Culture on My Mind – Gilligan Meets Gomez

Culture on My Mind

Culture on My Mind
Gilligan Meets Gomez
July 18, 2022

This week, the Dragon Con American Sci-Fi Classics Track thought about classic television mash-ups.

On July 14th, Joe Crowe and Gary Mitchel were joined by Kevin Eldridge (The Flopcast), Kevin Cafferty (Gleaming the Tube), and Anthony Davis (self-described random guy who loves classic sci-fi) to muse about what might happen if various classic television series had played with crossovers and guest stars.


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be on July 28th. The future of these panels includes a Bat-anniversary, horror of 2002, and a Dragon Con teaser as the track careens like a train on fire toward Eastwood Ravine and live-action panels at Dragon Con 2022. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Remote Control

Culture on My Mind

Culture on My Mind
Remote Control
July 11, 2022

This week, the Dragon Con American Sci-Fi Classics Track visits a classic MTV game show. You know, back when MTV actually played music videos. 

On June 30th, Joe Crowe and Gary Mitchel were joined by Kevin Eldridge and Kornflake (The Flopcast), Chris Cummins (Sci-Fi Explosion), and Tom Morris (The Good, the Bad, and the Nerdy Movie Podcast) to play the board game version of Remote Control.

The original Remote Control ran on MTV from 1987 to 1990 and was MTV’s first original non-musical program and first game show. Three contestants answered trivia questions on movies, music, and television, and selected the topics from lounge chairs using remote controls.


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be on July 14th. The future of these panels includes TV mashups, an anniversary, and more as the track careens like a train on fire toward Eastwood Ravine and live-action panels at Dragon Con 2022. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Independence Day 2022

Culture on My Mind

Culture on My Mind
Independence Day 2022
July 4, 2022

Today is a big holiday in the United States, and it gives me a lot to think about 246 years after the event that it commemorates. On this date in 1776, the United States Declaration of Independence was adopted by the Second Continental Congress.

Two days earlier, the Lee Resolution for independence was passed by Congress with no opposing votes. The Committee of Five – John Adams, Thomas Jefferson, Benjamin Franklin, Roger Sherman, and Robert Livingston – had drafted the Declaration to be ready when Congress voted on independence. John Adams, a leader in pushing for independence, had persuaded the committee to select Thomas Jefferson to compose the original draft of the document, which Congress edited to produce the final version.

The Declaration explained why the Thirteen Colonies at war with the Kingdom of Great Britain regarded themselves as thirteen independent sovereign states, no longer under British rule. With the Declaration, these new states took a collective first step toward forming the United States of America.

In particular, the preamble is at the front of my mind. It is the section that sells the general philosophy of a government that justifies revolution when government harms natural rights. That governments should derive their power from the consent of the governed, and that when governments prioritize tyranny over consent, it is the right of the governed after due consideration to alter or abolish that government in favor of one that prioritizes safety and happiness.

Nearly 250 years ago, the people of a nascent country stood up against tyranny that prioritized the will of the governor over the consent of the governed. It gave birth to a nation and is a philosophy that remains relevant in more ways than one to this day.

In CONGRESS, July 4, 1776.

The unanimous Declaration of the thirteen united States of America,

When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.—That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed,—That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.

Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.

He has refused his Assent to Laws, the most wholesome and necessary for the public good.

He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.

He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.

He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their Public Records, for the sole purpose of fatiguing them into compliance with his measures.

He has dissolved Representative Houses repeatedly, for opposing with manly firmness of his invasions on the rights of the people.

He has refused for a long time, after such dissolutions, to cause others to be elected, whereby the Legislative Powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the meantime exposed to all the dangers of invasion from without, and convulsions within.

He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.

He has obstructed the Administration of Justice by refusing his Assent to Laws for establishing Judiciary Powers.

He has made Judges dependent on his Will alone for the tenure of their offices, and the amount and payment of their salaries.

