Culture on My Mind – A Career in a Coffee Mug

Culture on My Mind

Culture on My Mind
A Career in a Coffee Mug
March 3, 2023

The Navy, Marine Corps, and Coast Guard have a tradition.

Well, okay, they have a lot of traditions. Trust me, as a Navy veteran, I know this all too well. But one of the fascinating ones among the senior enlisted and the mustangs (a commissioned officer who began their career as an enlisted service member) centers on their coffee mugs.

Coffee is life blood in the military. From long hours spent on watch to even longer hours spent performing collateral duties, the cups of caffeine can be just what you need to keep moving. Ships usually have a set of coffee mugs available for use in the coffee mess – the space authorized for preparing and dispensing coffee and assorted accoutrements – but Sailors, Marines, and Guardsmen also have their own personal mugs. The senior enlisted, known as non-commissioned officers (NCOs) in the Marine Corps and Chief Petty Officers (CPOs) in the Navy and Coast Guard, also tend to have special personal mugs. Some of those special mugs come with command iconography and such, leaving no doubt as to whose mug is whose.

The tradition has to do with the seasoning of those mugs. You see, NCOs and Chiefs typically take their coffee black and believe that not washing their mugs is good luck. The coffee stains on the inside of the mug build up over time, effectively telling the history of the mug and its owner. The more sludge in the mug, the more experience the owner has.

One example comes from the Naval Historical Foundation and Coast Guard Senior Chief Darcy Collins, as found on the Navy History Tumblr page.

seasoned mug

Some studies suggest that the practice isn’t that unhealthy so long as you don’t share the mug with anyone and drink the coffee black with neither cream nor sugar. In fact, the Navy Times picked a few suggestions from the fleet for the perfect mug, including drinking coffee black, drinking the entire mug, and even seasoning it with leftover grounds like a cast-iron skillet.

The last suggestion on the list is the most important for any servicemember: Don’t wash the mug. Ever. If the owner washes it, the respect for them goes overboard. If a junior member washes it, even through ignorance or on a dare, there is no end to the harassment that they will endure at that command and beyond.

After all, the fleet talks and reputations have long lives.

I’ve seen my share of deeply seasoned mugs, but my personal mug only had minimal stains. I take my coffee with cream/milk and sugar, and I also prefer to drink from clean vessels. I’m a bit of a germaphobe that way.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp: Class Summary

Timestamp - Class Summary

Class was far from the strongest entry in the Doctor Who universe.

The concept was a great idea, effectively introducing a Buffy the Vampire Slayer-style ensemble into the mix with a group of classmates fighting evil to defend their school. What we got was a dysfunctional troupe that made the Torchwood team look like the model for lining up ducks.

My core complaint throughout was how the Coal Hill Defenders couldn’t gel as a functional team. Despite having a common enemy and goal, everyone remained selfish and isolated. The writing certainly didn’t help since it was often nebulous – Steven Moffat’s tenure on Doctor Who is no stranger to that – but lacked the magic of the main show’s adventures.

Unfortunately, the lack of a hook in this series robs us of the more interesting threads that would have driven the second series of episodes: The implications and fallout from Charlie’s genocide, April’s new conflicted existence in Corakinus’s body, and the mystery of The Arrival (which would have taken us to the Weeping Angel homeworld and explored a civil war among them).

Maybe these can find a home in the future.

Overall, Class finishes with a 2.7 score. That’s lower than Torchwood: Miracle Day (which scored 2.9) and Series Three of The Sarah Jane Adventures (which scored 3.3). There is only one set of Doctor Who episodes that scored lower (the Twenty-Second Series scored a 2.5), placing this collection at about 36th place (out of 37) compared to the main show.

For Tonight We Might Die – 3
The Coach with the Dragon Tattoo – 2
Nightvisiting – 2
Co-Owner of a Lonely Heart & Brave-ish Heart – 4
Detained – 2
The Metaphysical Engine, or What Quill Did – 3
The Lost – 3

Class Average Rating: 2.7/5


With the spinoffs out of the way, the Timestamps Project will now pick up where it left off with Peter Capaldi, Series Ten, and the Twelfth Doctor’s final adventures. After that, it’s a straight shot through the Thirteenth Doctor’s run. If everything stays on course, the Timestamps Project will catch up to the Doctor Who televised universe around the 60th anniversary later this year.

UP NEXT – Doctor Who: The Return of Doctor Mysteriocc-break

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #CLS7: The Lost

Timestamp CLS7 - The Lost

From the shadows rises a cliffhanger.

Six days after the detention events, bad omens rise as April debuts her song The Lost on a café stage. The Lost is obviously about the Coal Hill Defenders and their families. Of that group, Ram suffers immediate loss as his father is murdered by Corakinus. As his father disintegrates, Ram is confronted by the former Shadow King who says, “One.”

