oxide fuel melts between 4,890°F and 5,070°F (2,700°C and 2,800°C).
I know, that’s a lot of numbers. But, the point is that a 300-foot wide ice cube would likely have melted long before dropping those kind of temperatures to a reasonable level. In fact, it would have probably created an explosive steam cloud that would carry the already exposed fission products into the atmosphere.
There’s an even larger danger, however. In the event of a meltdown, a lava-like mass of fuel-containing material colloquially called corium is formed. Adding water to this mass, either by flooding or dropping it into a pool, can result in damage to containment and a spread of fission products. The reaction would cause a temperature spike and the production of a large amount of hydrogen. That immediate gas formation can result in a pressure spike inside the containment, and the steam explosion that I mentioned earlier could send projectiles and shrapnel flying. The same gas could also combust causing further pressure spikes.
Simply put, I don’t think Superman’s solution would have worked. In fact, it would have only made the problem worse.
Screencap from Superman & Lois: “Pilot” – The CW Television Network
Wrap-Up
I’ve been around science-fiction and fantasy long enough to understand creative license and suspension of disbelief. I also understand that the general television watching public is not going to dive into this level of detail about a program based on a comic book hero. It’s supposed to be fun escapism, right?
In the twenty-first century, there should be no excuse for scientifically lazy storytelling in this genre, particularly when the bar has been set so high by Marvel Studios in superhero entertainment and by other properties like Star Trek, Stargate, Battlestar Galactica, and The Expanse.
The problem could have been solved in so many other ways that would have maintained at least the illusion of technical integrity. Really, the crux of the matter is having a scientific advisor or consultant available. If IMDb is any indication, Superman & Lois hasn’t used that expertise. At a minimum, they haven’t credited their consultants.
It’s 2021. Geeks are smart. We’ve seen the potential in sharply written entertainment that doesn’t patronize us or insult our intellects. We’ve also seen the power of science and the rise of STEM education opportunities.
By tapping proven science-in-entertainment experts – André Bormanis, Dr. Erin Macdonald, Mika McKinnon, Dr. Kevin Grazier, Dr. Naren Shankar, and Dr. David Saltzberg come to mind right away – or other technical experts through a resource like The Science & Entertainment Exchange, producers and writers can avoid making scientific mistakes and fans worldwide can get smarter stories for their time and money.
It’s a return on investment in which everyone wins.
This post was inspired by Michael Bailey, Bethany Kesler, and Alison Richards, the hosts of The Superman & Lois Tapes, a weekly podcast about The CW’s television series Superman & Lois. Thanks to you, BAM Crew, for the spark and the read-through.
Special thanks also go to Gary Mitchel for his keen eye and advice in proofing this work.
This group of awesome people made sure that I didn’t get too technical for the average reader. Nuclear power can be complex, but the science and engineering concepts behind it are simple. One of my goals is to make all of it easier to understand.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
Culture on My Mind DC FanDome and Justice League
August 28, 2020
Last weekend saw teases of the future for DC Entertainment at DC FanDome. Effectively like Comic Con, but centered strictly on the worlds of DC Comics, FanDome covered the spectrum of comic books, movies, television, and video games. Another event is scheduled for September 12th.
Of course, this event came on the heels of mass layoffs at DC, including one-third of the company’s editorial staff and the majority of the crew at the DC Universe streaming service. The future of DC Entertainment seems to be the recently launched HBO Max service.
In particular, I am interested in the future of DC Entertainment on film, so the majority of the trailers I took in this weekend were from that front.
Wonder Woman 1984
The trailer that I enjoyed the most was the Wonder Woman 1984 preview. It is no secret that I absolutely loved the first Wonder Woman film starring Gal Gadot, including how it balanced the realities of war with the title character’s message of compassion and acceptance. This sequel was hit hard by the pandemic and has been rescheduled to October 2nd. I’m looking forward to seeing it in theaters if possible.
The Suicide Squad
I was also intrigued by the “roll call” teaser for The Suicide Squad. The first film with Amanda Waller’s team was overly encumbered by its own darkness. There were a lot of interesting moments, and I did love Margot Robbie’s interpretation of Harley Quinn, but the rest really felt like a slog through the swamp.
Enter James Gunn. His work on the Guardians of the Galaxy films for Marvel has stoked my excitement to see this one, as has the lineup of actors. Peter Capaldi had me interested when he mentioned having to lose his iconic hair for this role, and that’s going to be a hard one for me to process on screen.
I’m also reminded that I still need to see Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn).
The Batman
The next adventure of the Caped Crusader appears to be inspired by Batman: Year One. When this was announced, I was not particularly excited because I feel like Batman is done too often. Quite often, he’s done with too much emphasis on the vigilantism and fear, and not nearly enough on his technical and detective skills.
This version seems to be getting back to basics. I’m eager to see what comes of future previews when the movie is closer to completion.
Justice League: The Snyder Cut
The last big trailer is for a project that I’m not excited about.
I was not very familiar with Zack Snyder’s work prior to Man of Steel. The only film of his that I had seen was 300, and I despised it. While Man of Steel‘s vision of Superman was not what I expected from a Superman film, I still enjoyed it for the most part. It did not have a lot of humor, which is something that I expect from a Superman story, but it was also a “Superman Begins” tale. From his rise as a hero to the lessons learned from killing Zod, destroying massive amounts of real estate, and endangering the people he typically has sworn to protect to a fault, Man of Steel paved a good path forward for a vision of Superman in a post-9/11 world.