He has erected a multitude of New Offices, and sent hither swarms of Officers to harass our people and eat out their substance.

He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.

He has affected to render the Military independent of and superior to the Civil Power.

He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:

For quartering large bodies of armed troops among us:

For protecting them, by a mock Trial from punishment for any Murders which they should commit on the Inhabitants of these States:

For cutting off our Trade with all parts of the world:

For imposing Taxes on us without our Consent:

For depriving us in many cases, of the benefit of Trial by Jury:

For transporting us beyond Seas to be tried for pretended offences:

For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:

For taking away our Charters, abolishing our most valuable Laws and altering fundamentally the Forms of our Governments:

For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.

He has abdicated Government here, by declaring us out of his Protection and waging War against us.

He has plundered our seas, ravaged our coasts, burnt our towns, and destroyed the lives of our people.

He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation, and tyranny, already begun with circumstances of Cruelty & Perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.

He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.

He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.

In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.

Nor have We been wanting in attentions to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.

We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these united Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.

The first and most famous signature on the engrossed copy was that of John Hancock, President of the Continental Congress. Two future presidents (Thomas Jefferson and John Adams) and a father and great-grandfather of two other presidents (Benjamin Harrison V) were among the signatories. Edward Rutledge (at age 26) was the youngest signer, and Benjamin Franklin (at age 70) was the oldest signer. The fifty-six signers of the Declaration represented the new states.

  • New Hampshire: Josiah Bartlett, William Whipple, Matthew Thornton
  • Massachusetts: Samuel Adams, John Adams, John Hancock, Robert Treat Paine, Elbridge Gerry
  • Rhode Island: Stephen Hopkins, William Ellery
  • Connecticut: Roger Sherman, Samuel Huntington, William Williams, Oliver Wolcott
  • New York: William Floyd, Philip Livingston, Francis Lewis, Lewis Morris
  • New Jersey: Richard Stockton, John Witherspoon, Francis Hopkinson, John Hart, Abraham Clark
  • Pennsylvania: Robert Morris, Benjamin Rush, Benjamin Franklin, John Morton, George Clymer, James Smith, George Taylor, James Wilson, George Ross
  • Delaware: George Read, Caesar Rodney, Thomas McKean
  • Maryland: Samuel Chase, William Paca, Thomas Stone, Charles Carroll of Carrollton
  • Virginia: George Wythe, Richard Henry Lee, Thomas Jefferson, Benjamin Harrison, Thomas Nelson Jr., Francis Lightfoot Lee, Carter Braxton
  • North Carolina: William Hooper, Joseph Hewes, John Penn
  • South Carolina: Edward Rutledge, Thomas Heyward Jr., Thomas Lynch Jr., Arthur Middleton
  • Georgia: Button Gwinnett, Lyman Hall, George Walton

However you choose to spend the day, I hope that you do so safely.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

STEAM Saturday – Peeing on Your Produce

STEAMSaturday

STEAM Saturday
Peeing on Your Produce
July 2, 2022

In this edition, we see massive wind turbines, a hammerhead worm in Tennessee, bone loss in space, and… yes… fertilizing your crops with urine.

STEAMHeadlines

IFLScience – New Massive Offshore Wind Turbine Can Power A Home For 2 Days With A Single Spin (Jun 29, 2022)
A new offshore wind farm will utilize some absolutely massive turbines to produce power – so massive that just one spin will power the average home for two full days. The turbines have recently been improved from the best in the world to even more so, and the development will be the US’ first utility-scale wind farm.

Tennessee Valley Authority – Watch for Hammerhead Worms in Your Garden (Jul 1, 2022)
A 12 to 15-inch slimy flatworm with a weird half-moon head, and toxic skin sounds like we are describing a new variation of a Demogorgon from Stranger Things. Believe it or not, this creature is not just found in the Upside-Down, but in Knoxville, TN!