Matteusz visits Charlie and questions why Miss Quill isn’t restrained. She’s a threat to him if she awakens, but Charlie cannot bring himself to put her back in chains. When Quill awakens, she’s surprised to be pregnant but demands to have her gun. Meanwhile, Ram tells April about his father and she begins to spread the word. The only one who stands apart is Tanya, who immerses herself in her studies until Corakinus murders her mother. Tanya seeks solace with Miss Quill and asks to use the cabinet to seek vengeance.

The deposed Shadow King sets his sights on April’s mother next, holding her as ransom on the condition that April joins him. Charlie and Matteusz arrive with Quill’s gun as Corakinus reveals who he has killed thus far. Corakinus attacks Charlie with shadow, casting it on his heart and linking them together. After Corakinus leaves, Ram chastizes the group for their inaction before storming away. April gives chase but refuses to go with him and leave her mother unprotected.

Charlie and Matteusz petition Dorothea Ames (at gunpoint) for help. Ames takes them to a staff entrance for EverUpwardReach (a foundation of the Governors) but refuses to let them in. She does, however, speak of The Arrival before disappearing inside the mysterious room. She returns with news that they have a problem. The Shadow Kin are coming.

Miss Quill and Tanya take the cabinet to Coal Hill Academy. As Corakinus attacks Tanya’s brothers, April rushes to the school and Quill fights him hand-to-hand. After Corakinus retreats, Quill gives Tanya advice and defense training. April calls Ram and leaves him a message declaring her love for him before paying her respects at the Coal Hill honor board.

Tanya demands that Charlie kill the Shadow Kin, but he knows that doing so will kill April. Corakinus takes Matteusz hostage as April arrives and offers herself in exchange. Charlie is reluctant to let her go, but April convinces him otherwise. As Ram listens to April’s message, the Shadows arrive and begin their assault on Earth.

April reveals that the Shadows will kill everyone regardless as part of the King’s command, and Charlie shoots April to eliminate the Corakinus. Ram arrives in time to catch April as she falls lifeless to the floor. The Shadow Kin stand still as Charlie assumes the role of king and activates the Cabinet of Souls. Matteusz begs Charlie to stop, knowing that this will kill every Shadow Kin including their new king, but Charlie tells him that he’s already dead. Quill and Tanya defend Charlie as he activates the weapon and destroys the Shadows. The act also removes the Shadow from Jackie MacLean’s legs, consumes The Underneath, and resurrects April in Corakinus’s body. Charlie, meanwhile, must live with the sacrifice and his actions.

Because Dorothea Ames was unable to prevent Charlie from using the cabinet, she is sacrificed by the Governors to a Weeping Angel. The head of the organization promises the Angels that they will be ready for The Arrival.


In a somewhat intriguing ending, we find two who are the last of their kind (Charlie and Quill) giving rise to a third (April as Corakinus, the now last of the Shadow Kin) by sacrificing the remnants of the Rhoadian species. It’s powerful stuff, but it’s tainted by the fact that the team still doesn’t fight like a team and the decisions that each member makes are unilateral.

The challenging parts of this story are related to the Governors and the Weeping Angels. We get the revelations that the Governors are driving the space-time tears in support of The Arrival (whatever that is) and the Weeping Angels. Since this particular story thread remains untethered in the time since this episode aired, maybe it is fodder for the Doctor in a future adventure.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Class Summary

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – Willow

Culture on My Mind

Culture on My Mind
Willow
February 13, 2023

At the end of November 2022, the revival series for Willow premiered on Disney+. The original film from 1988 is a cult classic that was originally written by George Lucas, scripted by Bob Dolman (Far and Away, SCTV), directed by the legendary Ron Howard, and starred Warwick Davis, Val Kilmer, and Joanne Whalley. It also showcased the incomparable Jean Marsh as the villainous Queen Bavmorda, and she left no pieces of scenery unchewed in her performance.

The story is a basic sword-and-sorcery plot that has unlikely heroes racing to protect a mythical chosen one from the elements of evil. This film came from a time period saturated with sword-and-sorcery, including the Conan the Barbarian entries, DeathstalkerThe BeastmasterDragonslayerKrull, and so on. In that light, Willow is a tongue-in-cheek love letter that both parodies and celebrates the genre.

The story revolves around the age-old trope of an infant Chosen One, which is addressed by the evil queen executing a toned-down Massacre of the Innocents by imprisoning all of the pregnant women in her domain. When the foretold newborn escapes, she ends up floating down the river – another biblical parallel and fantasy trope – and landing in the arms of Willow Ufgood. The halfling Nelwyn is the heart and soul of this film and ends up taking an epic journey to deliver Elora Danan to her destiny.

Since the Nelwyn are socially secluded, like the Hobbits of Tolkien’s masterworks, Willow’s initial instructions are to travel only long enough to leave the baby with the first Daikini (“tall person”) that he can find. That person is Madmartigan, a mercenary who reluctantly joins the quest in an attempt to keep doing what rogues do. Willow also answers the call of becoming a sorcerer with the help of brownies – an interpretation of the Scottish hobgoblin lore and analogue to fairies – and the fairy queen Cherlindrea.

