Timestamp #55: Terror of the Autons

Doctor Who: Terror of the Autons
(4 episodes, s08e01-e04, 1971)

Timestamp 055 Terror of the Autons

 

The Nestene and Autons are back. The normal title sequences are back. Liz Shaw is… not.

There are so many profanities, obscenities, expletives, and invectives I could throw out here; I guess Liz Shaw can now be the vice president of the Unceremoniously Canned Companions Club with Dodo as the president and founder. She was only around for four serials, but she deserved a lot better (especially as a strong female character) than to be written off in the off-season.

It’s infuriating!

The Doctor’s back as well, still in his fancy ruffles but with a toned down scarlet jacket. He’s still working on TARDIS and meets Jo Grant, the new assistant. Jo’s no Liz, but she’s very independent and has potential, and she did save the Doctor’s bacon from the mirror-universe-goatee-and-slicked-back-hair E-V-I-L that is the Master. I mean, if you’re gonna save the Doctor’s life, you get extra points for doing it against that guy.

The Master arrives in a TARDIS with a fully functional chameleon circuit, enthralls nearly everyone he meets like the vampires of legend, and steals a Nestene egg to invite the invasion force on down. The Doctor and his team investigate the strange signals from the radio telescope, and the Doctor gets a heads up from a random Time Lord. The Third Doctor’s run has been playing fast and loose with time travel vehicles, and this story is no exception: Time Lords can apparently travel without a TARDIS.

The Master takes the disguise of Colonel Masters and embeds himself in a local plastics factory. After killing the production manager with an inflatable plastic chair, he offs the factory’s retired owner with a demonic plastic doll activated by heat. The only way he could be more evil is by killing a puppy.

The Doctor follows the clues to the circus, but is captured by the Master’s hypnotized followers. Jo rescues him after smuggling away in Bessie, and the Doctor steals the dematerialization circuit from the Master’s TARDIS. One mob scene and thrilling Auton battle later, the escape with the Brigadier and Captain Yates. The dematerialization circuit is too new for the Doctor’s TARDIS, but the good news is that the Master is also stranded on Earth.

The Autons, disguised as cartoonish carnival figures, distribute plastic daffodils to the public as the disguised Master replaces the Doctor’s phone cable in his lab. The Doctor and the Brigadier find the plastic factory office to be abandoned with the exception of an Auton in the safe while Jo and Sergeant Benton dispatch the demon doll, and the Doctor gets wrapped up in a phone call. Okay, that phone cord bit was a good idea on paper, but quite silly in execution.

The daffodils attack Jo and try to asphyxiate her, and the Master arrives to confront the Doctor. He kidnaps the pair and places them in the bus that UNIT is about to bomb, but the Doctor communicates with Morse code through the brake lights on the bus and escapes. The Master starts to bring the Nestene invaders down to the planet, but suddenly understands that they will kill him as well. The Doctor and the Master work together to reverse the polarity of the signal and send the Nestene into deep space, and then the Master sacrifices his last follower to escape.

Let’s start with the negatives (aside from Liz’s canning), of which there are only two: There was a lot of blue-screening in this serial, which was probably reasonable for the era but got really distracting; The camera angles let us see a lot of the TARDIS interior, there’s no control room. Aside from the companion kerfuffle, my complaints are petty.

On the positives, this is a tight story told in four episodes that introduces a continuing conflict with a powerful enemy. I was riveted waiting to see how it resolved, and I want more.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Doctor Who: The Mind of Evil

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #51: Spearhead from Space

Doctor Who: Spearhead from Space
(4 episodes, s07e01-e04, 1970)

Timestamp 051 Spearhead from Space

 

It’s Doctor Who, now in color!

There’s a nice new opening to take advantage of that fact, although the projector sheet is pretty obvious. They also spoil the surprise of the Doctor’s new face in the opening credits, which is odd because they tease it for a good portion of the first episode. The budget has also obviously skyrocketed and the pace is a whole lot faster for what is looking more and more like a soft reboot of the series.

It’s really nice to see the Brigadier and UNIT again. He reminds the audience that we’ve met him twice before, and this is obviously his playground. He’s also dismayed because he doesn’t recognize the Doctor’s new face. We also get a new companion with Doctor Elizabeth Shaw. She’s really gruff with everyone except the Doctor, with whom she seems quite enamored. She’s quite an empowered woman, and certainly less of a damsel in distress than previous companions. She also demands respect by not putting up with the Doctor’s subterfuge when the Time Lord tricks her into retrieving the TARDIS key. Of course, he subsequently pulls a Millennium Falcon with the blue box. (No, it wouldn’t help if Liz got out and pushed.)

This story also cleanly brings Doctor Who into the era of the 1970s, which was the modern era for the production. You have civilians like the porter and the poacher acting exactly as they would in the time, which makes the show a fun little time capsule.

This Doctor kicks things off with a lot of heart – two, actually, as we establish that part of the mythos – and comedy. He acts crazy about his shoes as a ruse to get the TARDIS key he secreted away, and then he escapes in a wheelchair after almost being kidnapped, makes a break for the TARDIS, and gets shot. He should be more careful with this new body. I also laughed a lot about the clever sight gag with the doctor’s locker room sign (“Doctors Only”) and his escape from the hospital, during which he steals a rich doctor’s clothes and figures out how to steal a car. He really is a doctor of “pretty much everything.”

The plot isn’t half bad either. Meteorites crash to Earth, but they’re made of blinking and ringing plastic and draw Autons like ants. They’re impervious to gunfire (but the UNIT soldiers just keep slinging lead because that’s what they’re scripted to do) and are replacing key members of local leadership to (what else?) take over the world.

Channing, a character played to apathetic creepy perfection by Hugh Burden, is the avatar of the Nestene Consciousness, a force that has colonized planets like a virus across the universe and has now focused on Earth. The Doctor and crew stop them with a jury-rigged device, and after a brief technical difficulty and a battle with tentacles, the Doctor fries the Consciousness. Anyone for calamari?

The Doctor agrees to stay on with UNIT in exchange for facilities, technology to repair the TARDIS, Liz’s help with all of it, and a car. He also starts going by the pseudonym John Smith.

This serial hit the ground running, introduced a new Doctor, and made me like him right away. According to the rules of the Timestamps Project, regeneration episodes get an automatic +1 handicap, but this story certainly doesn’t need it.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Doctor Who and the Silurians

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.