ScienceAlert – A Large-Scale Experiment Used Human Pee to Fertilize Crops. Here’s What Happened (Jun 23, 2022)
These days, peeing on your food plants may be considered a gross and wacky gardening hack, despite the practice having been proven beneficial for thousands of years. But our modern squeamishness has meant gardeners and farmers alike must resort to expensive fertilizers to provide their crops with the much-needed nutrients found free in our pee.

ScienceNews – Six months in space leads to a decade’s worth of long-term bone loss (Jun 30, 2022)
During space missions lasting six months or longer, astronauts can experience bone loss equivalent to two decades of aging. A year of recovery in Earth’s gravity rebuilds about half of that lost bone strength, researchers reported June 30 in Scientific Reports.

Science Daily – Ice Age wolf DNA reveals dogs trace ancestry to two separate wolf populations (Jun 29, 2022)
The Francis Crick Institute: An international group of geneticists and archaeologists has found that the ancestry of dogs can be traced to at least two populations of ancient wolves. The work moves us a step closer to uncovering the mystery of where dogs underwent domestication, one of the biggest unanswered questions about human prehistory.


STEAMSci

The Science & Entertainment Exchange – The Science & Entertainment Exchange is a program of the National Academy of Sciences that provides entertainment industry professionals with access to top scientists and engineers to help bring the reality of cutting-edge science to creative and engaging storylines.

Jhnny Harris – Johnny Harris makes videos about maps… and other things.
[Note: This video is about human reproduction and male birth control. YouTube has limited it to age-verified accounts.]

 


STEAMTech

Jerry Rig Everything – Zack Nelson has used his love of repairing, simple explanations, and brief tutorials to help millions of people with repairs of their own. Outside of YouTube, his ‘to-the-point’ style of teaching has created instructional and informational videos for manufacturers and factories around the world.

Today I Found Out – Today I Found Out is a place to learn something new and interesting every day, brought to the internet by a host of various scientific contributors.


STEAMEng

Practical Engineering – Grady Hillhouse is a civil engineer in San Antonio, Texas. His channel aims to increase exposure and interest in the field of engineering by highlighting the connection between the world around us and the energy, passion, and thought that goes into making it a nicer place to live.

 


STEAMArt

Nick Zammeti – A woodturner and artist based in the United Kingdom, Nick Zammeti thrives in funky and creative projects fueled by a healthy love of pop culture, especially Back to the Future.

Shop Time – Peter Brown is a geek with a full set of power tools, and he uses that knowledge to experiment, craft, and have fun.

laymonsterms – Denise Lhamon is an artist who presents history for short attention spans. She also takes commissions as Candy Cane Studios.

Art Deco – All things art and art history, digital art exhibitions and art analysis and discussion!

 


STEAMMath

8-bit Music Theory – This YouTuber loves music, video games, and analyzing and talking about music from video games. He promises that if you are a big nerd, you’ll love it too!

 


STEAMMulti

Smarter Every Day – Mechanical engineer and aerospace engineer Destin Sandlin explores the world using science in this series. He was one of three YouTube personalities chosen to conduct a one-on-one interview with President Barack Obama after his final State of the Union address. His secondary channel provides additional details and interviews to supplement his primary channel’s videos.

Mark Rober – An engineer and inventor, Mark Rober presents popular science concepts and do-it-yourself gadgets in easy-to-understand terms. He was previously a NASA engineer (where he worked on the Curiosity rover) and a product designer at Apple’s Special Projects Group (where he authored patents involving virtual reality in self-driving cars). One of his best-known series involves the development of a glitter bomb to combat porch pirates and internet scammers.

 


If you have any suggestions for STEAM Saturday, please leave them below in the comments. If your suggestion is used, your name will be credited.

Disclaimers: Any sponsored content or advertising presented in videos and/or links highlighted in STEAM Saturday are not necessarily endorsed or supported by Creative Criticality. Pursue such content and offers at your own risk. The links and videos attached to this post were publicly available at the time of publication, but there is no guarantee of availability after publication.