The tropes keep coming with a cursed enchantress who Willow needs to restore to human form, plenty of fantastic creatures to slay, and a love interest for Val Kilmer (literally, since he later married the actress) in Joanne Whalley’s Sorsha, warrior daughter to evil queen.

No joke: Sorsha finds ultimate redemption by falling in love with Madmartigan. Even Willow isn’t safe from missteps like this.

The movie rockets onward with several more light-hearted fantasy and comedy tropes, including hiding from troops by wearing women’s clothing, a high-speed duel between goons on horseback and our heroes in a rickety cart, a perilous race down a snowy mountainside on a shield (ala Indiana Jones and the Temple of Doom), and a couple of swashbuckling swordfights.

In the end, Willow defeats the evil queen by slight-of-hand and everyone’s happy once again.

All told, the film is a fun romp with a ton of heart and soul. It is effectively a light Dungeons and Dragons campaign. Rather, a corny screwball teenage fantasy where kids could see themselves in the starring roles. It was unique in this regard since most fantasy fare focused on a big shirtless musclebound hero like Schwarzenegger’s Conan, but Willow provided representation for empathic and non-athletic people like me through Willow himself. It’s easy to see why it became a cult favorite, especially considering the easily accessible (and modern for the time) humor spread throughout. Val Kilmer has a major hand in that since he ad-libbed the majority of his lines, effectively carrying his role through the power of charisma.

George Lucas originally conceived of the story in 1972 as a means to present well-known mythological situations to a younger audience, which seems to be a standard for his style. He also tailored it for Warwick Davis after being impressed with the young actor during Return of the Jedi. Davis obviously had a ball in the role, and the only reason that he doesn’t have top billing is studio politics.

The big stumbling block was visual effects technology, which he finally found to match his vision in the mid-1980s. He approached Ron Howard based on their strong relationship and, based on the story, Howard recommended Bob Dolman. Lucas admired Dolman’s style and work on the sitcom WKRP in Cincinnati.

The film itself was rejected by various film studios because fantasy was taking a downward turn according to the performances of KrullLegendDragonslayer, and Labyrinth. Lucas called in a favor with Alan Ladd Jr. at MGM since the studio head was in charge at 20th Century Fox when Lucas pitched Star Wars

Of course, Industrial Light & Magic handled the visual effects, including the first use of digital morphing technology that would later be used in Indiana Jones and the Last CrusadeTerminator 2: Judgment Day, and  Star Trek VI: The Undiscovered Country. The score was written by James Horner, a well-known film music composer in the 1980s (and beyond) who played with metaphors and the spiritual side of mythology and music history. His score was influenced by Leoš Janáček’s Glagolitic Mass, Mozart’s “Requiem”, Béla Bartók’s “The Nine Splendid Stags”, Edvard Grieg’s “Arabian Dance” for Peer Gynt, and the works of Sergei Prokofiev. Most notably, “Willow’s Theme” paraphrases part of the theme of the first movement (“Lebhaft”) of Robert Schumann’s Symphony No. 3, and “Elora Danan’s Theme” references the Bulgarian folk song “Mir Stanke Le”, also known as the “Harvest Song from Thrace”.

The movie was pretty much a melting pot of cultural and technological ideas.

The film was released on May 20, 1988, and premiered at number one, but it fell well short of blockbuster expectations against Crocodile Dundee II, Big, and Rambo III. Critics were also mixed, faulting the pacing and generic story while praising The Princess Bride for doing a similar movie better. They did, however, note that kids may be hooked by it.

Willow was nominated for several awards, including Oscar nominations for Sound Effects Editing and Visual Effects and Golden Raspberry Awards for Worst Screenplay and Worst Supporting Actor. It won a Saturn Award for Best Costume Design. It has been a staple of home entertainment since it was first released to VHS, Betamax, Video 8, and LaserDisc on November 22, 1988.

There have been a few spinoff properties over the years, including a board game, three video games, and a trilogy of sequel novels that Lucas outlined and Chris Claremont wrote. Those novels, the Chronicles of the Shadow War trilogy, have since gone out of print and are allegedly disavowed by George Lucas. In 2005, George Lucas and Warwick Davis started discussing a television series sequel, which finally came to fruition in November 2022 after two years of development with Disney+.

I watched the original film for the first time in a long while before moving directly into the sequel series after the first season was completed. I can safely say that the only difference between the movie and the series is about 35 years.

We’ve gotten older. The story has evolved to meet its target audience. The heart is still the same.

Typical of fantasy tropes, evil avoids being defeated by traveling through generations, leaving a new band of heroes to take up the quest and save the world. Elora Danon is back but has no idea who she truly is. Sorcha has become a queen and had two children, each of which must contend with their lineage. The innocence and gentleness of Willow Ufgood has been transferred to Prince Graydon while Willow himself takes on the mentorship role from Fin Raziel and the High Aldwin. Princess Kit combines her father’s swashbuckling swagger with her mother’s weight-of-the-world worry. The role of jester once inhabited by the Brownies is taken up by a rogue named Thraxus Boorman.

