Month: December 2015

Timestamp #52: Doctor Who and the Silurians

Michael Falkner19 Comments

Doctor Who and the Silurians
(7 episodes, s07e05-e011, 1970)

Timestamp 052 Doctor Who and the Silurians

 

Nothing good ever comes from spelunking in genre shows.

This serial focuses on a cyclotron proton accelerator being used to research atomic power for the country. It is having security, personnel, and scientific problems, and who else do you call in for such things than a paramilitary organization, a Ph.D., and a time traveling alien? The facility has been having major power drains, which have been covered up in an attempt to help a race known as the Silurians. These reptilians aren’t really aliens per se, since they were really the planet’s original inhabitants before the rise of humanity. People who have encountered the Silurians are either killed by fear or sent into a catatonic state. Additionally, their very presence seems to have affected the cyclotron’s staff, all of whom suffer from fear-based neuroses. The Silurians retreated into hibernation chambers when they saw a strange planet crashing toward the Earth – that “planet” turned out to be the Moon falling into its orbit – but couldn’t be revived again without a sufficient power source like the cyclotron.

The Doctor eventually encounters the leaders of Silurians and nearly brokers a peace that would allow them to be assimilated into the modern Earth population, but a younger impatient upstart kills the leader and unleashes a bacterial infection on the planet to kill humanity and leave the planet for the Silurians alone. They also plan on eliminating the Van Allen Belt and irradiating the planet. Go big or go home, eh?

The Doctor tricks the Silurians by overloading the reactor and threatening to irradiate the area for at least 25 years. He stops the overload after the Silurians leave, and the younger Silurian is killed in defending the Doctor. The rest are placed in hibernation, and the Doctor wants to study them and negotiate a peaceful resolution. The Brigadier instead destroys all of them, which (rightfully so) disgusts the Doctor.

This Doctor is much harder to judge emotionally based on his reactions. He seems shocked to see the Silurian, but instantly turns congenial. Is he good at playing shocked, or good at rapidly overcoming it? I also liked his new wheels: The canary yellow Edwardian roadster named Bessie, complete with registration of “WHO 1”. He also can’t find his sonic screwdriver, and I couldn’t quite figure out if he was using it to fix Bessie or if it was lost in the fallout from The War Games.

I wondered about the dinosaur that the Silurians kept in the cave network. Was it also kept in hibernation? I assume so, since it wouldn’t have survived so long without a food source, but then why did they pick that particular dinosaur? I’m imagining a family of Silurians running for the hibernation chambers, and one of the kids won’t leave without the family pet Dino.

The Doctor mentions that he’s “beginning to lose confidence for the first time in my life, and that covers several thousand years.” The Doctor’s age is a wildly contentious item in the mythology. Is that travel time given the other estimates of his biological age throughout the franchise, or is he calculating on a different solar period?

The Doctor developing the antidote really emphasizes his scientific knowledge, something lightly touched on in the first two iterations. He really has nothing else to do since he’s grounded and waiting for the plot to come to him.

In minor notes, the music is odd in this one. It’s too whimsical for the dramatic tale, and doesn’t seem to fit with the story at all. The Silurian makeup is pretty cool, but it’s also impressive how far they’ve come to Madame Vastra in the modern years. It’s also the first use of “neutron flow” catch phrase.

The ongoing question will be how the Doctor can trust the Brigadier from this point forward. The Brigadier committed genocide – admittedly, in defense of the planet – which obviously disgusted the Doctor. The Doctor is pretty much locked into indentured servitude until he can unlock the TARDIS, so he can’t not work with UNIT, but can he really trust UNIT and the Brigadier?

 

Rating: 4/5 – “Would you care for a jelly baby?”

 

UP NEXT – Doctor Who: The Ambassadors of Death

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

 

 

Timestamp #51: Spearhead from Space

Michael Falkner23 Comments

Doctor Who: Spearhead from Space
(4 episodes, s07e01-e04, 1970)

Timestamp 051 Spearhead from Space

 

It’s Doctor Who, now in color!

There’s a nice new opening to take advantage of that fact, although the projector sheet is pretty obvious. They also spoil the surprise of the Doctor’s new face in the opening credits, which is odd because they tease it for a good portion of the first episode. The budget has also obviously skyrocketed and the pace is a whole lot faster for what is looking more and more like a soft reboot of the series.

It’s really nice to see the Brigadier and UNIT again. He reminds the audience that we’ve met him twice before, and this is obviously his playground. He’s also dismayed because he doesn’t recognize the Doctor’s new face. We also get a new companion with Doctor Elizabeth Shaw. She’s really gruff with everyone except the Doctor, with whom she seems quite enamored. She’s quite an empowered woman, and certainly less of a damsel in distress than previous companions. She also demands respect by not putting up with the Doctor’s subterfuge when the Time Lord tricks her into retrieving the TARDIS key. Of course, he subsequently pulls a Millennium Falcon with the blue box. (No, it wouldn’t help if Liz got out and pushed.)

This story also cleanly brings Doctor Who into the era of the 1970s, which was the modern era for the production. You have civilians like the porter and the poacher acting exactly as they would in the time, which makes the show a fun little time capsule.

This Doctor kicks things off with a lot of heart – two, actually, as we establish that part of the mythos – and comedy. He acts crazy about his shoes as a ruse to get the TARDIS key he secreted away, and then he escapes in a wheelchair after almost being kidnapped, makes a break for the TARDIS, and gets shot. He should be more careful with this new body. I also laughed a lot about the clever sight gag with the doctor’s locker room sign (“Doctors Only”) and his escape from the hospital, during which he steals a rich doctor’s clothes and figures out how to steal a car. He really is a doctor of “pretty much everything.”

The plot isn’t half bad either. Meteorites crash to Earth, but they’re made of blinking and ringing plastic and draw Autons like ants. They’re impervious to gunfire (but the UNIT soldiers just keep slinging lead because that’s what they’re scripted to do) and are replacing key members of local leadership to (what else?) take over the world.

Channing, a character played to apathetic creepy perfection by Hugh Burden, is the avatar of the Nestene Consciousness, a force that has colonized planets like a virus across the universe and has now focused on Earth. The Doctor and crew stop them with a jury-rigged device, and after a brief technical difficulty and a battle with tentacles, the Doctor fries the Consciousness. Anyone for calamari?

The Doctor agrees to stay on with UNIT in exchange for facilities, technology to repair the TARDIS, Liz’s help with all of it, and a car. He also starts going by the pseudonym John Smith.

This serial hit the ground running, introduced a new Doctor, and made me like him right away. According to the rules of the Timestamps Project, regeneration episodes get an automatic +1 handicap, but this story certainly doesn’t need it.

 

Rating: 5/5 – “Fantastic!”

 

UP NEXT – Doctor Who and the Silurians

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.