Thanks for stopping by. I hope that something inspired you to get out there and explore the universe.

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STEAM Saturday is a celebration of curiosity and imagination through science, technology, engineering, art, and mathematics, the very building blocks of the universe around us.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – To the Blue Grotto Batcave

Culture on My Mind

Culture on My Mind
To the Blue Grotto Batcave
June 27, 2022

This week, the Dragon Con American Sci-Fi Classics Track talks Batman ’66 with essayists who thought deep thinks about the Caped Crusader.

On May 19th, Gary Mitchel was joined by author Michael Bailey (The Fortress of Baileytude), John S. Drew (The Chronic Rift), and Keith DeCandido (on the internet and available wherever fine books are found) to discuss the third season of the 1966 Batman series and how they were inspired to craft OOOFF! BOFF! SPLATT! The Subterranean Blue Grotto Essays on Batman ’66.

 


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be on June 30th. The future of these panels includes a game show, TV mashups, an anniversary, and more as the track careens toward live-action panels at Dragon Con 2022. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – TV Vampires and Saturday Cartoons

Culture on My Mind

Culture on My Mind
TV Vampires and Saturday Cartoons
June 20, 2022

I’m playing a little catch-up this week, so here’s the Dragon Con American Sci-Fi Classics Track talking about TV vampires and Saturday morning cartoons.

On June 2nd, Joe Crowe and Gary Mitchel were joined by Tom Morris (The Good, the Bad, and the Nerdy Movie Podcast) Lacee Aderhold (on Twitter), and author Lucy Blue (official site) to discuss Forever Knight, Dark Shadows, Kindred the Embraced, and more. They might even mention that famous California cheerleader…

On June 16th, it was Funshine Saturday time! There was once a time when cartoons and weird live-action shows defined Saturday mornings, complete with drum-playing sharks, snickering dogs, sentient buggies, superheroes, and more. Joe was joined by Kornflake (The FlopCast) and Sherman Burris (on Twitter) as they poured a bowl of cereal and sat way too close to the television screen.


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be on June 30th. The future of these panels includes a classic game show, some television mashups, and a 30th anniversary celebration. We’re entering the home stretch of livestreams before all of these panelists convene in person at Dragon Con. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

STEAM Saturday – The Hole at the Center of the Galaxy

STEAMSaturday

STEAM Saturday
The Hole at the Center of the Galaxy
June 4, 2022

In this edition, the big item is the black hole at the center of our galaxy.

STEAMHeadlines

NBC News – Black hole at center of Milky Way pictured for first time (May 12, 2022)
First-ever image released of the Milky Way’s supermassive black hole, providing the first direct visual evidence of “the gentle giant” that lies at the center of our galaxy.

More on this in the videos below from Veritasium and Curiosity Stream.


STEAMSci

Veritasium – A combination of the Latin for truth, veritas, and the suffix common to many elements, -ium, this show is literally an element of truth. It is hosted by Australian-Canadian science communicator, filmmaker, and inventor Derek Muller (Ph.D., Physics Education Research).

Curiosity Stream – John S. Hendricks, Founder of Discovery Communications, has spent his life seeking the answers to our most enduring questions and creating ways for television viewers across the globe to satisfy their curiosity. In 2015, Hendricks harnessed this passion to create Curiosity Stream, a streaming service meant to inspire ardent learners with the most curious minds of our time: visionaries in every major field of human endeavor, tackling the greatest challenges of our era.

The Science & Entertainment Exchange – The Science & Entertainment Exchange is a program of the National Academy of Sciences that provides entertainment industry professionals with access to top scientists and engineers to help bring the reality of cutting-edge science to creative and engaging storylines.

Steve Mould – Steve Mould is a Master of Physics from the University of Oxford. He’s a British author and science communicator who hosts educational videos on his YouTube channel. He co-hosted ITV’s I Never Knew That About Britain alongside Paul Martin and Suzannah Lipscomb and previously appeared as a science expert on The Alan Titchmarsh Show, The One Show, and Blue Peter.