The representation I mentioned before? It takes a new turn with a same-sex relationship, marking the first Disney+ franchise to actually focus on a queer storyline.

Typical to fantasy: Same story, different telling. This story returns to basic sword-and-sorcery stuff, but evolved through three or four decades of high fantasy and urban fantasy fare. There are elements of The Mummy franchise, Merlin, Xena: Warrior Princess, Once Upon a Time, Buffy the Vampire Slayer, and more in the mix. The tongue-in-cheek approach that made Willow a cult classic among fans still exists in the series.

The big difference that I see in the comments is that the fans who fell in love in 1988 don’t see their movie in this series. Comments like “this show resembles the Willow movie in name only”, “the tone, atmosphere and characters are completely different in style”, and “it doesn’t contribute anything unique to the genre” are telling. Neither generation of Willow hides that love is the core of their story. In fact, the sequel wears this value on its sleeve: “Love is the most powerful force in the universe.”

The original Willow fans have grown up, but remember the common thread surrounding that original film? Willow itself is geared by design to the youth of the era.

We’ve talked time and again about how representation matters. The original had its representation with women warriors and atypical heroes, and the sequel emphasizes love between consenting adults in the face of intolerance. Both of them offer representation of chosen family – a staple of Lucas’s works for generations – and the sequel takes it even further for a generation that places significant emphasis on the concept.

Fans of my generation have their Willow, and now new fans 35 years later have their Willow, too.

Modern dialogue is easy to access. Modern plot devices are easy to access. Even the use of modern music – an element of the new series that I don’t like, especially since I can’t find a relevant theme consistent with the song and its respective episode – is something right out of the fantasy properties for this generation. I’m not a fan of today’s vampire and werewolf shows, which are contemporary fantasy vehicles, but I catch enough of their elements when they’re playing in my house. The use of modern music instead of a soaring closing theme is the way of things today in that genre.

The argument that the series doesn’t contribute anything unique to the genre is a non-starter for me. The original Willow was a mash-up of fantasy tropes. It was not original, but it was unique because of its heart. The new series is no different.

The sequel series and the original film are fun pieces of fluff with a ton of heart and representation for days. Neither of them is high art nor my favorite thing in the world, but they are beacons of joy for two distinct generations in the hue and cry of our daily drudgery. If that’s not for you, that’s fine, but don’t stand in the way of that happiness for someone else.

It is for that simple joy and what it brings to people that I appreciate both versions of Willow.


Both Willow (1988) and Willow: Season One are available to stream on Disney+. Willow (1988) is also available on DVD and Blu-Ray wherever fine physical media is sold.


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #CLS6: The Metaphysical Engine, or What Quill Did

Timestamp CLS6 - Metaphysical Engine

Meanwhile, not in detention…

Miss Quill locks the students in detention and then goes to see Ms. Ames in the school hall. The goal is to remove the arn, but Dorothea Ames warns Quill that the process may kill her. Quill replies with her best “give me liberty or give me death,” and they begin as a man named Ballon arrives. They are miniaturized and transported inside a mysterious device that Ames pulls from her satchel.

In a moment, the trio materializes inside an alien forest. Ames tells Quill to remember her earliest childhood memory while Ballon goes hunting. Ballon returns with a dead animal that he claims is an arn, lured by the bait of Quill’s memories. Extracts from the young arn corpse will help extract the creature from Quill’s head.

Ames adjusts the device again, explaining that it is a metaphysical engine capable of transferring individuals into a thought or belief. In this case, the forest is the idea of heaven for the arn. The trio warps out again as Ames explains that the Governors study the tears in spacetime at Coal Hill. She also reveals that Ballon is a Lorr shapeshifter (who posed as a Zygon before being frozen in one form and apprehended for murder) and Quill’s surgeon. They arrive in the Lorr version of hell and encounter the Lorr devil, from which they must extract blood to free his hands. Ballon overcomes his fear and completes his task with Quill’s help.

The next step in the fetch quest is finding the brain of a Quill so that Ballon can learn anatomy. They travel to Quill heaven – which Miss Quill says shouldn’t exist – to witness the Quill goddess’s birth. Once they find it, Miss Quill attacks the goddess in fury over her people’s genocide. Before the goddess can speak to Quill, Ballon decapitates it to rid Miss Quill of her fear.

The arn begins to pain Miss Quill, indicating that she believes that the surgery will work. The trio returns to Coal Hill and Ballon completes the surgery, having bonded with Quill over their shared sense of exile. The surgery results in an extreme disfigurement to Quill’s face, Ballon uses the flesh of the Lorr devil to heal her, leaving a scar behind. Quill sees this as a mark of honor for a soldier, then celebrates victory by having sex with Ballon.

When the couple rouses from their recreation, they explore the school in search of Ames. They eventually find her standing in a vast desert and she tells them that Coal Hill was an illusion. They are actually standing in the Cabinet of Souls and she is a hologram being projected from the outside world. The Governors only left enough energy for one of them to return to Earth and Ames suggests a fight to the death after giving Quill her trademark gun and Ballon the news of his niece – the only other living member of his species – living on Earth.