Unfortunately, Batman v. Superman: Dawn of Justice did not capitalize on that. In fact, Dawn of Justice was a mess. It played with the dichotomy of how the modern public might see superheroes, ranging from gods to fear-inspiring menaces. It introduced a seasoned and jaded Batman who found a mission in putting Superman in his place by fencing in the Kryptonian’s scope. It introduced the meddling machinations of Lex Luthor who wreaked havoc by playing with forces that he didn’t understand. It also provided us a first look at Wonder Woman in this universe.
But Superman didn’t grow. He was just as aloof and dispassionate in this film as he was in his introductory piece, only gaining a sense of passion and duty toward the human race in the moments before his death (by an overpowered enemy that felt like a last-minute thought more than a natural progression). Meanwhile, Batman’s character was reduced to one of single-minded paranoia-driven reprisals. He did some detective work, which was nice, but that was offset by him becoming that which he swore to defeat by committing theft and murdering so many people in the course of two and a half hours.
Add in the convoluted political plot and the disjointed flashes of DC Comics lore that excited die-hards but confused general audiences – Batman’s visions of a post-apocalyptic world where a vengeful Superman reigns, a time-traveling Flash, and Lex’s remote-learning session with Steppenwolf about the Mother Boxes were true head-scratchers for my non-comics-versed family and friends – and you end up with a muddled experience. There was just too much to cover in the time allotted.
When Justice League came along, Joss Whedon (despite all of his recently-revealed faults) was a welcome addition. His impact on the screenplay was evident with the lighter mood and tone, leaving the story equipped to deal with heavy matters like conflicts within the fledgling team, resurrecting Superman, and saving the world from certain destruction. Barry Allen cracked wise, Bruce Wayne was a detective, and Superman was a caring and emotional paladin again. One of my favorite moments was Aquaman’s heartfelt lasso-induced testimonial.
It was a superhero film that I could cheer with again.
While the circumstances surrounding Snyder’s departure were tragic, Joss Whedon saved this film for me, with the minor sin of using the John Williams and Danny Elfman themes too much in hope of smashing the nostalgia button for fans.
Joss Whedon’s Justice League is why Zack Snyder’s four-hour-long version of this story is not compelling.
But don’t let Zack Snyder hear you talking that way about his magnum opus…
You said you enjoyed the theatrical cut of Justice League like you enjoy your Saturday morning cartoons… Well this is made for grownups, so you’re not in the demographic. Also, cool of you to comment on a leaked teaser. @ScottMendelsonhttps://t.co/Zsu2O2oixb
First, while I’m not a fan of Scott Mendelson, this shot was not necessary: Learn to take some criticism, bro.
Second, I definitely disagree with Snyder on his vision of “grownup” cinema. The difference between movies for kids and adults isn’t simply the injection of violence and nihilism. Adults understand humor and hope leagues more than Zack Snyder gives them credit.
Other FanDome DC film news
The Flash: Barry Allen has a new costume, the Flash will be time-traveling, and there is the promise of multiverse meddling with a tease of Michael Keaton’s 1989 Batman.
Black Adam: I’m glad to see that this is still on the radar. I’m also glad to see (along with the portrayal in Stargirl) that the Justice Society of America is getting more love.
Aquaman 2: Director James Wan mentioned that this flick will be “a little bit more serious, a little bit more relevant to the world that we’re living in today”, which is good considering how superficial the first one was. Fun, but superficial.
Shazam: Fury of the Gods: I’m looking forward to this sequel. The first one was down-to-Earth wholesome comic book fun.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.
Culture on My Mind Best Day of Television June 5, 2015
A meme has been making the rounds on Facebook about getting children into nature, claiming that kids “don’t remember their best day of television.” Thankfully, many of the people in my geeky circles have torn it apart with their best life-changing television memories.
Mine was May 23, 1994. The episode was “All Good Things…”, the series finale of Star Trek: The Next Generation. It was the first time I had ever seen a television show do what is now considered a proper wrap-up of story lines from the series, and it still ranks up there with “Goodbye, Farewell, and Amen” from M*A*S*H as one of my favorites farewells in television history.
While the Children & Nature Network has a point in unplugging kids and getting them into the world around them – I spent a great deal of time in nature and away from tech in my youth over many years working on my Eagle Scout award and as a volunteer Trail Patrol member at Antelope Island State Park – this meme easily glosses over the effect that good television has on people. Good stories, regardless of medium, transport your imagination away from the burdens of reality and allow you to dream and hope, and fosters creativity.
Yes, even kids can understand the burdens of the real world and create imaginative wonders to solve them. Anecdotally, I know a successful filmmaker and writer who escaped abuse at home through the wonders of Star Wars. A more concrete example is the duo of Jerry Siegel and Joe Shuster, the high school teens who created Superman to battle the social injustices of the 1930s.
My love of speculative fiction stems from being introduced to Star Trek and Lost in Space by my father, and the plethora of action, adventure, and science fiction that dominated the 1980s television landscape. My imagination is still fueled by those memories to this day.
In the end, kids will remember their best days so long as those days are spent seeking their bliss. The trick is finding out what fuels their passions while guiding them into the world at large. All things in moderation.
Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.