 


STEAMTech

Jerry Rig Everything – Zack Nelson has used his love of repairing, simple explanations, and brief tutorials to help millions of people with repairs of their own. Outside of YouTube, his ‘to-the-point’ style of teaching has created instructional and informational videos for manufacturers and factories around the world.


STEAMEng

Practical Engineering – Grady Hillhouse is a civil engineer in San Antonio, Texas. His channel aims to increase exposure and interest in the field of engineering by highlighting the connection between the world around us and the energy, passion, and thought that goes into making it a nicer place to live.

 


STEAMArt

Nick Zammeti – A woodturner and artist based in the United Kingdom, Nick Zammeti thrives in funky and creative projects fueled by a healthy love of pop culture, especially Back to the Future.

The Smugglers Room – Building something out of nothing with a Star Wars flair is the order of the day in the Smugglers Room.

 


STEAMMath

8-bit Music Theory – This YouTuber loves music, video games, and analyzing and talking about music from video games. He promises that if you are a big nerd, you’ll love it too!

 


STEAMMulti

Frank Howarth – A Portland, Oregon-based architect and woodworker, Frank Howarth uses stop-motion animation to demonstrate his design and building process for a variety of projects and art pieces.

 


If you have any suggestions for STEAM Saturday, please leave them below in the comments. If your suggestion is used, your name will be credited.

Disclaimers: Any sponsored content or advertising presented in videos and/or links highlighted in STEAM Saturday are not necessarily endorsed or supported by Creative Criticality. Pursue such content and offers at your own risk. The links and videos attached to this post were publicly available at the time of publication, but there is no guarantee of availability after publication.

Thanks for stopping by. I hope that something inspired you to get out there and explore the universe.

cc-break

STEAM Saturday is a celebration of curiosity and imagination through science, technology, engineering, art, and mathematics, the very building blocks of the universe around us.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Execute Chapter 66

Culture on My Mind

Culture on My Mind
Execute Chapter 66
June 2, 2022

This week, the Dragon Con American Sci-Fi Classics Track talks about Star Wars on the franchise’s 45th anniversary.

On May 25th, Joe Crowe and Gary Mitchel were joined by the crew of Execute Chapter 66, a podcast that celebrates the literary side of the Star Wars universe. These podcasters included Beth Van Dusen (on Twitter), Chad Shonk (A Feat of Lunatic Daring), and Ryan Schweck (whose primary internet presence is the podcast). They were also joined by filmmaker John Hudgens (IMDb).


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be on June 2nd. The future of these panels includes some vampires and a discussion of Saturday cartoons. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

cc-break

Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – The Classic Stephen J. Cannell

Culture on My Mind

Culture on My Mind
The Classic Stephen J. Cannell
May 23, 2022

This week, the Dragon Con American Sci-Fi Classics Track celebrates the man marked by that fancy title card with the typewriter and the flying papers.

You know, this one.

Gary Mitchel was joined by Kevin Eldridge (The FlopCast) and Nathan Laws (The 42Cast) for a celebration of ’70s and ’80s TV action stylings. Cannell was one of the most prolific television creators in history and practically defined the 1980s. He was the pen behind The Rockford Files, Baretta, The A-Team, Hunter, 21 Jump Street, The Greatest American Hero, Tenspeed and Brown Shoe, and more.

It’s only fitting that the Classics Track celebrates this classic producer.


These Classic Track Quarantine Panels will be held once every two weeks (or every fortnight, if you will). If you want to play along at home, grab your internet-capable device of choice and navigate the webs to the YouTube channel and/or the group on Facebook. If you join in live, you can also leave comments and participate in the discussion using StreamYard connected through Facebook, YouTube, and Twitch.

If you want to connect with the track, Joe, and/or Gary on the socials, you can find them on Twitter (ClassicTrack, JoeCroweShow, and sneezythesquid) and Instagram (SciFiClassicTrack, JoeCroweShow, and Gary_Mitchel). And, of course, to celebrate more pop culture awesomeness, you can find Dragon Con all year round on the internet, Twitter, Instagram, and Facebook.