Oh, and time flows differently inside the Cabinet, so the time to decide is now.

They decide to fight and Ballon overcomes Quill before taking up the gun. Quill demands that he shoot her with honor, but Ames has left one last surprise: The gun is coded to shoot the person holding it. In the end, Quill buries Ballon’s body in the sand and gazes upon the souls of the Rhodians as they materialize around her. She tells them that she wishes that they were dead.

Quill returns to the real Coal Hill and discovers that several months have passed for her despite being gone for only 45 minutes in real-time. She tells her students about the arn and collapses, revealing that she is now several months pregnant.


It’s a shame that this much mythology comes so late in the game for Class, particularly since the concepts of the Governors and the afterlives visited in the metaphysical engine are so rich. I’m intrigued by the Quill and Rhodian people from before the show, and equally intrigued by the relationship between UNIT and the Governors. Sadly, with one hour left in the series, I feel that we’ll get none of it.

One fun thing was studying the metaphysical engine’s interior. It is obviously a redress of the Twelfth Doctor’s TARDIS console room with greeble-covered partitions to make the scenes more claustrophobic. In fact, the whole production seemed to be right out of the classic Doctor Who alien planet playbook. It’s easier to save money that way.

Rating: 3/5 – “Reverse the polarity of the neutron flow.”


UP NEXT – Class: The Lost

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Timestamp #CLS5: Detained

Timestamp CLS5 - Detained

Confessions, frustrations, and an uncertain future.

As four objects fall through space toward a rift, Miss Quill tosses the Coal Hill defenders into detention. She claims to have other things to do as she locks the door. Once she leaves, April unlocks the door just in time for one of the asteroid pieces to slam into the classroom. The event knocks the classroom out of sync with time and space, effectively trapping the students in detention.

Charlie realizes that Miss Quill isn’t to blame. After all, if she murdered him, the arn in her head would kill her. They note that they’re all getting more aggressive, that Charlie is experiencing extreme claustrophobia and paranoia, and that the meteor is lodged in the wall. It may also be radioactive. Matteusz grabs the meteor and tries to toss it outside of the classroom, but he’s immediately entranced, recalling the day that he came out to his grandmother. He also reveals that he’s afraid of Charlie.

April knocks the meteor from his hand and it bounces against the open doorway. As it lands back in the classroom, the defenders realize that they are truly trapped.

As the team ponders their situation, Charlie and Matteusz discuss the revelations. To calm Charlie, Matteusz talks about a place called Narnia in a book that he read. In that book, Susan judged her friend based on a single bad thing that she said, and Matteusz questions whether or not Charlie complains about his friends. Meanwhile, the team grows more aggressive and Charlie more panicky. Tanya tries to learn more about the rock and picks it up, revealing that she feels like the team doesn’t really like her.

The meteor apparently makes people tell the truth, and the team is able to discover that the rock contains a prisoner and is dangerous to them. Ram knocks the meteor free and the team takes cover to discuss this new information.

Charlie tests the boundaries of the room and demonstrates that the room is the prison. Ram picks up the rock next and reveals that he loves April more than she could ever love him. As April struggles to deny the claim, Ram passes out. When he comes to, he reveals that the prisoner is a murderer and wants to kill them all. The prisoner is one of four and its consciousness is spilt among the pieces of the meteor.

April holds the rock next and confesses that Ram’s assertions are true. She doesn’t love him as much as he loves her. She also makes the prisoner disclose that the classroom is outside of space and time and that they are all trapped there until they kill each other, unable to age or die naturally.

Everyone continues to get more and more aggravated. Charlie picks up the rock, believing that it does not have the same effect since he hasn’t been feeling aggressive. When he engages with the prisoner, he realizes that he’s more guilty than the prisoner as he culturally believes that his desire to kill the Shadow Kin is the same as actually doing it. His reactor to the prison is due to feeling that it is for him, and his guilt actually kills the prisoner. The classroom returns to Coal Hill Academy.

But Charlie introduces one last complication. The prison requires a prisoner and his guilt draws him toward the prison cell. As the rock tries to welcome him, Miss Quill enters and shoots her gun at the rock. The rock is destroyed, but as the team leaves the classroom in frustration, Charlie and Matteusz stay to ask about Miss Quill’s newfound ability to use a gun.

She now has a scar over her eye and longer hair. She has had a stressful day and the arn has been exorcised from her head.

Miss Quill is now free.


The ending and its uncertain future for the team aside, this episode does double duty in exposing schisms in the team while also forcing them to confront their inner conflicts. Unfortunately, this feels like a step backward from the last adventure since the team ends the story fragmented once more.

The confessions are important, but it feels like these characters can never be happy or in a cohesive team. Are they destined to survive through constant sorrow?

Rating: 2/5 – “Mm? What’s that, my boy?”