The next panel will be a special on May 25th. You can find all of this and more every other Thursday as the American Sci-Fi Classics Track explores the vast reaches of classic American science fiction.

The episode art each week is generously provided by the talented Sue Kisenwether. You can find her (among other places) on Women at Warp: A Star Trek Podcast.

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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Culture on My Mind – Star Trek: Picard

Culture on My Mind

Culture on My Mind
Star Trek: Picard
May 16, 2022

I have been wrestling with my thoughts on Star Trek: Picard since the second season wrapped on May 5th. 

The series overall has been frustrating for me. It is laden with some great philosophical and socio-political ideas – a hallmark of Star Trek since 1966 – but it frequently misses the mark when actually exploring these ideas.

First, I want to point to the excellent season reviews by Jessie Gender. She has captured a lot of my conflict with this series in these analyses, highlighting many of the elements that I loved and disliked.

Season One:

Season Two:

In Season One, I loved seeing civilian life in the Federation and the aftermath of the destruction of Romulus, something that was born rather hand-wavedly in 2009’s Star Trek film. The world-building grabbed me as it showcased complicated interstellar politics and a Starfleet that had moved on from the troublesome climax of Star Trek: Nemesis.

I rather liked the deconstruction and organic redemption of the former Borg. I liked the idea of the Federation trying to help the fractured and displaced Romulan people, following on from the ground laid in Star Trek: Nemesis. I liked that Jean-Luc Picard actually stuck to his principles and resigned from Starfleet when they refused to back that program. I liked that Starfleet rejected the former captain’s hubris when he demanded a starship to solve the mystery because of who he was.

I liked the Star Trek exploration of Brexit, Trumpism, and the Syrian refugee crisis. I loved the Troi-Riker family and the exploration of trauma. I loved Picard having to face the skeletons in his closet by examining and reconciling his failures. I loved the conclusion of the Picard-Data relationship.

But then we get a Romulan anti-synth religious cult, a lack of resolution on threads like Seven’s adaption of the Borg Queen persona and Narek simply fading into the background, handwaving “space magic” tools and fixes, huge fleet space battles, and yet another galactic-scale conflict teasing a Lovecraftian big bad that we’ll likely never see again. It’s representative of the writers having far too many ideas and not enough time to implement everything to their full potential. That’s where the frustration started for me because each of these ideas ends up half-baked by the final episode.

At the end of the season, the entire synth ban is resolved far too quickly, but Picard’s status is right up Star Trek‘s alley with the mission to seek out new life. I really liked the idea of Picard being resurrected into a synth body that is virtually indistinguishable from “real” life.

Season Two starts off well enough with Picard back in true form and Starfleet being… well… Starfleet. The gang gets back together just in time to meet up with the Borg Queen and consider her application for provisional status in the Federation.

Then everything goes boom and Q pops up, leaving our heroes in an alternate fascist universe that is definitely not the mirror universe.

It’s a decent starting point. I could do without using the Borg once again, but John de Lancie is magnificent. However, it starts to slide downhill from here as the next two episodes rely on nearly the exact same plot as we go from the Prime Universe to this fascist universe to Los Angeles 2024: Figure out the new setting, get everyone back together, develop a plan, and move to the next episode. 

The rest of the season is spent in 2024 (with hardly a mention of the events of Deep Space Nine‘s “Past Tense”) exploring various tangents and failing to analyze the effects of the time jump.