UP NEXT – Class: The Metaphysical Engine, or What Quill Did

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – The 2022 LEGO Guardians of the Galaxy Advent Calendar

Culture on My Mind

Culture on My Mind
The 2022 LEGO Guardians of the Galaxy Advent Calendar
January 27, 2023

2022 GOTG LEGO Advent CalendarIt’s time to talk about the 2022 LEGO Guardians of the Galaxy Advent Calendar!

My family has been doing these LEGO advent calendars since 2015 and I chronicle the daily builds on Instagram. Each of the annual box sets has been spotlighted on this site. These boxes contain twenty-four unique small builds, many of which are abstract, along with exclusive mini-figures and whimsical winter-themed spins on franchise staples. This box is the second themed after Marvel characters, specifically those of the Marvel Cinematic Universe, and leaned heavily on the recently released Guardians of the Galaxy Christmas Special.

This set continues the trend established in the 2021 Marvel calendar of building a scene or a world for the minifigures within, but it also dives a bit more into the building of abstract versions of ships and elements from the property like the Star Wars calendars. This box contains minifigs for each of the Guardians, including Star-Lord, Rocket, Nebula, Mantis, Groot, and Drax. Nebula and Drax have unique and fun prints for holiday sweaters and Groot has some blue on his body to simulate frost.

The set contains presents for the heroes – Mantis’s guitar (and her metal face) and Rocket’s BFG were my favorites – and a few deep-cuts in the movie mythos like the Kyln hoverbots. It also has a couple of nods to the holiday special itself. I thought that the Milano build and the contents of Rocket’s crate were stars of the box while the Benetar build was a bit uninspired.

There was some filler such as the snacks and the weapons rack, but overall this box set was a fun one to work through over the twenty-four days leading to Christmas. Special thanks go to Joe Heath for his advice during the building process.

Now, on to the countdown:

Day 1

Day 2

Day 3

Day 4

Day 5

Day 6

Day 7

Day 8

Day 9

Day 10

Day 11

Day 12

Day 13

Day 14

Day 15

Day 16

Day 17

Day 18

Day 19

Day 20

Day 21

Day 22

Day 23

Day 24


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #CLS4: Co-Owner of a Lonely Heart & Brave-ish Heart

Timestamp CLS4 - Lonely Heart Braveish Heart

Loads of character development in a two-hour adventure.

Co-Owner of a Lonely Heart

Far across the universe in the halls of the Shadow Palace on The Underneath, Corakinus receives word that his servants can make his heart whole again. Unfortunately, his attempts to sever the attachment to April only strengthen the connection. On the other end of that connection in Shoreditch, April gasps in pain before picking up the sword of the Shadow King.

The next day, a strange petal dances on the wind before landing on April’s window as she practices her violin. April breaks a string and cuts herself, but the power of the Shadow King allows her to heal quickly. She also shares some bad news with her mother Jackie: He father has recently been released and made contact with the family.

Ram is feeling better after connecting with April. Meanwhile, Charlie shares the truth about the Cabinet of Souls with Matteusz. Everyone heads to school where Miss Quill watches as Mr. Armitage‘s name is added to the memorial and meets Dorothy Ames, the new headteacher sent by the Governors.

Later in class, April challenges her teacher during a lesson about warfare and the Dunkirk evacuation. As she literally breaks into her locker later, it’s apparent that the Shadow King is bleeding into her psyche. After ignoring a call from her father, she asks Ram for help. While they chat in Ram’s car, several more petals fall on the city and April’s father Huw MacLean shows up. His appearance is a violation of a court order, but all he wants is the chance to apologize. When he presses the issue, April manifests as the Shadow King and scares him away.

They are confronted by Ms. Ames for their truancy and Ram is encouraged to take April home while the headteacher is bitten by a flower petal. As Ram and April talk in her bedroom, the Shadow Kin locate Earth and plot an attack. April and Ram turn from talking to romance, which has a similar effect on the Shadow King 9,000 years of space travel away. Unfortunately for him, the Shadow Kin are disgusted by the thought of intimacy during sex. Afterward, April and Ram are discovered by April’s mother.

Charlie and Matteusz discuss the Cabinet of Souls and the prince reveals that the cabinet could transfer the souls into the bodies of another race. The cabinet is a powerful weapon capable of genocide. Miss Quill is angered by the discussion and storms away.

Later on, Tanya confronts Charlie about how he lords over the team. Matteusz chimes in occasionally while also being bitten by a flower petal. In fact, the petals are growing in number. Meanwhile, Miss Quill requests time off to deal with something at home, but Ms. Ames calls her into a meeting. The new headteacher also has a file with Charlie’s true identity on paper.

Jackie confronts the two teens about their relationship. Ram acts with respect toward her, but after he leaves, Jackie expresses her concerns about Ram and the parallels with April’s father. Ram calls Tanya and tells her that April is in trouble, which is a call that Huw overhears as he lurks nearby. On the ground is a squirrel, bloodied and killed by the flower petals.

Ms. Ames shows the petals to Miss Quill, remarking that there haven’t been many squirrels or birds around. One drop of blood causes the petals to multiply rapidly, and Ms. Ames asks Miss Quill to help solve the problem. She offers to remove the creature from Miss Quill’s head and free her from the contract.

April leaves the house to make up with Ram, but her departure is interrupted by Huw. After her parents argue, April is attacked by the Corakinus and the two personalities begin to merge. The Shadow King’s servant amplifies the effort but April resists as she attacks her father. Ram arrives just as April is about to execute her father with the Shadow King’s swords. April spares his life as she returns to lucidity. The rest of the team arrives just as April turns on her mother and heals her with the Shadow King’s power.

The act displaces enough energy to reveal Earth’s location to Corakinus, so April takes the initiative and slices open a rift. She dives inside, headed toward The Underneath, and Ram jumps in after her.

Brave-ish Heart

Ram races through The Underneath as a Shadow Kin chases him. He is saved by April and her scimitars, joining her as she makes her way to the Shadow Palace. She reveals that she cannot open a rift back home, so the two of them may be trapped there permanently. Back on Earth, Tanya reveals the truth of April’s condition to her parents, and they accompany Charlie to find help. Tanya finds Ram’s father and brings him into the team.

Meanwhile, Miss Quill and Ms. Ames continue their discussions. Ms. Ames asks for her thoughts on genocide, linking her plan back to Charlie and the Cabinet of Souls. They meet up with April’s parents and Charlie and Miss Quill confronts the prince over the cabinet. She’s angry that all of the people who slaughtered her people are still alive. Ms. Ames and the Governors want to use the cabinet’s power to destroy the petals.

April and Ram make their way through a cavern that reminds the Shadow Kin that they must defeat the universe or be crushed by it. They believe that they are a mistake of the universe and destined to live as shadows beneath everyone else unless they can overpower the universe. Ram discusses his Sikh heritage with April, proclaiming that doing good for the sake of doing so means getting closer to his god. They are interrupted by a telepathic link to Corakinus. He knows where they are.

Ram’s father and April’s parents argue about their children’s relationship while Tanya talks them down. As April gears up for war against the king and his army, Jackie’s heart glows. At the Quill/Smith home, Ms. Ames, Miss Quill, Charlie, and Matteusz debate the merits of using the cabinet to save the planet. Since only a Rhodian can operate the cabinet, Ms. Ames threatens Matteusz’s life to force Charlie into action. Tanya escorts everyone to the headteacher’s office as Matteusz sends her a text message. Apparently,  according to Ms. Ames, shadows can kill the petals. But bringing the Shadow Kin to Earth is a non-starter even though the petals are now consuming humans.

April engages Corakinus in a one-on-one battle where the victor becomes the new king. As they duel, the connection between Jackie and April intensifies. Using that connection, April opens a rift and she is joined by her father and Ram’s father. April finally defeats Corakinus. Huw talks her out of killing the king, and April declares that defeat is enough to depose Corakinus. The newly-crowned king has Corakinus locked away before she returns to Earth.

Under duress, Charlie decides to use the cabinet, but Matteusz is able to ambush Ms. Ames and throw her gun away. He stops short of committing genocide when April opens a rift and dispatches the Shadow Kin against the petals. Once the threat is obliterated, April orders the shadows to return home and destroy the path along the way.

Inside his cell, Corakinus severs the link that his followers created. April’s powers are gone, but they still share the same heart. Fortunately, the actions she took with the powers remain, including her mother’s ability to walk again. Her family is healing, but she needs Huw to stay away until the MacLean women can forgive him.

Meanwhile, Ms. Ames reveals that the Governors foretold all of this. The offer for Miss Quill still stands.


This should have come a lot sooner in the series. There is so much character development in this pair of episodes and it is a shame that we had to trudge through two really thin and slow plots to finally reach it.

I love seeing the weight on Charlie’s shoulders as a deposed prince, the last of his people, and the pressure placed upon him by his former enemy now turned indentured servant and protector. Miss Quill is hungry for revenge for her people and she’s willing to make a deal with the devil to get it. These two living under the same roof is delicious tension, particularly as Matteusz tries to tread the thin line of armistice between them.

We got a glimpse of Tanya’s leadership last week, and this week brings it back as she wrangles the personal conflicts between April and Ram’s parents while trying to save her friend. April and Ram continue to develop their new relationship, and they both show intense boldness alongside brilliant empathy. April’s personality tempers her heart – a most appropriate weakness for her empathy – with her wisdom, making her my favorite character of the bunch.

I also love that she’s practicing “Night Visiting” on her violin. A follow-on from that previous story, it’s a song inspired by legends about the spirits of deceased loved ones. Those spirits would knock on their living relative’s windows at night and appear as either warnings of danger or as an escort to drag their living relatives to Hell. It seems to have stuck with April, especially since she’s a student of folk songs.

Finally, in a neat bit of trivia, Charlie’s last name is Smith. Presumably no relation to the other Smiths that we know, either Time Lord or journalist.