  • The team rescued the Borg Queen from the Confederation future in order to slingshot around the sun and travel to 2024. Even though she shares some kind of temporal link with every universe’s Borg Queen, she’s not the Prime Universe’s Borg Queen, so her existence could very well create a paradox when our heroes succeed.
  • The team is obviously from a future alternative to the Prime Universe because Guinan has no idea who Picard is. The events of The Next Generation‘s “Time’s Arrow” never happened, and given the Confederation’s aggressively xenophobic nature, the Devidians were probably slaughtered anyway.
  • But, wait! The Kirk Thatcher guy on the bus from Star Trek IV: The Voyage Home seems to recall getting nerve pinched by Spock. The planet also remains intact, so something had to stop the whale probe. Did Kirk and company still travel back to retrieve George and Gracie?
  • Finally, do our heroes have the right to “fix” the universe? Star Trek‘s “fix the timeline” stories usually stop a bad thing from happening so that the starting and ending points are the same. The crew starts in the normal timeline, someone goes back and breaks something, and our heroes go back and fix it to keep the timeline as it should be. The deviation here is that our heroes started in the Confederation’s future. In order to put events in 2024 on the path to the Prime Universe, a handful of time travelers have to decide the fate of billions of people and eradicate an entire existing timeline. Those ethical implications were never discussed. 

Q claims that he dropped the cast in the Confederation timeline to teach Picard a lesson. The key to fixing everything was ensuring that Picard’s astronaut ancestor successfully launched on her mission and discovered an alien microbe.

Strangely, Q attempted to snap Renee Picard out of existence halfway through the season. Why? Who knows.

We also meet more of the Gary Seven-style observers (yay!) and tie them into Wesley Crusher and the Travelers (I can buy that, though there was zero build-up to that revelation). Rios has an adventure with a local doctor and immigration officials (but we never explore the sociopolitical implications of immigration in the United States of 2024) before deciding to remain in the past. Seven and Raffi explore their own traumas, as well as plumb the depths of the relationship that was spawned by a random (and unearned) hand-holding flirtation in the first season.

One of Raffi’s traumas? Elnor, who was brutally murdered in the second episode and popped up periodically to justify keeping Evan Evagora in the opening credits. Seriously, he was criminally under-used in the second season.

Picard also faced his own trauma by uncovering the memories of his mother’s suicide. That came with a host of good and bad issues. The good was a discussion of mental health and using it as the framing device for Q’s lesson on Picard’s anxieties. Star Trek has done some good work in the last few years to address trauma and mental health. It’s a reminder that mental health is important for all of us, and also how we need to understand how it shapes us so we can unlock our potential.

On the downside, they dragged that storyline on forever with nary a mention of why it never came up before during his long self-imposed exile at the chateau.

We also spent an entire episode with Picard and Guinan in FBI custody running through a throwaway sidequest. I haven’t even mentioned the Adam Soong storyline because… yeah… yet another Soong means yet another Trek trope. Brent Spiner plays evil so well, but this story thread did nothing for me. 

Oh, and the trauma Jurati experienced in Season One? Hand-waved away. That made me angry.

Where Season One started frustrations with half-baked and abandoned ideas, Season Two capitalized on it in spades. Season Two had a ton of potential to explore, but it did not flow gracefully from idea to idea. Instead, it introduced concepts and then rapidly resolved them through easy yet uninspired tropes.

The whole thing resolves in a predictable manner with the Borg Queen needing Picard to lead a defense against yet another galaxy-killing event.

The end of the season brings a huge cast shake-up leading into the final season of the show. Isa Briones, Eva Evagora, Alison Pill, and Santiago Cabrera are done, which leaves room for the TNG regulars to come aboard.

Picard-3-cast-announcement

Where I would normally be excited to see these characters back in action for what is essentially TNG Season 8, I temper that excitement with the show’s performance so far. The characters and franchise deserve far better than a collection of loose story threads that defy cohesion.

While I have loved the new characters in general, I would have rather seen a single season of this show with the TNG characters on a final mission with Picard as he rectifies his mistakes and even sacrifices himself to save the day.

Will I watch Season Three? Yes, but with trepidation, because Star Trek: Picard has definitely been my least favorite series in this modern era of the franchise. It might even be my least favorite overall.

The storytelling potential deserves better.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.