Rating: 4/5 – “Would you care for a jelly baby?”


UP NEXT – Class: Detained

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

Culture on My Mind – The 2022 LEGO Star Wars Advent Calendar

Culture on My Mind

Culture on My Mind
The 2022 LEGO Star Wars Advent Calendar
January 20, 2023

2022 SW LEGO Advent CalendarIt’s time to talk about the 2022 LEGO Star Wars Advent Calendar!

My family has been doing these LEGO advent calendars since 2015 and I chronicle the daily builds on Instagram. Each of the annual box sets has been spotlighted on this site. These boxes contain twenty-four unique small builds, many of which are abstract, along with exclusive mini-figures and whimsical winter-themed spins on Star Wars staples. This box leaned on the recently released LEGO Star Wars Summer Vacation special.

Despite the Summer Vacation links, however, this set also tied in some holiday cheer and sampled various aspects of the Star Wars library. It started with the prequel era (with a brief nod to The Bad Batch), then hopped into the classic era (with a small bounce into Summer Vacation), before wrapping up with a Santa-themed GNK droid.

The holiday sweater-clad C-3PO and R2-D2 were so much fun to see, as was the beach bum Darth Vader with his snorkel fins and sand castle. The abstract mini-builds were all well done and I adored the ability to hang Luke Skywalker from the Wampa cave. The snowtrooper was a big hit in our household since LEGO took time for representation and gave us a black woman beneath the helmet. That was a great surprise and I hope they have more like them in the future.

Even the basic fillers like a B1 battle droid and a weapons rack didn’t take away from the fun, leaving 2022 with one of the best Star Wars advent calendars in recent memory.

Now, on to the countdown:

Day 1

Day 2

Day 3

Day 4

Day 5

Day 6

Day 7

Day 8

Day 9

Day 10

Day 11

Day 12

Day 13

Day 14

Day 15

Day 16

Day 17

Day 18

Day 19

Day 20

Day 21

Day 22

Day 23

Day 24


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Culture on My Mind is inspired by the weekly Can’t Let It Go segment on the NPR Politics Podcast where each host brings one thing to the table that they just can’t stop thinking about.

For more creativity with a critical eye, visit Creative Criticality.

Timestamp #CLS3: Nightvisiting

Timestamp CLS3 - Nightvisiting

When memories become weeds.

On the two-year anniversary night of Tanya’s father’s death, she is visited by something that resembles him. She doubts his appearance, believing that he is a hallucination, but the being has actual memories of their lives together. If she takes his hand, her grief will be gone forever.

A similar apparition visits Miss Quill, posing as her sister and promising that she can use a gun again if she accepts the bargain. Ram also gets a visitor in the form of Rachel while he video chats with April. Meanwhile, Charlie and Matteusz hook up after the former consoles the latter about his family’s homophobia.

Tanya returns to her room to talk with her “father” after checking in with her mother. She presumes that her mother is asleep but doesn’t notice that the woman is entangled in the alien vines. Both Tanya’s and Quill’s apparitions explain that they are the Lankin, an organism that feasts on a victim’s grief while killing them. They are all connected to the “great trunk” by vines running throughout the city and can presumably read their victims’ minds to emulate essential memories. The vines are also self-healing.

Ram and April rendezvous outside and try to work out this invasion. April reveals that her father attempted to kill himself by driving off a bridge when she was eight. Unfortunately, both she and her mother were in the car, resulting in her mother’s paralysis. April focuses on the things she loves to prevent the memory from controlling her life, and she uses this power to console Ram.

Ram and April follow the vines to Coal Hill and then follow the one into Tanya’s flat. Tanya struggles with the memory of her father since the Lankin only gets more aggressive about feeding on her grief. Ram and April arrive and warn her about the threat, but Tanya takes the Lankin’s hand. Unfortunately for the vine-creature, Tanya has more anger than grief toward her father’s memory. The anger poisons the creature but doesn’t weaken it enough.

Quill outright rejects her nightvisitor’s offer and eventually has Charlie and Matteusz stab the creature. They join up with the others to fight the threat. They finally defeat it after Quill steals a bus and rams it through the tentacles, forcing the broken links to retreat into the rift. Everyone seems fine afterward, and most of the victims have amnesia about the event.

The adventure ends as new bonds are forged within the team: Charlie offers space in his home for Matteusz while April and Ram continue to bond over their time together.


There’s not much to talk about here.

The episode tips its hand too way early by exposing that the ghosts of loved ones past are an alien tentacle invasion. While it does a good job of exploring the deeper hurt within the core team members, it spends a lot of time meandering through the 45-minute runtime before spending about five minutes actually fighting the threat.

The good side is that we see the team being proactive (in pieces, anyway), and admitting that they are gelling together after the threat is defeated. Hopefully it means that we’ll see them taking action more often in the remainder of the series run.

Rating: 2/5 – “Mm? What’s that, my boy?”


UP NEXT – Class: Co-Owner of a Lonely Heart & Class: Brave-ish Heart

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The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.